Sacro Monte Di Varallo
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Araneae, Linyphiidae
1 Advances in the systematics of the spider genus Troglohyphantes (Araneae, 2 Linyphiidae) 3 4 Marco Isaia1 *, Stefano Mammola1, Paola Mazzuca2, Miquel A. Arnedo2 & Paolo Pantini3 5 6 1) Department of Life Sciences and Systems Biology, Università di Torino. Via Accademia 7 Albertina, 13. I-10123 Torino, Italy. 8 2) Department of Evolutionary Biology, Ecology and Environmental Sciences & Biodiversity 9 Research Institute, Universitat de Barcelona. Av. Diagonal 643, Barcelona 08028, Catalonia, Spain. 10 3) Museo civico di Scienze Naturali “E. Caffi”. Piazza Cittadella, 10. I-24129 Bergamo, Italy. 11 * Corresponding author: [email protected] 12 13 Running title: Advances in Troglohyphantes systematics 14 15 16 17 18 19 20 21 22 ABSTRACT 23 With 128 described species and 5 subspecies, the spider genus Troglohyphantes (Araneae, 24 Linyphiidae) is a remarkable example of species diversification in the subterranean environment. In 25 this paper, we conducted a systematic revision of the Troglohyphantes species of the Italian Alps, 26 with a special focus on the Lucifuga complex, including the description of two new species (T. 27 lucifer n. sp. and T. apenninicus n. sp). In addition, we provided new diagnostic drawings of the 28 holotype of T. henroti (Henroti complex) and established three new synonymies within the genus. 29 The molecular analysis of the animal DNA barcode confirms the validity of this method of 30 identification of the Alpine Troglohyphantes and provides additional support for the morphology- 31 based species complexes. Finally, we revised the known distribution range of additional 32 Troglohyphantes species, as well as other poorly known alpine cave-dwelling spiders. -
Abbildungsverzeichnis
Abbildungsverzeichnis Trotz intensiver Recherchen war es nicht in allen Fällen möglich, die Rechteinhaber der Abbil- dungen ausfndig zu machen. Berechtigte Ansprüche werden selbstverständlich im Rahmen der üblichen Vereinbarungen abgegolten. B = Bühnenbild, M = Musik, P = Premierendatum, R = Regie, T = Text Abb. 1 Johan Torn Prikker, Ecce Homo, Dreikönigenkirche, Neuss, Einzelscheibe aus dem mittleren Chorfenster, 1912, Fotografe: Stefan Johnen, Glottertal. Abb. 2 Rekonstruktion der Sonderbundkapelle anlässlich der Ausstellung 1912 – Mission Moderne im Wallraf-Richartz-Museum & Fondation Corboud, Köln, 2012, Fotografe: © Raimond Spekking/CC-BY-SA-4.0 (via Wikimedia Commons). Abb. 3 Henry van de Velde, Bühnenbildentwurf zu Émile Verhaerens Das Kloster, Werkbund- theater Köln, R: Victor Barnowsky, P: Juli 1914, Gouache und Kreide auf Karton, 35,2 × 50,5 cm, Teaterwissenschafliche Sammlung der Universität zu Köln, Fotografe: Christina Vollmert, © VG Bild-Kunst, Bonn 2018. Abb. 4 Szenenfotografe zu Émile Verhaerens Das Kloster, Werkbundtheater Köln, R: Victor Barnowsky, B: Henry van de Velde, P: Juli 1914, Teaterwissenschafliche Sammlung der Universität zu Köln, Fotografe: Christina Vollmert. Abb. 5 Szenenfotografe zu Hugo von Hofmannsthals Jedermann, Domplatz Salzburg, R: Max Reinhardt, B: Alfred Roller, P: 22.08.1920, Teaterwissenschafliche Sammlung der Univer- sität zu Köln. Abb. 6 Wilhelm Willinger, Szenenfotografe zu Hugo von Hofmannsthals Das Salzburger Große Welttheater, Kollegienkirche Salzburg, R: Max Reinhardt, B: Alfred Roller, P: 13.08.1922, Teaterwissenschafliche Sammlung der Universität zu Köln. Abb. 7 Carl Meyer nach einer Zeichnung von Ernst Friedrich Zwirner, Der Dom zu Cöln im Frühjahre 1851, Stahlstich, in: Kölner Domblatt. Amtliche Mittheilungen des Central-Dombau- Vereins 75 (1851): S. 21, Dombauarchiv Köln, Fotografe: Universitätsbibliothek Heidelberg/ CC-BY-SA-3.0. -
