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Marilyn Nonken New York University, Steinhardt School Music and Performing Arts, Piano Studies 35 West Fourth Street, New York, NY 10012 (212) 998-5612 [email protected] http://steinhardt.nyu.edu/music/faculty/Marilyn_Nonken http://marilynnonken.com

HIGHLIGHTS Recordings 25+ recordings as soloist, duo pianist, chamber musician. Publications Two monographs, 20+ journal articles, book chapters, invited publications. Performances 25+ years performing at major international venues. Expertise Piano performance, musicology, theory, post-1945 music, ecological psychology, aesthetics, performance practice, identity/diversity/equity/access in the arts. Leadership Director of Piano Studies, 15+ years administration and direction of non-profit performing, commissioning and presenting arts organizations.

EDUCATION 1999 PhD, Musicology/Theory. Columbia University, New York. Dissertation: An Ecological Approach to Music Perception: Stimulus-Driven Listening and the Complexity Repertoire. Advisor: Fred Lerdahl.

1995 MPhil, Musicology/Theory. Columbia University, New York.

1995 MA, Musicology/Theory. Columbia University, New York.

1992 Zertifikat, Internationalen Meisterkurs für Interpretation Neuer Klaviermusik, Musikakademie Rheinsberg, Germany. Mentor: Leonard Stein.

1992 BMus, Theory. Eastman School of Music, University of Rochester, New York. Mentor: David Burge.

ACADEMIC POSITIONS 2013-2019 Associate Professor. Steinhardt School, New York University, New York. 2006–2013 Assistant Professor. Steinhardt School, New York University, New York. 2005–2006 Adjunct Professor. Department of Music, Columbia University, New York. 1994–1996 Instructor. Department of Music, Columbia University, New York.

MONOGRAPHS Nonken, Marilyn. Identity and Diversity in New Music: The New Complexities. Routledge, 2019.

Nonken, Marilyn. The Spectral Piano: From Liszt, Scriabin, and Debussy to the Digital Age. Cambridge University Press, 2014. Paperback edition, 2016.

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BOOK CHAPTERS AND EDITED VOLUMES Nonken, Marilyn. “Messiaen and the Spectralists.” In Messiaen in Context. Edited by Robert Sholl. Cambridge University Press. Accepted for publication 2019.

Nonken, Marilyn. “An Attitude Towards the Performance of Spectral Music.” In The Oxford Handbook of Spectral Music. Edited by Amy Bauer and Liam Cagney. Oxford University Press. In press.

Nonken, Marilyn. “Hugues Dufourt and the Origins of His World.” In The Oxford Handbook of Spectral Music. Edited by Amy Bauer and Liam Cagney. Oxford University Press. In press.

Nonken, Marilyn. “Messiaen to Murail, or, What Sounds Become.” In Perspectives on the Performance of French Piano Music. Edited by Scott McCarrey and Leslie A. Wright. Ashgate, 2014.

Nonken, Marilyn. “Messiaen and the Spectralists.” In Messiaen Perspectives 2: Techniques, Influence and Reception. Edited by Christopher Dingle and Robert Fallon. Ashgate, 2013.

Nonken, Marilyn, Ed. “Performers on Performance,” Contemporary Music Review. Issue 21/1. 2002.

PEER-REVIEWED JOURNAL PUBLICATIONS Nonken, Marilyn. “The Origins of a Performance Practice: David Burge and Robert Miller.” Contemporary Music Review. Accepted for publication 11/2018.

Nonken, Marilyn. “The Performer in the Music of Milton Babbitt.” Contemporary Music Review. In press.

Chai, Siaw Chui; Bear-Lehman, Jane; Weinberg, Sharon; Nonken, Marilyn. “A Preliminary Analysis on the Relationship Between Perceived Hand Discomfort, Perceived Exertion, and Hand Function Status Among Piano Students.” Journal of Hand Therapy 25/4 (Oct-Dec 2012): e12-e13.

Larsen, Charles; Nonken, Marilyn; Moursi, Amr; Larsen, Midori. “Impact of an Interdisciplinary Concert Series on Stress and Work-Life Balance in a Dental College.” Music and Medicine 4/3 (2012): 177-187.

Nonken, Marilyn. “’La notation ne peut rendre compte du fait’: Performing Murail’s ‘Territoires de l’oubli.’” Tempo 62/244 (April 2008): 2-10.

Nonken, Marilyn. “What Do Musical Chairs Afford? On Clarke’s ‘Ways of Listening’ and Sacks’s ‘Musicophilia.’” Ecological Psychology 20/4 (Oct-Dec 2008).

Nonken, Marilyn. “James M. Baker, David W. Beach, and Jonathan Bernard: Music Theory in Concept and Practice.” Current Musicology 62 (Spring 1997): 84.

Nonken, Marilyn. “With a Bang (Not a Whimper): June in Buffalo 1992.” Perspectives of New Music 30/2 (Summer 1992): 290-293.

INVITED PUBLICATIONS Nonken, Marilyn. “Identity and Diversity in New Music: Seeking a Connected Musical Society.” 21CM 52, June 2019. http://21cm.org/magazine/sounding-board/2019/06/06/identity-and-diversity-seeking-a- connected-musical-society/

Nonken, Marilyn. Introduction. Timeless Relevance: The Keyboard Magazine Columns. Edited by Evon Burge. Chelsea Books, 2018. 3

Nonken, Marilyn. Voix Voilées: Spectral Music for Piano. Metier MSV-CD 28524. 2012. Liner notes.

