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Epode
The Reception of Horace in the Courses of Poetics at the Kyiv Mohyla Academy: 17Th-First Half of the 18Th Century
Iambic Metapoetics in Horace, Epodes 8 and 12 Erika Zimmerman Damer University of Richmond,
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Blame As Consolation: Rehabilitating the Iambic in Horace's Post-Actian Symposia" (2014)
Horace's Epode 9 and Its Generals' Confusion
Illinois Classical Studies
Lyric Genres 57 Andrew Ford
CLAS 0210 Class 23-2011.Pdf
Notes on the Text of Pindar Douglas Young
Lesbia As Procuress in Horace's Epode 12
The Greatness and Decline of Rome Volume 4
Horace for English Readers, Being a Translation of the Poems of Quintus
Epode 5 As a Response to Eclogue 4: the Anti-Augustan in Horace
Horace, Maecenas and Odes 2.17 Emily A
Alphabetical List of Entries
Pindar Olympian 1
Innovation and Experimentation in the Victory Odes of Pindar and Bacchylides
Cologne Epode"
Generic Enrichment, Reader Expectation, and Metapoetic Trees
Top View
Illinois Classical Studies
Laborious Ben Jonson's Lexicon
Nabi Charlottesville, Virginia
Poetasters and Garlic: Catullus 14 and Horace Epodes 3 Horace's
Brevis Furor: the Madness of Poetic Inspiration in Horace's
Horace, Odes 4, and the Mausoleum of Augustus
The Classical Theory of Imitation in the Works of Horace
Horace and His Audience: the Role of Reception in the Genesis of Genres
Horace's Iambic Prometheus: Odes 1.16, 2.13, and Epodes 17
Satires, Epistles and Ars Poetica
Speech and Silence: Canidia in Horace's Epodes 5 and 17
The Princeton Handbook of Poetic Terms, Third
Medieval Ut Pictura Poesis
A Commentary on Pindar's Olympian Ode II
The Odes of Horace
The Odes of Pindar, Including the Principal Fragments