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- MTO 18.4: Ewell, Rethinking Octatonicism
- The Fugues in the Bachianas Brasileiras by Heitor Villa- Lobos: Neoclassicism and the Learned Style
- Soprano Saxophone and Piano, 2019) 5:32 Holds the Principal Melodic Ideas, Alternating Between Étude No
- January 10, 2007 I, Reiko-Christine Höhmann, Hereby Submit This Work
- University of Cincinnati
- The Darius Milhaud Society Newsletter, Vol. 8, Spring/Summer
- Guide to the Exam in Music History for Entering Graduate Students (2020-21) University of Louisville School of Music
- Darius Milhaud in the United States, 1940–71: Transatlantic Constructions of Musical Identity
- Copyright by Laura Christine Amos 2007
- Suggestions Pour Un Élargissement Du Répertoire Des Pianistes
- Western Culture Has Roots in Ancient
- An Examination of Notation in Selected Repertoire for Multiple Percussion
- Song in Gold Pavilions Ronald Stevenson on Music
- Les Six at 100
- Polytonality"
- History Study Guide
- Dissonant Counterpoint, Henry Cowell, and the Network of Ultra-Modern Composers John D
- The Darius Milhaud Society Newsletter, Vol. 11, Fall 1995
- U.S. Premieres
- An Analysis of Three Violin Sonatas by William Bolcom
- Scale Navigator a Synesthetic Interface for Manipulating Harmony in Composition, Performance and Installation
- Nineteen Source List.Cwk
- University of Cincinnati
- Solo Songs of Darius Milhaud: a Historical and Analytical Contribution to the Curriculum of the College Voice Studio
- Dmitri Tymoczko [email protected]
- Program Notes
- G. Tailleferre Lecture Document Final-2
- Latin American Influences on Selected Piano Pieces by Louis Moreau Gottschalk and Darius Milhaud" (2019)