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Dance on Screen This Page Intentionally Left Blank Dance on Screen Genres and Media from Hollywood to Experimental Art
Dance on Screen This page intentionally left blank Dance on Screen Genres and Media from Hollywood to Experimental Art Sherril Dodds Lecturer in Dance Studies Department of Dance Studies University of Surrey © Sherril Dodds 2001 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No paragraph of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, 90 Tottenham Court Road, London W1P 0LP. Any person who does any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages. The author has asserted her right to be identified as the author of this work in accordance with the Copyright, Designs and Patents Act 1988. First published 2001 by PALGRAVE Houndmills, Basingstoke, Hampshire RG21 6XS and 175 Fifth Avenue, New York, N. Y. 10010 Companies and representatives throughout the world PALGRAVE is the new global academic imprint of St. Martin’s Press LLC Scholarly and Reference Division and Palgrave Publishers Ltd (formerly Macmillan Press Ltd). ISBN 978-1-4039-4145-9 ISBN 978-0-230-50958-0 (eBook) DOI 10.1057/9780230509580 This book is printed on paper suitable for recycling and made from fully managed and sustained forest sources. A catalogue record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data Dodds, Sherril, 1967– Dance on screen : genres and media from Hollywood to experimental art / Sherril Dodds. -
'What Ever Happened to Breakdancing?'
'What ever happened to breakdancing?' Transnational h-hoy/b-girl networks, underground video magazines and imagined affinities. Mary Fogarty Submitted in partial fulfillment Of the requirements for the degree of Interdisciplinary MA in Popular Culture Brock University St. Catharines, Ontario © November 2006 For my sister, Pauline 111 Acknowledgements The Canada Graduate Scholarship (SSHRC) enabled me to focus full-time on my studies. I would also like to express my deepest gratitude to my committee members: Andy Bennett, Hans A. Skott-Myhre, Nick Baxter-Moore and Will Straw. These scholars have shaped my ideas about this project in crucial ways. I am indebted to Michael Zryd and Francois Lukawecki for their unwavering kindness, encouragement and wisdom over many years. Steve Russell patiently began to teach me basic rules ofgrammar. Barry Grant and Eric Liu provided comments about earlier chapter drafts. Simon Frith, Raquel Rivera, Anthony Kwame Harrison, Kwande Kefentse and John Hunting offered influential suggestions and encouragement in correspondence. Mike Ripmeester, Sarah Matheson, Jeannette Sloniowski, Scott Henderson, Jim Leach, Christie Milliken, David Butz and Dale Bradley also contributed helpful insights in either lectures or conversations. AJ Fashbaugh supplied the soul food and music that kept my body and mind nourished last year. If AJ brought the knowledge then Matt Masters brought the truth. (What a powerful triangle, indeed!) I was exceptionally fortunate to have such noteworthy fellow graduate students. Cole Lewis (my summer writing partner who kept me accountable), Zorianna Zurba, Jana Tomcko, Nylda Gallardo-Lopez, Seth Mulvey and Pauline Fogarty each lent an ear on numerous much needed occasions as I worked through my ideas out loud. -
Slovenian Dances and Their Sources in California
SLOVENIAN DANCES AND THEIR SOURCES IN CALIFORNIA ELSIE IVANCICH DUNIN Slovenian dance repertoire in California is traced in two Slovenski plesni repertoar v Kaliforniji živi v dveh social contexts: international recreational folk dancing družbenih kontekstih: ob mednarodnih rekreacijskih events and Slovene/American community events. Dancers ljudskih plesnih dogodkih in ob dogodkih slovensko-ameriške in California Folk Dance Federation clubs dance to skupnosti. V klubih kalifornijskega Združenja za ljudske recorded music, while Slovene/American events feature local plese plesalci plešejo ob posnetkih glasbe, medtem ko ob accordion-based bands. Recorded music in the clubs offers slovensko-ameriških dogodkih gostijo lokalne harmonikarske a non-changing soundscape for the dancers, who conform zasedbe. Posneta glasba v klubih ponuja plesalcem uniformly to a taught sequence of a dance that fits the nespremenljivo