DOCSLIB.ORG
Explore
Sign Up
Log In
Upload
Search
Home
» Tags
» Fred Lerdahl
Fred Lerdahl
View/Open
Cognition, Constraints and Conceptual Blends in Modernist Music the Pleasure of Modernism: Intention, Meaning, and the Compositional Avant-Garde, Ed
The Biological Foundations of Music
Prolongation, Expanding Variation, and Pitch Hierarchy: a Study of Fred Lerdahl’S Waves and Coffin Hollow
Edited by KAREN PAINTER JOHN HAILE and CLAUDIA
Modal Pitch Space
The Cognitive Neuroscience of Music
Semiótica, Semiótica De La Música Y Semiótica Cognitivo- Enactiva De La Música Notas Para Un Manual De Usuario
Bibliography and Index
Spatial and Psychoacoustic Factors in Atonal Prolongation
Bacci and Melcher-Ch-16.Indd 297 3/15/2010 1:49:37 PM OUP UNCORRECTED PROOF – FIRST-PROOF, 15/03/2010, GLYPH
MTO 14.1: Gur, Body, Forces, and Paths
Melody As Prosody: Toward a Usage-Based Theory of Music
Masters Thesis
The Legacy of Lerdahl and Jackendoff's a Generative Theory Of
Automatically Extracting Performance Data from Recordings of Trained Singers
Imitation of Animal Sound Patterns in Serbian Folk Music
Audio Description and Corpus Analysis of Popular Music
Top View
Experienced-Based Music Composition
The Capacity for Music: What Is It, and What's Special About
Social Education in Orff Schulwerk, the Kodály Concept, and El Sistema
Timbral Transformations in Kaija Saariaho's from the Grammar of Dreams
Tonality: the Shape of Affect
Lerdahl and Jackendoff's 'Generative Theory'1
Curriculum Vitae Pg
El Aporte De Los Universales a La Historiografía De La
Agnieszka Roginska
Introduction
Explaining and Predicting the Perception of Musical Structure Outline
What the Melodic Perception of Speech Reveals About Language Performance and Musical Abilities
Psychology of Music - Recommended Reading Suzanne Hanser
Royal, Review of Narmour
Modes of Listening and Their Implications to Audience Experience of Orchestral Concerts, with a Case Study of the Toronto Symphony Orchestra
An Introduction to Cognitive Musicology Historical-Scientific Presuppositions in the Psychology of Music
A Derivation of the Tonal Hierarchy from Basic Perceptual Processes
Fred Lerdahl
Princeton Theory's Problematics Scott Michael Gleason Submitted In
Archives Jul 12 2010 Libraries 1
Rhythm and Formal Structure in Electronic Dance Music Robert Keller
SMPC 2009 Abstracts Are Available on the Conference Website
Voice, Timbre, and Embodiment in the Digital Age
The Art of Recomposition: Creativity, Aesthetics, and Music Theory
Music Psychology and Music Theory: Problems and Prospects Author(S): Carol L
Cognitive Constraints on Compositional Systems
Regarding Lîla (Musical and Otherwise)
Free Will Genetics Pharmacology Language Development Computer