L B M P – 0 0 3

T H E

F I T Z W I L L I A M V I R G I N A L B O O K

V O L U M E I I

N o s . 7 4 – 1 6 2

E X L I B R I S

Edited by Jon Baxendale and Francis Knights

ISMN 979-0-706670-10-2 All rights reserved.

C O N T E N T S 116 Præludium John Bull 199 117 Præludium Anon. 201 74 Pavana Pagget Peter Philips 2 118 Ut, re, mi, fa, sol, la Jan Pieterszoon Sweelinck 202 75 Galliarda Peter Philips 8 119 In Nomine John Bull 210 76 Passamezzo Pavana Peter Philips 11 120 Præludium Anon. 218 77 Galliarda Passamezzo Peter Philips 20 121 Pavana Lachryme John Dowland, arr. William Byrd 220 78 Chi fara fede al Cielo Alessandro Striggio, arr. Peter Philips 26 122 Galiarda James Harding, arr. William Byrd 225 79 Bon Jour mō Cuer Orlando di Lasso, arr. Peter Philips 32 123 Galiarda Thomas Tomkins 229 80 Pavana Dolorosa Tregian 37 124 Fantasia Thomas Morley 237 81 Galiarda Dolorosa Peter Philips 44 125 Christe Redemptor John Bull 246 82 Amarilli Giulio Caccini, arr. Peter Philips 47 126 The Maydens Song William Byrd 250 83 Margot laborez Orlando di Lasso, arr. Peter Philips 50 127 Put up thy Dagges, Jemy Giles Farnaby 256 84 Fantasia Peter Philips 53 128 Bony sweet Robin John Bull, arr. Giles Farnaby 262 85 Pavana Peter Philips 63 129 Fantasia Giles Farnaby 268 86 Le Rossignuol Orlando di Lasso, arr. Peter Philips 66 130 A Grounde Thomas Tomkins 274 87 Galliardo Peter Philips 71 131 Barafostus Dream Thomas Tomkins 283 88 Fantasia [‘Si me tenez’] Thomas Crecquillon arr. Peter Philips 72 132 The Hunting Galliard Thomas Tomkins 290 89 Fantasia Nicholas Stroger 78 133 The Quadran Paven William Byrd 294 90 Alman Martin Peerson 82 134 Galiard to the Quadran William Byrd 303 91 Pavana, Bray William Byrd 84 Paven 92 Galiarda William Byrd 88 135 The Kings Hunt John Bull 309 93 Pavana Ph. Tregian Thomas Morley, arr. William Byrd 90 136 Pavana John Bull 314 94 Galiarda William Byrd 94 137 Galiarda John Bull 319 95 Toccata Giovanni Picchi 96 138 Dr. Bulls Juell John Bull 322 96 Præludium Toccata Jan Pieterszoon Sweelinck 100 139 The Spanish Paven John Bull 325 97 Pavana Thomas Warrock 107 140 In Nomine Robert Parsons, arr. William Byrd 330 98 Galiarda Thomas Warrock 112 141 Woody-Cook Giles Farnaby 333 99 Præludium Galeazzo 115 142 The Duke of Brunswicks John Bull 342 100 Præludium William Byrd 118 Alman 101 Ut, re, mi, fa, sol, la William Byrd 119 143 Rosasolis Giles Farnaby 344 102 Ut, mi, re William Byrd 126 144 Psalme [140] Jan Pieterszoon Sweelinck 347 103 Fantasia William Byrd 132 145 Alman Robert Johnson 354 104 All in a Garden green William Byrd 138 146 Alman Robert Johnson 355 105 Heaven and Earth Fre. 143 147 Alman Robert Johnson, arr. Giles Farnaby 356 106 Præludium John Bull 146 148 The New Sa-Hoo Giles Farnaby 357 107 Veni [redemptor genitum] John Bull [attrib.] 149 149 Nobodys Gigge Richard Farnaby 358 108 Fantasia John Bull 152 150 Malts come downe William Byrd 362 109 Felix namque Thomas Tallis 157 151 Præludium Thomas Tomkins 365 110 Felix namque II Thomas Tallis 169 152 Alman Thomas Morley 367 111 Felix namque Alleluia Anon. 182 153 Pavana Thomas Morley 370 112 Daphne Giles Farnaby 184 154 Galiarda Thomas Morley 375 113 Pawles Wharfe Giles Farnaby 191 155 La Volta William Byrd 378 114 Quodlings Delight Giles Farnaby 194 156 Alman William Byrd 380 115 Præludium John Bull 198 157 Wolseys Wilde William Byrd 382 158 Callino Casturame William Byrd 384 159 La Volta Thomas Morley 386 160 Rowland William Byrd 388 161 Why aske you John Bull 391 162 The Ghost William Byrd 392