zvočno podobo: plesalci se poenotijo in recording in contrast to greater dancing variance at Slovene/ uskladijo z naučeno plesno sekvenco, ustrezno glasbenemu American dance events. posnetku, kar je v nasprotju z veliko plesno variantnostjo v Keywords: California; Folk Dance Federation; Slovene/ slovensko-ameriških plesnih dogodkih. Americans; accordion bands; polka Ključne besede: Kalifornija, Združenje za ljudske plese, Slovenci/Američani, harmonikarski orkestri, polka PRELUDE My earliest introduction to dances of Slovenia was by Mirko Ramovš during the Folklore Summer School (Ljetna škola folklora), held at the sport’s center on Badija island (near the island of Korčula), August 1969, and then again on Badija in 1971. I remember his care- ful and well-organized instructions with background information on the dances. I recall thinking that his fine teaching had to do with his knowledge of Kinetography Laban, which is an excellent tool to perceive and to analyze dancing movements, but also to describe movements to those of us who were not familiar with the dance forms. -
The THREE's a CROWD
The THREE’S A CROWD exhibition covers areas ranging from Hong Kong to Slavic vixa parties. It looks at modern-day streets and dance floors, examining how – through their physical presence in the public space – bodies create temporary communities, how they transform the old reality and create new conditions. And how many people does it take to make a crowd. The autonomous, affect-driven and confusing social body is a dynamic 19th-century construct that stands in opposition to the concepts of capitalist productivity, rationalism, and social order. It is more of a manifestation of social dis- order: the crowd as a horde, the crowd as a swarm. But it happens that three is already a crowd. The club culture remembers cases of criminalizing the rhythmic movement of at least three people dancing to the music based on repetitive beats. We also remember this pandemic year’s spring and autumn events, when the hearts of the Polish police beat faster at the sight of crowds of three and five people. Bodies always function in relation to other bodies. To have no body is to be nobody. Bodies shape social life in the public space through movement and stillness, gath- ering and distraction. Also by absence. Regardless of whether it is a grassroots form of bodily (dis)organization, self-cho- reographed protests, improvised social dances, artistic, activist or artivist actions, bodies become a field of social and political struggle. Together and apart. ARTISTS: International Festival of Urban ARCHIVES OF PUBLIC Art OUT OF STH VI: SPACE PROTESTS ABSORBENCY -
Sidetrekked; Issue #59; September, 2018
September 2018 SideTrekked - A publication of Science Fiction London - Issue #59 SideTrekked is the official journal of Science Fiction London ISSN 0715-3007 ISSN Canada Library and Archives Canada 395 Wellington Street Ottawa, Ontario K1A 0N4 All regular, public meetings are held at the Central Branch of the London Public Library 251 Dundas Street London, Ontario N6A 6H9 www.sflondon.ca www.facebook.com/ScienceFictionLondon [email protected] The front cover image was created by Andrey Kiselev and was obtained via www.123rf.com . The back cover image was created by 'algolonline' and was also obtained via www.123rf.com. This edition was edited by Stephanie Hanna and Mark Ambrogio. Club Executive Mark C. Ambrogio, president Stephanie Hanna, vice-president Terry Brown, secretary & library liaison Reinhardt Christiansen, webmaster Doug McKay, treasurer page 3 Domain Names and Why They Matter Editors' Note: Recently, Science Fiction London renewed its domain name. We thought folks might be interested to know the history of the club's domain name, why we have a domain name, and some information on domain names in general. Thanks to Reinhardt (our webmaster) for putting together this article! A domain name is essentially a string of letters that tells someone where to go to find a given website. It is not an actual address in the same way 251 Dundas Street, London, Ontario is, but it is a unique identifier that can be looked up by your computer to determine the actual address. Just as we typically say "the Library" to refer to the London Public Library, Central Branch, http://sflondon.ca is a short, human-friendly way to refer to the Science Fiction London website. -
