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Gaudenzio Ferrari
BERNARDINO LUINI Catalogo Generale Delle Opere
Sacro Monte Di Varallo
The Sacro Monte of Varallo As a Physical Manifestation of the Spiritual Exercises Ryan Gregg
La Pittura Cinquecentesca Di Bernardino Luini
5.1 Gaudenzio Ferrari. Christ on His Way to the Praetorimn (Detail). Polychromed Sculpture with Other Media. Varallo, Sacro Monte
Mary Magdalene's Conversion in Renaissance Painting And
Leonardo Da Vinci's
Performing the Renaissance Body and Mind
Bramantino L’Arte Nuova Del Rinascimento Lombardo Museo Cantonale D’Arte, Lugano 28 Settembre 2014 – 11 Gennaio 2015
Gaudenzio E Gli Altri.Pdf
State'-' Museums of Berlin. Fo-Ufctlcn
Santa Maria Delle Grazie and the "Last Supper" by Leonardo Da Vinci
POLITECNICO DI TORINO Repository ISTITUZIONALE
The Sacred Mountain of Varallo in Italy: Seismic Risk Assessment by Acoustic Emission and Structural Numerical Models
Goiters in the Renaissance, Vesalius, III, 1, 23 - 32,1997
Fotokatalog Photographic Catalogue Catalogo Fotografico
New Jerusalem at Varallo-Sesia
Lvaro Pires De Vora
Top View
Gaudenzio Ferrari
BERNARDINO LUINI Maria Teresa Binaghi Olivari This New
Reinventing the Sacro Monte: the Memory of Bernardino Caimi at Varallo
Correlation Between Acoustic Emission and Seismicity in the Sacred Mountain of Varallo Renaissance Complex in Italy
Mary Magdalene's Conversion in Renaissance
The Vanderbilt Collection of Drawings in the East Galleries
SACRO MONTE of VARALLO Locarno (CH)
BERNARDINO LUINI (LUINI 1480/1485-1532 LUGANO) the Nativity, with the Journey to Egypt Beyond Tempera and Oil on Panel 46Æ X 35¡ In
Vercelli - Lo Dolce Piano
Gallery the High Renaissance in Venice and Northern Italy, 1500-1600
Italian Masters in German Galleries. a Critical Essay on the Italian Pictures
Giovanni Romano
Deep Space LIVE
Body and Apparition: Material Presence in Sixteenth-Century Italian Religious Sculpture Erin Giffin a Dissertation Submitted In
Intermediality and Immersion in Gaudenzio Ferrari's
In Painting and Sculpture Edited by G. C. Williamson
Flying Putti Holding a Veil and a Crown, Another with a Censer Below Black Chalk, Pen and Brown Ink, with Touches of White Heightening, on Blue-Green Paper
18Th Century, Madonna and Child, by B. Luini (1480 - 1532)
Michael Angelo Bunoarroti