La Ferrovia Della Valsesia
NORD LA FERROVIA DELLA VALSESIA 24 25 NORD LA FERROVIA DELLA VALSESIA 54,1 KM 1881-1886 2014 2015 LA LINEA Inoltrarsi nella valle più verde d’Italia in treno, alla scoperta di paesaggi PIEMONTE diversi (da quello della pianura padana a quello montano), lasciandosi NOVARA-VARALLO SESIA (VC) stupire dalla bellezza della natura e dall’arte dell’uomo, fino a raggiungere Varallo e il suo Sacro Monte (la “Nuova Gerusalemme”), il più antico del Piemonte, costruito in varie tappe tra il 1486 e il 1713 (vedi box di appro- fondimento). Tutto ciò è la Ferrovia della Valsesia, lunga circa 51 km, che VERBANIA collega la stazione di Vignale a quella di Varallo Sesia. La sua costruzione ebbe inizio nel 1881 ed il primo tratto, di circa 26 km tra Vignale e Roma- gnano Sesia, venne inaugurato il 22 febbraio 1883. Negli anni successivi BIELLA furono realizzati i tronchi successivi, fino alla inaugurazione dell’intera linea NOVARA TORINO fino a Varallo Sesia avvenuta il 12 aprile 1886. Da Vignale, la linea era collegata alla stazione di Novara attraverso un tratto, di poco più di 3 km, VERCELLI ALESSANDRIA già attivo fin dal 1855 perché facente parte della linea Arona-Alessandria (e della Novara-Domodossola). La ferrovia garantì per circa un secolo gli scambi tra la pianura e le aree produttive della Valsesia. Dal 15 settembre 2014, il servizio viaggiatori è stato sospeso ed autosostituito; il tratto Nova- ra-Romagnano Sesia è ancora utilizzato per il servizio merci per la cartiera ASTI Kimberly, mentre il tronco Romagnano Sesia-Varallo Sesia è utilizzato esclu- CUNEO sivamente per la circolazione occasionale di treni turistici. -
ALLUVIONI in VALSESIA (Dal Medio Evo Ai Giorni Nostri)
REGIONE PIEMONTE DIREZIONE REGIONALE SERVIZI TECNICI DI PREVENZIONE Quaderno n. 14 ALLUVIONI IN VALSESIA (Dal Medio Evo ai giorni nostri) BANCA DATI GEOLOGICA Settembre 1999 IN COPERTINA: Alagna. Frazioni Ronco e Pedemonte prima (fotografia in alto) e dopo (fotografia in basso ) l’alluvione del 1° Ottobre 1919. Pubblicazione in distribuzione gratuita presso la Direzione Regionale Servizi Tecnici di Prevenzione della Regione Piemonte, via Pisano 6, 10152 Torino (Tel. 011-4321381) Stampato presso il Centro Stampa della Regione Piemonte REGIONE PIEMONTE DIREZIONE REGIONALE SERVIZI TECNICI DI PREVENZIONE Quaderno n. 14 ALLUVIONI IN VALSESIA (Dal Medio Evo ai giorni nostri) Elvise Fontana Revisione e predisposizione per la stampa a cura del Settore Studi e Ricerche Geologiche Sistema Informativo Prevenzione Rischi, Biella. Con la collaborazione di Giampani Claudia (*) (*) collaboratore esterno CSI Piemonte I N D I C E PREMESSA............................................................................................................................ 3 ALLUVIONI STORICHE............................................................................................................... 5 1277 - 1310 (?) BASSA VALLE ................................................................................................. 5 1493 - VARALLO, ISOLELLA, ROGGIA MORA ............................................................................ 5 1640 - NOTIZIE: RIVA VALDOBBIA E DOCCIO ........................................................................... 5 1654 -
BERNARDINO LUINI Catalogo Generale Delle Opere
