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Yuan Muzhi Y La Comedia Modernista De Shanghai
Yuan Muzhi y la comedia modernista de Shanghai Ricard Planas Penadés ------------------------------------------------------------------ TESIS DOCTORAL UPF / Año 2019 Director de tesis Dr. Manel Ollé Rodríguez Departamento de Humanidades Als meus pares, en Francesc i la Fina. A la meva companya, Zhang Yajing. Per la seva ajuda i comprensió. AGRADECIMIENTOS Quisiera dar mis agradecimientos al Dr. Manel Ollé. Su apoyo en todo momento ha sido crucial para llevar a cabo esta tesis doctoral. Del mismo modo, a mis padres, Francesc y Fina y a mi esposa, Zhang Yajing, por su comprensión y logística. Ellos han hecho que los días tuvieran más de veinticuatro horas. Igualmente, a mi hermano Roger, que ha solventado más de una duda técnica en clave informática. Y como no, a mi hijo, Eric, que ha sido un gran obstáculo a la hora de redactar este trabajo, pero también la mayor motivación. Un especial reconocimiento a Zheng Liuyi, mi contacto en Beijing. Fue mi ángel de la guarda cuando viví en aquella ciudad y siempre que charlamos me ofrece una versión interesante sobre la actualidad académica china. Por otro lado, agradecer al grupo de los “Aspasians” aquellos descansos entra página y página, aquellos menús que hicieron más llevadero el trabajo solitario de investigación y redacción: Xavier Ortells, Roberto Figliulo, Manuel Pavón, Rafa Caro y Sergio Sánchez. v RESUMEN En esta tesis se analizará la obra de Yuan Muzhi, especialmente los filmes que dirigió, su debut, Scenes of City Life (都市風光,1935) y su segunda y última obra Street Angel ( 马路天使, 1937). Para ello se propone el concepto comedia modernista de Shanghai, como una perspectiva alternativa a las que se han mantenido tanto en la academia china como en la anglosajona. -
Xinjiang. El Dragón Frente a Su Peor Pesadilla: Terroris- Mo, Separatismo
Capítulo decimotercero Xinjiang. El dragón frente a su peor pesadilla: terroris- mo, separatismo y extremismo Ignacio José García Sánchez «De hecho, la cuestión que China debe afrontar en estos momentos es si el grupo étnico dominante de los han, que constituye más del 90 % de la población china, y que vive en su mayor parte en la zona fértil y originaria de este país, es capaz de mantener bajo control a los tibeta- nos, uigures túrquicos y mongoles del interior, que habitan la periferia, y todo ello con un nivel mínimo de conflictos. El destino final del Estado chino dependerá de este factor, sobre todo, a media que China tenga que afrontar dificultades económicas y sociales»1. Resumen En la tercera edición del Panorama Geopolítico de los Conflictos 20132 se abordaban los desafíos interiores que el gigante geopolítico chino debería afrontar en la persecución del «sueño chino, de un desarrollo pacífico»: – La supervivencia del sistema, con una legitimidad basada en el crédito revolucionario, la superioridad moral de partido y los resultados econó- micos, se ve contestada por una realidad de, todavía, 170 millones de pobres, la corrupción, el nepotismo y las desigualdades sociales. – Las nacionalidades históricas tibetana y uigur, con un fuerte sentimiento religioso y una considerable marginalidad geográfica, se debaten entre la singularidad cultural o la homogeneización colonizadora de la mayoría Han. 1 KAPLAN, Robert D., «La venganza de la geografía. Cómo los mapas condicionan el destino de las naciones», Barcelona, RBA libros, Barcelona, 2015, traducción de Laura Martín de Dios, p. 250. 2 http://www.ieee.es/Galerias/fichero/panoramas/panorama_geopolitico_2013.pdf 309 Ignacio José García Sánchez – La reunificación de Taiwán, el objetivo inalienable marcado por su constitu- ción, que le enfrenta directamente con la primera potencia geopolítica mun- dial, EE.UU. -
Stories to Caution the World: a Ming Dinasty Collection (Volume 2)
