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MARILYN NONKEN Program in Piano Studies, Department of Music and Performing Arts Professions Steinhardt School of Culture, Education, and Human Development [email protected] | http://marilynnonken.com

HIGHLIGHTS Recordings 30+ recordings as soloist, duo pianist, chamber musician. Publications Two books, 20+ journal articles, book chapters, invited publications. Performances 25+ years performing at major international venues. Expertise Piano performance. Contemporary performance practice. Musicology. Music theory. Ecological psychology. Diversity, equity, and access in music. Leadership Director of Piano Studies. 25+ years administration and direction of performing, commissioning, and presenting organizations.

EDUCATION 1999 Columbia University. PhD. Musicology. Dissertation: “An Ecological Approach to Music Perception: Stimulus-Driven Listening and the Complexity Repertoire.” Chair: Fred Lerdahl.

1995 Columbia University. MPhil. Musicology. Mentor: Jonathan Kramer.

1995 Columbia University. MA. Musicology. Mentor: Jonathan Kramer.

1992 Musikakademie Rheinsberg. Zertifikat. Internationalen Meisterkurs für Interpretation Neuer Klaviermusik. Mentor: Leonard Stein.

1992 Eastman School of Music, University of Rochester. BMus. Theory. Mentor: David Burge.

ACADEMIC POSITIONS 2013-present Associate Professor. New York University. Program in Piano Studies, Steinhardt School of Culture, Education, and Human Development.

2006–2013 Assistant Professor. New York University. Program in Piano Studies, Steinhardt School of Culture, Education, and Human Development.

2005–2006 Adjunct Professor. Columbia University. Department of Music.

1994–1996 Instructor. Columbia University. Department of Music. 2

BOOKS Reviews and relevant media are listed immediately following book citations.

1. Nonken, Marilyn. Identity and Diversity in New Music: The New Complexities. Routledge, 2019. • Scherch, John. “First Impressions: Marilyn Nonken on Her New Book.” WBJC, Baltimore. 24 Aug 2019.

2. Nonken, Marilyn. The Spectral Piano: From Liszt, Scriabin, and Debussy to the Digital Age. Cambridge University Press, 2014. Paperback edition, 2016.

• Carey, Christian. Review of The Spectral Piano. Sequenza 21. 25 May 2017. • Elkins, James. “Tristan Murail’s ‘Territoires de l’oubli’ and Nonken’s ‘The Spectral Piano.’” Piano Notes: Analysis of Modern and Contemporary Piano Music. Jan 2016. • Trevino, Jeffrey. Review of The Spectral Piano. Computer Music Journal 39/3. 2015. • Gilmore, Bob. Review of The Spectral Piano. Tempo 69/272. 2015. • Garzia, Ettore. Review of The Spectral Piano. Percorsi musicali: Pensieri sulla musica contemporanea. Mar 2015. • Lennard, Chris. Review of The Spectral Piano. Music Research Forum 30. 2015. • Lock, Graham. Review of The Spectral Piano. International Piano. Nov-Dec 2014.

BOOK CHAPTERS AND EDITED VOLUMES Reviews are listed immediately following book citations.

1. Nonken, Marilyn. “Messiaen and Spectralism.” In Messiaen in Context. Edited by Robert Sholl. Cambridge University Press. In press.

2. Nonken, Marilyn. “An Attitude Towards the Performance of Spectral Music.” In The Oxford Handbook of Spectral and Post-Spectral Music. Edited by Amy Bauer, Liam Cagney, and Will Mason. Oxford University Press. In press.

3. Nonken, Marilyn. “Hugues Dufourt and the Origins of His World.” In The Oxford Handbook of Spectral and Post-Spectral Music. Edited by Amy Bauer, Liam Cagney, and Will Mason. Oxford University Press. In press.

4. Nonken, Marilyn. “Messiaen to Murail, or, What Sounds Become.” In Perspectives on the Performance of French Piano Music. Edited by Scott McCarrey and Leslie A. Wright. Ashgate, 2014.

• Arthur, Lawrence. Review of Perspectives on the Performance of French Piano Music. Fontis Artis Musicae 64/2. 2017. • Hamer, Laura. Review of Perspectives on the Performance of French Piano Music. Music & Letters 96/1. 2015. • Thomson, Andrew. Review of Perspectives on the Performance of French Piano Music. The Musical Times 115/2019. 2014.

5. Nonken, Marilyn. “Messiaen and the Spectralists.” In Messiaen Perspectives II: Techniques, Influence and Reception. Edited by Christopher Dingle and Robert Fallon. Ashgate, 2013.

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• Benitez, Vincent P. Review of Messiaen Perspectives I & II. Music Theory Spectrum 37/2. 2015. • Healey, Gareth. Review of Messiaen Perspectives II: Techniques, Influence and Reception. Music & Letters 96/1. 2015. • Thomson, Andrew. Review of Messiaen Perspectives II: Techniques, Influence and Reception. The Musical Times 155/1928. 2014. • Sladden, Margaux. Review of Messiaen Perspectives II: Techniques, Influence and Reception. Revue belge de musicologie/Belgisch tijdschrift voor muziekwetenschap 68. 2014.

PEER-REVIEWED JOURNAL PUBLICATIONS

1. Nonken, Marilyn. “Performance Practices: David Burge, Robert Miller, and the Makrokosmos.” Contemporary Music Review. Submitted Nov 2019.

2. Nonken, Marilyn. “The Performer in the Music of Milton Babbitt.” Contemporary Music Review. Edited by Joshua Mailman and Andrew Meade. In press.

3. Chai, Siaw Chui; Bear-Lehman, Jane; Weinberg, Sharon; Nonken, Marilyn. “A Preliminary Analysis on the Relationship Between Perceived Hand Discomfort, Perceived Exertion, and Hand Function Status Among Piano Students.” Journal of Hand Therapy 25/4 (2012): e12-e13.

4. Larsen, Charles; Nonken, Marilyn; Moursi, Amr; Larsen, Midori. “Impact of an Interdisciplinary Concert Series on Stress and Work-Life Balance in a Dental College.” Music and Medicine 4/3 (2012): 177-187.

5. Nonken, Marilyn. “La notation ne peut rendre compte du fait: Performing Murail’s ‘Territoires de l’oubli.’” Tempo 62/244 (2008): 2-10.

6. Nonken, Marilyn. “What Do Musical Chairs Afford? On Clarke’s ‘Ways of Listening’ and Sacks’s ‘Musicophilia.’” Ecological Psychology 20/4 (2008): 283-295.

7. Nonken, Marilyn. “James M. Baker, David W. Beach, and Jonathan Bernard: Music Theory in Concept and Practice.” Current Musicology 62 (1997): 84-94.

8. Nonken, Marilyn. “With a Bang (Not a Whimper): June in Buffalo 1992.” Perspectives of New Music 30/2 (1992): 290-293.

INVITED PUBLICATIONS

1. Nonken, Marilyn. “Identity and Diversity in New Music: Seeking a Connected Musical Society.” 21CM 52, June 2019. http://21cm.org/21cm-u/2019/06/06/identity-and-diversity- seeking-a-connected-musical-society Accessed 14 Feb 2020.