CRISTINA QUATTRINI BERNARDINO LUINI Catalogo generale delle opere ALLEMANDI Sommario Abbreviazioni 7 1. Fortune e sfortune di Bernardino Luini 27 2. La questione degli esordi ALPE Archivio dei Luoghi Pii Elemosinieri, Milano, Azienda di Servizi alla Persona «Golgi-Redaelli» e del soggiorno in Veneto AOMMi Archivio dell’Ospedale Maggiore di Milano 35 3. Milano nel secondo decennio APOFMTo Archivio della Curia Provinciale OFM di Torino del Cinquecento ASAB Archivio Storico dell’Accademia di Brera di Milano ASBo Archivio di Stato di Bobbio 61 4. Le grandi commissioni ASCAMi Archivio Storico della Curia Arcivescovile di Milano degli anni 1519-1525 ASCMi Archivio Storico Civico di Milano 77 5. 1525-1532. Gli ultimi anni ASCo Archivio di Stato di Como ASDCo Archivio Storico Diocesano di Como ASMi Archivio di Stato di Milano 89 Tavole ASMLe Archivio di San Magno a Legnano, Milano ASS Archivio Storico del Santuario di Saronno, Varese Le opere ASTi Archivio di Stato del Cantone Ticino, Lugano 125 Dipinti IAMA Istituto di Assistenza Minori e Anziani di Milano Sopr. BSAE Mi Ex Soprintendenza per i Beni storici artistici ed etnoantropologici per le province 413 Dipinti dubbi, irreperibili o espunti di Milano, Bergamo, Como, Lecco, Lodi, Monza e Brianza, Pavia, Sondrio e Varese, 421 Alcune copie da originali perduti ora Soprintendenza Archeologia, belle arti e paesaggio per la città metropolitana di Milano e Soprintendenza Archeologia, belle arti e paesaggio per le province di Como, Lecco, e derivazioni da Bernardino Luini Monza-Brianza, Pavia, Monza e Varese. 429 Disegni 465 Opere perdute f. foglio rip. riprodotto 471 Regesto di Bernardino Luini s.d. -
Case Study Italy
TOWN Small and medium sized towns in their functional territorial context Applied Research 2013/1/23 Case Study Report | Italy Version 15/February/2014 ESPON 2013 1 This report presents the interim results of an Applied Research Project conducted within the framework of the ESPON 2013 Programme, partly financed by the European Regional Development Fund. The partnership behind the ESPON Programme consists of the EU Commission and the Member States of the EU27, plus Iceland, Liechtenstein, Norway and Switzerland. Each partner is represented in the ESPON Monitoring Committee. This report does not necessarily reflect the opinion of the members of the Monitoring Committee. Information on the ESPON Programme and projects can be found on www.espon.eu The web site provides the possibility to download and examine the most recent documents produced by finalised and ongoing ESPON projects. This basic report exists only in an electronic version. © ESPON & University of Leuven, 2013. Printing, reproduction or quotation is authorised provided the source is acknowledged and a copy is forwarded to the ESPON Coordination Unit in Luxembourg. ESPON 2013 2 List of authors Cristiana Cabodi (Officina Territorio) Alberta de Luca (Officina Territorio) Alberto Di Gioia (Politecnico di Torino) Alessia Toldo (Officina Territorio) ESPON 2013 3 Table of contents 1. National context (p. 9) 1.1 Semantic point of view (p. 9) 1.2 Institutional and administrative point of view (p. 9) 1.3 statistical point of view (p. 9) 1.4 Small and Medium Sized Towns (SMSTs) in National/Regional settlement system: literary overview (p 12.) 1.4.1 The Italian urban system from the 1960s to the 1970s: the polarized structure (p. -
Download Article In
