An Evening of Mixed Repertory Curator/Artistic Director Brandon Whited
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Slovenian Dances and Their Sources in California
SLOVENIAN DANCES AND THEIR SOURCES IN CALIFORNIA ELSIE IVANCICH DUNIN Slovenian dance repertoire in California is traced in two Slovenski plesni repertoar v Kaliforniji živi v dveh social contexts: international recreational folk dancing družbenih kontekstih: ob mednarodnih rekreacijskih events and Slovene/American community events. Dancers ljudskih plesnih dogodkih in ob dogodkih slovensko-ameriške in California Folk Dance Federation clubs dance to skupnosti. V klubih kalifornijskega Združenja za ljudske recorded music, while Slovene/American events feature local plese plesalci plešejo ob posnetkih glasbe, medtem ko ob accordion-based bands. Recorded music in the clubs offers slovensko-ameriških dogodkih gostijo lokalne harmonikarske a non-changing soundscape for the dancers, who conform zasedbe. Posneta glasba v klubih ponuja plesalcem uniformly to a taught sequence of a dance that fits the nespremenljivo zvočno podobo: plesalci se poenotijo in recording in contrast to greater dancing variance at Slovene/ uskladijo z naučeno plesno sekvenco, ustrezno glasbenemu American dance events. posnetku, kar je v nasprotju z veliko plesno variantnostjo v Keywords: California; Folk Dance Federation; Slovene/ slovensko-ameriških plesnih dogodkih. Americans; accordion bands; polka Ključne besede: Kalifornija, Združenje za ljudske plese, Slovenci/Američani, harmonikarski orkestri, polka PRELUDE My earliest introduction to dances of Slovenia was by Mirko Ramovš during the Folklore Summer School (Ljetna škola folklora), held at the sport’s center on Badija island (near the island of Korčula), August 1969, and then again on Badija in 1971. I remember his care- ful and well-organized instructions with background information on the dances. I recall thinking that his fine teaching had to do with his knowledge of Kinetography Laban, which is an excellent tool to perceive and to analyze dancing movements, but also to describe movements to those of us who were not familiar with the dance forms. -
Dancers: New Work by Borbála Kováts Dance in California: 150 Years of Innovation
USF Home > Library Home > Thacher Gallery The University of San Francisco’s Thacher Gallery presents January 13—February 23, 2003 Hungarian collage artist Borbála Kováts explores dance through computer- generated textures and imagery alongside a San Francisco Performing Arts Library & Museum (SFPALM) photo history of California Dance. Please join us Thursday, February 20, from 3 to 5 p.m. for the Closing Reception featuring an improvisational dance performance by the USF Dance Program at 4 p.m. Co-sponsored by SFPALM, USF’s Visual and Performing Arts Department and Budapest, Hungary Cultural Immersion Program. Dancers: New Work by Borbála Kováts Dance in California: 150 Years of Innovation Dancers: New Work by Borbála Kováts Following studies in fine arts and experimentation with traditional graphic arts, I first turned to photocopying and then to digital techniques. In recent years, I have engaged in preparing computer prints and have found that digital techniques are suitable for more than transmitting and perfecting photographic images of everyday life. I now use the computer to search for a language of representation that is unique to the digital medium. In my work the role of technique is far wider ranging than transmitting or retouching images; with the aid of computerized tools, I create a new pictures within the machine itself. My compositions are mostly non-figurative and work to create an integrated pictorial unity using various digital graphic surfaces. Starting from digital photographs, scanned material, or my own drawings, I create new surfaces and shapes using the computer so that the original pictures lose their earlier meanings. -
Gainesville Ballet Contact
