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Gerard de Lairesse

Taking Dutch Art Seriously: Now and Next? Author(S): MARIËT WESTERMANN Source: Studies in the History of Art, Vol
The Infancy of Jesus and Religious Painting by Gerard De Lairesse
Historical Painting Techniques, Materials, and Studio Practice
De Lairesse on the Theory and Practice Lyckle De Vries
Thesis | December 2013
Gerard De Lairesse and the Semantic Development of the Concept of Haltung in German*
The Painting Technique in Gerard De Lairesse's Bacchus and Ariadne As Compared to the Principles Expounded in H
Dutch and Flemish Art at the Utah Museum of Fine Arts A
Michael Sweerts (1618-1664) and the Academic Tradition
Introduction
Bibliography of Publications by Walter Liedtke
The Illusion of Flesh in Dutch Seventeenth-‐Century Portraiture
A Painter in His Studio, Tuning a Lute. Oil on Panel, 41 X 54 Cm Signed and Dated on the Cross Bar of the Easel: Pcodde 162[9?]
A Flower Garland by Daniel Seghers
On Gerard De Lairesse's
Painting in the Dutch Golden Age: a Profile of the Seventeenth Century
Women in Vermeer's Home: Mimesis and Ideation Author(S): H
Blemished Noses in the Art of Three Masters: Ghirlandaio, Rembrandt

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Pieter De Molijn (1597–1661): a Dutch Painter and the Art Market in the Seventeenth Century
Dutch Golden Age Painting 1 Dutch Golden Age Painting
Midwestern Arcadia: Essays in Honor of Alison Mcneil Kettering
The Drawings of Gerárd De Lairesse: State of Affairs
Continuity and Disruption in European Networks of Print Production, 1550-1750 Matthew .D Lincoln Getty Research Institute, [email protected]
Material Depiction in Flemish and Dutch Baroque Art Theory
November 2013 Newsletter
Fied Painting by Matthäus Merian the Younger (1621 – 1687)
Part Ii Interpretation
ABSTRACT Title of Dissertation: ADRIAEN VAN OSTADE's IMAGES

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