Stories to Caution the World μ@q• Stories to Caution the World a ming dynasty collection volume 2 Compiled by Feng Menglong (1574–1646) Translated by Shuhui Yang and Yunqin Yang university of washington press seattle and london Publication of Stories to Caution the World has been generously supported by Bates College. © 2005 by the University of Washington Press Printed in the United States of America 12 11 10 09 08 07 06 05 5 4 3 2 1 All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage or retrieval system, without permission in writing from the publisher. University of Washington Press P.O. Box 50096, Seattle, WA 98145 www.washington.edu/uwpress Library of Congress Cataloging-in-Publication Data Feng, Menglong, 1574–1646. [Jing shi tong yan. English] Stories to caution the world : a Ming dynasty collection / compiled by Feng Menglong ; translated by Shuhui Yang and Yunqin Yang. p. cm. isbn 0-295-98552-6 (hardback : alk. paper) I. Yang, Shuhui. II. Yang, Yunqin. III. Title. pl2698.f4j5613 2005 895.1'346—dc22 2005010013 The paper used in this publication is acid-free and 90 percent recycled from at least 50 percent post-consumer waste. It meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ansi z39.48-1984. To our parents and sisters Contents Acknowledgments xi Introduction xiii Translators’ Note xvii Chronology of Chinese Dynasties xix stories to caution the world Title Page from the 1624 Edition 3 Preface to the 1624 Edition 5 1. -
Ancient-Style Prose Anthologies in Ming Dynasty (1368-1644) China
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2017 In The Eye Of The Selector: Ancient-Style Prose Anthologies In Ming Dynasty (1368-1644) China Timothy Robert Clifford University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Asian History Commons, and the Asian Studies Commons Recommended Citation Clifford, Timothy Robert, "In The Eye Of The Selector: Ancient-Style Prose Anthologies In Ming Dynasty (1368-1644) China" (2017). Publicly Accessible Penn Dissertations. 2234. https://repository.upenn.edu/edissertations/2234 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/2234 For more information, please contact [email protected]. In The Eye Of The Selector: Ancient-Style Prose Anthologies In Ming Dynasty (1368-1644) China Abstract The rapid growth of woodblock printing in sixteenth-century China not only transformed wenzhang (“literature”) as a category of knowledge, it also transformed the communities in which knowledge of wenzhang circulated. Twentieth-century scholarship described this event as an expansion of the non-elite reading public coinciding with the ascent of vernacular fiction and performance literature over stagnant classical forms. Because this narrative was designed to serve as a native genealogy for the New Literature Movement, it overlooked the crucial role of guwen (“ancient-style prose,” a term which denoted the everyday style of classical prose used in both preparing for the civil service examinations as well as the social exchange of letters, gravestone inscriptions, and other occasional prose forms among the literati) in early modern literary culture. This dissertation revises that narrative by showing how a diverse range of social actors used anthologies of ancient-style prose to build new forms of literary knowledge and shape new literary publics. -
Women, Autonomy, and Desire in Feng Menglong's Short Stories
Women, Autonomy, and Desire in Feng Menglong’s Short Stories Rosa Hargrove Submitted in Partial Fulfillment of the Prerequisite for Honors in Chinese Language & Culture April 2015 Hargrove 1 Table of Contents Acknowledgements……………………………………………………………………...2 Introduction……………………………………………………………………………...3 Chapter 1: The Limits of Virtue………………………………………………………10 Chapter 2: Heavenly Retribution……………………………………………………...32 Chapter 3: Retribution and Balance…………………………………………………..48 Conclusion……………………………………………………………………………….67 Works Cited……………………………………………………………………………..73 Hargrove 2 Acknowledgements First and foremost, I would like to thank Professor Sarah Allen for all of her patience and guidance throughout this process. Being her student was one of the most enriching parts of my experience at Wellesley, and I am extremely grateful for all of her help in this project. I would also like to thank the EALC faculty for their support and my thesis committee for their willingness to read and comment on my work. I’m also indebted to Charlotte, Delia, Judy, Narayani, Neha, and everyone else in my Wellesley family for reminding me to laugh, stay hydrated, and believe in myself. I would also like to thank my longsuffering parents, grandparents, and friends from home for being so patient about not having their phone calls returned for the past few months. Hargrove 3 Introduction Feng Menglong’s (15741645) collection of stories constitute some of the most important works in Chinese fiction. The Ming Dynasty author and lateblooming scholar recorded a total of 120 stories, forty in each of three volumes, referred to as the Sanyan (literally “three words”). The three works’ individual titles are Stories Old and New, Stories to Caution the World, and Stories to Awaken the World. -