Gainesville Ballet Contact: Elysabeth Muscat 7528 Old Linton Hall Road [email protected] Gainesville, VA 20155 703-753-5005 www.gainesvilleballetcompany.org FOR IMMEDIATE RELEASE October 1, 2015 ABT BALLET STARS BOYLSTON AND WHITESIDE IN GAINESVILLE BALLET NUTCRACKER GAINESVILLE, Va. – Gainesville Ballet is excited to announce two performances of The Nutcracker on Friday, November 27, 2015 at 2 PM and 7 PM. The full-length ballet features ballet superstars, international guest dancers, the professional dancers of Gainesville Ballet Company, and the students of Gainesville Ballet School. What better way to continue the celebration of the Thanksgiving holiday weekend, than to see a beautiful, professional performance of The Nutcracker at the elegant opera house of the 1,123-seat Merchant Hall at the Hylton Performing Arts Center! Audiences who reside in Northern Virginia and beyond will have the rare opportunity to see two of American Ballet Theatre’s most exciting Principal Dancers, Isabella Boylston and James Whiteside. James Whiteside and Isabella Boylston in Giselle. Isabella Boylston was promoted to Principal Dancer at American Ballet Photo by MIRA. Theatre in 2014. She originally joined ABT as part of the Studio Company in 2005, joined the main company as an apprentice in 2006, and became a member of the corps de ballet in 2007. She was promoted to Soloist in 2011, before recently becoming Principal. Boylston began dancing at the age of three at The Boulder Ballet. At age 12, she joined the Academy of Colorado Ballet in Denver, Colorado, where she commuted two hours on a public bus to study there each day. -
Dear Friends
1 December at a Glance 2 From the Presidents Thu AM 1 09.30 Managing Committee 10.30 AM Executive Committee Dear Friends, It's the most wonderful time of the year There be much mistletoe-ing Mon AM 5 10.15 And hearts will be glowing Health & Ecology When loved ones are near It's the most wonderful time of the year This year we celebrate Christmas at a very special location never Wed PM before seen by IWA—the serene and beautiful Freemason’s Lodge. It 7 03.45 Current Events promises to be an enjoyable morning with excerpts from the ballet, The Nutcracker Suite, followed by the IWA tradition of carol singing. The festive buffet, featuring delicacies from the kitchens of our very own IWA members plus a scrumptious Christmas feast, will add to the Fri PM 9 03.45 joyful celebrations. Music & Performing Arts We thank the members for their generous cash donations that will go towards a surprise return favour and for sharing their treasured culinary skills at the sumptuous brunch. Thank you for joining in the Mon AM 12 10.15 festive spirit and adding good cheer! Book Discussion We look forward to seeing you dressed in your Christmas colours as we usher in the festive season, a time of joy and togetherness! On behalf of the Managing and Executive Committees we wish you all a Merry Christmas and a very Happy New Year. We hope the New Tue PM 13 03.45 Year brings you the very best! Cooking Swapshop History, Culture & Tours NINA KOTHARI CHERRY VENKATESAN 9.30AM Managing Committee Thu AM 15 10.15 AM 10.30 Executive Committee Merriment.Joy.Peace.Love. -
Panel Pool 2
FY18-19 PEER REVIEW PANELS Panel Applicants (November deadline) This list contains potential panelists to be added to the pool for peer review panels. Approved panelists may be called upon to serve on grant panels in FY2018-2019 or FY2019-2020. Click a letter below to view biographies from applicants with corresponding last name. A .............................................................................................................................................................................. 2 B ............................................................................................................................................................................... 9 C ............................................................................................................................................................................. 18 D ............................................................................................................................................................................. 31 E ............................................................................................................................................................................. 40 F ............................................................................................................................................................................. 45 G ............................................................................................................................................................................ -