C R I T I C A L A P P A R A T U S Editorial policy 398 Commentary 399 Suggested ties 406

I N D I C E S Index by volume 407 Index by composer 410

P L A T E S

01. Ms. pages 168 and 168, nos. 90-91. 81 02. Ms. pages 205 and 205, nos. 109-110. 91 03. Ms. pages 226 and 227, nos. 123-124. 225 04. Ms. pages 234 and 235, nos. 127-128. 237 05. Ms. pages 232 and 233, nos. 126 and 127. 261

E D I T O R I A L P O L I C Y remarkably sloppy and fails to implement any overall consistency. An F, for example, The task of editing FVB has been problematic, not least because, like most manuscripts, might be sharpened at the beginning of a bar with no further repetitions similarly its scribe made a number of errors. Considering that the volume contains over 400,000 marked. Since this might be confusing, performers are advised to follow modern notes and rests, such mistakes are relatively few in number and are minor in character. conventions and alter all additional repetitions unless a new symbol or ficta cancels For the most part, they consist of misplaced notes––often due to a forgotten clef, or these. Ficta is always advisory, and players have the decision of adopting or rejecting it. missing notes and voices. Occasionally, though, they are more egregious: variations Such editorial suggestions are distinguishable in that they are placed above or below the might be copied in the wrong order or staves transposed. Elsewhere, passages arise that stave. While opposing symbols cancel accidentals in the manuscript, modern make no musical sense at all. While Tregian has rectified some problems, many conventions surrounding the use of natural symbols have been adopted. remained overlooked. Where passages are corrupt and for which no other source is Rhythms and beams are as per manuscript. These are generally standard to most known, the editors have had to find alternative solutions. All such instances are virginal sources and while they appear not to indicate phrasing or articulation, recorded in the commentary along with descriptions of anything that has been rationalising such rhythms is not the role of the editors. Occasionally, though, it has been suppressed. It is often possible to see where notes are missing: lines that disappear into necessary to contract note values where ties are employed at line-breaks. However, this lacunae or directs leading nowhere allow us to piece together what Tregian absently has occurred only when the original notation makes the new engraving ungainly. failed to copy. Such instances have been provided in cue-sized notes, and players are The original rests are, for the most part, retained. In some tripla passages, crotchet free to adopt or discard them as they feel appropriate. rests are frequently found, even though these are incorrect. However, the composer’s There are instances where a different note would be preferable to the one Tregian intention is usually clear, and in all but a few instances, where consistency is required, copied. These have led to difficult decisions on the part of the editors. Since copyists are they have been left uncorrected. To avoid clutter, multiple rests of the same value on the prone to mistakes, it is possible that these are slips of the pen. Such instances have been same beat have been reduced to one. Editorial rests avoid confusion but are used discussed and, where it was decided that an error occurred, an alteration has been made. sparingly. These are always given in cue-sized notation. However, some notes that might be incorrect but which sound acceptable have been left Tregian often beams such small note values as demisemiquavers and sextuplets by as per manuscript and alternative suggestions recorded