Boston Symphony Orchestra Concert Programs, Season 128, 2008-2009
BOSTON SYMPHONY ORCHESTRA James Levine, Music Director Bernard Haitink, Conductor Emeritus Seiji Ozawa, Music Director Laureate 128th Season, 2008-2009 COMMUNITY CONCERT IX Sunday, March 29, at 3, at Granoff Music Center, Tufts University, Medford CHAMBER TEA V Friday, April 3, at 2:30 COMMUNITY CONCERT X Sunday, April 5, at 3, at Hernandez Cultural Center, Boston The free Community Concerts on March 29 and April 5 are generously supported by The Lowell Institute. CYNTHIA MEYERS, flute and piccolo ROBERT SHEENA, oboe and English horn THOMAS MARTIN, clarinet SUZANNE NELSEN, bassoon JONATHAN MENKIS, horn TIMOTHY GENIS, percussion (Piazzolla; Toussaint; D'Rivera "Afro") PIAZZOLLA Libertango (arr. Jeff Scott) MILHAUD "Sorocaba" and "Ipanema" from Saudades do Brasil, Opus 67 (arr. David Bussick) PIAZZOLLA Oblivion (arr. Jeff Scott) TOUSSAINT Mambo D'RIVERA Aires Tropicales 1. Alborada 2. Son 3. Wapango (arr. Jeff Scott /Tom Martin) 4. Habanera 5. Vals Venezolano 6. Afro 7. Contradanza Week 22 Astor Piazzolla (1921-92) Libertango and Oblivion Born in Mar del Plata, Argentina, Astor Piazzolla moved with his family to New York City in 1925, where (with one brief return to Argentina in 1930) they lived until 1936. He took up the bandoneon, the central instrument in the Ar- gentine tango, and also studied classical piano. Upon his return to Argentina he began to perform with tango orchestras, but also studied composition with the great Alberto Ginastera. He formed his first orchestra in 1946 but disbanded it as his music became more experimental. Piazzolla's music of the time shows the influence of Bartok and Stravinsky, but with some Argentine elements like the inclusion of two bandoneons in the orchestral work Buenos Aires.
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