Journal Director: R. Gulli e-ISSN 2421-4574 Vol. 7, No. 1 (2021) Issue edited by Editor in Chief: R. Gulli Cover illustration: Azulejos, Casa de Pilatos, Seville. © Renato Morganti, 2017 Editorial Assistants: C. Mazzoli, D. Prati e-ISSN 2421-4574 Vol. 7, No. 1 (2021) Year 2021 (Issues per year: 2) Journal Director Riccardo Gulli Scientific Committee Construction History and Preservation Santiago Huerta, Antonio Becchi, Camilla Mileto, Amedeo Bellini, Stefano Della Torre, Alberto Grimoldi, Claudio Varagnoli, Tullia Iori, Antonello Sanna, Renato Morganti, Giovanni Fatta, Marco Dezzi Bardeschi, Corrado Fianchino Construction and Building Performance Matheos Santamuris, Francisco Javier Neila González, M. Hyle, John Richard Littlewood, Gianfranco Carrara, Riccardo Nelva, Enrico Dassori, Marina Fumo Building and Design Technology Maurizio Brocato, José Luis Gonzalez, Emilio Pizzi, Francesco Polverino, Raffaella Lione, Angelo Salemi, Giorgio Cacciaguerra, Enrico Sicignano, Antonella Guida Editor in Chief Riccardo Gulli Assistant Editors Marco D’Orazio, Annarita Ferrante, Enrico Quagliarini Editorial Assistants Cecilia Mazzoli, Davide Prati Scientific Society Partner: Ar.Tec. Onlus c/o DICEA, Università Politecnica delle Marche, Polo Montedago, Via Brecce Bianche 12 60131 Ancona - Italy Phone: +39 071 2204587 Email: [email protected] [email protected] Media Partner: Edicom Edizioni Via I Maggio 117 34074 Monfalcone (GO) - Italy Phone: +39 0481 484488 Vol. 7, No. 1 (2021) e-ISSN 2421-4574 TEMA: Technologies Engineering Materials Architecture TEMA: Technologies Engineering Materials Architecture Vol. 7, No. 1 (2021) e-ISSN 2421-4574 Editorial Discipline and research: borders and frontiers 5 Renato Morganti DOI: 10.30682/tema0701a CONSTRUCTION HISTORY AND PRESERVATION Representation and knowledge of historic construction: HBIM for structural use in the case of Villa Palma-Guazzaroni in Terni 8 Edoardo Currà, Alessandro D’Amico, Marco Angelosanti DOI: 10.30682/tema0701b Displacement and deformation assessment of timber roof trusses through parametric modelling. -
Depliant-English.Pdf
The Sacro Monte of Varallo is the most ancient and most evocative of all the sacred mountains in the area of Piedmont and LombardY Detail of the Square of the Law Courts Varallo Carcoforo Rimella SEMPIONE Fobello Omegna Rima Lago Maggiore Lago d’Orta Gravellona Rimasco Orta Alagna Balmuccia Civiasco Gozzano Scopello Arona VARALLO Sesto Calende Borgomanero Valduggia Borgosesia Gallarate A26 he “Sacro Monte” (Sacred Mountain) of Varallo is the most ancient MALPENSA MILANO and most evocative of all the sacred mountains in the area of Piedmont Gattinara Romagnano Ticino T and Lombardy. Its origin is due to an ingenious idea of a Milanese monk, Sesia Agognate Bernardino Caimi, who after many years in Palestine, decided to rebuild in TORINO Greggio MILANO these rocks the same Holy Places. Due to the war with Turkey, it was difficult A4 Biandrate NOVARA to make the journey to the Holy Land. We are at the end of 1400. So the New VERCELLI GENOVA ALESSANDRIA Jerusalem is born. From 1500 the first shrines (Nazareth, Bethlehem, Calvary and the Holy Sepulchre) were annexed to a much larger project, wished for Times of Masses Sacro Monte di Varallo by S. Carlo Borromeo, who, through images and sculptures (45 shrines, 800 SOLAR TIME: h. 9,30-11,30-16 SS. Mass weekdays 16 statues) developped beautifully the story of our salvation. In this place, im- SUMMER TIME: h. 9,30-11,30-17 SS. Mass weekdays 1 The Basilica “How could you forget the Sacro Monte of Varallo with mersed in natural and enchanting surroundings, the pilgrim of 2000 can still Chapel 1 its many beautiful shrines. -
Terracotta Tableau Sculpture in Italy, 1450-1530