in the commentary. drawing an extra beam. These usually occur as part of cadential figures and often form As a rule of thumb, the editors did not consult other sources, even if they might shakes. Thus, sextuplet semiquavers are usually beamed as demisemiquavers and, contain preferable versions. Their reasoning is quite straightforward: this is an edition elsewhere, semiquavers appear as demisemiquavers. Such instances have all been of the Fitzwilliam Virginal Book, and to litter the text or commentary with alternative rationalised and, where they do not add up metrically (i.e. two beats rather than four readings would diminish its importance as a source. Such editions of pieces exist are notated), the inference is that the player fills out the remaining beats with further elsewhere for consultation if so required. The edition is, therefore, as close to the original repetitions of the shake. These occurrences have also been normalised using small notes. manuscript as possible. Where sensible, many of Tregian’s notational traits have been Editorial ties have not been provided in the musical text unless a need to avoid retained, such as the use of beams or augmentation dots as ties. Tripla notation is also confusion exists. Suggestions, however, are made at the end of the commentaries of each kept in its varying forms, as have proportional time indications (e.g. 3 1) and the original volume. time signatures. Since these often indicate tempi, players should consult the preface to Repeat marks use the dal segno symbol : S : . When missing, editorial additions use Volume I for information concerning their meaning. square parentheses. Occasionally, the symbol is absent from a piece altogether when a Clefs have been modernised throughout, with variable F and C clefs discarded in repeat is in order. In these, standard repeat marks placed between the staves allow the favour of those in common usage today. Stem directions have been ignored. Tregian performer to decide whether or not they should be used. tended to write these as up-stems unless the music is polyphonic. There seems no Redundant bars are demarcated with a cue-sized final barline between the staves. reason, though, to maintain this orientation, with stems rationalised according to Whether or not these bars should be played is a matter for the performer, although a modern conventions. Inner notes of chords, though, have been reproduced as notated case has been made in the Preface that they might have a musical function that should in the manuscript. Tregian was remarkably inconsistent: some have with stems while not be ignored. others do not. Despite these irregularities, the ‘facsimile’ approach adopted has led to a The oblong format adopted for this edition is different from the upright orientation reproduction of the system applied to the manuscript. Where inner notes do have stems, of the manuscript. The decision to choose this layout was based on a close examination their direction has been standardised for the ease of reading. of the 1899 Breitkopf edition and consideration given to how practical a similar upright In virginal music, accidentals apply only to the notes they prefix. These are format would be when fulfilling the current editors’ requirements. While possible, reproduced here faithfully even when many appear redundant. Tregian, though, is modern systems of engraving would not allow our approach without decreasing the 398 I N D E X B Y V O L U M E 48 Galliarda John Bull 212 49 Præludium Thomas Oldfield 215 V O L U M E I 50 In Nomine William Blitheman 218 1 Walsingham John Bull 2 51 Ut, Re, 1001, Fa, Sol, La John Bull 220 2 Fantasia John Mundy 26 52 Fantasia William Byrd 226 