2. Nonken, Marilyn. Introduction. Timeless Relevance: The Keyboard Magazine Columns. Edited by Evon Burge. Chelsea Books, 2018.

3. Nonken, Marilyn. Voix Voilées: Spectral Music for Piano. Metier MSV-CD 28524. 2012. Liner notes. 4

4. Nonken, Marilyn. David Rakowski: Winged Contraption. BMOP Sound 1009. 2009. Liner notes.

5. Nonken, Marilyn. Morton Feldman: Triadic Memories. Mode CD/DVD 136. 2004. Liner notes.

6. Nonken, Marilyn. Jason Eckardt: Out of Chaos. Mode CD 137. 2004. Liner notes.

7. Nonken, Marilyn. Tristan Murail: The Complete Piano Works. Metier MSVCD 9209. 2003. Liner notes.

8. Nonken, Marilyn. American Spiritual. CRI CD 877. 2001. Liner notes.

9. Nonken, Marilyn. “The Pianist’s Space.” Institute for Studies in American Music Newsletter 29/2. (2000).

RECORDINGS AND REVIEWS: SOLO, CONCERTO, AND SOLO ON COMPILATIONS Reviews are listed immediately following individual recordings.

1. Vortex Temporum Revisited. With Sound Icon. Metier Sound & Vision. Producer: Jeffrey Means. To be recorded at Futura Studios, Boston, Aug 2021.

2. Eric Chasalow: A Solution in Search of a Problem. Producer: Eric Chasalow. To be recorded at WGBH, Boston, Oct 2020.

3. Alvin Lucier: Music for Piano With Slow-Sweep Pure Wave Oscillators. Producer: Paul Geluso. To be recorded at the Dolan Studio, New York University, May 2020. [Postponed due to COVID- 19]

4. Nina C. Young: Traced Upon Cinders. With Énsemble Echappée. Innova. Producer: Ryan Streber. Recorded at Octaven Studios, New York. In press.

5. Richard Carrick: la touche sonore sous l’eau. New Focus. New Focus. Release Oct 2020.

6. Christopher Trapani: Waterlines. With JACK Quartet, Lucy Deghrae, Talea Ensemble. New Focus FCR200, 2018.

• Cagney, Liam. Review of Christopher Trapani: Waterlines. Gramophone. July 2019. • Mattietti, Gianluigi. Review of Christopher Trapani: Waterlines. Classic Voice. Feb 2019. • Coultas, Kevin. Review of Christopher Trapani: Waterlines. In On the Corner. 21 Jan 2019. • Pescott, Steve. Review of Christopher Trapani: Waterlines. Adverse Effect Magazine. 18 Jan 2019. • Shatan, Jeremy. “Best of 2018: The Top 25.” An Earful https://anearful.blogspot.com/2018/12/best-of-2018-top Accessed 7 Jan 2020. • Cummings, Simon. “Best Albums of 2018.” 5 Against 4. 30 Dec 2018. http://5against4.com/2018/12/30/best-albums-of-2018-part- 5

1/?fbclid=IwAR2E2C3dvTPlo4RaENawo3FzP9RrunLntogb9COHeimRRTgNmEnj- CwIpc0 Accessed 6 Feb 2020. • Beek, Michael. BBC Music Magazine. 28 Dec 2018. • Carey, Christian. “Best of 2018: Composer Portraits. Sequenza 21. 24 Dec 2018. http://www.sequenza21.com/2018/12/best-of-2018-composer-portrait- cds/?fbclid=IwAR0RO0nwnSPdw4_BvNnHDAEbGwMMv7TXG7eEUUH85vQ6bz GqniQ2RWudkeQ Accessed 7 Jan 2020. • Mulder, Dolf. Review of Christopher Trapani: Waterlines. Vital Weekly. 3 Dec 2018. • Bayley, Lynn René. Review of Christopher Trapani: Waterlines. The Art Music Lounge. 25 Sep 2018. • Shatan, Jeremey. “Three Portraits: Cheung-Trapani-Du Yun.” An Earful. Oct 2018. https://anearful.blogspot.com/2018/10/three-portraits-cheung-trapani-du- yun.html#.Xg9pMr97lmA Accessed 14 Feb 2020.

7. Miguel Chuaqui: Confabulario. Ravello RR7939 2016.

8. Jason Eckardt: Subject. With ICE Ensemble, JACK Quartet. Tzadik 9006, 2015.

• Lisiak, Jarosław. Review of Jason Eckardt: Subject. Multikulti Project. Dec 2015. https://multikultiproject.blogspot.com/2015/12/jack-quartet-international- contemporary.html Accessed Mar 19 2020.

9. Paul Nauert: A Distant Music. New World 80769, 2015.

• Burwasser, Peter. Review of Paul Nauert: A Distant Music. Fanfare. May-June 2016.

10. Voix Voilées: Spectral Piano Music. Metier MSV-CD 28524, 2012.

• Burwasser, Peter. “Top 5 CDs of 2015.” Fanfare. Nov-Dec 2015. • Burwasser, Peter. Review of Marilyn Nonken: Voix Voileés. Fanfare. July-Aug 2015. • Clarke, Colin. Review of Marilyn Nonken: Voix Voileés. Fanfare. July-Aug 2015. • Deboor-Canfield, David. Review of Marilyn Nonken: Voix Voileés. Fanfare. May- June 2015. • Medwin, Marc. Review of Marilyn Nonken: Voix Voileés. Piano. Fanfare. May-June 2015. • Lock, Graham. Review of Marilyn Nonken: Voix Voileés. International Piano. Mar- Apr 2015.

11. Drew Baker: Stress Position. New Focus FCR116, 2011.

• Robin, Will. Review of Drew Baker: Stress Position. New York Times. 17 Sep 2017. • Byelick, Ira. Review of Drew Baker: Stress Position. American Record Guide. Apr 2012. • Carey, Christian. Review of Drew Baker: Stress Position. Sequenza 21. 18 Oct 2011.

12. David Laganella: The Calls of Gravity. With Prism Quartet. New Focus FCR114, 2010.

• Batzner, Jay. Review of David Laganella: The Calls of Gravity. Sequenza 21. 26 Apr 2001. 6

13. Chris Bailey: Immolation Ritual. Innova 695, 2010.

• Feller, Ross. Review of Chris Bailey: Immolation Ritual. Computer Music Journal 36/1 (2012).

14. Roger Reynolds: Epigram and Evolution - Complete Piano Works. With Yuji Takahashi and Eric Huebner. Mode 212, 2009.

• Groetz, Thomas. Review of Roger Reynolds: Epigram and Evolution. Neue Zeitschrift für Musik 171/1 (2010).

