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Daniel Viglietti
Diálogo Con Daniel Viglietti / Mario Benedetti
Andean Music, the Left and Pan-Americanism: the Early History
La Nueva Canción and Its Significance
New Song: Nueva Canciόn in the Life and Music of Lourdes Pérez: Intersections of Politics, Identity and Community
Nueva Canción to Colombian Canción Social Les Discours Dans Les Projets Culturels De Música Latinoamericana, De La Nueva Canción À La Canción Social Colombienne
Latin American Songs in the GDR and the East German Singer-Songwriter Repertoire (1970–2000): Gerhard Schöne’S ‘Meine Geschwister’ in the Light of Translation Studies
La Influencia De La Tradición Popular En Las Letras De Silvio Rodríguez
El Sueño Revolucionario a Través De Una Lectura Histórica De La Creación Musical De Víctor Jara (1965 – 1973)”
Sara González, Una Explosiva Ternura
Gabino Palomares: a History of Canto Nuevo in Mexico
Page 1 Advanced Spanish: Protest Song Page 2 About This Free Course
Public Consciousness, Political Conscience and Memory in Latin American Nueva Canción
MÚSICA DE URUGUAY | Vol 2 MUSIC of URUGUAY
Musicians in Trust: Argentina and the Globalization of Popular Music
Music, Memory, and the Re-Constitution of Place: the Life History of an Ecuadorian Musician in Diaspora Francisco Lara
Reorganizing Civil Society: Popular Movements, the State, and Municipalities in Postauthoritarian Chile
Sonidos Y Silencios
Sonido, Religión Y Nueva Canción Chilena: Un Análisis De “El Hombre
Top View
Children's Song-Makers As Messengers of Hope: Participatory Research with Implications for Teacher Educators Peter J
DANIEL VIGLIETTI Intendencia Departamental De Lavalleja
1“Yo Vengo a Cantar Por Aquellos Que Cayeron” Poesia
J a L L a 2 0
The Interactions of Musicians, Mass Media and the State in The
La Nueva Canción Latinoamericana. Notas Sobre Su Origen Y Definición