3 Fantasia, Faire Wether, etc. John Mundy 32 53 The King's Hunt Giles Farnaby 235 4 Pavana Ferdinando Richardson 37 54 Spagnioletta Giles Farnaby 239 5 Variatio Ferdinando Richardson 39 55 For two Virginals Giles Farnaby 242 6 Galiarda Ferdinando Richardson 43 56 Passamezzo Pavana William Byrd 244 7 Variation Ferdinando Richardson 45 57 Galiardas Passamezzo William Byrd 252 8 Fantasia William Byrd 49 58 The Carman's Whistle William Byrd 257 9 Goe from my Window Thomas Morley 55 59 The Hunt's up William Byrd 262 10 Jhon come kisse me now William Byrd 60 60 Treg.[ian’s] Ground William Byrd 270 11 Galliarda to my Lord Lumleys's Pavan John Bull 67 61 Monsieur's Alman William Byrd 278 12 Nancie Thomas Morley 70 62 Variatio William Byrd 282 13 Pavana [Trumpet Pavan] John Bull 76 63 Alman William Byrd 290 14 Alman Anon. 79 64 Sellenger's Round William Byrd 294 15 Robin John Mundy 80 65 Fortune William Byrd 302 16 Pavana Anon. 83 66 O Mistris myne William Byrd 306 17 Galiarda John Bull 85 67 The Woods so wilde William Byrd 312 18 Barafostus Dreame Anon. 87 68 Walsingham William Byrd 317 19 Muscadin Anon. 90 69 The Bells William Byrd 326 20 Alman Anon. 92 70 Tirsi Luca Marenzio, arr. Peter Philips 333 21 Galiarda Anon. 94 71 Freno Luca Marenzio, arr. Peter Philips 336 22 Præludium Anon. 97 72 Così morirò Luca Marenzio, arr. Peter Philips 340 23 Præludium, El Kidermisters Anon. 98 73 Fece da voi Peter Philips 342 24 Præludium William Byrd 100 V O L U M E I I 25 Præludium Anon. 102 26 The Irish Ho-Hoane Anon. 104 74 Pavana Pagget Peter Philips 2 27 Pavane Ferdinando Richardson 104 75 Galliarda Peter Philips 8 28 Varatio Ferdinando Richardson 108 76 Passamezzo Pavana Peter Philips 11 29 Galliarda Ferdinando Richardson 112 77 Galliarda Passamezzo Peter Philips 20 30 Varatio Ferdinando Richardson 114 78 Chi fara fede al Cielo Alessandro Striggio, arr. Peter Philips 26 31 The Quadran Pavan John Bull 119 79 Bon Jour mō Cuer Orlando di Lasso, arr. Peter Philips 32 32 Variation of the Quadran Pavan John Bull 129 80 Pavana Dolorosa Tregian 37 33 Galliard to the Quadran Pavan John Bull 141 81 Galiarda Dolorosa Peter Philips 44 34 Pavana Do [Fantastic Pavan] John Bull 151 82 Amarilli Giulio Caccini, arr. Peter Philips 47 35 Galiard to the Pavan [Fantastic John Bull 156 83 Margot laborez Orlando di Lasso, arr. Peter Philips 50 Galliard] 84 Fantasia Peter Philips 53 36 Saint Thomas Wake John Bull 159 85 Pavana Peter Philips 63 37 In Nomine John Bull 163 86 Le Rossignuol Orlando di Lasso, arr. Peter Philips 66 38 [Veni Redemptor Genitum] John Bull 167 87 Galliardo Peter Philips 71 39 Pavana Robert Johnson, arr. Richard Farnaby 171 88 Fantasia [‘Si me tenez’] Thomas Crequillon, arr. Peter Philips 72 40 The Woods so wilde Orlando Gibbons 174 89 Fantasia Nicholas Strogers 78 41 Pavana of my Lord Lumley John Bull 180 90 Alman Martin Peerson 82 42 Goe from my Window John Mundy 184 91 Pavana, Bray William Byrd 84 43 Præludium John Bull 190 92 Galiarda William Byrd 88 44 Gloria tibi Trinitas John Bull 192 93 Pavana Ph. Tregian Thomas Morley, arr. William Byrd 90 45 Salvator Mundi John Bull 196 94 Galiarda William Byrd 94 46 Galliarda [Regina Galliard John Bull 204 95 Toccata Giovanni Picchi 96 47 Variato John Bull 208 96 Præludium Toccata Jan Pieterszoon Sweelinck 100 407 97 Pavana Thomas Warrock 107 148 The New Sa-Hoo Giles Farnaby 357 98 Galiarda Thomas Warrock 112 149 Nobody's Gigge Richard Farnaby 358 99 Præludium Galeazzo 115 150 Malt's come downe William Byrd 362 100 Præludium William Byrd 118 151 Præludium Thomas Tomkins 365 101 Ut, re, 1001, fa, sol, la William Byrd 119 152 Alman Thomas Morley 367 102 Ut, 1001, re William Byrd 126 153 Pavana Thomas Morley 370 103 Fantasia