PALPABLE POLITICS AND EMBODIED PASSIONS: TERRACOTTA TABLEAU SCULPTURE IN ITALY, 1450-1530 by Betsy Bennett Purvis A thesis submitted in conformity with the requirements for the degree of Doctorate of Philosophy Department of Art University of Toronto ©Copyright by Betsy Bennett Purvis 2012 Palpable Politics and Embodied Passions: Terracotta Tableau Sculpture in Italy, 1450-1530 Doctorate of Philosophy 2012 Betsy Bennett Purvis Department of Art University of Toronto ABSTRACT Polychrome terracotta tableau sculpture is one of the most unique genres of 15th- century Italian Renaissance sculpture. In particular, Lamentation tableaux by Niccolò dell’Arca and Guido Mazzoni, with their intense sense of realism and expressive pathos, are among the most potent representatives of the Renaissance fascination with life-like imagery and its use as a powerful means of conveying psychologically and emotionally moving narratives. This dissertation examines the versatility of terracotta within the artistic economy of Italian Renaissance sculpture as well as its distinct mimetic qualities and expressive capacities. It casts new light on the historical conditions surrounding the development of the Lamentation tableau and repositions this particular genre of sculpture as a significant form of figurative sculpture, rather than simply an artifact of popular culture. In terms of historical context, this dissertation explores overlooked links between the theme of the Lamentation, the Holy Sepulcher in Jerusalem, codes of chivalric honor and piety, and resurgent crusade rhetoric spurred by the fall of Constantinople in 1453. Reconnected to its religious and political history rooted in medieval forms of Sepulchre devotion, the terracotta Lamentation tableau emerges as a key monument that both ii reflected and directed the cultural and political tensions surrounding East-West relations in later 15th-century Italy. -
The Sacro Monte of Varallo As a Physical Manifestation of the Spiritual Exercises Ryan Gregg
The Sacro Monte of Varallo as a Physical Manifestation of the Spiritual Exercises Ryan Gregg Still an active religious institution, the Sacro Monte, or Sa- Despite Longo’s insightful discussion, scholars have failed cred Mountain, of Varallo in Italy’s Piedmont region is the to examine the most significant alteration made at the Sacro culmination of more than four centuries of construction, in- Monte during the sixteenth century, the addition of grilles. To tention, and use. The complex now consists of forty-three chap- aid in the implementation of Borromeo’s plan, gates and grilles els set within a forested park traversed by pathways (Figure were added to all of the chapels, barring a pilgrim from entry 1). Each chapel displays a scene from the life of Jesus com- and restricting his participation in the scene to that of dis- posed of three-dimensional polychromed figure groups, illu- tanced observer. This paper examines the addition of the grilles sionistic frescoes, and assorted props, such as tables, chairs, in terms of how it affected the spatial experience of the viewer and table settings (Figure 2). The created scenes resemble as dictated by Post-Tridentine doctrine. Specifically, it con- tableaux vivants in their lifelikeness, a quality enhanced by siders these barriers in terms of the Spiritual Exercises and the original freedom of a pilgrim to physically enter the chap- what Loyola termed the meditative “composition of place.”4 els and walk through the scenes, becoming, in effect, a par- Beginning with a brief discussion of the origins and early ticipant in the action. -