Nonken, Marilyn. David Rakowski: Winged Contraption. BMOP Sound 1009. 2009. Liner notes.

Nonken, Marilyn. Morton Feldman: Triadic Memories. Mode CD/DVD 136. 2004. Liner notes.

Nonken, Marilyn. Jason Eckardt: Out of Chaos. Mode CD 137. 2004. Liner notes.

Nonken, Marilyn. Tristan Murail: The Complete Piano Works. Metier MSVCD 9209. 2003. Liner notes.

Nonken, Marilyn. American Spiritual. CRI CD 877. 2001. Liner notes.

Nonken, Marilyn. “The Pianist’s Space.” Institute for Studies in American Music Newsletter 29/2. 2000.

EDITORSHIPS AND EXTERNAL REVIEWERSHIPS 2019 New Focus Records. Proposal evaluation. 2018 International Computer Music Conference. Proposal evaluation. 2016 Rowan and Littlefield. Music Books. 2015 Oxford University Press. Music Books. 2012–2014 Cambridge University Press. Music and Theatre. 2012 Oxford University Press. Music Books. 2011 Twentieth-Century Music. Oxford University Press. Publication evaluation. 1998–2003 Repertoire Internationale de Litterature Musicale. Associate Editor. 1996–1998 Current Musicology. Associate Editor.

RECORDINGS: SOLO, SOLO ON COMPILATIONS, CONCERTO Nina C. Young. A bout de souffle. Recorded 12/2018, Oktaven Studios, Brooklyn.

Richard Carrick. la touche sonore sous l’eau. Recorded 1/2018, Berklee College of Music, Boston.

2018 Christopher Trapani. Waterlines. JACK Quartet, Longleash, Talea Ensemble, Lucy Deghrae. New Focus FCR200.

2016 Miguel Chuaqui: Confabularia. Madeleine Shapiro, Don Schaeffer. Parma RR7939.

2015 Jason Eckardt: Subject. International Contemporary Ensemble, JACK Quartet. Tzadik 9006.

2015 Paul Nauert: A Distant Music. Paul Miller, David Tanenbaum. New World 80769.

2012 Voix Voilées: Spectral Piano Music. Metier MSV-CD 28524.

2011 Drew Baker: Stress Position. New Focus FCR116.

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2010 David Laganella: The Calls of Gravity. Prism Quartet. New Focus FCR114.

2010 Chris Bailey: Immolation Ritual. Gabriela Diaz, Elliott Gattegno. Innova 695.

2009 Roger Reynolds: Epigram and Evolution – Complete Piano Works. Eric Huebner, Yuji Takahashi. Mode 212.

2009 David Rakowski: Winged Contraption. Boston Modern Orchestra Project, Gil Rose, cond. BMOP Sound 1009.

2008 Chris Dench: Beyond Status Geometry. Libra Ensemble. Tzadik tx8044.

2005 Tristan Murail: The Complete Piano Music. Metier. MSV-CD 92097.

2004 Morton Feldman: Triadic Memories. Mode CD/DVD 136.

2004 David Rakowski: Martian Counterpoint. US Marine Band. Albany/Troy 681.

2001 American Spiritual. CRI 877.

2001 Alvin Lucier: Still Lives. Joseph Kubera, Ryoko Mizutani. LCD 501.

RECORDINGS: DUO AND CHAMBER Nonken, Marilyn, Stephen Marotto. Morton Feldman: Complete Works for Piano and Violoncello. Mode. Recorded 12/2018, Curtis M. Priem Experimental Media and Performing Arts Center (EMPAC), Troy.

Nonken, Marilyn, Jessica Bowers. Akemi Naito: Through Life and Death, A Chainless Soul. PARMA. In press.

2018 Nonken, Marilyn, Augustus Arnone. Eidos. Collide-o-Scope. Hanging Bell.

2018 Nonken Marilyn, Joseph Kubera. Michael Byron: The Ultraviolet of Many Parallel Paths. Harrison House.

2016 Nonken, Marilyn, Joseph Kubera. Larry Polansky: Three Pieces for Two Pianos. New World 80777-2.

2010 Nonken, Marilyn, Sarah Rothenberg. Olivier Messiaen: Visions de l’Amen. Bridge 9324.

2010 Nonken, Marilyn, Ensemble Elision; Jean Deroyer, cond. Brian Ferneyhough: Terrain. Kairos 013072KAI.

2008 Prism Quartet, Marilyn Nonken. William Albright: Music for Saxophones. Innova 731.

2006 Nonken, Marilyn, Taimur Sullivan, sax. Louis Karchin: Matrix. Albany/Troy 895.

2006 Nonken, Marilyn, Fred Sherry, vcl. Charles Wuorinen: Adapting to the Times. Albany/Troy 871.

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2004 Nonken, Marilyn, Ensemble 21; Jeffrey Milarsky, cond. Jason Eckardt: Out of Chaos. Mode CD 137.

REVIEWS

Cagney Liam. Review of Christopher Trapani: Waterlines. Gramophone. July 2019.