William Byrd 132 154 Galiarda Thomas Morley 375 104 All in a Garden green William Byrd 138 155 La Volta William Byrd 378 105 Heaven and Earth Fre. 143 156 Alman William Byrd 380 106 Præludium John Bull 146 157 Wolsey's Wilde William Byrd 382 107 Veni [redemptor genitum] Attrib. John Bull 149 158 Callino Casturame William Byrd 384 108 Fantasia John Bull 152 159 La Volta Thomas Morley 386 109 Felix namque Thomas Tallis 157 160 Rowland William Byrd 388 110 Felix namque II Thomas Tallis 169 161 Why aske you John Bull 391 111 Felix namque Alleluia Anon. 182 162 The Ghost William Byrd 392 112 Daphne Giles Farnaby 184 V O L U M E I I I 113 Pawles Wharfe Giles Farnaby 191 114 Quodlings Delight Giles Farnaby 194 163 Alman William Byrd 2 115 Præludium John Bull 198 164 Galliard William Byrd 4 116 Præludium John Bull 199 165 Pavana William Byrd 6 117 Præludium Anon. 201 166 Galliarda William Byrd 8 118 Ut, re, 1001, fa, sol, la Jan Pieterszoon Sweelinck 202 167 Pavana William Byrd 10 119 In Nomine John Bull 210 168 Galiarda William Byrd 14 120 Præludium Anon. 218 169 Pavana Thomas Morley 16 121 Pavana Lachryme John Dowland, arr. William Byrd 220 170 Galiarda Thomas Morley 20 122 Galiarda James Harding, arr. William Byrd 225 171 The Queens Alman William Byrd 24 123 Galiarda Thomas Tomkins 229 172 A Medley Anon., arr. William Byrd 28 124 Fantasia Thomas Morley 237 173 Pavana Anthony Holbourne, arr. William Byrd 34 125 Christe Redemptor John Bull 246 174 Galliarda William Byrd 36 126 The Maydens Song William Byrd 250 175 Miserere William Byrd 38 127 Put up thy Dagges, Jemy Giles Farnaby 256 176 Miserere [Clarifica me Pater] William Byrd 42 128 Bony sweet Robin John Bull, arr. Giles Farnaby 262 177 Pakingtown's Pownde Anon. 44 129 Fantasia Giles Farnaby 268 178 The Irish Dumpe Anon. 47 130 A Grounde Thomas Tomkins 274 179 Watkins Ale Anon. 48 131 Barafostus' Dream Thomas Tomkins 283 180 A Gigg William Byrd 49 132 The Hunting Galliard Thomas Tomkins 290 181 Pipers Paven John Dowland, arr. Martin Peerson 50 133 The Quadran Paven William Byrd 294 182 Pipers Galliard John Dowland, arr. John Bull 54 134 Galiard to the Quadran Paven William Byrd 303 183 Variatio ejusdem John Dowland, arr. John Bull 58 135 The King's Hunt John Bull 309 184 Præludium D[oric] John Bull 64 136 Pavana John Bull 314 185 Galiarda John Bull 66 137 Galiarda John Bull 319 186 Galiarda John Bull 68 138 Dr. Bull's Juell John Bull 322 187 Allemanda John Marchant 72 139 The Spanish Paven John Bull 325 188 Can Shee John Dowland, arr. Anon. 75 140 In Nomine Robert Parsons, arr. William Byrd 330 189 Doctor Bull's my selfe John Bull 76 141 Woody-Cook Giles Farnaby 333 190 A Gigge John Bull 77 142 The Duke of Brunswicks Alman John Bull 342 191 Sir Jhon Grayes Galliard W. M. 77 143 Rosasolis Giles Farnaby 344 192 Præludium John Bull 79 144 Psalme [140] Jan Pieterszoon Sweelinck 347 193 A Toy Anon. 80 145 Alman Robert Johnson 354 194 Giles Farnaby's Dreame Giles Farnaby 80 146 Alman Robert Johnson 355 195 His Rest Giles Farnaby 81 147 Alman Robert Johnson, arr. Giles Farnaby 356 196 His Humour Giles Farnaby 82 408 197 Fayne would I wedd Thomas Campion, arr. Richard Farnaby 84 248 A Duo Richard Farnaby 237 198 A Maske Giles Farnaby 85 249 Alman Anon. 239 199 A Maske Giles Farnaby 87 250 A Galiard Ground William Inglot 240 200 An Almain Anon. 88 251 The Leaves beee greene William Inglot 247 201 Corranto Anon. 89 252 Pavana William Byrd 251 202 Alman Anon. 90 253 Galiarda William Byrd 254 203 Corranto Orlando Gibbons. 91 254 Pavana William Byrd 257 204 Corranto Anon. 92 255 Galiarda William Byrd 261 205 Corranto Anon. 92 256 Pavana William Byrd [attrib.] 