La Sociedad China a Través De Su Cine
E.G~oooo OCIOO 1'11 ~ ,qq~ ~ QC4 (j) 1q~t Instituto Tecnológico y de Estudios Superiores de Monterrey Campus Eugenio Garza Sada La sociedad china a través de su cine Tesis presentada como requisito parcial para optar al título de Maestro en Educación con especialidad en Humanidades Autor: Ernesto Diez-Martínez Guzmán Asesor: Dr. Víctor López Villafañe Monterrey, N.L. abril de 1997 INTITUTO TECNOLOGICO Y DE ESTUDIOS SUPERIORES DE MONTERREY CAMPUS EUGENIO GARZA SADA La sociedad china a través de su cine Tesis presentada como requisito parcial para optar al título de Maestro en Educación con especialidad en Humanidades Autor: Ernesto Diez-Martínez Guzmán Asesor: Dr. Victor López Villafañe Monterrey, N.L. abril de 1997. A Martha, Alberto y Viridiana, por el tiempo robado. i Reconocimientos Al Dr. Victor López Villafañe, por el interés en este trabajo y por las palabras de aliento. Al ITESM Campus Sinaloa, por el apoyo nunca regateado. i i Resumen Tesis: "El cine chino a través de su cine". Autor: Ernesto Diez-Martínez Guzmán. Asesor: Dr. Víctor López Villafañe. La presente investigación. llamada "La sociedad china a través de su cine", pretende arribar al conocimiento de los mecanismos sociales, culturales y de poder de la sociedad china en el siglo XX, todo ello a través del estudio de la cinematografía del país más poblado del mundo. Desde los albores de la industria hasta la inminente fusión de Hong Kong con la China continental, el cine ha sido un importantísimo medio cultural, de entretenimiento y de propaganda, que ha sido testigo y actor fundamental de las grandes transformaciones de este país. -
Women and Men, Love and Power: Parameters of Chinese Fiction and Drama
SINO-PLATONIC PAPERS Number 193 November, 2009 Women and Men, Love and Power: Parameters of Chinese Fiction and Drama edited and with a foreword by Victor H. Mair Victor H. Mair, Editor Sino-Platonic Papers Department of East Asian Languages and Civilizations University of Pennsylvania Philadelphia, PA 19104-6305 USA [email protected] www.sino-platonic.org SINO-PLATONIC PAPERS is an occasional series edited by Victor H. Mair. The purpose of the series is to make available to specialists and the interested public the results of research that, because of its unconventional or controversial nature, might otherwise go unpublished. The editor actively encourages younger, not yet well established, scholars and independent authors to submit manuscripts for consideration. Contributions in any of the major scholarly languages of the world, including Romanized Modern Standard Mandarin (MSM) and Japanese, are acceptable. In special circumstances, papers written in one of the Sinitic topolects (fangyan) may be considered for publication. Although the chief focus of Sino-Platonic Papers is on the intercultural relations of China with other peoples, challenging and creative studies on a wide variety of philological subjects will be entertained. This series is not the place for safe, sober, and stodgy presentations. Sino-Platonic Papers prefers lively work that, while taking reasonable risks to advance the field, capitalizes on brilliant new insights into the development of civilization. The only style-sheet we honor is that of consistency. Where possible, we prefer the usages of the Journal of Asian Studies. Sinographs (hanzi, also called tetragraphs [fangkuaizi]) and other unusual symbols should be kept to an absolute minimum. -
The Social Setting of Chinese Religious