15. David Rakowski: Winged Contraption. With Boston Modern Orchestra Project. BMOP Sound 1009, 2009.

• Schulslaper, Robert. Review of David Rakowski: Winged Contraption. Fanfare, 10 May 2010. • Farach-Colton, Andrew. Review of David Rakowski: Winged Contraption. Gramophone, Dec 2009. • Carey, Christian. Review of David Rakowski: Winged Contraption. Sequenza 21. Oct 2009. • Lehmen, Mark. Review of David Rakowski: Winged Contraption. American Record Guide, July-Aug 2009. http://bmop.org/news-press/bmop-cd-rakowskis-serious-fun Accessed 1/17/2020 Accessed 1/17/2020 • Eichler, Jeremy. Review of David Rakowski: Winged Contraption. The Boston Globe. July 2009. • Oteri, Frank. Review of David Rakowski: Winged Contraption. NewMusicBox. 19 Mar 2009. https://nmbx.newmusicusa.org/david-rakowski-winged-contraption Accessed 7 Jan 2020.

16. Chris Dench: Beyond Status Geometry. With Libra Ensemble. Tzadik tx8044. 2008.

17. Salvatore Martirano: O, O, O, O That Shakespeherian Rag. New World NW80535, 2007.

18. Tristan Murail: The Complete Piano Music. Metier. MSV-CD 92097, 2005.

• Möller, Torsten. Review of Tristan Murail: The Complete Piano Music. Dissonanz, Sep 2006. • Burwasser, Peter. Review of Tristan Murail: The Complete Piano Music. Fanfare 29/3, 2006. • Whittall, Arnold. Review of Tristan Murail: The Complete Piano Music. Tempo 60/235, Jan 2006. • Higginson, Gary. Review of Tristan Murail: The Complete Piano Music. MusicWeb UK. Aug 2005 http://www.musicweb- international.com/classrev/2005/Aug05/Murail_MSVCD92097.htm Accessed 6 Feb 2020. • Hamilton, Andy. Review of Tristan Murail: The Complete Music. The Wire, Nov 2003.

19. Morton Feldman: Triadic Memories. Mode CD/DVD 136, 2004. 7

• Clark, Philip. Review of Morton Feldman: Triadic Memories. International Piano May-June 2005. • Gann, Kyle. Review of Morton Feldman: Triadic Memories. Post-Classic https://www.artsjournal.com/postclassic/2005/06/dont_touch_that_dial.html 22 June 2005. Accessed 6 Feb 2020. • Marley, Brian. Review of Morton Feldman: Triadic Memories. The Wire. Sep 2004. • Hewitt, Ivan. Review of Morton Feldman: Triadic Memories. London Times. 14 Aug 2004.

20. David Rakowski: Martian Counterpoint. With US Marine Band. Albany/Troy 681, 2004.

• Burwasser, Peter. Review of David Rakowski: Martian Counterpoint. Fanfare.

21. American Spiritual. CRI 877, 2001.

• Hayes, Morgan. “Gramophone’s Top 10 Contemporary Classical Recordings.” Gramophone. 9 Feb 2002.

22. Alvin Lucier: Still Lives. LCD 501, 2001.

• Silverton, Michael. “Golden Ear Awards,” The Absolute Sound. 2002.

RECORDINGS AND REVIEWS: DUO PIANO AND CHAMBER Reviews and previews are listed immediately following individual recordings.

1. Nonken, Marilyn and Manuel Laufer, pnos. Edmund Campion: Late Bloomer. Producer: Jeremy Wagner. Recorded at Hertz Hall, University of California, Berkeley, Feb 2020.

2. Nonken, Marilyn and Stephen Marotto, vcl. Morton Feldman: Complete Works for Piano and Violoncello. Mode. Release Sep 2020.

• Brodeur, Michael. “As Time Loses Its Meaning, the Music of Morton Feldman Gains New Relevance.” Washington Post. May 2020.

3. Jessica Bowers, mezzo-soprano, and Marilyn Nonken. Akemi Naito: Within My Soul. Ravello RR8022, 2019.

• Serra, Núria. Review of Akemi Naito: Within My Soul. Revista Sonograma Magazine. 29 Nov 2019.

4. Nonken, Marilyn and Augustus Arnone, pnos. Eidos. Hanging Bell, 2018.

5. Nonken, Marilyn and Joseph Kubera, pnos. Michael Byron: The Ultraviolet of Many Parallel Paths - Live. 2018.

• Muller, Paul. Review of Michael Byron: The Ultraviolet of Many Parallel Paths. Sequenza 21. 12 July 2018. 8

• Cowley, Julian. Review of Michael Byron: The Ultraviolet of Many Parallel Paths. The Wire. Nov 2018. • Edwards, Gregor Applegate. Review of Michael Byron: The Ultraviolet of Many Parallel Paths. Gapplegate Classical-Modern Music Review. 17 Aug 2018.

6. Nonken, Marilyn and Joseph Kubera, pnos. Larry Polansky: Three Pieces for Two Pianos. New World 80777-2, 2016.

• Rosenstein, Michael. Review of Larry Polansky: Three Pieces for Two Pianos. Points of Departure: An Online Musical Journal 69. Dec 2019. http://www.pointofdeparture.org/PoD54/PoD54MoreMoments4.html Accessed 6 Feb 2020. • Carl, Robert. Review of Larry Polansky: Three Pieces for Two Pianos. Fanfare. May-June 2016. • Vittes, Laurence. Review of Larry Polansky: Three Pieces for Two Pianos. Gramophone. May 2016. • Kosman, Joshua. Review of Larry Polansky: Three Pieces for Two Pianos. San Francisco Gate. 26 Feb 2016.

7. Nonken, Marilyn and Sarah Rothenberg, pnos. Olivier Messiaen: Visions de l’Amen. Bridge 9324, 2010.

• Lander, David. “2011 Records to Die For.” Stereophile. Sep 2011. • Keller, James. Review of Olivier Messiaen: Visions de l’Amen. High Fidelity. Jan- Feb 2011. • Scott, Philip. Review of Olivier Messiaen: Visions de l’Amen. Fanfare. Nov-Dec 2010. • Auerbach, Brent. Review of Messiaen: Visions de l’Amen. American Record Guide. Sep-Oct 2010. • Dingle, Christopher. Review of Messiaen: Visions de l’Amen. BBC Music Magazine. Sep 2010. • Violette, Andrew. Review of Messiaen: Visions de l’Amen. New Music Connoisseur. Aug 2010. • Schweitzer, Vivian. Review of Messiaen: Visions de l’Amen. New York Times. 18 July 2010. • Kosman, Joshua. Review of Olivier Messiaen: Visions de l’Amen. San Francisco Chronicle. 11 July 2010.

8. Ensemble Elision, Marilyn Nonken. Brian Ferneyhough: Terrain. Kairos 013072KAI, 2010.

• Service, Tom. “Sunday Times Top 100 Albums of 2010.” London Times. 16 Apr 2010. • Rutherford-Johnson, Tim. Review of Brian Ferneyhough: Terrain. Musical Pointers. 3 Mar 2010 . http://www.musicalpointers.co.uk/reviews/cddvd10/FerneyhoughELISION.html Accessed 6 Feb 2020.