Rolnick, Harry. “Michel Galante’s Spatial Odyssey.” Concerto.net April 2019 https://concertonet.com/scripts/review.php?ID_review=13837

Shatan, Jeremy. “Best of 2018: The Top 25.” (Christopher Trapani, Waterlines). An Earful. https://anearful.blogspot.com/2018/12/best-of-2018-top 25.html?spref=fb&fbclid=IwAR3Kjq7q_uAriSr9mh7b2bgiv4YR7Tn939T- dxizCpgA9e0kc5SHXlv7TKM#.XC4fSi2ZO3U

Carey, Christian. “Best of 2018: Composer Portraits.” (Christopher Trapani, Waterlines). Sequenza 21. 24 Dec 2018. http://www.sequenza21.com/2018/12/best-of-2018-composer-portrait- cds/?fbclid=IwAR0RO0nwnSPdw4_BvNnHDAEbGwMMv7TXG7eEUUH85vQ6bzGqniQ2RWudkeQ

Cummings, Simon. “Best Albums of 2018.” (Christopher Trapani, Waterlines). 5:4 30 Dec 2018. http://5against4.com/2018/12/30/best-albums-of-2018-part- 1/?fbclid=IwAR2E2C3dvTPlo4RaENawo3FzP9RrunLntogb9COHeimRRTgNmEnj-CwIpc0

Cowley, Julian. Review of Michael Byron: The Ultraviolet of Many Parallel Paths. The Wire. Nov 2018.

Edwards, Gregor Applegate. Review of Michael Byron: The Ultraviolet of Many Parallel Paths. Gapplegate Classical-Modern Music Review. 17 Aug 2018.

Tosi, Michèle. “Concerts et Nuit Magique Russes au Festival Messiaen.” Res Musica. 12 Aug 2018. http://www.resmusica.com/2018/08/12/concerts-et-nuit-magique-russes-au-festival- messiaen

Muller, Paul. Review of Michael Byron: The Ultraviolet of Many Parallel Paths. Sequenza 21. 12 July 2018.

Hodges, Bruce. “Five Intrepid Pianists Pay Tribute to Charles Wuorinen on his 80th Birthday.” Musical America. 14 Feb 2018

Martell, Logan. Review of Naito: Through Life and Death, A Chainless Soul by Marilyn Nonken and Jessica Bowers. OperaWire. 10 Jan 2018.

Carey, Christian. “Required Reading: The Spectral Piano.” Sequenza 21. 25 May 2017.

Burwasser, Peter. Review of Paul Nauert: A Distant Music. Fanfare. May-June 2016.

Carl, Robert. Review of Larry Polansky: Three Pieces for Two Pianos. Fanfare. May-June 2016.

Vittes, Laurence. Review of Larry Polansky: Three Pieces for Two Pianos. Gramophone. May 2016.

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Lubkowski, Stefanie. “Nonken, Sound Icon Reveal Grisey Work as a Modern Masterpiece.” Boston Classical Review. 20 May 2016.

Kosman, Joshua. Review of Larry Polansky: Three Pieces for Two Pianos. San Francisco Gate. 26 Feb 2016.

Elkins, James. “Tristan Murail’s ‘Territoires de l’oubli’ and Nonken’s ‘The Spectral Piano.’” Piano Notes: Analysis of Modern and Contemporary Piano Music. http://www.jameselkins.com/pianofiles/murail-terrritoires Jan 2016.

Lennard, Chris. Review of The Spectral Piano: From Liszt, Scriabin and Debussy to the Digital Age. Music Research Forum 30. 68-74. 2015.

Burwasser, Peter. “Top 5 CDs of 2015.” Fanfare. Nov-Dec 2015.

Trevino, Jeffrey. Review of The Spectral Piano: From Liszt, Scriabin and Debussy to the Digital Age. Computer Music Journal 39/3. 92-96. Fall 2015.

Burwasser, Peter. Review of Marilyn Nonken: Voix Voileés – Spectral Music for Piano. Fanfare. July- Aug 2015.

Clarke, Colin. Review of Marilyn Nonken: Voix Voileés – Spectral Music for Piano. Fanfare. July-Aug 2015

Deboor-Canfield, David. Review of Marilyn Nonken: Voix Voileés – Spectral Music for Piano. Fanfare. May-June 2015.

Medwin, Marc. Review of Marilyn Nonken: Voix Voileés – Spectral Music for Piano. Fanfare. May-June 2015.

Gilmore, Bob. Review of The Spectral Piano: From Liszt, Scriabin and Debussy to the Digital Age. Tempo 69/272. April 2015.

Garzia, Ettore. Review of The Spectral Piano: From Liszt, Scriabin and Debussy to the Digital Age. Percorsi Musicali: Pensieri sulla musica contemporanea. 7 March 2015 http://ettoregarzia.blogspot.it/2015/03/the-spectral-piano.html

Hamer, Laura. Review of Perspectives on the Performance of French Piano Music. Music & Letters 96/1. 133-135. Feb 2015.

Lock, Graham. Review of The Spectral Piano: From Liszt, Scriabin and Debussy to the Digital Age. International Piano. Nov-Dec 2014.

Lock, Graham. Review of Marilyn Nonken: Voix Voileés – Spectral Music for Piano. International Piano. March-April 2013.

Byelick, Ira. Review of Drew Baker: Stress Position. American Record Guide. April 2012.

Hayes, Morgan. “Gramophone’s Top 10 Contemporary Classical Recordings [featuring Marilyn Nonken: American Spiritual].” Gramophone. Feb 9, 2011. 7

Lander, David. “2011 Records to Die For [featuring Messiaen: Visions de l’Amen by Marilyn Nonken and Sarah Rothenberg].” Stereophile, Sep 2011.