263 206 Daunce Anon. 93 257 Pavana Fantasia William Byrd 268 207 Worster Braules Thomas Tomkins 94 258 Galiarda William Byrd 271 208 Fantasia Giles Farnaby 96 259 The Earle of Oxfords Marche Anon., arr. William Byrd 274 209 A Maske John Coperario, arr. Giles Farnaby 100 260 Galiarda Jehan Oystermayre 278 210 Præludium John Bull 101 261 Fantasia William Byrd 280 211 Corranto Anon. 102 262 The Duchesse of Brunswick's Toye John Bull 288 212 Martin sad to his Man Anon. 103 263 A Toye Anon. 289 213 Almand William Tisdale 104 264 Corrāto Anon. 290 214 Pavana Chromatica William Tisdale 106 265 Lady Riche Anon. 291 215 Ut, re, mi, fa, sol, la John Bull 110 266 Corranto Anon. 292 216 Gipseis Round William Byrd 124 267 A Gigge Giles Farnaby 293 217 Fantasia Jan Pieterszoon Sweelinck 130 268 A Toye Anon. 295 218 Corranto William Byrd 140 269 Galiarda Giles Farnaby 296 219 Pavana Clemens Cottō William Tisdale 141 270 A Toye Giles Farnaby 299 220 Pavana William Tisdale 142 271 The Primerose Martin Peerson 300 221 Corranto Anon. 144 272 The Fall of the Leafe Martin Peerson 302 222 Alman Hooper 145 273 Farnabye's Conceit Giles Farnaby 304 223 Corrāto Anon. 146 274 Allemanda Anon. 305 224 Corranto Anon. 147 275 Pavana, Canon William Byrd 308 225 Corrāto Anon. 148 276 i Treg. Ground, Var. 8 William Byrd 312 226 Corrāto Anon. 149 276 ii Peascodd Time William Byrd 314 227 Alman Anon. 150 277 Pavana, Delight Edward Johnson, arr. William Byrd 322 228 Corranto Anon., arr. Edmund Hooper 151 278 Galiarda Edward Johnson, arr. William Byrd 327 229 Fantasia Giles Farnaby 152 279 Miserere John Bull 330 230 Loth to depart Giles Farnaby 158 280 Tell mee, Daphne Giles Farnaby 334 231 Fantasia Giles Farnaby 162 281 Mal Sims Giles Farnaby 336 232 Fantasia Giles Farnaby 166 282 Munday's Joy John Mundy 338 233 Ay me, poore Heart Giles Farnaby 176 283 Rosseter's Galliard [Philip Rosseter], arr. Giles Farnaby 339 234 Fantasia Giles Farnaby 180 284 The Flatt Pavan John Johnson, arr. Giles Farnaby 344 235 Walter Erle's Paven Giles Farnaby 184 285 Pavana Thomas Morley, arr. Giles Farnaby 348 236 Fantasia Giles Farnaby 190 286 Why aske you Giles Farnaby 355 237 Fantasia Giles Farnaby 194 287 Farmer's Paven Giles Farnaby 358 238 Fantasia Giles Farnaby 200 288 Dalling Alman John Bull 363 239 The Zouches Maske Anon., arr. Giles Farnaby 204 289 The Old Spagnoletta Giles Farnaby 364 240 Grounde Giles Farnaby 208 290 Lachrymae Pavan John Dowland, arr. Giles Farnaby 365 241 Corranto William Byrd 216 291 Meridian Alman Anon., Giles Farnaby 372 242 Up Tails all Giles Farnaby 218 292 Pavana Orlando Gibbons 374 243 Jhonson's Medley John Johnson, arr. Edward Johnson 226 293 Muscadin Anon., Giles Farnaby 376 244 Nowel's Galliard Anthony Holborne, arr. Anon. 230 294 Lady Montegle's Paven William Byrd 378 245 Tower Hill Giles Farnaby 232 295 Galiarda William Tisdale 381 246 Præludiū Giles Farnaby 234 296 Fantasia Giles Farnaby 384 247 The King's Morisco Anon. 236 297 Hanskin Richard Farnaby 390 409 I N D E X B Y C O M P O S E R 288 Dalling Alman I/85 69 Bells, The I/326 189 Doctor Bulls my selfe I/119 158 Callino Casturame II/384 A N O N 138 Dr. Bulls Juell I/129 58 Carmans Whistle, The I/257 274 Allemanda I/90 142 Duke of Brunswicks Alman, The I/141 218 Corranto III/140 200 Almain, An I/104 108 Fantasia I/151 241 Corranto III/216 14 Alman I/92 35 Galiard to the Pavan [Fantastic Galliard] I/156 103 Fantasia II/132 20 Alman I/94 17 Galiarda I/159 261 Fantasia III/280 202 Alman I/97 137 Galiarda I/163 8 Fantasia I/49 227 Alman I/98 185 Galiarda I/167 52 Fantasia I/226 249 Alman I/102 186 Galiarda I/180 65 Fortune I/302 291 Alman, Meridian [arr. Giles Farnaby] III/372 48 Galliarda I/190 94 Galiarda II/94 18 Barafostus Dreame II/182 46 Galliarda [Regina