Feminist Scholarship Review: Women in Theater and Dance
Trinity College Trinity College Digital Repository Feminist Scholarship Review Women and Gender Resource Action Center Spring 1998 Feminist Scholarship Review: Women in Theater and Dance Katharine Power Trinity College Joshua Karter Trinity College Patricia Bunker Trinity College Susan Erickson Trinity College Marjorie Smith Trinity College Follow this and additional works at: https://digitalrepository.trincoll.edu/femreview Part of the Feminist, Gender, and Sexuality Studies Commons, and the Theatre and Performance Studies Commons Recommended Citation Power, Katharine; Karter, Joshua; Bunker, Patricia; Erickson, Susan; and Smith, Marjorie, "Feminist Scholarship Review: Women in Theater and Dance" (1998). Feminist Scholarship Review. 10. https://digitalrepository.trincoll.edu/femreview/10 Peminist Scfiofarsliip CR§view Women in rrlieater ana(])ance Hartford, CT, Spring 1998 Peminist ScfioCarsfiip CJ?.§view Creator: Deborah Rose O'Neal Visiting Lecturer in the Writing Center Trinity College, Hartford, Connecticut Editor: Kimberly Niadna Class of2000 Contributers: Katharine Power, Senior Lecturer ofTheater and Dance Joshua Kaner, Associate Professor of Theater and Dance Patricia Bunker, Reference Librarian Susan Erickson, Assistant to the Music and Media Services Librarian Marjorie Smith, Class of2000 Peminist Scfzo{a:rsnip 9.?eview is a project of the Trinity College Women's Center. For more information, call 1-860-297-2408 rr'a6fe of Contents Le.t ter Prom. the Editor . .. .. .... .. .... ....... pg. 1 Women Performing Women: The Body as Text ••.•....••..••••• 2 by Katharine Powe.r Only Trying to Move One Step Forward • •.•••.• • • ••• .• .• • ••• 5 by Marjorie Smith Approaches to the Gender Gap in Russian Theater .••••••••• 8 by Joshua Karter A Bibliography on Women in Theater and Dance ••••••••.••• 12 by Patricia Bunker Women in Dance: A Selected Videography .••• .•... -
2021-02-12 FY2021 Grant List by Region.Xlsx
New York State Council on the Arts ‐ FY2021 New Grant Awards Region Grantee Base County Program Category Project Title Grant Amount Western New African Cultural Center of Special Arts Erie General Support General $49,500 York Buffalo, Inc. Services Western New Experimental Project Residency: Alfred University Allegany Visual Arts Workspace $15,000 York Visual Arts Western New Alleyway Theatre, Inc. Erie Theatre General Support General Operating Support $8,000 York Western New Special Arts Instruction and Art Studio of WNY, Inc. Erie Jump Start $13,000 York Services Training Western New Arts Services Initiative of State & Local Erie General Support ASI General Operating Support $49,500 York Western NY, Inc. Partnership Western New Arts Services Initiative of State & Local Erie Regrants ASI SLP Decentralization $175,000 York Western NY, Inc. Partnership Western New Buffalo and Erie County Erie Museum General Support General Operating Support $20,000 York Historical Society Western New Buffalo Arts and Technology Community‐Based BCAT Youth Arts Summer Program Erie Arts Education $10,000 York Center Inc. Learning 2021 Western New BUFFALO INNER CITY BALLET Special Arts Erie General Support SAS $20,000 York CO Services Western New BUFFALO INTERNATIONAL Electronic Media & Film Festivals and Erie Buffalo International Film Festival $12,000 York FILM FESTIVAL, INC. Film Screenings Western New Buffalo Opera Unlimited Inc Erie Music Project Support 2021 Season $15,000 York Western New Buffalo Society of Natural Erie Museum General Support General Operating Support $20,000 York Sciences Western New Burchfield Penney Art Center Erie Museum General Support General Operating Support $35,000 York Western New Camerta di Sant'Antonio Chamber Camerata Buffalo, Inc. -
Dancers: New Work by Borbála Kováts Dance in California: 150 Years of Innovation