Stearns, David Patrick. “Doing Justice to Avant-Garde Composer Feldman.” Review of concert performance by Marilyn Nonken, Rodeph Shalom, Philadelphia. Philadelphia Inquirer, June 6, 2011.

Keller, James. Review of Messiaen: Visions de l’Amen by Marilyn Nonken and Sarah Rothenberg. High Fidelity, Jan-Feb 2011.

Scott, Philip. Review of Messiaen: Visions de l’Amen by Marilyn Nonken and Sarah Rothenberg. Fanfare Nov-Dec 2010.

Auerbach, Brent. Review of Messiaen: Visions de l’Amen by Marilyn Nonken and Sarah Rothenberg. American Record Guide Sept-Oct 2010.

Dingle, Christopher. Review of Messiaen: Visions de l’Amen by Marilyn Nonken and Sarah Rothenberg. BBC Music Magazine, Sep 2010.

Kozinn, Allan. Review of concert performance by Marilyn Nonken and Sarah Rothenberg (duo piano), (le) Poisson Rouge, New York. New York Times [Living Arts], Aug 4, 2010.

Reich, Roni. Review of concert performance by Marilyn Nonken and Sarah Rothenberg (duo piano), (le) Poisson Rouge, New York. New Jersey Star Ledger, Aug 4, 2010.

Violette, Andrew. Review of Messiaen: Visions de l’Amen by Marilyn Nonken and Sarah Rothenberg. New Music Connoisseur, Aug 2010.

Schweitzer, Vivian. Review of Messiaen: Visions de l’Amen by Marilyn Nonken and Sarah Rothenberg. New York Times, July 18, 2010. Weekend section.

Kosman, Joshua. Review of Messiaen: Visions de l’Amen by Marilyn Nonken and Sarah Rothenberg. San Francisco Chronicle. July 11, 2010.

Service, Tom. “Sunday Times Top 100 Albums of 2010 [including Brian Ferneyhough, Terrain and Other Works/Ensemble Elision].” London Times, April 16, 2010.

Swed, Mark. Review of concert performance by Marilyn Nonken, Zipper Concert Hall, Los Angeles. Los Angeles Times, Dec 8, 2009.

Farach-Colton, Andrew. Review of David Rakowski: Persistent Memory, Piano Concerto, Winged Contraption. Gramophone, Dec 2009.

Lehmen, Mark. Review of David Rakowski: Persistent Memory, Piano Concerto, Winged Contraption. American Record Guide, July-Aug 2009.

Kozinn, Allan. Review of Jason Eckardt: Out of Chaos. New York Times, Aug 2, 2008. Weekend section.

Weininger, David. Review of concert performance by Marilyn Nonken and the Boston Modern Orchestra Project, Jordan Hall, Boston. Boston Globe, Nov 6, 2007.

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Quinn, Ian. Review of Adapting to the Times. American Record Guide March-April 2007.

Dunning, Jennifer. Review of concert performance by Marilyn Nonken, Miller Theatre, New York. New York Times, 18 Sep 2006.

Möller, Torsten. Review of Tristan Murail: The Complete Piano Works by Marilyn Nonken. Dissonanz, Sep 2006.

Burwasser, Peter. Review of Tristan Murail: The Complete Piano Works by Marilyn Nonken. Fanfare, Jan-Feb 2006.

Page, Tim. Review of concert performance by Marilyn Nonken at Clarice Smith Performing Arts Center, College Park, MD. Washington Post, Dec 25, 2005.

Holland, Bernard. Review of concert performance by Marilyn Nonken at Miller Theatre, New York. New York Times, Oct 22, 2005.

Gann, Kyle. Review of Morton Feldman: Triadic Memories by Marilyn Nonken. www.artsjournal.com, June 22, 2005.

Midgette, Anne. Review of concert performance by Marilyn Nonken at Miller Theatre, New York. New York Times, Oct 12, 2004.

Hewitt, Ivan. Review of Morton Feldman: Triadic Memories by Marilyn Nonken. London Times, Aug 14, 2004.

Hamilton, Andy. Review of Tristan Murail: The Complete Piano Music by Marilyn Nonken. The Wire, Nov 2003.

SELECT PERFORMANCES: SOLO, CONCERTO 10/2019 Brandeis University, Waltham. 09/2019 Loewe Theatre. With NYU Contemporary Music Ensemble. 06/2019 Conservatorio de Música de Puerto Rico, San Juan. 05/2019 St. Bartholomew’s Church, New York. 04/2019 St. Peter’s Church, New York. With Argento New Music Project. 04/2019 Contemporary Arts Center, New Orleans. With Argento New Music Project. 03/2019 Miller Theatre, New York. 12/2018 Sheen Center for Thought and Culture, New York. 10/2017 Center for French Civilization and Culture, New York. 07/ 2017 Neue Galerie, New York. 05/2017 Barnes Foundation, Philadelphia. 02/2017 Spectrum, New York. 01/2017 Miller Theatre, New York. 09/2016 Manoir des Arts, Jaugette (France). 09/2016 Reid Hall, Paris. 6/2016 Jordan Hall, New England Conservatory 02/2016 (le) Poisson Rouge, New York. 9