Galliard I/192 168 Galiarda III/14 211 Corranto II/201 11 Galliarda to my Lord Lumleys Pavan I/196 253 Galiarda III/254 201 Corranto II/218 190 Gigge, A I/67 92 Galiarda II/88 204 Corranto III/44 44 Gloria tibi Trinitas I/204 255 Galiarda III/261 205 Corranto III/47 37 In Nomine I/208 258 Galiarda III/271 221 Corranto III/48 119 In Nomine I/212 57 Galiardas Passamezzo I/252 224 Corranto III/80 135 Kings Hunt, The I/220 164 Galliard III/4 266 Corranto III/88 279 Miserere II/146 166 Galliarda III/8 228 Corranto [arr. Edmund Hooper] III/151 136 Pavana II/152 174 Galliarda III/36 226 Corrāto III/89 13 Pavana [Trumpet Pavan] II/198 162 Ghost, The II/392 225 Corrāto III/90 34 Pavana Do [Fantastic Pavan] II/199 180 Gigg, A III/49 223 Corrāto III/92 41 Pavana of my Lord Lumley II/210 216 Gipseis Round III/124 264 Corrāto III/92 115 Præludium II/246 59 Hunts up, The I/262 206 Daunce III/93 116 Præludium II/309 10 Jhon come kisse me now I/60 111 Felix namque Alleluia III/102 43 Præludium II/314 150 Malts come downe II/362 21 Galiarda III/103 106 Præludium II/319 126 Maydens Song, The II/250 178 Irish Dumpe, The III/291 192 Præludium II/322 175 Miserere III/38 26 Irish Ho-Hoane, The III/292 210 Præludium II/325 176 Miserere [Clarifica me Pater] III/42 265 Lady Riche III/144 184 Præludium D[oric] II/342 61 Monsieurs Alman I/278 212 Martin sad to his Man III/146 33 Quadran Pavan, Galliard to the III/64 62 Monsieurs Alman, Variatio I/282 259 Marche, The Earle of Oxfords [arr. Byrd] III/274 31 Quadran Pavan, The III/66 66 O Mistris myne I/306 172 Medley, A [arr. William Byrd] III/28 32 Quadran Pavan, Variation of the III/68 56 Passamezzo Pavana I/244 19 Muscadin III/147 36 Saint Thomas Wake III/76 167 Pavana III/10 177 Pakingtowns Pownde III/148 45 Salvator Mundi III/77 165 Pavana III/6 16 Pavana III/149 139 Spanish Paven, The III/79 252 Pavana III/251 22 Præludium III/150 262 Toye, The Duchesse of Brunswicks III/101 254 Pavana III/257 25 Præludium III/236 51 Ut, Re, Mi, Fa, Sol, La III/110 256 Pavana [attrib.] III/263 117 Præludium III/239 215 Ut, re, Mi, fa, sol, la III/288 257 Pavana Fantasia III/268 120 Præludium III/289 38 [Veni Redemptor Genitum] I/2 91 Pavana, Bray II/84 23 Præludium, El Kidermisters III/290 47 Variato III/330 275 Pavana, Canon III/308 247 The Kings Morisco III/295 107 Veni [redemptor genitum] [attrib.] II/149 294 Paven, Lady Montegles III/378 193 Toy, A I/83 1 Walsingham II/391 276 Peascodd Time III/314 263 Toye, A I/79 161 Why aske you III/363 100 Præludium II/118 268 Toye, A I/87 24 Præludium I/100 B L I T H E M A N , W I L L I A M B Y R D , W I L L I A M 134 Quadran Paven, Galiard to the II/303 133 Quadran Paven, The II/294 50 In Nomine I/218 104 All in a Garden green II/138 63 Alman I/290 160 Rowland II/388 B U L L , J O H N 156 Alman II/380 64 Sellengers Round I/294 128 Bony sweet Robin [arr. Giles Farnaby] II/262 163 Alman III/2 171 The Queens Alman III/24 125 Christe Redemptor I/76 276 Treg. Ground, Var. 8 III/312 410 60 Treg.[ian’s] Ground I/270 230 Loth to depart III/158 39 Pavana [arr. Richard Farnaby] I/171 102 Ut, mi, re II/126 281 Mal Sims III/336 101 Ut, re, mi, fa, sol, la II/119 199 Maske, A III/87 L A S S O , O R L A N D O D I 155 Volta, La II/378 198 Maske, A III/85 86 Le Rossignuol 66 68 Walsingham I/317 148 New Sa-Hoo, The II/357 M . , W . 