9. Prism Quartet, Marilyn Nonken. William Albright: Music For Saxophones. Innova 231, 2008.

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• Fischer, Tobias. Review of William Albright: Music for Saxophones. Tokafli. http://www.tokafi.com/news/cd-feature-prism-quartet-william-albright-music- saxophones Accessed 6 Feb 2020.

10. Taimur Sullivan, sax, and Marilyn Nonken. Louis Karchin: Matrix. Albany/Troy 895, 2006.

• Review of Louis Karchin: Matrix. American Record Guide. May-June 2007.

11. Fred Sherry, vcl. and Marilyn Nonken. Charles Wuorinen: Adapting to the Times. Albany/Troy 871, 2006.

• Carey, Christian. Review of Charles Wuorinen: Adapting to the Times. Signal to Noise 45, 2007. • Quinn, Ian. Review of Charles Wuorinen: Adapting to the Times. American Record Guide. Mar-Apr 2007.

12. Ensemble 21, Marilyn Nonken. Jason Eckardt: Out of Chaos. Mode CD 137, 2004.

• Kozinn, Allan. Review of Jason Eckardt: Out of Chaos. New York Times. 2 Aug 2008. • Woolf, Peter Grahame. Review of Jason Eckardt: Out of Chaos. Musical Pointers http://www.musicalpointers.co.uk/reviews/cddvd/Eckardt.htm Accessed 6 Feb 2020. • Warburton, Dan. Review of Jason Eckardt: Out of Chaos. Paris Transatlantic, Sep 2004. http://www.paristransatlantic.com/magazine/monthly2004/09sep_text.html Accessed 6 Feb 2020. • Cooman, Carson. Review of Jason Eckardt: Out of Chaos. Music & Vision, Aug 2005. http://www.mvdaily.com/articles/2005/08/eckardt1.htm Accessed 19 Mar 2020. • Nordschow, Randy. Review of Jason Eckardt: Out of Chaos. New Music Box, July 2004.

REFEREED CONFERENCE PAPERS

1. “The Becoming of American Spectralism.” American Musicological Society/Society for Music Theory Annual Meeting. Submitted Feb 2020.

2. “Spectralisms in America, 1995-2005.” Spectralisms II. IRCAM. Paris, June 2019.

3. “The Debussy Sound and the Cultural Imagination.” American Musicological Society/Society for Music Theory Annual Meeting. Special Session. San Antonio. Nov 2018.

4. “Hugues Dufourt and the Origins of His World.” Spectralisms: An International Conference. Oxford University. Mar 2017.

5. “Messiaen the Protospectralist.” Environs Messiaen: Nature Rendered at the Keyboard. Cornell University, Ithaca. Mar 2015.

6. “Grisey and the Spectral Piano.” Gérard Grisey, the Spectral Moment, and its Legacy, Université de Montréal and McGill University, Montréal. Oct 2014.

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7. “An Ecological Approach to Music Perception.” 15th International Conference on Perception and Action. University of Minnesota, Minneapolis. July 2009.

8. “Teaching and Learning New Music.” World Piano Pedagogy Conference Annual Meeting, Dallas. Oct 2008.

9. “Messiaen to Murail, or, What Sounds Become.” Messiaen 2008 International Centenary Conference. Birmingham Conservatoire, UK. June 2008.

10. “Spectral Music: Tristan Murail’s ‘Territoires de l’oubli.” French Music: Performance and Analysis. Brigham Young University of Hawaii, Laie. Nov 2007.

INVITED PRESENTATIONS AND PANELS

1. “The Shock of the New? Programming Contemporary Music.” Piano Teachers Congress of New York. Yamaha Artist Services, New York. Nov 2019.

2. “The Spectral Piano.” Conservatoire National Supérieur de Musique et de Danse de Paris. June 2019.

3. “The Sense of Sound.” Conference: Le Sens du son. New York University. Oct 2017.

4. “Hugues Dufourt and the Origins of Spectral Music.” Columbia University, New York. Mar 2017.

5. “Spectral Music and the Sonic Imagination.” Temple University, Philadelphia. Nov 2016.

6. “The Spectral Piano.” Rice University, Houston. Nov 2016.

7. “The Spectral Piano.” New York University, Faculty of Arts and Sciences. Oct 2016.

8. “The Spectral Piano.” University of Pennsylvania, Philadelphia. Sept 2016.

9. “The Spectral Piano: An Ecological Inquiry.” Distinguished Lecture. McGill University, Centre for Interdisciplinary Research in Music and Media Technology, Montréal. Oct 2014.

10. “Presenting a Strong Case for a Third-Year Review.” New York University, Junior Faculty Mentoring Program. Dec 2012.

11. “Performing Morton Feldman’s Late Works.” American Sublime Festival. Crane Arts, Philadelphia. June 2011.

12. “From Chopin to Crumb.” Pontificia Universidad Católica de Chile, Santiago. Nov 2010.

13. “The New Technique.” New England Conservatory, Boston. Sep 2009.

14. “Liza Lim: The Four Seasons (After Cy Twombly).” McGill University, Montréal. Mar 2009.

15. “New Music in America After Feldman and Ferneyhough.” Sibelius Academy, Helsinki. Feb 2009. 11

16. “David Rakowski’s Piano Concerto.” Brandeis University, Waltham. Nov 2007.

17. “Collaboration and Confrontation: Working with Composers.” William Kapell International Piano Festival and Competition. University of Maryland, College Park. July 2007.

18. “Virtuosity and Politics.” Rice University, Houston. Mar 2007.

19. “Friedberg Lecture: An Ecological Approach to Music Perception.” Johns Hopkins University, Peabody Conservatory, Baltimore. Mar 2007.

20. “Music and Philosophy.” Amherst College. Feb 2007.

21. “The Piano Music of Tristan Murail.” University of Manchester, UK. Oct 2003.

22. “Nauert, Eckardt, Messiaen: Performance Practices.” Around Set Theory: A French-American Musicological Meeting. IRCAM, Paris. Oct 2003.

23. “Musical Entrepreneurs: Ensemble 21.” University of Rochester, Eastman School of Music, Institute for Music Leadership. Feb 2002.

EDITORSHIPS AND EXTERNAL REVIEWERSHIPS

1. Cambridge University Press. Series Editor: “Elements in Music Since 1945.” 2019-present. 2. International Computer Music Conference. 2020. 3. New Focus Records. 2019. 4. International Computer Music Conference. 2018. 5. Rowman and Littlefield. Music Books. 2016. 6. Oxford University Press. Music Books. 2015. 7. Cambridge University Press. Music and Theatre. 2012–2014. 8. Oxford University Press. Music Books. 2012. 9. Twentieth-Century Music. Journal Evaluator. 2011. 10. Contemporary Music Review. Issue Editor: “Performers on Performance.” 2002. 11. Répertoire Internationale de Littérature Musicale. City University of New York, Research Foundation. Associate Editor. 1998–2003. 12. Current Musicology. Columbia University. Associate Editor. 1996-1998.