01/2016 Rose Recital Hall, University of Pennsylvania. 11/2015 Institute for New Music, Northwestern University, Evanston. 03/2015 Experimental Media and Performing Arts Center, Troy. 03/2015 Barnes Hall, Cornell University, Ithaca. 09/2014 Constellation, Chicago. 05/2014 Faust Harrison Pianos, New York 10/2013 University of Wisconsin, Milwaukee. 09/2013 Institute for New Music, Boston University. 07/2013 Asociacion Cultural Humboldt, Caracas. 07/2013 Universidad de los Andes, Mérida. 06/2011 Rodeph Shalom, Philadelphia. 11/2010 Institut Chileno-Norteamericano, Santiago. 12/2009 Zipper Concert Hall, Colburn School, Los Angeles. 12/2009 Menil Collection, Houston. 12/2009 Clarice Smith Performing Arts Center, College Park. 11/2009 Center for New Music and Audio Technology, UC-Berkeley. 06/2009 Baryshnikov Arts Center, New York. 03/2009 Music Gallery, Toronto. 02/2009 Sibelius Academy, Helsinki. 11/2008 Bruno Walter Auditorium, Lincoln Center, New York. 06/2008 Birmingham Conservatoire, UK. 06/2008 Symphony Space, New York. 03/2008 Conservatoire National, Caën. 02/2008 Mid-American Center for Contemporary Music, Bowling Green. 11/2007 Jordan Hall, New England Conservatory. With Boston Modern Orchestra Project. 09/2007 Amherst College. 10/2006 Institut de Recherche et Coordination Acoustique/Musique, Paris. 05/2006 Guggenheim Museum, New York. 04/2006 Merkin Hall, New York. Oberlin Contemporary Music Ensemble. 11/2005 Phillips Collection, Washington DC. 10/2004 Carl Nielsen Academy of Music, Odense. 03/2005 Convention Center, Philadelphia. 04/2004 Cooper Union, New York. 03/2004 Peabody Conservatory, Johns Hopkins University, Baltimore. 10/2003 Zankel Hall at Carnegie Hall, New York.

SELECT PERFORMANCES: DUO AND CHAMBER 02/2020 University of California, Berkeley. Manuel Laufer, pno. 11/2019 New Gallery Arts, Boston. 10/2019 Brandeis University, Boston. 05/2019 Roulette, New York. Manuel Laufer, pno. 09/2018 Provincetown Playhouse, New York. Stephen Marotto, cello. 05/23/18 St. Bartholomew’s Church, New York. Stephen Marotto, cello. 01/2018 Tenri Cultural Institute, New York. Jessica Bowers, soprano. 10

11/2017 Roulette, New York. Joseph Kubera, pno. 06/2017 Neue Galerie, New York. Rolf Schulte, vln; Coleman Itzkoff, vcl. 11/2016 Menil Collection, Houston. Sarah Rothenberg, pno. 10/2016 Roulette, New York. Joseph Kubera, pno. 06/2016 Villa Aurelia, American Academy in Rome. Richard Valitutto, pno 05/2016 Distler Hall, Tufts University, Boston. Sound Icon; Jeffrey Means, cond. 05/2016 TenRi Cultural Institute, New York. Prism Quartet. 05/2015 Cullen Center, Houston. Sarah Rothenberg, pno. 03/2015 Sage Chapel, Cornell University, Ithaca. Genèvieve Grenier, ondes. 10/2014 (le) Poisson Rouge, New York. Peter Hill, pno. 03/2013 Kasser Theatre, Montclair. Sarah Rothenberg, pno. 03/2013 Museum of Fine Art, Houston. Sarah Rothenberg, pno. 08/2010 (le) Poisson Rouge, New York. Sarah Rothenberg, pno. 12/2008 Rothko Chapel, Houston. Sarah Rothenberg, pno. 05/2007 Judith Wright Center, Brisbane. Elision; Frank Ollu, cond. 05//2007 Iwaki Auditorium, Melbourne. Elision; Frank Ollu, cond.

MEDIA AND PROFILES Smith, Steve. “Music of Morton Feldman.” The New Yorker. 17 Sep 2018.

Nardelli, Stefano. “I 10 festival di Classica dell'estate in Europa: La Carmen sul lago di Costanza, Messiaen tra le montagne, Bernstein nel Mare del Nord--Il meglio dell'estate 2018 in Europa.” Giornalli della musica. 5 July 2018. http://www.giornaledellamusica.it/articoli/i- 10-festival-di-classica-dellestate- europa

Whalen, Robert and Katherine Skovira. “A Conversation with Marilyn Nonken.” Verso, Barnes Foundation. Podcast 21 March 2017. https://itunes.apple.com/us/podcast/verso/id1199305867?mt=2

Diovanni, Timothy. “You Can’t Play Feldman for the Van Cliburn: Marilyn Nonken’s Fight for ‘New’ Music.” Columbia Lion. 5 Feb 2017.

Zhou, Andrew. Interview. Newsletter of the Westfield Center for Historical Keyboard Studies. Fall 2015.

Medwin, Marc. “An Interview with Marilyn Nonken.” Fanfare. May-June 2015.

Zises, Heather. Exclusive Interview with Marilyn Nonken, Recipient of NCP 2014 Visionary Award. 2 Oct 2014. (READ)Art http://readartny.com/exclusive-interview-with-marilyn-nonken-recipient-of-ncp- 2014-visionary-award-by-heather-zises

Lin, Helen. “Dedicated Exclusively: Marilyn Nonken, piano.” Beyond: Arts & More. July 2014. 19.

Al Jazeera America. “Musical Bidding War Over Revered Piano Maker: Music lovers hope high standards of world-renowned Steinway and Sons will be maintained as assets are up for grabs.” 13 Aug 2013. http://www.aljazeera.com/video/americas/2013/08/2013813154525701735.html

Jackson, Claire. “Sturm und Drang for the 21st Century.” International Piano, June-July 2012. 64-65.