157 Wolseys Wilde II/382 113 Pawles Wharfe II/191 191 Sir Jhon Grayes Galliard III/77 67 Woods so wilde, The I/312 246 Præludiū III/234 127 Put up thy Dagges, Jemy II/256 M A R E N Z I O , L U C A C A C C I N I , G I U L I O 114 Quodlings Delight II/194 72 Così morirò [arr. Peter Philips] I/340 82 Amarilli [arr. Peter Philips] II/47 143 Rosasolis II/344 54 Spagnioletta I/239 M O R L E Y , T H O M A S C A M P I O N , T H O M A S 152 Alman II/367 197 Fayne would I wedd [arr. Richard II/84 280 Tell mee, Daphne III/334 289 The Old Spagnoletta III/364 124 Fantasia II/237 Farnaby] 170 Galiarda III/20 297 Hanskin III/390 245 Tower Hill III/232 270 Toye, A III/299 154 Galiarda II/375 9 Goe from my Window I/55 C O P E R A R I O , J O H N 242 Up Tails all III/218 159 La Volta II/386 209 Maske, A [arr. Giles Farnaby] III/100 235 Walter Erles Paven III/184 286 Why aske you III/355 12 Nancie I/70 C R E Q U I L L O N , T H O M A S 141 Woody-Cook II/333 169 Pavana III/16 88 Fantasia [‘Si me tenez’], arr. Peter Philips II/72 153 Pavana II/370 F A R N A B Y , R I C H A R D 285 Pavana [arr. Giles Farnaby] III/348 D O W L A N D , J O H N 248 Duo, A III/237 93 Pavana Ph. Tregian [arr. William Byrd] II/90 188 Can Shee [arr. Anon.] III/75 297 Hanskin III/390 182 Pipers Galliard [arr. John Bull] III/54 149 Nobodys Gigge II/358 O L D F I E L D , T H O M A S 183 Variatio ejusdem [arr. John Bull] III/58 49 Præludium I/215 121 Pavana Lachryme [arr. William Byrd] II/220 G A L E A Z Z O 290 Lachrymae Pavan [arr. Giles Farnaby] III/365 99 Præludium II/115 P E E R S O N , M A R T I N 181 Pipers Paven [arr. Martin Peerson] III/50 90 Alman II/82 G I B B O N S , O R L A N D O 272 Fall of the Leafe, The III/302 F A R N A B Y , G I L E S 203 Corranto III/91 271 Primerose, The III/300 233 Ay me, poore Heart III/176 292 Pavana III/374 112 Daphne II/184 40 Woods so wilde, The I/174 P H I L I P S , P E T E R 129 Fantasia II/268 84 Fantasia II/53 208 Fantasia III/96 H O L B O R N E , A N T H O N Y 73 Fece da voi I/342 229 Fantasia III/152 173 Pavana [arr. William Byrd] III/34 81 Galiarda Dolorosa II/44 231 Fantasia III/162 75 Galliarda II/8 H O O P E R , E D M U N D 77 Galliarda Passamezzo II/20 232 Fantasia III/166 222 Alman III/145 234 Fantasia III/180 88 Galliardo II/72 236 Fantasia III/190 I N G L O T , W I L L I A M 87 Galliardo II/71 237 Fantasia III/194 250 Galiard Ground, A III/240 76 Passamezzo Pavana II/11 238 Fantasia III/200 251 Leaves beee greene, The III/247 85 Pavana II/63 296 Fantasia III/384 74 Pavana Pagget II/2 287 Farmers Paven III/358 J O H N S O N , E D W A R D 277 Pavana, Delight [arr. William Byrd] III/322 P I C C H I , G I O V A N N I 273 Farnabyes Conceit III/304 95 Toccata II/96 55 For two Virginals I/242 J O H N S O N , J O H N 269 Galiarda III/296 243 Jhonsons Medley [arr. Edward Johnson] III/226 R I C H A R D S O N , F E R D I N A N D O 267 Gigge, A III/293 284 The Flatt Pavan [arr. Giles Farnaby] III/344 6 Galiarda I/43 194 Giles Farnabys Dreame III/80 29 Galliarda I/112 240 Grounde III/208 J O H N S O N , R O B E R T 4 Pavana I/37 196 His Humour III/82 145 Alman II/354 27 Pavane I/104 195 His Rest III/81 146 Alman II/355 28 Varatio I/108 53 Kings Hunt, The I/235 147 Alman [arr. Giles Farnaby] II/356 30 Varatio I/114 411 5 Variatio I/39 7 Variatio I/45

R O S S E T E R , P H I L I P 283 Rosseters Galliard [arr. Giles Farnaby] III/339 S T R I G G I O , A L E S S A N D R O 78 Chi fara fede al Cielo [arr. Peter Philips] II/26

S T R O G E R S , N I C H O L A S 89 Fantasia II/78

S W E E L I N C K , J A N P I E T E R Z O O N 217 Fantasia III/130 96 Præludium Toccata II/100 144 Psalme [140] II/347 118 Ut, re, mi, fa, sol, la II/202

T A L L I S , T H O M A S 109 Felix namque II/157 110 Felix namque II II/169

T I S D A L E , W I L L I A M 213 Almand III/104 214 Pavana Chromatica III/106 219 Pavana Clemens Cottō III/141 220 Pavana III/142 295 Galiarda III/381

T O M K I N S , T H O M A S 151 Præludium II/365 207 Worster Braules III/94

T R E G I A N 80 Pavana Dolorosa II/37

W A R R O C K , T H O M A S 97 Pavana II/107 98 Galiarda II/112

412