USF Home > Library Home > Thacher Gallery The University of San Francisco’s Thacher Gallery presents January 13—February 23, 2003 Hungarian collage artist Borbála Kováts explores dance through computer- generated textures and imagery alongside a San Francisco Performing Arts Library & Museum (SFPALM) photo history of California Dance. Please join us Thursday, February 20, from 3 to 5 p.m. for the Closing Reception featuring an improvisational dance performance by the USF Dance Program at 4 p.m. Co-sponsored by SFPALM, USF’s Visual and Performing Arts Department and Budapest, Hungary Cultural Immersion Program. Dancers: New Work by Borbála Kováts Dance in California: 150 Years of Innovation Dancers: New Work by Borbála Kováts Following studies in fine arts and experimentation with traditional graphic arts, I first turned to photocopying and then to digital techniques. In recent years, I have engaged in preparing computer prints and have found that digital techniques are suitable for more than transmitting and perfecting photographic images of everyday life. I now use the computer to search for a language of representation that is unique to the digital medium. In my work the role of technique is far wider ranging than transmitting or retouching images; with the aid of computerized tools, I create a new pictures within the machine itself. My compositions are mostly non-figurative and work to create an integrated pictorial unity using various digital graphic surfaces. Starting from digital photographs, scanned material, or my own drawings, I create new surfaces and shapes using the computer so that the original pictures lose their earlier meanings. -
Oloftha Vol Xxxn No
Georgia College Knowledge Box Colonnade Special Collections 1-19-1957 Colonnade January 19, 1957 Colonnade Follow this and additional works at: https://kb.gcsu.edu/colonnade Part of the Higher Education Commons, and the Mass Communication Commons Recommended Citation Colonnade, "Colonnade January 19, 1957" (1957). Colonnade. 499. https://kb.gcsu.edu/colonnade/499 This Book is brought to you for free and open access by the Special Collections at Knowledge Box. It has been accepted for inclusion in Colonnade by an authorized administrator of Knowledge Box. I?^**;?^:^;^?';:: •jy;/'-' immi 3I- 'r./';. I'... 1 1 / .. olofTha Vol XXXn No. 6 Qeorgia State CoUege for WomeiiiMilledgeville, Gepzj^d iSaturday, January 19,1957 Prdqram Presented l y 'Hamjef To Be Presented Jean Erdman, Dancer In Russell On Jan. 2 6 WUS WEEK TO BE HELD By Mary Jo Claxton By Alice Lavender Dean Donald MacMahon's Lec- Saturday Soiree will present ture Committee has brought an- "Hamlet", a movie with Lawrence other outstanding artist to the Olivier and Jean Simmons,' on Jan- campus for two days. On Tuesday, uary 26. / DURING MONTH OF FEB. January 15th at 8:00 p.m. in Rus- This motion picture, winner of sell Auditorium, Miss Jean Erd- 5 academy awards, is Shake- man presented a delightful pro- speare's immortal classic. LETTER RECEIVED gram of dances which she has The tragedy of Hamlet, a man of choreographed. The dances on the thought who failed as a man of FROM GREEK BOY program were: Salutation, Mozart; action, is magnificently brought to Passage, Janowitz; Ophelia, Cage; the screen in a widely acclaimed Each year a portion of the Creature on a Journey, Harrison; performance by one of the world's money given to the World Univer- Medusa, Horst;' Pierrot, the Moon- great actors. -
Dancing Fulbrighters 60 Years of Dance Exchanges on the New Zealand Fulbright Programme
Dancing Fulbrighters 60 years of dance exchanges on the New Zealand Fulbright programme Jennifer Shennan © Jennifer Shennan 2008 Published by Fulbright New Zealand, November 2008 The opinions and views expressed in this booklet are the personal views of the author and contributors and do not represent in whole or part the opinions of Fulbright New Zealand. See inside back cover for photograph captions and credits. ISBN 978-1-877502-04-0 (print) ISBN 978-1-877502-05-7 (PDF) Sixty years of Dancing Fulbrighters A handsome volume, Fulbright in New Zealand, Educational Foundation (Fulbright New Zealand) published in 1988, marked the 40th anniversary of and New Zealand Council for Educational Research the Fulbright exchange programme’s operation in this were Coming and Going: 40 years of the Fulbright country. The author, Joan Druett, herself a Fulbrighter, Programme in New Zealand as well as conference affi rmed what other participants already knew, namely proceedings – The Impact of American Ideas on New that a Fulbright award for a visit