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Bialek, Nan. “Musicology Movement.” M: Milwaukee’s Lifestyle Magazine. July 2011. 32.

Sirén, Vesa. “Ja sitten sama lapsen kanssa: Marilyn Nonken on soittanut mahdottoman vaikeita teoksia ja tekee sen nyt ilman unta/Consistent Even with a Little One in Tow: Marilyn Nonken programs impossible works and makes it all possible in reality.” Helsingen Sanomat. 10 Feb 2009. C3.

Kuznik, Frank. “Aerie in Ostrava: A Rare Gathering of Musical Eagles.” Prague Post, 20-26. Aug 2003. B8.

CONFERENCE PRESENTATIONS AND PANELS 06/2019 “Spectralisms in America, 1995-2005.” Spectralisms II. IRCAM. Paris.

11/2018 “The Debussy Sound and the Cultural Imagination.” American Musicological Society/Society for Music Theory special session. San Antonio.

10/2017 “The Sense of Sound.” Le Sens du son. Department of French Literature Thought and Culture, NYU.

03/2017 “Hugues Dufourt and the Origins of His World.” Spectralisms: An International Conference, Oxford University.

03/2015 “Messiaen the Protospectralist.” Environs Messiaen: Nature Rendered at the Keyboard. Cornell University, Ithaca.

10/2014 “Grisey and the Spectral Piano.” Gérard Grisey, the Spectral Moment, and its Legacy, Université de Montréal and McGill University, Montréal.

06/2011 “Performing Morton Feldman’s Late Works.” American Sublime, Crane Arts, Philadelphia.

07/2009 “An Ecological Approach to Music Perception.” 15th International Conference on Perception and Action, University of Minnesota, Minneapolis.

10/2008 “Teaching and Learning New Music.” World Piano Pedagogy Conference Annual Meeting, Dallas.

06/2008 “Messiaen to Murail, or, What Sounds Become.” Messiaen 2008 International Centenary Conference, Birmingham Conservatoire, UK.

11/2007 “Spectral Music: Tristan Murail’s ‘Territoires de l’oubli.” French Music: Performance and Analysis, Brigham Young University of Hawaii, Laie.

07/2007 “Collaboration and Confrontation: Working with Composers.” William Kapell International Piano Festival and Competition, University of Maryland, College Park.

INVITED LECTURES AND PRESENTATIONS 06/2019 “The Spectral Piano.” Conservatoire National Supérieur (CNSMDP), Paris.

03/2017 “Hugues Dufourt and the Origins of Spectral Music.” Department of Music and Maison Française, Columbia University. 12

11/2016 “Spectral Music and the Sonic Imagination.” Boyer School of Music and Dance, Temple University, Philadelphia.

11/2016 “The Spectral Piano.” Shepard School of Music, Rice University, Houston.

10/2016 “The Spectral Piano.” Department of Music, Arts and Sciences, NYU.

09/2015 “The Spectral Piano.” Guest Lecture. Department of Music, University of Pennsylvania, Philadelphia.

10/2014 “The Spectral Piano: An Ecological Inquiry.” Distinguished Lecture. Centre for Interdisciplinary Research in Music and Media Technology, McGill University, Montréal.

12/2012 “Presenting a Strong Case for a Third-Year Review.” Junior Faculty Mentoring Program, NYU.

11/2010 “From Chopin to Crumb.” Guest Lecture. Department of Piano, Pontificia Universidad Católica de Chile, Santiago.

09/2009 “The New Technique.” Guest Lecture. Department of Piano, New England Conservatory, Boston.

03/2009 “Liza Lim: The Four Seasons (After Cy Twombly).” Guest Lecture. Schulich School of Music, McGill University.

02/2009 “New Music in America After Feldman and Ferneyhough.” Sibelius Academy, Helsinki.

11/2007 “David Rakowski’s Piano Concerto.” Guest Lecture. Department of Music, Brandeis University, Waltham.

03/2007 “Virtuosity and Politics.” Guest Lecture. Shepard School of Music, Rice University.

02/2007 “Music and Philosophy.” Guest Lecture. Amherst College.

03/2004 “An Ecological Approach to Music Perception.” Friedberg Lecture. Peabody Conservatory, Johns Hopkins University, Baltimore.

10/2003 “The Piano Music of Tristan Murail.” Guest Lecture. University of Manchester, UK.

02/2002 “Musical Entrepreneurs: Ensemble 21.” Invited Talk. Institute for Music Leadership, Eastman School of Music, University of Rochester.

MASTER CLASSES AND RESIDENCIES 04/2019 Longy School of Music, Boston. 02/2019 Curtis M. Priem Experimental Media and Performing Arts Center. Renssalaer Polytechnical Institute, Troy. 13

12/2018 Curtis M. Priem Experimental Media and Performing Arts Center. Renssalaer Polytechnical Institute, Troy. 08/2018 Easton’s Nook Writer’s Retreat, Newark. 11/2016 NYU, Steinhardt School, Music and Performing Arts. 06/2016 Summer Institute for Contemporary Performance Practice, Boston. 09/2013 New England Conservatory. 09/2013 Boston University. 05/2009 Roosevelt University, Chicago. 03/200 Shepard School of Music, Rice University. 03/2006 Conservatory of Music, Oberlin College. 2/2005 Northwestern University, Evanston. 10/2004 Cornell University. 10/2003 Cleveland Institute of Music.

