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Frank Damrosch
Booklet of Festival
Schenker's First “Americanization”: George Wedge, the Institute of Musical Art, And
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Music for the Microphone: Network Broadcasts and the Creation of American Compositions in the Golden Age of Radio Akihiro Taniguchi
William Schuman's Literature and Materials Approach: a Historical Precedent for Comprehensive Musicianship
Instead Draws Upon a Much More Generic Sort of Free-Jazz Tenor Saxophone Musical Vocabulary
LIVE from LINCOLN CENTER April 3, 2006, 8:00 P.M. on PBS the Juilliard School Celebrating 100 Years
Untitled, It Is Impossible to Know
Abbreviations
ARTIST HISTORY for the PEOPLES' SYMPHONY CONCERTS
Morton Gould Interviewed by Ellen Taaffe Zwilich at Carnegie Hall on November 10, 1995
The New York Chamber Music Society, 1915-1937: a Contribution to Wind Chamber Music and a Reflection of Concert Life in New York City in the Early 20Th Century
Mannes - Damrosch Collection
Mme. Torpadie
Defining a Course of Study for the Applied Pianist at the Eastman School of Music, the Juilliard Schoo
Orchestral Conductor Training: an Evaluative Survey of Current International Practice at the Tertiary Level
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