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The Darius Milhaud Society Newsletter, Vol. 11, Fall 1995 Cleveland State University EngagedScholarship@CSU Darius Milhaud Society Newsletters Michael Schwartz Library 1995 The Darius Milhaud Society Newsletter, Vol. 11, Fall 1995 Darius Milhaud Society Follow this and additional works at: https://engagedscholarship.csuohio.edu/milhaud_newsletters Part of the History Commons, and the Music Commons How does access to this work benefit ou?y Let us know! Recommended Citation Darius Milhaud Society, "The Darius Milhaud Society Newsletter, Vol. 11, Fall 1995" (1995). Darius Milhaud Society Newsletters. 16. https://engagedscholarship.csuohio.edu/milhaud_newsletters/16 This Book is brought to you for free and open access by the Michael Schwartz Library at EngagedScholarship@CSU. It has been accepted for inclusion in Darius Milhaud Society Newsletters by an authorized administrator of EngagedScholarship@CSU. For more information, please contact [email protected]. THE DARIUS M ILHAUD S 0 C IE TY NEWS LETTER \ Cleveland, Ohio Fall 1995 Vol. 1'8, No. 3 I have hardly any requirements [in order to be able marvelously well on a train. As for boats, number of my to work]. l have not, in particular, any need for silence works have been composed on oceans, the Atlantic or nor for solitude, which is very convenient for the the Pacific. My 4th Symphony was entirely family . .... Noise does not bother me, whether it written during the voyage from San Francisco to Le happens to be the radio of a neighbor or the fair on the Havre via the Panama Canal, a journey lasting more Boulevard de Clichy under my windows. I can work no than a month. matter where. Silence does not bother me either! Nor solitude! However, I adore the feeling of family life around me. .... A journey does not prevent me from working, but on the contrary, allows me to do it. ! work MILHAUD'S MY HAPPY LIFE NOW AVAILABLE IN ENGLISH It was not until 1995 that the English translation of Darius Milhaud's complete memoirs became available. This recent translation was completed by Christopher Palmer, who added a valuable introduction. The book was published by Marion Boyars in London and New York under the title My Happy Life. Mrs. Boyars has kindly agreed to give a substantial discount to Newsletter readers who wish to order this invaluable so•uce of information about Milhaud's life and works. Please use the enclosed separate page that accompanies this Newsletter, and your order will be filled promptly. The first edition of Milhaud's autobiography through 1949 was originally published in French by Julliard in Paris as Notes sans musique. In 1952 Knopf published Notes Without Music after Milhaud had added a new chapter. This edition was translated by Donald Evans and edited by Rollo H. Meyers. Belfond (Paris) published Milhaud's completed memoirs in The picture above shows Milltnud at his desk in 1910 when he French in 1974 under the title Ma Vie Heureuse and was writing his first opera, La Brebis egaree. The picture is reissued the book in paperback in 1987. The later shown on the cover as well as inside of the recently published chapters detailing information about works and events version of Milhaud's complete memoirs in English printed under the title My Happy Life. See tire article on this page for the last twenty years of Milhaud's life are now and the insert page, enclosed for Newsletter readers who available in English for the first time. wish to order the book at a discount. MADAME MILHAUD MAKES PRIZE- WINNING RECORDING Madame Madeleine Milhaud chose texts from Flaubert's novel, Madame Bovary, for performance with Darius Milhaud's piano music, L'Album de Madame Bovary. She recorded the work in 1995 at Temple Saint Marcel in Paris with Alexandre Tharaud, pianist. The CD Naxos 8.553443 subsequently was awarded the Grand Prix de l'Academie de Ia Nouvelle Academie du Disque. The CD, which also includes performances by Mr. Tharaud of La Muse menagere and Saudades do Brasil is available in the U. S. from Naxos of America as well as from other American distributors. Phone Naxos at 1-800-756-2967 and ask for Laurence Vittes. The FAX number is (818) 769-5048. Darius Milhaud Society Newsletter copyright e 1995 15715 Chadbourne Road Cleveland, Ohio 44120.3333 (216) 921-4548 !SSN 0898-1558 NATIONAL HONORARY COMMITTEE Madeleine Milhaud, Chair David Cerone Lou Harrison Jean-Louis LeRoux Lawrence Schoenberg Murray Adaskin Phyllis Curtin Robert Harth Robert Mann Gunther Schuller Arthur Berger David Diamond Janet L. Holmgren Lotfi Mansouri Leland Smith William Bolcom Richa.rd Felciano Grant Johannesen Bruce Mather Roman Totenberg Arnold Broido Robert Fizdale Charles Jones Nuria Schoenberg Nono EJie Wiesel Dave Brubeck Jane H. Galante Leon Kirchner NedRorem Odette V. Wurzburger AnnGresham Leonard Klein Peter Rugolo MILLS COLLEGE ALUMNAE CLASS OF 1945 ESTABLISHES MILHAUD PERFORMANCE