RESEARCH AWARDS

1. University Research Challenge Fund, New York University. “Hugues Dufourt: Performance, Publication, Reception.” Submitted Dec 2019. 2. Global Research Incubator Award, New York University. “Hugues Dufourt: Spectral Music, Philosophy, and Phenomena of Pure Emergence.” 2016. 3. Visionary Award, Nouveau Classical Project. 2014. 4. W. Gabriel Carras Research Award, New York University. “The Spectral Piano: From Liszt, Scriabin, and Debussy to the Digital Age.” 2013. 12

5. Faculty Challenge Grant, New York University. “Music Comments on the ‘War on Terror’/The Politics of Performance.” 2009.

GRANTS AND RESIDENCIES: RECORDINGS AND COMMISSIONS

1. New Music USA Project Grant: Vortex Temporum Revisited. Metier Sound & Vision. Producer: Jeffrey Means. Submitted Jan 2020.

2. New Music USA Project Grant: Nina C. Young, Traced Upon Cinders. Innova. Producer: Ryan Streber. 2019.

3. EMPAC, Rensselaer Polytechnic Institute. Recording Residency: Morton Feldman: The Complete Works for Violoncello and Piano. Mode. Producers: Brian Brandt and Jeffrey Means. Feb 2019.

4. EMPAC, Rensselaer Polytechnic Institute. Recording Residency: Morton Feldman: The Complete Works for Violoncello and Piano. Mode. Producers: Jeffrey Means and Brian Brandt. Dec 2018.

5. Easton’s Nook Writer’s Retreat. “Identity and Diversity in New Music: The New Complexities.” 2018.

6. David and Sylvia Teitelbaum Fund/Roulette Intermedium. Commission: Michael Byron: The Ultra-Violet of Many Parallel Paths. 2015.

7. Ian Potter Cultural Trust. Commission: Liza Lim: The Four Seasons (After Cy Twombly). 2007.

8. Koussevitzky Music Foundation, Library of Congress. Commission: David Rakowski: Piano Concerto. 2006.

9. French-American Fund for Contemporary Music. Commission: Pascal Dusapin: Préludes. 2004.

10. Fromm Music Foundation, Harvard University. Commission: Tristan Murail: Les Travaux et les jours. 2000.

11. Carnegie Hall Foundation. Commission: Jason Eckardt: A Glimpse Retraced. 1998.

PERFORMANCES: SOLO AND CONCERTO Reviews and previews are appended to individual performances. Ensembles are noted for concerti only.

1. OCNM, Ostrava. SEM Ensemble with Joseph Kubera. Oct 2021. 2. Musiikin Aika (Time of Music), Viitasaari. July 2021. 3. Santa Cruz Festival of Contemporary Music. Apr 2021. 4. Musikiin Aika (Time of Music), Viitasaari. June 2020. [Postponed due to COVID-19]. 5. Santa Cruz Festival of Contemporary Music. Apr 2020. [Postponed due to COVID-19]. 6. Composers Now Festival, New York. Feb 2020. 7. Loewe Theatre, New York. NYU Orchestra. Nov 2019. 8. Brandeis University, Waltham. Oct 2019. 9. Spectrum, New York. Oct 2019. 13

10. Conservatorio de Música de Puerto Rico, San Juan. June 2019. • Bliss, Peggy Ann. San Juan Daily Star. 1 July 2019. 11. St. Bartholomew’s Church, New York. May 2019. 12. St. Peter’s Church, New York. Argento New Music Project. Apr 2019. • Rolnick, Harry. Concerto.net. Apr 2019. 13. Contemporary Arts Center, New Orleans. Argento New Music Project. Apr 2019. • Shapiro, Dean M. New Orleans Advocate. 17 Apr 2019. 14. Miller Theatre, New York. Mar 2019. 15. Sheen Center for Thought and Culture, New York. Dec 2018. 16. Provincetown Playhouse, New York. Sep 2018. • Smith, Steve. The New Yorker. 17 Sep 2018. 17. Loewe Theatre, New York University. Feb 2018. • Hodges, Bruce. Musical America. 14 Feb 2018. 18. Neue Galerie, New York. July 2017. 19. Barnes Foundation, Philadelphia. May 2017. • Whalen, Robert and Katherine Skovira. Verso, Barnes Foundation. Podcast 21 Mar 2017. https://soundcloud.com/barnesfoundation/7676-marilyn-nonken-and-the- spectral-piano-podcast-mar-05-2017 Accessed 6 Feb 2020. 20. Spectrum, New York. Feb 2017. 21. Miller Theatre, New York. Jan 2017. 22. Manoir des Arts, Jaugette. Sep 2016. 23. Reid Hall, Paris. Sep 2016. 24. Jordan Hall, New England Conservatory, Boston. June 2016. 25. Distler Hall, Tufts University, Boston. Sound Icon. May 2016. • Lubkowski, Stefanie. Boston Classical Review. 20 May 2016. 26. Roulette, New York. Sound Icon. May 2016. 27. (le) Poisson Rouge, New York. Feb 2016. 28. Rose Recital Hall, University of Pennsylvania, Philadelphia. Jan 2016. 29. Institute for New Music, Northwestern University, Evanston. Nov 2015. 30. EMPAC, Rensselaer Polytechnic Institute, Troy. Mar 2015. 31. Barnes Hall, Cornell University, Ithaca. Mar 2015. 32. Constellation, Chicago. Sep 2014. 33. Faust Harrison Pianos, New York. May 2014. 34. University of Wisconsin, Milwaukee. Oct 2013. 35. Institute for New Music, Boston University. Sep 2013. 36. Asociacion Cultural Humboldt, Caracas. July 2013. 37. Universidad de los Andes, Mérida. July 2013. 38. Congregation Rodeph Shalom, Philadelphia. June 2011. • Stearns, David Patrick. Philadelphia Inquirer. 6 June 2011. • Carey, Christian. Sequenza 21. 31 May 2011. 39. Institut Chileno-Norteamericano, Santiago. Nov 2010. 40. Zipper Concert Hall, Colburn School, Los Angeles. Dec 2009. • Swed, Mark. Los Angeles Times. 8 Dec 2009. 41. Menil Collection, Houston. Dec 2009. 42. Clarice Smith Performing Arts Center, College Park. Dec 2009. 14

