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Feng Menglong
Stories to Caution the World: a Ming Dinasty Collection (Volume 2)
Ancient-Style Prose Anthologies in Ming Dynasty (1368-1644) China
Women, Autonomy, and Desire in Feng Menglong's Short Stories
Women and Men, Love and Power: Parameters of Chinese Fiction and Drama
The Social Setting of Chinese Religious
READING BODIES: AESTHETICS, GENDER, and FAMILY in the EIGHTEENTH-CENTURY CHINESE NOVEL GUWANGYAN (PREPOSTEROUS WORDS) by QING
"Du Shiniang Sinks Her Jewel Box in Anger": a Story to Defend Folk
Trabajo Fin De Máster
The Oil-Peddler Wins the Queen of Flowers”
Appropriation and Representation Feng Menglong and the Chinese Vernacular Story
THE TANCI FICTION JING ZHONG ZHUAN by YU ZHANG A
I. C. NANJING and the HONGGUANG Regil\-Te I. C .1
Li Zhi (1527-1602) and His Literary Thought/ Qingliang Chen University of Massachusetts Amherst
1 Becoming Sages: Qin Song and Self-Cultivation in Late Imperial China
“The Portrait Recovered” (“Shihua” ਕ), of Tang Xian
The Silent Beauty: Changing Portrayals of Xi Shi, from Zhiguai and Poetry to Ming Fiction and Drama
Prostitutes and Courtesans in the Confucian Moral Universe of Late Ming China (1550–1644)*
Cultural Discourse on Xue Susu, a Courtesan in Late Ming China
Top View
Genuineness and Love: a Study of Feng Menglong's Collection of Mountain Songs (Shan'ge 山歌)
The Gift of Song: Courtesans and Patrons in Late Ming and Early Qing Cultural Production
Qian Qianyi As a Buddhist in the Ming-Qing Transition*
Chinese Culture