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- D-Ark—A Shared Digital Performance Art Archive with a Modular Metadata Schema
- Our Shared Digital Future Building an Inclusive, Trustworthy and Sustainable Digital Society
- Music in the Digital Millennium: the Effects of the Digital Millennium Copyright Act of 1998
- Digital Performance: a History of New Media in Theater, Dance, Performance Art, and Installation Free
- Distance Learning Theatre Studies: Limitations and Perspectives in the Emerging Era of Mixed Reality
- Digital Theatre: a “Live” and Mediated Art Form Expanding Perceptions of Body, Place, and Community
- Digital Or Networked Performance? Cybertheaters? Virtual Theatres?…
- Performativity and Performance Studies in Digital Cultures
- Instastan – Facebrook – Brecht+: a Performer Training Methodology for the Age of the Internet
- Digital Performance
- Nedelkopoulou, Eirini (2017) Attention Please! Changing Modes of Engagement in Device-Enabled One- To-One Performance Encounters
- Digital Performance: the Use of New Media Technologies in the Performing Arts
- IMD WORLD DIGITAL COMPETITIVENESS RANKING 2019 1 Table of Contents
- Illusionistic Environments – Digital Spaces
- Digital Transformation
- Engaging Media in Performance
- Puntos De Fuga (Vanishing Points): Performance Writing for the Digital Theatre
- Digitizing the Performing Arts: an Assessment of Opportunities, Issues and Challenges
- Rhetorical Virtues: Property, Speech, and the Commons on the World-Wide Web
- A Guide to Better Digital Media Performance
- Interactive Installations As Performance
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- Applicability of the Digital Performance Right in Sound Recordings Act of 1995
- Digital Performance: a History of New Media in Theatre, Dance, Performance Art, and Installation
- Digital Performance Management
- Digital Theatre
- How Representations of Physical and Virtual Bodies Inform Identity Construction / Deconstruction
- Live Performances in Digital Times: an Overview
- An Approach to Teaching Digital Interactive Performance