• Page, Tim. Washington Post. 25 Dec 2009. 43. CNMAT, University of California, Berkeley. Nov 2009. 44. Baryshnikov Arts Center, New York. June 2009. 45. Music Gallery, Toronto. Mar 2009. 46. Sibelius Academy, Helsinki. Feb 2009. • Sirén, Vesa. Helsingen Sanomat. 10 Feb 2009. 47. Bruno Walter Auditorium, Lincoln Center, New York. Nov 2008. 48. Birmingham Conservatoire, UK. June 2008. 49. Symphony Space, New York. June 2008. 50. Conservatoire National, Caën. Mar 2008. 51. Mid-American Center for Contemporary Music, Bowling Green. Feb 2008. 52. Jordan Hall, New England Conservatory. Boston Modern Orchestra Project. Nov 2007. • Weininger, David. Boston Globe. 6 Nov 2007. 53. Loewe Theatre, New York University. Oct 2007. • Holland, Bernard. New York Times. 24 October 2007. 54. Amherst College. Sep 2007. 55. IRCAM, Paris. Oct 2006. 56. Guggenheim Museum, New York. Apr 2006. 57. Merkin Hall, New York. Oberlin Contemporary Music Ensemble. Apr 2006. 58. Oberlin College Conservatory of Music. Oberlin Contemporary Music Ensemble, Apr 2006. 59. Miller Theatre, New York. Sep 2006. • Dunning, Jennifer. New York Times. 18 Sep 2006. 60. Phillips Collection, Washington DC. Nov 2005. 61. Carl Nielsen Academy of Music, Odense. Oct 2004. 62. Cooper Union, New York. Apr 2004. 63. Peabody Conservatory, Johns Hopkins University, Baltimore. Mar 2004. 64. Zankel Hall at Carnegie Hall, New York. Oct 2003. 65. Convention Center, Philadelphia. Mar 2003. 66. Miller Theatre, New York. Oct 2004. • Holland, Bernard. New York Times. 22 Oct 2005. 67. Miller Theatre, New York. Oct 2004. • Midgette, Anne. New York Times. 12 Oct 2004. 68. Miller Theatre, New York. Oct 2003. • Rockwell, John. New York Times. 29 October 2003. 69. New Music Days OCNM, Ostrava Aug 2003. • Kuznik, Frank. Prague Post. Aug 2003. 70. Cooper Union, New York. Mar 2002. • Tommasini, Anthony. New York. New York Times. 20 Mar 2002. 71. Goethe Institut, Boston. Nov 2001. • Dyer, Richard. Boston Globe. 15 Nov 2001. 72. Miller Theatre, New York. Nov 2001. • Tommasini, Anthony. New York Times. 11 Nov 2001. • Hickey, Sean. New Music Connoisseur. Dec 2001. 73. Miller Theatre, New York. Oct 2000. • Griffiths, Paul. New York Times. 17 Oct 2000.

15

PERFORMANCES: DUO AND CHAMBER Reviews and previews are appended to individual performances. Collaborators are noted.

1. Hertz Hall, University of California, Berkeley. Manuel Laufer, pno. Feb 2020. 2. Longy School of Music, Boston. Geoffrey Burleson, Sarah Bob, Don Berman, pnos. Nov 2019. 3. Loewe Theatre, New York University. Geoffrey Burleson, Sarah Bob, Don Berman, pnos. Nov 2019. • Smith, Steve. “Classical Music Recitals: Marilyn Nonken.” The New Yorker. 15 Nov 2019. 4. Roulette, New York. Manuel Laufer, pno. May 2019. 5. Provincetown Playhouse, New York University. Stephen Marotto, vcl. Sep 2018. 6. L’Eglise de la Grave, Haut-Alpes. Irina Kataeva, pno. June 2018. • Nardelli, Stefano. “I 10 festival di Classica dell'estate in Europa: La Carmen sul lago di Costanza, Messiaen tra le montagne, Bernstein nel Mare del Nord—Il meglio dell'estate 2018 in Europa.” Giornalli della musica. 5 July 2018. http://www.giornaledellamusica.it/articoli/i- 10-festival-di-classica-dellestate-europa Accessed 6 Feb 2020. • Tosi, Michèle. Res musica.12 Aug 2018. 7. St. Bartholomew’s Church, New York. Stephen Marotto, vcl. May 2018. 8. Tenri Cultural Institute, New York. Jessica Bowers, mezzo-soprano. Jan 2018. • Martell, Logan. OperaWire. 10 Jan 2018. 9. Roulette, New York. Joseph Kubera, pno. Nov 2017. 10. Neue Galerie, New York. Rolf Schulte, vln; Coleman Itzkoff, vcl. June 2017. 11. Menil Collection, Houston. Sarah Rothenberg, pno. Nov 2016. 12. Roulette, New York. Joseph Kubera, pno. Oct 2016. 13. American Academy, Rome. Richard Valitutto, pno. June 2016. 14. Tenri Cultural Institute, New York. Prism Quartet. Mar 2016. • Hodges, Bruce. Musical America. 23 Mar 2016. 15. Cullen Center, Houston. Sarah Rothenberg, pno. May 2015. 16. Cornell University, Ithaca. Genèvieve Grenier, ondes Martenot. Mar 2015. 17. (le) Poisson Rouge, New York. Peter Hill, pno. Oct 2014. 18. Museum of Fine Art, Houston. Sarah Rothenberg, pno. Mar 2013. 19. Kasser Theatre, Montclair. Sarah Rothenberg, pno. Feb 2013. • Baxter, Kathleen. The Montclair Dispatch. Feb 2013. 20. (le) Poisson Rouge, New York. Sarah Rothenberg, pno. Aug 2010. • Kozinn, Allan. New York Times. 4 Aug 2010. • Reich, Roni. New Jersey Star Ledger. 4 Aug 2010. 21. Rothko Chapel, Houston. Sarah Rothenberg, pno. Dec 2008. 22. Settlement Music House, Philadelphia. Stephen Gosling, pno. Mar 2008. • Stearns, David Patrick. Philadelphia Inquirer, 2 Mar 2008. 23. Judith Wright Center, Brisbane. Elision. May 2007. 24. Iwaki Auditorium, Melbourne. Elision. cond. May 2007. • Crotty, Joel. The Age. 22 Jan 2007. • Reid, Chris. Real-Time Arts Magazine. Aug-Sep 2007.

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TEACHING AND CURRICULAR DEVEOPMENT: ADMINISTRATION

New York University, Steinhardt School of Culture, Education and Human Development. Director, Program in Piano Studies. 2006-present.

TEACHING AND CURRICULAR DEVELOPMENT: PROGRAMS

Doctorate in Musical Arts. Instrumental Performance, NYU. Role: Design. Approval by New York Department of Education anticipated 2022. [Site/Facilities review presently postponed due to COVID-19]

Advanced Certificate in Piano Performance and Pedagogy, NYU. Piano Performance, NYU. Role: Direction, Design, Instruction, Advisement. Approved by New York Department of Education July 2015.

Dual Degree MM in Piano Performance/Advanced Certificate in Piano Performance and Pedagogy Piano Performance, NYU. Role: Direction, Design, Instruction, Advisement. Approved by New York Department of Education July 2015.

PhD in Piano Performance, NYU. Role: Advisement, Mentorship. 2006–present.

Master of Music in Piano Performance, NYU. Role: Direction, Advisement, Instruction. 2006–present.

Bachelor of Music in Piano Performance, NYU. Role: Direction, Instruction, Advisement. 2006–present.

NYU Summer Piano Intensive Role: Direction, Re-Design, Coordination, Instruction. 2013–present.

TEACHING AND CURRICULAR DEVELOPMENT: COURSES

Undergraduate * Required for Piano Performance Majors

1. Private Piano (MPAPE-GE 1056). * Piano Studies, NYU. Role: Instruction. 17

Fall/Spring 2006–present.