ENDOWMENT The annual Mills College alumnae reunion for 1995 Scaramouclte , one of Milhaud's mos t familiar works for was held on the Mills campus from October 5th through two pianos, performed by Leone LaDuke Evans and 8th and had the largest attendance on record, with 395 Mary Ausplund Tooze. The performance of Scaramouche registrants. The 50th reunion year Class of 1945 had been especially requested by Emilie Reese Greene, gathered in Alderwood Hall on October 5th for a buffet who also was responsible for the idea of the memorial dinner, after which class members met to discuss the service. Some of those present commented that the allocation of their gift to the College. After considering service was one of the most meaningful activities of the all of the options presented by the Reunion Planning reunion. Committee, the Class voted to designate part of the gift, in the amount of $100,000, to the establishment of the Darius Milhaud Perfonnance Endowment. The purpose of the Milhaud Performance Endowment is to help facilitate annual public presentations of the composer's music that are s ignificant and that are premieres in the Bay area whenever feasible. The Music Department of Mills College will continue to be in charge of planning and organizing the annual Milhaud concert, and a committee of alumnae chosen by members of the Class of 1945 will serve in an advisory capacity for Endowment presentations. As part of the Mills College reunion of 1995, the Music Department presented a concert of music by Milhaud and Stravinsky on Friday evening, October 6th. (See the separate article on this concert, p. 3.) On Saturday, October 7th, the Class of 1945 held a memorial service to commemorate deceased classmates. The Mills College Chaplain, Dr. Linda Moody, was in charge of the service. Following the Invocation and Responsive Reading of text by Ralph Waldo Emerson Shown above are three members of the Class of 1945 Mills and Dr. Moody's reading of Anne Noland Winslow's College Reunion Planning Committee. Left to right are Jean "They are with us still", two Class members - Jane Roy Holm Shell, who made a notebook of Class news and McVeigh Raney and Martha Tway Mills - read the information from College days; Emilie Reese Greene, Class names of those to be commemorated. A period of Agent, who was in charge of general planning and fund raising; and Margery Foote Meyer, w ho was in charge of the reminiscence with impromptu statements by Class Fund Raising Committee. Photo by Clinton Warne members and their guests was followed by a prayer and a musica l program. TROIS RAG -CAPRICES FOR BAND Featured were Legend, Op. 59, No. 10 in b flat minor Milhaud's Trois Rag-Caprices, originally for piano, for piano four hands by Dvorak, performed by Christine is now available for band, arranged by Dutch composer Oertel Sjogren and Jean Roy Holm Shell; Enfantines Johann de Meij . The work, published in Amsterdam by (from three poems by Jean Cocteau) arranged by Amstel, can be purchased from Hal Leonard in the Milhaud for piano four hands, played by Leone LaDuke United States. Contact Paul Lavender. Mr. de Meij Evans and Jean Roy Holm Shell; Gay Rondo written for conducted the Arnhem Symphonic Winds in a CD two pianos by Katharine Mulky Warne, performed by recordjng, Ratatouille, which includes the band version Mary Ausplund Tooze, '44, and Robaline Jenne of Trois rag-caprices, along with other works arranged Meacham, '43; Whispers for piano by Katharine Mulky by him for band. The record title refers to a work by Warne, with Robaline Jenne Meacham as soloist; and Satie, entitled Ratatouille satirique. -2­ MADELEINE MILHAUD PERFORMS AT MILLS The Mills College Alumnae 50th Reunion Committee invited four emerita faculty members and one emeritus faculty member to join the Class in celebration of the 1995 reunion held at the College from October 5th through 8th. Although former Dean of Faculty David French was unable to be present, the four invited women came for the Class dinner on Saturday, October 7th. Attending were Ruth Gillard, (former Sociology faculty member and Head Resident of Orchard Meadow Hall), Madeleine Milhaud (French literature and diction faculty member), Marie Nogues (Head and member of the faculty of Physical Education), and Enid Shoor (Dean of Students and faculty member in French). Madame Milhaud participated in other activities during the Reunion week. On Wednesday, October 4th, she gave a lecture in the Ensemble Room of the Music Building; she conducted a Master Class on Milhaud's songs on October 5th; and on October 6th she performed The snap shot above was taken in the court yard outside the the recitante part of Suite de quatrains, written by Ensemble Room of tire Music Building at Mills College, at Milhaud for her. See the article below for further the conclusion of the memorial service which honored details.
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