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Part Ii Interpretation

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Part Ii Interpretation PART II INTERPRETATION Chapter Four An Attempt to Explain Evolutions in Price 53 DIFFERENCES BETWEEN NORTH AND SOUTH 53 THE MOST FREQUENTLY TRADED PAINTERS 57 Peter Paul Rubens 58 | Rembrandt 63 | Anthony van Dyck 69 | David Teniers II 72 | Conclusion 75 | The Most Recent Period: 1975-2011 76 LANDSCAPES 77 Differences between North and South 77 | Ludolf Bakhuizen, Master of the Seascape 79 | Nicolaes Berchem and Philips Wouwerman, Masters of the Italianate Landscape 81 | Cornelis van Poelenburch, Founder of the Dutch Italianate Landscape 87 | Jan Brueghel I and other Southern Netherlandish Landscape Painters 88 | Hunting Scenes 91 | Conclusion 92 HISTORY PAINTINGS 93 Differences between North and South 97 | History Painting in the South 99 | Jacob Jordaens 1100 | History Painting in the North 103 | Gerard de Lairesse 104 | Conclusion 108 GENRE SCENES 108 Adriaen Brouwer, Joos van Craesbeeck, Pieter Brueghel II and David Rijckaert III: Southern Netherlandish Masters of the Peasant Scene no | The Northern Netherlandish Master of the Peasant Scene, Adriaen van Ostade 113 | The Leiden fijnschilders Gerard Dou and Frans van Mieris 1115 | The Battle Painters Peter Snayers and and Palamedes Palamedesz. 1120 | The Bamboccianti Pieter van Laer (Bamboccio) and Jan Miel 123 | Conclusion 124 PORTRAITS 124 The Under-representation of Portraits in the Database 125 | Sub-genres and their Practitioners 127: Equestrian Portraits 128 - Self-portraits 128 | Price Evolution 129: The Seventeenth Century 129 - The Eighteenth Century to the Late Nineteenth Century (1700-1875) 131 - The Late Nineteenth Century to the Early Twenty-first Century (1875-1925) 132 | Conclusion 134 STILL LIFES I34 The Seventeenth Century 137 | The Eighteenth and Nineteenth Century 140 The Twentieth and Early Twenty-first Century 142 | Conclusion 144 ARCHITECTURAL PAINTINGS 144 Masters of the Architectural Painting 145 | Price Trends 146 PART III FACTS AND FIGURES Chapter Five Some Basic Data on the Number of Painters active in the Low Countries in the Seventeenth Century 146 BASIC DATA ON THE PROFESSION OF PAINTER IN THE SEVENTEENTH CENTURY 149 CALCULATION MODELS FOR ESTIMATING THE NUMBER OF PAINTERS AND PAINTINGS IN THE SEVENTEENTH CENTURY 152 Calculation models used by Van der Woude and Brulez 152 Calculation model devised for this study 155 | Conclusion 157 Chapter Six Basic Data on Seventeenth-Century Painting Ownership 158 AMSTERDAM I58 ANTWERP I58 DELFT 159 DORDRECHT I59 'S-HERTOGENBOSCH 159 LEIDEN 160 EVOLUTION OF THE NUMBER OF PAINTINGS PER HOUSEHOLD l6l Chapter Seven Selection of the Painters in the Sample 162 PROBLEMS CONNECTED WITH PAINTERS' NAMES 162 LIST OF ARTISTS INCLUDED IN THE SAMPLE 164 Chapter Eight The Conversion of Units of Currency and Length in the Period before i9oo 170 CONVERSION OF CURRENCIES IN THE PERIOD BEFORE I9OO 175 AUCTIONS WITH NO INDICATION OF THE CURRENCY 176 CONVERSION OF CURRENCIES AFTER I9OO I76 CONVERSION OF UNITS OF LENGTH I78 Chapter Nine Definitions of the Various Genres 180 LANDSCAPE 180 HISTORY PAINTING l8l GENRE PAINTING 182 PORTRAIT 182 STILL LIFE 183 ARCHITECTURAL PAINTING 184 Chapter Ten Authenticity 185 Chapter Eleven Summary 192 Conclusion 202 Appendix 208 Bibliography 284 Index 294.
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