2. Private Piano. (MPAPE-UE 56).* Piano Studies, NYU. Role: Coordination. Fall/Spring 2006– present.

3. Group Piano (MPAPE-UE 59). Piano Studies, NYU. Role: Coordination. Fall/Spring 2006– present.

4. Keyboard Skills I (MPAPE-UE 72).* Piano Studies, NYU. Role: Re-Design, Coordination. Fall/Spring 2006– present.

5. Keyboard Skills II (MPAPE-UE 73).* Piano Studies, NYU. Role: Re-Design, Coordination. Fall/Spring 2006– present.

6. Keyboard Skills III (MPAPE-UE 74).* Piano Studies, NYU. Role: Re-Design, Coordination. Fall/Spring 2006– present.

7. Keyboard Skills IV (MPAPE-UE 74).* Piano Studies, NYU. Role: Re-Design, Coordination. Fall/Spring 2006– present.

8. Chamber Ensembles (MPAPE-UE 1080).* Piano Studies, NYU. Role: Coordination, Instruction. Fall/Spring 2006– present.

9. Recital (MPAPE-UE 1092).* Piano Studies, NYU. Role: Coordination. Fall/Spring 2006– present.

10. Collegium (MPAPE-UE 92).* Piano Studies, NYU. Role: Design and Instruction. Fall/Spring 2006–2019.

Graduate * Required for Piano Performance Majors

18

1. Doctoral Proposal Seminar. (MPAIA-3407).* Music Education, NYU. Role: Instruction. Fall 2020-present.

2. Doctoral Performing Arts Research Collegium (MPAIA-GE 3401).* Music Education, NYU. Role: Instruction. Fall 2014, Fall/Spring 2018-Spring 2020.

3. Piano Literature, 20th-21st Century (MPAPE-GE 2187).* Piano Studies, NYU. Role: Design and Instruction. 2014-present.

4. Private Piano (MPAPE-GE 2356).* Piano Studies, NYU. Role: Instruction. Fall/Spring 2006– present.

5. Techniques and Materials of Chamber Music (MPAPE-GE 2034).* Piano Studies, NYU. Role: Coordination, Instruction. Fall/Spring 2006– present.

6. Colloquy (MPAPE-GE 2026).* Piano Studies, NYU. Role: Design and Instruction. Fall/Spring 2006– present.

7. The Art of Piano I (MPAPE-GE 2041).* Piano Studies, NYU. Role: Design and Implementation. Fall 2016.

8. The Art of Piano II (MPAPE-GE 2042).* Piano Studies, NYU. Role: Design and Implementation. Spring 2017.

9. Performance Practice & Entrepreneurship in 20th-21st-c. Piano Music (MPAPE-GE 2189).* Piano Studies, NYU. Role: Co-Design and Implementation. Spring 2016.

10. Collaborative Piano: Techniques and Practicum (MPAPE-GE 2170). * Piano Studies, NYU. Role: Co-Design and Implementation. Spring 2015.

11. Influential Pianists and Performance Practice (MPAPE-GE 2181).* 19

Piano Studies, NYU. Role: Co-Design and Implementation. Spring 2012 .

12. Piano Literature: Aesthetics, Reception, Performance Practice (MPAPE-2185).* Piano Studies, NYU. Role: Design and Instruction. 2007-2014.

TEACHING: DOCTORAL COMMITTEES AND READERSHIPS (NEW YORK UNIVERSITY)

1. Philips, Andrew Telichan. PhD in Music Technology. Reader. “Electronic Music and Real Subsumption: Values and Preferences in the Production of Software.” New York University. July 2020.

2. Lin, Katherine. PhD in Piano Performance. Reader. “The Unequal Tuning System of Well- Temperament and its Influence on Key Characteristics in J.S. Bach's Well-Tempered Clavier.” New York University. [Postponed due to COVID-19]

3. Millman, Sean. PhD in Percussion Performance. Chair. “Music Performance Implications of an Interdisciplinary Deliberate Practice Loop.” New York University. 2016-present.

4. Levinson, Hannah. PhD in String Performance. Chair. “The Artist-State: Pierre Boulez and Iancu Dumitrescu.” New York University. 2015-present.

5. McKay, Tristan. PhD in Piano Performance. Chair. “A Semiotic Analysis of Open Notations in Works by Earle Brown, Will Redman, and Leah Asher.” New York University. 2019.

6. Kilroy, Patricia. PhD in String Performance. Chair. “Post-Human Musical Contexts: Live Processing’s Impact on Performance Practice in Electroacoustic Music.” New York University. 2019.

7. Hayslett, Bryan. PhD in String Performance. Chair. “A Linguistic Approach to Rhythm and Meter: Analysis of Temporal Structure and Phrasing in the Music of Lee Hyla.” New York University. 2019.

8. Miller-Kay, Elissa. PhD in Piano Performance. Chair. “The Virtuosity of Interpretation: Performances of Beethoven’s Piano Sonatas in England, 1800-1870.” New York University. 2016.

9. Rammos, Ioannis. PhD in Piano Performance. Committee Member. “Roland Barthes’ ‘Schumann’ Essays: Towards a Reinscription of Schenkerian Analytical Practice.” New York University. 2016.

10. Eckroth, Michael. PhD in Jazz Performance. Reader. “Early Cuban Piano Improvisation, 1937- 1949.” New York University. 2016.

11. Larsen, Midori. PhD in Piano Performance. Chair. “The Pianist's Embodiment of Rhythm and Harmony: Incorporating Body Movement into Learning Manuel de Falla's Fantasía Bética.” New York University. 2016. 20

12. Laufer, Manuel. PhD in Piano Performance. Chair. “Reinscribing Modernism: Selected Episodes in Venezuelan Composition After 1950.” New York University. 2015.

13. Ostermiller, Marcus. PhD in Piano Performance. Chair. “Musical Responses to AIDS: Meaning and Signification in Two Works for Solo Piano by Robert Savage and Kevin Oldham.” New York University. 2015.

14. Sabin, Robert. PhD in Jazz Performance. Reader. “Gary Peacock: Analysis of Progressive Double Bass Improvisation, 1963-1965.” New York University. 2015.

15. Lankov, Jeff. PhD in Piano Performance. Chair. “The Solo Piano Compositions of John Adams: Style, Analysis, and Performance.” New York University. 2013.

16. Chai, Siaw Chui. PhD in Occupational Therapy. Committee Member. “The Perception of Hand Discomfort Among Piano Students: Influences of Physical Attributes, Perceived Exertion, and Time Spent Playing the Piano; and its Utility in Predicting Hand Function Status.” New York University. 2013.

17. Kim, Yoojung. PhD in Piano Performance. Chair. “Left-Hand Arpeggiated Figuration in the Piano Works of Alexander Scriabin: Characteristic Types and their Performance Practice.” New York University. 2012.

18. Marks, Adam. PhD in Piano Performance. Committee Member. “The Virtuosic Era of the Vocalizing Pianist.” New York University. 2012.

TEACHING: DOCTORAL COMMITTEES AND READERSHIPS (OUTSIDE NYU)

1. Fort, Anthony. PhD in Music Theory. Reader. “Rhythm in Modernist Classical Music Sounds Different, Depending on How You Move.” Columbia University. May 2020.