2007-2008 Season Sponsors
2007-2008 Season Sponsors The City of Cerritos gratefully thanks our 2007-2008 Season Sponsors for their generous support of the Cerritos Center for the Performing Arts. Season 07/08 Your Favorite Entertainers, Your Favorite Theater If your company would like to become a Cerritos Center for the Performing Arts sponsor, please contact the CCPA Administrative Offices at (562) 916-8510. presents AN EVENING WITH SONNY ROLLINS Saturday, April 5, 2008, 8:00 PM This performance will not include an intermission. The taking of photographs or use of recording devices is strictly prohibited. BIOGRAPHY SONNY ROLLINS was born Walter Theodore film Alfie. At decade’s end he undertook one final hiatus, Rollins in Harlem, New York, on September 7, 1930, to studying Zen Buddhism in Japan and yoga in India. He parents native to the Virgin Islands. His older brother and considered leaving music permanently in order to pursue sister were also musically inclined, but only Rollins veered spiritual studies, but a teacher convinced him that music away from Classical music after his uncle, a professional was his spiritual path. In 1972, with the encouragement saxophonist, introduced him to Jazz and Blues. He gravitated and support of his wife Lucille, who had become his business to the tenor saxophone in high school, inspired in particular manager, Rollins returned to performing and recording, and by Coleman Hawkins. By the time he was out of the release of Next Album. He has worked with school, Rollins was already working with big-name all-star ensembles, including Tommy Flanagan, Jack musicians such as Bud Powell, Fats Navarro, and DeJohnette, Stanley Clarke, and Tony Williams. -
Case Studies of Civic Participation Among Mexican Immigrants in Central Valley Communities
Here to Stay: Case Studies of Civic Participation Among Mexican Immigrants In Central Valley Communities By Ed Kissam July 15, 2003 Research Team: Anna Garcia, Richard Mines, Holly Mines, Anna Rodriguez The Aguirre Group, 555 Airport Blvd., Burlingame, CA 94010 Acknowledgements Thanks should go first to Craig McGarvey, former Director of the Civic Culture program at the James Irvine Foundation, for making this research possible and for ongoing dialogue and insights as we moved along. Marty Campbell, the foundation’s Director of Evaluation, and Lande Ajose, our current Program Officer, have been engaged and collegial, throughout the project. I greatly appreciate their support. The project’s field research team interviewing Mexican immigrants in the Central Valley-- Anna Garcia, Ana Rodriguez, and Rick Mines--brought years of experience, insights, and energy to the project. Santiago Ventura introduced me to several Mixteco civic activists and helped with translation at key points. Special thanks are due to Holly Mines for a marvelous job preparing the profile of one of the civic activists in Chapter 7. The immigrant activists who appear in this report were generous with their time and patient in allowing us to ask them so many questions about their lives, their thoughts and their hopes. I am grateful for their insights and inspiration and hopeful that I adequately portrayed their perspectives. They are: Luis Magaña, Filemon Lopez, Polo Chavez, Jorge San Juan, Raquel Velasco, Gustavo Dominguez, Herlinda Gonzalez, and Gloria Hernandez. The stories and reflections of other insightful immigrant activists and community leaders also informed the current analysis although their experiences are not explicitly mentioned in this report. -
Dilip Kondiparti Chairman Jyothi Chintalapudi Convener Vamsi Krishna Prakhya
