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Epinikion
INTERNATIONAL OLYMPIC ACADEMY 20Th INTERNATIONAL
Receiving the Kômos, the Context and Performance of Epinician
Boris Maslov the Epinikion Is Unique Among Archaic Greek Melic Genres in That It Is Represented, for Us, by Two Sizable Contempo
Speaking Personae in Pindar's Epinikio*
Pindar and the Poetics of Autonomy: Authorial Agency in Pindar’S Fourth Pythian Ode
Danaus Βουγενής: Greco-Egyptian Mythology and Ptolemaic Kingship Alexandros Kampakoglou
On the Javelin Simile in Pindar Nemean 7.70–73 Nina Almazova
Pindar's Pythian 4
Myth and the Polis in Bacchylides' Eleventh Ode
Lechelt Dissertation
Pindar's Material Imaginary
Innovation and Experimentation in the Victory Odes of Pindar and Bacchylides
Callimachus' Epinician Poems
The History of Greek Literature
Generic Enrichment, Reader Expectation, and Metapoetic Trees
Heracles and Heroic Disaster by Katherine Elizabeth Lu
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Early Greek Indexicality
Top View
Only Mostly Dead: Immortality and Related States in Pindar's Victory Odes
And Olympic Education in Greek Antiquity
Exotic-Thaumata-In-Epinician-Poetry
The Myths of Pindar's Nemean 10 Jacob Stern
Nicander's Hymn to Attalus
Sebuah Kajian Pustaka
25Thps 2018.Pdf
The Case of Sophocles' Trachiniae
New Chapters in the History of Greek Literature
Song and Writing in Pindar
Competing Generic Narratives in Aeschylus' Oresteia
Illinois Classical Studies
Athletes in Song and Stone: Victory and Identity in Epinician and Epigram
A Survey of Lyric Genres in Hellenistic Poetry: the Hymn Transformation, Adaptation, Experimentation
Olympia and the Epinikion. a Creation of Symbols
Oligarchic Hestia: Bacchylides 14B and Pindar, Nemean 11