2. De Graf, Galen. PhD in Music Theory. Reader. "Navigating Musical Periodicities: Modes of Perception and Types of Temporal Knowledge.” Columbia University. 2018.

3. Trapani, Christopher. PhD in Music Composition. Reader. “Convergence Lines: A Musical Distillation of Thomas Pynchon’s V.” Columbia University. 2017.

4. Cody, Joshua. PhD in Music Composition. Reader. “Nono and Marxist Aesthetics.” Columbia University. 2014.

5. Chai, Jenny Q. Chai. DMA in Piano Performance. Advisor. “An Analysis of ‘Innige Cavatina’ from Miniature Estrose by Marco Stroppa.” Manhattan School of Music. 2013.

6. Adamcyk, David. DMA in Music Composition. Reader. “Cheval Mémoire: Solo Piano, Electronics, and Installation.” McGill University. Defended 2012.

TEACHING: MASTER CLASSES

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1. Musikiin Aika (Time of Music), Viitasaari. July 2021. 2. Boston University. Apr 2021. 3. Musikiin Aika (Time of Music), Viitasaari. June 2020. [Postponed due to COVID-19]. 4. NYU Summer Piano Intensive, New York. June 2020. [Postponed due to COVID-19]. 5. Longy School of Music, Boston. Apr 2019. 6. Summer Institute for Contemporary Performance Practice, Boston. June 2016 7. New England Conservatory, Boston. Sep 2013. 8. Boston University. Sep 2013. 9. Roosevelt University, Chicago. May 2009. 10. Rice University, Houston. Mar 2008. 11. Oberlin College, Conservatory of Music. Mar 2006. 12. Northwestern University, Evanston. Feb 2005. 13. Cornell University, Ithaca. Oct 2004. 14. Cleveland Institute of Music. Oct 2003.

LEADERSHIP AND ACADEMIC SERVICE: NEW YORK UNIVERSITY

2020-2022 Inaugural Mentoring Council. Member. Steinhardt School. 2019-2021 University Senate. Senator. Tenured Faculty Senators Council. Inclusion, Equity and Diversity Committee. Co-Chair. Academic Affairs Committee. 2006-present Program in Piano Studies. Director. Steinhardt School. 2006-present Piano Studies Artist Master Class Series. Curator. Steinhardt School. 2006-present Personnel Committee. Steinhardt School. 2011-present Piano at Tandon. Curator. Tandon School of Engineering. 2014-present Academic Affairs Committee. Steinhardt School. 2015-present Doctoral Affairs Committee. Chair. Steinhardt School. 2019-present Virtual Performance Committee. Steinhardt School. 2006-2020 Steinhardt at Septodont. Curator. College of Dentistry. 2018-2020 Outstanding Dissertation Award Committee. 2006-2019 Doctoral Affairs Committee. Steinhardt School. 2018-2019 University Senate (Alternate). Tenured Faculty Senators Council. Diversity, Equity, and Inclusion Committee. Academic Affairs Committee. 2017-2018 Search Committee: Faculty in Music Theory. Steinhardt School. 2013–2018 Distinguished Teaching Award Committee. Steinhardt School. 2018 Student Research and Creative Project Grants Committee. Steinhardt School. 2017 Outstanding Doctoral Student Teaching Award Committee. Steinhardt School. 2016 Mitchell Leaska Award Committee. Steinhardt School. 2016 Student Challenge Grants Committee. Reviewer. Steinhardt School. 2015 Doctoral Affairs Committee. Acting Chair. Steinhardt School. 22

2008-2014 Committee for Curriculum and Programs. Steinhardt School. 2014 Space Committee. Steinhardt School. 2012 Challenge Grants for Arts and Culture. Reviewer. Steinhardt School. 2010-2011 Search Committee: Faculty Chair in Piano Studies. Steinhardt School. 2009-2010 Search Committee: Faculty in Composition. Steinhardt School.

SERVICE TO THE FIELD 1995-present Steinway & Sons. Steinway Artist. 2019-present American Musicological Society. NYU-AMS Lecture Committee 2014-present Composers Now. Board of Directors. Treasurer. 2019 Gershwin International Piano Competition. Adjudicator. 2013-2018 Fromm Music Foundation. Harvard University. Board of Directors. 2014-2018 Concert Artists Guild. Adjudicator. 2009-2018 Alphasights. Consultant. 2018 Manhattan School of Music. Koch Competition. Adjudicator. 2018 Steinway & Sons. Steinway Piano Competition. Adjudicator. 2013-2017 French-American Piano Society. Artistic Director. 2017 Columbia University. Music Performance Program Competition. Adjudicator. 2016 Lucy Moses School, Special Music School. Concerto Competition. Adjudicator. 2016 Western Connecticut State University. Piano Competition. Adjudicator. 2014 Ralph Kaminsky Fund for New Music. Grants Panelist. 2013-2014 Music with A “Vue.” Bellevue Hospital. Curator. 1993-2011 Ensemble 21 Contemporary Music Performance Group. Co-Director. 2009-2011 Institute of International Education, Fulbright National Screening Committee. 2011 Pew Trust for Arts and Heritage/Philadelphia Music Project. Grants Panelist. 2008-2009 Bose. Spokesperson. 2008 Meet the Composer/JP Morgan Chase Regrant Program. Grants Panelist. 2008 New York State Music Teachers’ Association. Adjudicator.

MEDIA AND PROFILES

1. Kamm, Ella. “Pianist With a Purpose: Marilyn Nonken Shares Tips for Success in the Arts.” Shorewood Today. Winter 2019. 2. Diovanni, Timothy. “Marilyn Nonken’s Fight for ‘New’ Music.” Columbia Lion. 5 Feb 2017. 3. Zhou, Andrew. Interview. Newsletter of the Westfield Center for Historical Keyboard Studies. Fall 2015. 4. Medwin, Marc. Interview. Fanfare. May-June 2015. 5. Zises, Heather. Interview. (READ)Art http://readartny.com/up-coming-ncp-annual-benefit- honors-marilyn-nonken-with-2014-visionary-award-preview-by-heather-zises 2 Oct 2014. Accessed 6 Feb 2020 6. Lin, Helen. “Dedicated Exclusively: Marilyn Nonken, piano.” Beyond: Arts & More. July 2014. 19. 7. Saloomey, Kristen. “Musical Bidding War Over Revered Piano Maker: Music Lovers Hope High Standards of World-Renowned Steinway and Sons Will Be Maintained as Assets are Up for 23

Grabs.” Al Jazeera America. 13 Aug 2013. http://www.aljazeera.com/video/americas/2013/08/2013813154525701735.html Accessed 6 Feb 2020. 8. Jackson, Claire. “Sturm und Drang for the 21st Century.” International Piano, June-July 2012. 9. Bialek, Nan. “Musicology Movement.” M: Milwaukee’s Lifestyle Magazine. July 2011.

AFFILIATIONS 2018-present Music Theory Society of New York State. 2017-present American Musicological Society. 2016-present College Music Society. 2016-present Society for Music Theory. 2006-2017 International Society for Ecological Psychology.