Dilip Kondiparti Jyothi Chintalapudi Chairman Convener Vamsi Krishna Prakhya Chief Editor Editorial Board Mohammed Iqbal Gaggutur M J Thatipamala Sunila Pavuluri Rao Tallapragada Cover Design: Venkat Makina Design Coordination : Phani Madhav Kasturi 1 Narrative Writers of Biographic Articles of Artistes Vamsikrishna Prakhya Anand Bandi Aparaajitha Mrutyumjayudu Thatipamula Vani Gundlapalli Rao Tallapragada Archish Prakhya America Kuchipudi Dance Convention 2017 Executive Committees Fund raising Registration Rama Kakulavarapu Ratnamala Vanka Ravindra Kuchibhotla Prabha Malempati Rambabu Manchikanti Sneha Vedula Jayamala Thatipamula Logistics & Decorations Vani Gundlapalli Sai Kandula Sidhdhartha Nookala Hospitality Ravi Chivukula Santhi Kuchibhotla Yogendra Srungaram Sheela Sarva Kishore Gandham Manasa Addepalli Souvenir Vamsi Nadella Vamsikrishna Prakhya Mrutyujayudu Thatipaamula 2 Iqbal Gaggutur Anil Annam Heartfully Speaking A daring heart’s dream conceived when wide awake can change lives for good. In the sixteen years of Siliconandhra’s expedition, plethora of such dreams opened new vistas. Converging many of these wonderful dreams has resulted in a path well laid out to achieve sky-high goals for all Siliconandhra family. For Siliconandhra, goals are always with a purpose of making a better world. To realize excellence, and stretch our capabilities, new goals are often set and reset and pursued with more vigor. Such rigorous pursuit resulted in many tangible as well as intangible victories. Our victories brought us more laurels with responsibilities. It is with that sense of responsibility, we take up projects such as “Jayaho Kuchipudi”. The efforts being taken up are at multiple planes: social, cultural and economical etc. In all these efforts the support provided by the community is incredibly commendable. With the assurance of this tremendous support, we have been working on building bridges between hearts from far off lands. -
Lewis Segal Collection of Dance and Theater Materials, 1902-2011; Bulk, 1970-2009
http://oac.cdlib.org/findaid/ark:/13030/c8c24wzf No online items Lewis Segal Collection of Dance and Theater Materials, 1902-2011; Bulk, 1970-2009 Preliminary processing by Andrea Wang; fully processed by Mike D'Errico in 2012 in the Center for Primary Research and Training (CFPRT), with assistance from Jillian Cuellar; machine-readable finding aid created by Caroline Cubé. The processing of this collection was generously supported by Arcadia funds. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 Email: [email protected] URL: http://www.library.ucla.edu/libraries/special/scweb/ © 2012 The Regents of the University of California. All rights reserved. Lewis Segal Collection of Dance 1890 1 and Theater Materials, 1902-2011; Bulk, 1970-2009 Descriptive Summary Title: Lewis Segal Collection of Dance and Theater Materials Date (inclusive): 1902-2011; Bulk, 1970-2009 Collection number: 1890 Collector: Segal, Lewis Extent: 24 record cartons (24 linear ft.) Abstract: Lewis Segal is a performing arts critic who has written on various topics related to the performing arts, from ballet to contemporary dance and musicals. He began working as a freelance writer in the 1960s for a number of publications, including the Los Angeles Times, Performing Arts magazine, the Los Angeles Free Press, Ballet News, and High Performance magazine. He joined the staff of the Los Angeles Times in 1976. From 1996 to 2008 he held the full-time position of chief dance critic, writing full features and reviews on dance companies and performing arts organizations from around the world. -
1 Giselle the Australian Ballet
THE AUSTRALIAN BALLET GISELLE 1 Lifting them higher Telstra is supporting the next generation of rising stars through the Telstra Ballet Dancer Award. Telstra and The Australian Ballet, partners since 1984. 2018 Telstra Ballet Dancer Award Winner, Jade Wood | Photographer: Lester Jones 2 THE AUSTRALIAN BALLET 2019 SEASON Lifting them higher Telstra is supporting the next generation of rising stars through the Telstra Ballet Dancer Award. Telstra and The Australian Ballet, partners since 1984. 1 – 18 MAY 2019 | SYDNEY OPERA HOUSE Government Lead Principal 2018 Telstra Ballet Dancer Award Winner, Jade Wood | Photographer: Lester Jones Partners Partners Partner Cover: Dimity Azoury. Photography Justin Ridler Above: Ako Kondo. Photography Lynette Wills Richard House, Valerie Tereshchenko and Amber Scott. Photography Lynette Wills 4 THE AUSTRALIAN BALLET 2019 SEASON NOTE FROM THE ARTISTIC DIRECTOR Giselle has a special place in The Australian Ballet’s history, and has been a constant in our repertoire since the company’s earliest years. The superstars Margot Fonteyn and Rudolf Nureyev danced it with us in 1964, in a production based on the Borovansky Ballet’s. Our founding artistic director, Peggy van Praagh, created her production in 1965; it premiered in Birmingham on the company’s first international tour, and won a Grand Prix for the best production staged in Paris that year. It went on to become one of the most frequently performed ballets in our repertoire. Peggy’s production came to a tragic end when the scenery was consumed by fire on our 1985 regional tour. The artistic director at the time, Maina Gielgud, created her own production a year later. -
