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George Grosz

  • E 13 George Grosz (1893-1959) 'My New Pictures'

    E 13 George Grosz (1893-1959) 'My New Pictures'

  • Genius Is Nothing but an Extravagant Manifestation of the Body. — Arthur Cravan, 1914

    Genius Is Nothing but an Extravagant Manifestation of the Body. — Arthur Cravan, 1914

  • Hannah Höch 15 January – 23 March 2014 Galleries 1, 8 & Victor Petitgas Gallery (Gallery 9)

    Hannah Höch 15 January – 23 March 2014 Galleries 1, 8 & Victor Petitgas Gallery (Gallery 9)

  • 1 Fuga Saeculi

    1 Fuga Saeculi

  • Portrait of Marcel Duchamp (Before 1920)

    Portrait of Marcel Duchamp (Before 1920)

  • Florida State University Libraries

    Florida State University Libraries

  • Dadaist Manifesto by Tristan Tzara, Franz Jung, George Grosz, Marcel Janco, Richard Huelsenbeck, Gerhard Preisz, Raoul Hausmann April 1918

    Dadaist Manifesto by Tristan Tzara, Franz Jung, George Grosz, Marcel Janco, Richard Huelsenbeck, Gerhard Preisz, Raoul Hausmann April 1918

  • Dada-Guide-Booklet HWB V5.Pdf

    Dada-Guide-Booklet HWB V5.Pdf

  • Raoul Hausmann and Berlin Dada Studies in the Fine Arts: the Avant-Garde, No

    Raoul Hausmann and Berlin Dada Studies in the Fine Arts: the Avant-Garde, No

  • A Companion to Dada and Surrealism

    A Companion to Dada and Surrealism

  • Materials and Techniques of George Grosz: American Watercolors When

    Materials and Techniques of George Grosz: American Watercolors When

  • Neue Sachlichkeit Neue Sachlichkeit (Or the New Objectivity) Was an Artistic Attitude That Arose in Germany in the 1920S in Reac

    Neue Sachlichkeit Neue Sachlichkeit (Or the New Objectivity) Was an Artistic Attitude That Arose in Germany in the 1920S in Reac

  • Will the Real Otto Dix Please Stand Up?: Dix, Nietzsche, and Lacan

    Will the Real Otto Dix Please Stand Up?: Dix, Nietzsche, and Lacan

  • Exhibition Celebrates Contemporary Influence of Revolutionary Movement with Dada-Inspired Installation, Design, Performances, and Programs February 12–July 3, 2016

    Exhibition Celebrates Contemporary Influence of Revolutionary Movement with Dada-Inspired Installation, Design, Performances, and Programs February 12–July 3, 2016

  • George Grosz, the Great Caricaturist and Painter Who Was Compelled to Leave Germany in 1932 Because the Nazis Could Not Endure the Increasing Force of His Satire

    George Grosz, the Great Caricaturist and Painter Who Was Compelled to Leave Germany in 1932 Because the Nazis Could Not Endure the Increasing Force of His Satire

  • The Baroness Elsa Von Freytag-Loringhoven's New York

    The Baroness Elsa Von Freytag-Loringhoven's New York

  • Memoirs of a Dada Drummer

    Memoirs of a Dada Drummer

  • Download the Portraying a Nation Teacher's Pack

    Download the Portraying a Nation Teacher's Pack

Top View
  • German Expressionist Prints and the Legacy of the Early German Masters
  • Exile and Modernism Theoretical and Methodological Reflections on the Exile of Artists in the 1930S and ’40S
  • Documenting Dada / Disseminating Dada Da Object List Da Da Da 1
  • FIT Modern Art-DADA
  • Readings: War Poetry and Dada
  • Subversion Through Humour in Dada
  • Red Grooms's Portraits of Artists, 1957-2009
  • 0,10 – the Last Futurist Exhibition of Painting”, Petrograd, Winter 1915/16
  • The Athlete As Machine: a Figure of Modernity in Weimar Germany
  • Art of the Weimar Republic and the Premonitions of Fascism Leshan Xiao
  • Dada: Printed Matter in the Merrill C. Berman Collection
  • Dada Manifesto” (1918)
  • George Grosz (1893-1959) Internationally Renowned Leader of the Berlin Dada Movement
  • INTO the NIGHT CABARETS and CLUBS in MODERN ART Lower Belvedere and Orangery 14 February to 1 June 2020
  • The Weimar Repubic 1918-1933
  • DADA EXHIBITIONS: a SURVEY and ANALYSIS Emily Rachel Grey, Master of Arts, 2006 Thesis Directed By
  • The Work of Art and the Problem of Politics in Berlin Dada*
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