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Elizabeth Eva Leach
Article from Socially Distant to Socially Engaged: Exploring the Soundscape and Material Environment of Guillaume De Machaut’S Remede De Fortune
Music and Verbal Meaning: Machaut's Polytextual
Hearing Polyphony, Ca.1375-Ca. 1450
French Ars Nova Motets and Their Manuscripts: Citational Play and Material Context
5 the Fourteenth Century Elizabeth Eva Leach
Heaven on Earth in Medieval Europe: Material Expressions of an Immaterial Realm
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The Key of Ordering: Reading Musical Manuscripts of the Thirteenth and Fourteenth Centuries
Nature's Forge and Mechanical Production
Guerrero, Francesco's Dream
Ymaginer 2010
Statement on the Research Excellence Framework Proposals
UNIVERSITY of CALIFORNIA, IRVINE the Overheard Song: Medieval Lyric in the Mixed Genre DISSERTATION Submitted in Partial Satisf
THE EDINBURGH COMPANION to Literature and Music Edited by Delia Da Sousa Correa the Edinburgh Companion to Literature and Music
Rethinking Ars Subtilior: Context, Language, Study and Performance
The Transmission and Reception of the Marian Antiphon in Early Modern Britain
Appendix I: Altieri, Li Nuptiali
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Ronald Woodley Sharp Practice in the Later Middle Ages
1 Introduction
Interaction Between Polyphonic Motets and Monophonic Songs in the Thirteenth Century
AMS Newsletter August 2014