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Dance on television
Dance on Screen This Page Intentionally Left Blank Dance on Screen Genres and Media from Hollywood to Experimental Art
'What Ever Happened to Breakdancing?'
The THREE's a CROWD
A Distinctive Voice in the Antipodes: Essays in Honour of Stephen A. Wild
320+ Halloween Songs and Albums
International Exchange in Dance Annual of Contemporary Dance Double Issue 3.50 1963 • 1964
6-8 Dance Curriculum
An Investigation Into Audiences' Televisual Experience of Strictly
From American Bandstand to Total Request Live: Teen Culture and Identity on Music Television Kaylyn Toale Fordham University,
[email protected]
Cinderella January 23, 2020
Margaret Dale, Adapting the Stage to the Screen
And Cognition
Jane Tumelty, IDTA Director Emeritus with President, Yvonne Goût
Dance and the Entertainment Industry: How Television and Movies Portray an Art Form As Spectacle and Sport
TELLING TIME: Reflections on a Life in Music Stanley Walden
Academic Learning Packets
Electrodance As a “Being-Together”
Scratching the Surface of Spectacle: Black Hypermasculinity and the Television Talent Show Laura Robinson, University of East London
Top View
************************Y************************** Reproductions Supplied by EDRS Are the Best That Can Be Made from the Original Document
Casting, Stigma, and Difference in Broadway Musicals Since "A Chorus Line" (1975)
The Relevance of Dance Performance in the Tertiary Education Sector in Australia
UCLA UCLA Electronic Theses and Dissertations
Remember the Varsity Show Right
UNIVERSITY of CALIFORNIA RIVERSIDE Competition Dance: Redefining Dance in the United States a Dissertation Submitted in Partial
Example of a Well-Designed Course In: DANCE HISTORY
The Frame Drum in the Middle East: Women, Musical Instruments and Power Author(S): Veronica Doubleday Source: Ethnomusicology , Winter, 1999, Vol
Educational Cinema Screenings Welcome to the Educational Screening of Romeo & Juliet Study Guide: 2017
Conversations Dance Studies
New Vogue Dancing Part 1
1 Performing Authenticity and the Gendered Labor of Dance Susan
I 4-6 11 12-13 8-9 10
Can Copyright Law Perform the Perfect Fouetté?: Keeping Law and Choreography on Balance to Achieve the Purposes of the Copyright Clause
Intotwosections..The First Section S a 297=Item Listing Of
DOCTORAL THESIS Competitive Ballroom Dancing As a Social
Music History Lecture Notes Roots of Rock 1800 AD - 1960
The International Journal of Screendance
Villaluna, Gretchen 22004 Carter.Pdf (79.34Kb)
P U L S E 1960
Trends and Traditions: a Mixed Methods Study of Tap Dance Education in the Private Sector Dance Studio
Edrs Price Descriptors