FOR IMMEDIATE RELEASE October 29, 2019 Contact: Jolie Koesters
FOR IMMEDIATE RELEASE October 29, 2019 Contact: Jolie Koesters (Marketing Director), 402-813-1395 - [email protected] Full-resolution photos available here. Download this media kit, plus company bios, in printable PDF format. The Snow King and Queen, the Sugar Plum Fairy, and other favorite Nutcracker characters will be joined this year by dancers performing a variation in Indian classical dance style bharatanatyam. More full-resolution photos... THE NUTCRACKER ENCHANTS WITH A NEW VARIATION OMAHA — Classical dance of India will make its debut in this season’s production of American Midwest Ballet’s beloved family classic The Nutcracker, artistic director Erika Overturff said. “For the first time, Midwest audiences – along with Clara and her Nutcracker Prince – will be entertained by an India-themed variation,” Overturff said. “I am delighted that India will be celebrated in dance alongside the Spanish, Arabian, Chinese, Russian, French, and other traditional variations.” Dancers from Viswanatya Niketan, an Omaha-based school of classical Indian dance directed by Usha Devaraju, will perform the variation in India’s bharatanatyam style of dance, Overturff said. Bharatanatyam is the oldest style of Indian classical dance, with documented roots as early as the 6th century CE, Overturff said, and today is India’s most popular classical dance form. It is noted for its brilliant, intricate footwork, and like classical ballet it uses a stylized vocabulary of gestures to convey specific meanings, she said. American Midwest Ballet’s Indian Nutcracker variation will feature brilliantly adorned new costumes made with silks and jewelry crafted in India, she said. For music, the new Indian variation uses “an unearthed gem from Tchaikovsky’s original Nutcracker score that finally gets its turn in the spotlight,” Overturff said. -
Ballet and Modern Dance in the Construction of Modern México (1919-1940): an Overview 9
UNIVERSITY OF CALIFORNIA Los Angeles Choreographing Politics, Dancing Modernity: Ballet and Modern Dance in the Construction of Modern México (1919-1940) A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Culture and Performance by Jose Luis Reynoso 2012 © Copyright by Jose Luis Reynoso 2012 ABSTRACT OF THE DISSERTATION Choreographing Politics, Dancing Modernity: Ballet and Modern Dance in the Construction of Modern México (1919-1940) by Jose Luis Reynoso Doctor of Philosophy in Culture and Performance University of California, Los Angeles, 2012 Professor Susan Leigh Foster, Chair In this dissertation, I analyze the pivotal role that ballet and modern dance played in the construction of modern México during the development of its post-revolutionary history and culture from 1919 to 1940. In this doctoral research, I approach dance as a means of knowledge production that contributes to shaping the cultural contexts in which individual and collective identities are produced while perpetuating systems of sociopolitical and economic domination and/or offering alternatives to restructure unequal power relations. As an organizing principle, this dissertation presupposes that dances always enact, explicitly and/or implicitly, sets of political assumptions that affect the bodies that participate by dancing or by watching dance. In other words, I examine how dance represents race, class, gender, and sexuality; how corporeal ii difference is arranged in space; what does the dance say about human relations; and how subjectivity is constructed through dance training and performing on stage. I also consider whose worldview, values and interests are enacted on stage and thereby normalized beyond the stage.