TEACHING AND CURRICULAR DEVELOPMENT Programs Advanced Certificate in Piano Performance and Pedagogy, NYU. Piano Performance, NYU. Role: Direction, Design, Instruction, Advisement. Approved by State Education Department July 2015.

Dual Degree MM in Piano Performance/Advanced Certificate in Piano Performance and Pedagogy Piano Performance, NYU. Role: Direction, Design, Instruction, Advisement. Approved by State Education Department July 2015.

PhD in Piano Performance, NYU. Role: Advisement, Mentorship. 2006–present.

Master of Music in Piano Performance, NYU. Role: Direction, Advisement, Instruction. 2006–present.

Bachelor of Music in Piano Performance, NYU. Role: Direction, Instruction, Advisement. 2006–present.

NYU Summer Piano Intensive Role: Direction, Re-Design, Coordination, Instruction. 2013–present.

Courses: Undergraduate

MPAPE-GE 1056 – Private Piano (Majors). Piano Studies, NYU. Role: Instruction Fall/Spring 2006–present.

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MPAPE-UE 56 – Private Piano (Non-Majors). Piano Studies, NYU. Role: Coordination. Fall/Spring 2006–present.

MPAPE-UE 59 – Group Piano (Non-Majors). Piano Studies, NYU. Role: Coordination. Fall/Spring 2006–present.

MPAPE-UE 72 – Keyboard Skills I. Piano Studies, NYU. Role: Re-Design, Coordination. Fall/Spring 2006–present.

MPAPE-UE 73 – Keyboard Skills II. Piano Studies, NYU. Role: Re-Design, Coordination. Fall/Spring 2006–present.

MPAPE-UE 74 – Keyboard Skills III. Piano Studies, NYU. Role: Re-Design, Coordination. Fall/Spring 2006–present.

MPAPE-UE 74 – Keyboard Skills IV. Piano Studies, NYU. Role: Re-Design, Coordination. Fall/Spring 2006–present.

MPAPE-UE 92 – Collegium and Program Seminar. Piano Studies, NYU. Role: Design and Instruction Fall/Spring 2006–present.

MPAPE-UE 1080 – Chamber Ensembles. Piano Studies, NYU. Role: Coordination, Instruction. Fall/Spring 2006–present.

MPAPE-UE 1092 – Recitals. Piano Studies, NYU. Role: Coordination. Fall/Spring 2006–present.

Courses: Graduate MPAPE-GE 2356 – Private Piano. Piano Studies, NYU. Role: Instruction. Fall/Spring 2006–present.

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MPAPE-GE 2034 – Techniques and Materials of Chamber Music. Piano Studies, NYU. Role: Coordination, Instruction. Fall/Spring 2006–present.

MPAPE-GE 2026 – Colloquy. Piano Studies, NYU. Role: Design and Instruction. Fall/Spring 2006–present.

MPAPE-GE 2041 – The Art of Piano I. Piano Studies, NYU. Role: Co-Design and Implementation. Fall 2016.

MPAPE-GE 2042 – The Art of Piano II. Piano Studies, NYU. Role: Co-Design and Implementation. Spring 2017.

MPAPE-GE 2170 – Collaborative Piano: Techniques and Practicum. Piano Studies, NYU. Role: Co-Design and Implementation. Spring 2015, 2016.

MPAPE-GE 2181 – Influential Pianists and Performance Practice. Piano Studies, NYU. Role: Co-Design and Implementation. Spring 2012, 2014, 2016.

MPAPE-GE 2189 – Performance Practices & Entrepreneurship in 20th- and 21st-Century Piano Music. Piano Studies, NYU. Role: Co-Design. Spring 2016.

MPAPE-GE 2187 – Piano Literature, 20th and 21st Century. Piano Studies, NYU. Role: Design and Instruction. Fall 2014, 2015.

MPAPE-2185 – Piano Literature: Aesthetics, Reception, Performance Practice. Piano Studies, NYU. Role: Design and Implementation. Spring 2007, 2008, 2009, 2010, 2011, 2012, 2013, 2014.

MPAIA-GE 3401 Performing Arts Research Collegium. Music Education, NYU. Role: Instruction. Fall 2014.

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MENTORING: DOCTORAL (NYU) Millman, Sean, PhD in Percussion Performance. Chair. “Music Performance Implications of an Interdisciplinary Deliberate Practice Loop.” Since 2016.

Levinson, Hannah, PhD in String Performance, Chair. “The Artist-State: Pierre Boulez and Iancu Dumitrescu.” Since 2015.

McKay, Tristan, PhD in Piano Performance, Chair. “A Semiotic Analysis of Open Notations in Works by Earle Brown, Will Redman, and Leah Asher.” 2019.

Kilroy, Patricia, PhD in String Performance, Chair. “Post-Human Musical Contexts: Live Processing’s Impact on Performance Practice in Electroacoustic Music.” 2019.

Hayslett, Bryan, PhD in String Performance, Chair. “A Linguistic Approach to Rhythm and Meter: Analysis of Temporal Structure and Phrasing in the Music of Lee Hyla.” 2019.

Miller-Kay, Elissa, PhD in Piano Performance, Chair. “The Virtuosity of Interpretation: Performances of Beethoven’s Piano Sonatas in England, 1800-1870.” 2016.

Rammos, Ioannis, PhD in Piano Performance, Committee Member. “Roland Barthes’ ‘Schumann’ essays: Towards a Reinscription of Schenkerian Analytical Practice.” 2016.