to or from the United Zealand Education, Policy and Practice. Dance has States, whether for a year’s teaching exchange, clearly been one of the subject areas to benefi t from an extended research project, or a short-term the introduction of American ideas in New Zealand intensive visit, could prove an infl uential milestone in education, both in policy and practice, even if it took professional career and personal life. some time to come to fruition. For many, those infl uences have continued To help mark the 60th anniversary of the Fulbright for decades, not recalled merely for sentiment or Programme here, I proposed profi ling some of the nostalgia, but for the wider context developed for many fellows across 60 years whose projects had one’s fi eld of study, and as an energizing reminder been in dance, whether as choreographers, teachers, of the potential for goodwill in “inter-national” performers, writers or educationalists, either New projects. -
A Distinctive Voice in the Antipodes: Essays in Honour of Stephen A. Wild
ESSAYS IN HONOUR OF STEPHEN A. WILD Stephen A. Wild Source: Kim Woo, 2015 ESSAYS IN HONOUR OF STEPHEN A. WILD EDITED BY KIRSTY GILLESPIE, SALLY TRELOYN AND DON NILES Published by ANU Press The Australian National University Acton ACT 2601, Australia Email: [email protected] This title is also available online at press.anu.edu.au National Library of Australia Cataloguing-in-Publication entry Title: A distinctive voice in the antipodes : essays in honour of Stephen A. Wild / editors: Kirsty Gillespie ; Sally Treloyn ; Don Niles. ISBN: 9781760461119 (paperback) 9781760461126 (ebook) Subjects: Wild, Stephen. Essays. Festschriften. Music--Oceania. Dance--Oceania. Aboriginal Australian--Songs and music. Other Creators/Contributors: Gillespie, Kirsty, editor. Treloyn, Sally, editor. Niles, Don, editor. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior permission of the publisher. Cover design and layout by ANU Press. Cover photograph: ‘Stephen making a presentation to Anbarra people at a rom ceremony in Canberra, 1995’ (Australian Institute of Aboriginal and Torres Strait Islander Studies). This edition © 2017 ANU Press A publication of the International Council for Traditional Music Study Group on Music and Dance of Oceania. Aboriginal and Torres Strait Islander people are advised that this book contains images and names of deceased persons. Care should be taken while reading and viewing. Contents Acknowledgements . vii Foreword . xi Svanibor Pettan Preface . xv Brian Diettrich Stephen A . Wild: A Distinctive Voice in the Antipodes . 1 Kirsty Gillespie, Sally Treloyn, Kim Woo and Don Niles Festschrift Background and Contents . -
Panel Pool 2
FY18-19 PEER REVIEW PANELS Panel Applicants (November deadline) This list contains potential panelists to be added to the pool for peer review panels. Approved panelists may be called upon to serve on grant panels in FY2018-2019 or FY2019-2020. Click a letter below to view biographies from applicants with corresponding last name. A .............................................................................................................................................................................. 2 B ............................................................................................................................................................................... 9 C ............................................................................................................................................................................. 18 D ............................................................................................................................................................................. 31 E ............................................................................................................................................................................. 40 F ............................................................................................................................................................................. 45 G ............................................................................................................................................................................