Alagna/Riva Valdobbia Direzione Obbligatoria
Alagna/Riva Valdobbia direzione obbligatoria Indicazioni per una vacanza in Valsesia Unione Montana Tipps für einen Urlaub in Valsesia Valsesia Conseils pour des vacances en Valsesia Tips for a holiday in Valsesia Sede principale: 13019 Varallo (Vc) Corso Roma, 38 Comune di Tel. (0039) 0163.564404 Riva Valdobbia Fax (0039) 0163.53091 www.atlvalsesiavercelli.it [email protected] Sedi operative: Vercelli - Tel. (0039) 0161.58002 Scopello - Tel. (0039) 0163.732570 Ufficio Turistico Alagna Valsesia Tel. (0039) 0163.922988 Turismo Valsesia Vercelli declina ogni responsabilità per eventuali dati comunicati in modo errato dagli operatori o modificati successivamente alla stampa della presente pubblicazione. Si ringraziano tutti coloro che hanno contribuito con testi e immagini. Progetto grafico: Punto P - Vercelli Stampa: Tipografia di Borgosesia 10-2018 UNA tappa ObbLIGatORia Chi ama lo sport, la natura incontaminata, le tradizioni, la cucina e l’ospitalità dei popoli di montagna, non può fare a meno di mettere la freccia e dirigersi ad Alagna e Riva Valdobbia, due località piccole ma rinomate in tutto il mondo per le grandi opportunità turistiche e le incredibili caratteristiche ambientali. Proprio per questo Alagna è tra i comuni a cui il Touring Club ha assegnato la Bandiera Arancione, il marchio di qualità turistico ambientale che premia i piccoli centri dell’entroterra poco noti ma di grande pregio: una sicura garanzia per i turisti, un incentivo al rispetto dei luoghi e un grande orgoglio per tutta la comunità locale. Obligatorischer -
Geologic Map of the Southern Ivrea-Verbano Zone, Northwestern Italy
•usGsscience for a changing world Geologic Map of the Southern Ivrea-Verbano Zone, Northwestern Italy By James E. Quick,1 Silvano Sinigoi,2 Arthur W. Snoke,3 Thomas J. Kalakay,3 Adriano Mayer,2 and Gabriella Peressini2·4 Pamphlet to accompany Geologic Investigations Series Map I- 2776 1U. S. Geological Survey, Reston, VA 20192- 0002. 2Uni versita di Trieste, via Weiss 8, 341 27 Trieste, ltalia. 3Uni versity of Wyoming, Larami e, WY 8207 1- 3006. 4Max-Planck-lnstitut ft.ir Chemi e, J.J. Becherweg 27, 55 128 Mainz, Germany. 2003 U.S. Department of the Interi or U.S. Geological Survey COVER: View of the Ponte della Gula, an ancient bridge spanning the Torrente Mastellone approximately 2 kilometers north of the village of Varallo. Diorite of Valsesia crops out beneath the bridge. Photograph by ADstudia, Silvana Ferraris, photographer, Pizza Calderini, 3-13019 Varallo Sesia ([email protected]) INTRODUCTION REGIONAL SETTING The intrusion of mantle-derived magma into the deep conti The Ivrea-Verbano Zone (fig. 1) is a tectonically bounded sliver nental crust, a process commonly referred to as magmatic of plutonic and high-temperature, high-pressure metamorphic underplating, is thought to be important in shaping crustal com rocks in the southern Alps of northwestern Italy (Mehnert, position and structure. However, most evidence for this process 1975; Fountain, 1976). To the northwest, it is faulted against is indirect. High P-wave velocities and seismic-reflection profiles the basement of the Austro-Alpine Domain by the lnsubric Line, reveal that much of the deep continental crust is dense and a major suture zone that separates the European and Apulian strongly layered, consistent with the presence of layered mafic plates (Schmid and others, 1987; Nicolas and others, 1990).