Larsen, Midori, PhD in Piano Performance, Chair. “The Pianist's Embodiment of Rhythm and Harmony: Incorporating Body Movement into Learning Manuel de Falla's Fantasía Bética.” 2016.

Laufer, Manuel, PhD in Piano Performance, Chair. “Reinscribing Modernism: Selected Episodes in Venezuelan Composition After 1950.” 2015.

Ostermiller, Marcus, PhD in Piano Performance, Chair. “Musical Responses to AIDS: Meaning and Signification in Two Works for Solo Piano by Robert Savage and Kevin Oldham.” 2015.

Lankov, Jeff, PhD in Piano Performance, Chair. “The Solo Piano Compositions of John Adams: Style, Analysis, and Performance.” 2013.

Chai, Siaw Chui, PhD in Occupational Therapy, Committee Member. “The Perception of Hand Discomfort Among Piano Students: Influences of Physical Attributes, Perceived Exertion, and Time Spent Playing the Piano; and its Utility in Predicting Hand Function Status.” 2013.

Kim, Yoo-Jung, PhD in Piano Performance, Chair. “Left-Hand Arpeggiated Figuration in the Piano Works of Alexander Scriabin: Characteristic Types and their Performance Practice.” 2012.

Marks, Adam. PhD in Piano Performance, Committee Member. “The Virtuosic Era of the Vocalizing Pianist.” 2012.

OTHER DOCTORAL COMMITTEES 2018 Galen De Graf, PhD (Theory), Columbia University. 2017 Christopher Trapani, DMA (Composition), Columbia University. 2014 Joshua Cody, DMA (Composition), Columbia University. 17

2013 Jenny Q. Chai, DMA (Piano Performance), Manhattan School of Music. 2012 Peter Adamcyzk, PhD (Composition), McGill University.

SERVICE: ACADEMIC 2019-2022 University Senate (Senator). NYU. 2018-2019 University Senate (Alternate). NYU. Tenured Faculty Senators Council (T-FSC). NYU. Academic Affairs Committee (T-FSC) . NYU. 2015-2019 Doctoral Affairs Committee. Chair. NYU Steinhardt. 2014–2019 Academic Affairs Committee. NYU Steinhardt. 2011–2019 Piano at Tandon. Curator. NYU Tandon School of Engineering. 2006–2019 Piano Studies, Director. NYU Steinhardt. 2006–2019. Doctoral Affairs Committee. Member. NYU Steinhardt. 2006–2019 Personnel Committee. NYU Steinhardt. 2006–2019 Piano Artist Master Class Series. Curator. NYU Steinhardt. 2006–2019 Steinhardt at Septodont. Curator. NYU College of Dentistry. 2017-2018 Search Committee: Faculty in Music Theory. NYU Steinhardt. 2013–2018 Distinguished Teaching Award Committee. NYU Steinhardt. 2018 Student Research and Creative Project Grants. NYU Steinhardt. 2017 Music Performance Program. Adjudicator. Columbia University. 2017 Outstanding Doctoral Student Teaching Award. Reviewer. NYU Steinhardt. 2016 Mitchell Leaska Award. Reviewer. NYU Steinhardt. 2016 Student Challenge Grants Committee. Reviewer. NYU Steinhardt. 2015 Doctoral Affairs Committee, Acting Chair. NYU Steinhardt. Music and Performing Arts. 2013–2014 Space Committee. NYU Steinhardt. Music and Performing Arts. 2013–2014 Music with A “Vue,” Curator. Bellevue Hospital. 2008–2014 Committee for Curriculum and Programs. NYU Steinhardt. 2012 Challenge Grants for Arts and Culture, Reviewer. NYU Steinhardt. 2011 Search Committee: Faculty Chair in Piano Studies. NYU Steinhardt. 2009–2010 Search Committee: Faculty in Composition. NYU Steinhardt.

SERVICE: TO THE FIELD 1995–2019 Steinway & Sons. Steinway Artist. 2019-2021 American Musicological Society. NYU-AMS Lecture Committee. Member. 2017–2020 Composers Now. Treasurer. 2018 Manhattan School of Music. Koch Competition. Adjudicator. 2013-2018 Fromm Foundation, Harvard University. Board of Directors. 2014-2018 Concert Artists Guild, Victor Elmaleh Competition. Adjudicator. 2018 Steinway & Sons. Steinway Piano Competition. Adjudicator. 2009-2018 Alphasights. Consultant. 2014-2017 Composers Now. Board of Directors. 2013-2017 French-American Piano Society. Artistic Director. 2016 Lucy Moses School/Special Music School. Concerto Competition. Adjudicator. 2016 Western Connecticut State University. Adjudicator. 18

2014 Ralph Kaminsky Fund for New Music. Grants Panelist. 2011 Pew Trust for Arts and Heritage/Philadelphia Music Project. Panelist. 2009-2011 Institute of International Education, Fulbright National Screening Committee. 1993-2011 Ensemble 21 Contemporary Music Performance Group. Co-Director. 2008-2009 Bose. Spokesperson. 2008 Meet the Composer/JP Morgan Chase Regrant Program. Panelist. 2008 New York State Music Teachers’ Association. Adjudicator.

AFFILIATIONS 2018-2019 Music Theory Society of New York State. 2017-2019 American Musicological Society. 2016-2019 College Music Society. 2016-2019 Society for Music Theory. 2006-2017 International Society for Ecological Psychology.