SINO-PLATONIC PAPERS Number 310 March, 2021 The Social Setting of Chinese Religious Storytelling in the Late Sixteenth – Early Seventeenth Centuries: A Passage from the Novel Pacification of the Demons’ Revolt (1620) by Rostislav Berezkin Victor H. Mair, Editor Sino-Platonic Papers Department of East Asian Languages and Civilizations University of Pennsylvania Philadelphia, PA 19104-6305 USA [email protected] www.sino-platonic.org SINO-PLATONIC PAPERS FOUNDED 1986 Editor-in-Chief VICTOR H. MAIR Associate Editors PAULA ROBERTS MARK SWOFFORD ISSN 2157-9679 (print) 2157-9687 (online) SINO-PLATONIC PAPERS is an occasional series dedicated to making available to specialists and the interested public the results of research that, because of its unconventional or controversial nature, might otherwise go unpublished. The editor-in-chief actively encourages younger, not yet well established scholars and independent authors to submit manuscripts for consideration. Contributions in any of the major scholarly languages of the world, including romanized modern standard Mandarin and Japanese, are acceptable. In special circumstances, papers written in one of the Sinitic topolects (fangyan) may be considered for publication. Although the chief focus of Sino-Platonic Papers is on the intercultural relations of China with other peoples, challenging and creative studies on a wide variety of philological subjects will be entertained. This series is not the place for safe, sober, and stodgy presentations. Sino-Platonic Papers prefers lively work that, while taking reasonable risks to advance the field, capitalizes on brilliant new insights into the development of civilization. Submissions are regularly sent out for peer review, and extensive editorial suggestions for revision may be offered. -
Economic and Social Council
UNITED NATIONS E Economic and Social Distr. Council GENERAL E/CN.4/2004/56/Add.1 23 March 2004 ENGLISH/FRENCH/SPANISH ONLY COMMISSION ON HUMAN RIGHTS Sixtieth session Item 11 (a) of the provisional agenda CIVIL AND POLITICAL RIGHTS, INCLUDING THE QUESTIONS OF: TORTURE AND DETENTION Torture and other cruel, inhuman or degrading treatment or punishment Report of the Special Rapporteur, Theo van Boven Addendum Summary of information, including individual cases, transmitted to Governments and replies received* * The present document is being circulated in the languages of submission only as it greatly exceeds the page limitations currently imposed by the relevant General Assembly resolutions. GE.04-12267 E/CN.4/2004/56/Add.1 page 2 Contents Paragraphs Page Introduction………….…………………………………………… 1-4 5 General remarks………….……………………………………… 5-8 5 Summary of cases transmitted and replies received………….……………………. 9-1976 6 Albania………………………………………………................... 9-19 6 Algeria…………………………………………………………… 20-32 8 Angola……………………………………………………….…… 33-59 11 Argentina………………………………………………………… 60-71 14 Australia......................................................................................... 72 17 Austria…………………………………………………………… 73 18 Azerbaijan...................................................................................... 74-119 18 Bahrain………………………………………………………… 120-122 25 Bangladesh………………………………………………………. 123-139 25 Belarus…………………………………………………………… 140 29 Belgium………………………………………………………….. 141-155 29 Belize…………………………………………………………….. 156 32 Bolivia…………………………………………………………… -
READING BODIES: AESTHETICS, GENDER, and FAMILY in the EIGHTEENTH-CENTURY CHINESE NOVEL GUWANGYAN (PREPOSTEROUS WORDS) by QING
READING BODIES: AESTHETICS, GENDER, AND FAMILY IN THE EIGHTEENTH-CENTURY CHINESE NOVEL GUWANGYAN (PREPOSTEROUS WORDS) by QING YE A DISSERTATION Presented to the Department of East Asian Languages and Literatures and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Doctor of Philosophy June 2016 DISSERTATION APPROVAL PAGE Student: Qing Ye Title: Reading Bodies: Aesthetics, Gender, and Family in the Eighteenth Century Chinese Novel Guwangyan (Preposterous Words) This dissertation has been accepted and approved in partial fulfillment of the requirements for the Doctor of Philosophy in the Department of East Asian Languages and Literatures by: Maram Epstein Chairperson Yugen Wang Core Member Alison Groppe Core Member Ina Asim Institutional Representative and Scott L. Pratt Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded June 2016 ii © 2016 Qing Ye iii DISSERTATION ABSTRACT Qing Ye Doctor of Philosophy Department of East Asian Languages and Literature June 2016 Title: Reading Bodies: Aesthetic, Gender, and Family in the Eighteenth Century Chinese Novel Guwangyan (Preposterous Words) This dissertation focuses on the Mid-Qing novel Guwangyan (Preposterous Words, preface dated, 1730s) which is a newly discovered novel with lots of graphic sexual descriptions. Guwangyan was composed between the publication of Jin Ping Mei (The Plum in the Golden Vase, 1617) and Honglou meng (Dream of the Red Chamber, 1791). These two masterpieces represent sexuality and desire by presenting domestic life in polygamous households within a larger social landscape. This dissertation explores the factors that shifted the literary discourse from the pornographic description of sexuality in Jin Ping Mei, to the representation of chaste love in Honglou meng. -
"Du Shiniang Sinks Her Jewel Box in Anger": a Story to Defend Folk
"Du Shiniang Sinks Her Jewel Box in Anger": A Story to Defend Folk Literature Presented to the Faculty of the Department of East Asian Languages and Cultures Bryn Mawr College In partial fulfillment of the requirement for the degree of Bachelors of Arts By Binglei Yan Advisor: Professor Shiamin Kwa Bryn Mawr, Pennsylvania December 2015 Abstract This thesis takes a look at one of the short stories in Feng Menglong's Sanyan collection, "Du Shiniang Sinks Her Jewel Box in Anger." Written during the late Ming dynasty, the story has been typically analyzed by present-day scholars as a political allegory or as a lesson to teach qing, a term which translated alternately as "passions," "love," or "romantic sentiments" in English. Based on the background that the archaic elite literature was advocated through the Ming literary movement called "the restoration of the past" and Feng Menglong, as a follower of key anti-archaists like Wang Yanming, Li Zhi, and Yuan Hongdao, emphasized authentic feelings and spontaneity in literature, this thesis argues that in "Du Shiniang Sinks Her Jewel Box in Anger," Feng Menglong metaphorically defended folk literature by defending Du Shiniang. Through examining the ways in which Feng Menglong praised the courtesan Du Shiniang's spontaneous and sincere nature that embodied in her xia (chivalry) and qing characteristics in the story, it becomes clear that Feng Menglong advocated folk literature as what should be extolled in the late Ming. The thesis concludes by recommending that this Feng Menglong's story is possibly a forerunner of a growing genre in the Qing dynasty which makes it worth for further researches. -
Inter-Asia Papers
INTER ASIA PAPERS ISSN 2013-1747 nº 29 / 2012 TRANSFORMANDO LO INMUTABLE. ACCIONES DE REFORMA Y SALVAGUARDA EN LA ÓPERA DE BEIJING DURANTE EL SIGLO XX Y PRIMERA DÉCADA DEL SIGLO XXI Rafael Caro Repetto Music Technology Group Universitat Pompeu Fabra Centro de Estudios e Investigación sobre Asia Oriental Grupo de Investigación Inter Asia Universitat Autònoma de Barcelona INTER ASIA PAPERS © Inter Asia Papers es una publicación conjunta del Centro de Estudios e Investigación sobre Asia Oriental y el Grupo de Investigación Inter Asia de la Universitat Autònoma de Barcelona. CONTACTO EDITORIAL Centro de Estudios e Investigación sobre Asia Oriental Grupo de Investigación Inter Asia Edifici E1 Universitat Autònoma de Barcelona 08193 Bellaterra (Cerdanyola del Vallès) Barcelona España Tel: + 34 - 93 581 2111 Fax: + 34 - 93 581 3266 E-mail: [email protected] Página web: http://www.uab.cat/grup-recerca/interasia © Grupo de Investigación Inter Asia EDITA Centro de Estudios e Investigación sobre Asia Oriental Bellaterra (Cerdanyola del Vallès) Barcelona 2008 Universitat Autònoma de Barcelona ISSN 2013-1739 (versión impresa) Depósito Legal: B-50443-2008 (versión impresa) ISSN 2013-1747 (versión en línea) Depósito Legal: B-50442-2008 (versión en línea) Diseño: Xesco Ortega Transformando lo inmutable. Acciones de reforma y salvaguarda en la ópera de Beijing durante el siglo XX y primera década del siglo XXI Rafael Caro Repetto Music Technology Group Universitat Pompeu Fabra Resumen Con el objetivo de evaluar las principales tendencias que afectan a las producciones contemporáneas de ópera de Beijing, el presente artículo estudiará los procesos por los cuales a lo largo del siglo XX y la primera década del siglo XXI el género ha sido reformado, al tiempo que consolidaba su estructura hasta asumirse actualmente como símbolo de identidad cultural china.