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- Contemporary Cinema of Africa and the Diaspora
- 4486 Steedman.Pdf
- Shooting Through the Barrel of a Gun: Using Film to Challenge the 'Single Story' of Africa
- Cinema from and for Africa: Nollywood, Ghallywod, Lollywood and More
- Reconnecting to the NRI Through Popular Hindi Cinema
- 2017 Annual Report
- Hollywood and Africa Recycling the ‘Dark Continent’ Myth, 1908–2020 by Okaka Opio Dokotum
- French Department Course Brochure 2017-2018
- Bollywood, Skin Color and Sexism: the Role of the Film Industry in Emboldening and Contesting Stereotypes in India After Independence
- Copyrighted Material
- Expanded Schedule and Film Synopses
- Promoting the Culture Sector Through Job Creation and Small Enterprise Development in SADC Countries: the Film and Television Industry
- Indian Cinema: the World's Biggest and Most Diverse Film Industry
- Uncertainty, Innovation, and the Circulation of Power in the Global Film Industry1
- The Film Score and the African Musical Experience: Some Comments on a Work in Progress Trans
- Minorities' Stereotypes in Pakistani Films Bilal Khalid, National College
- I the PORTRAYAL of WITCHCRAFT, OCCULTS and MAGIC in POPULAR NIGERIAN VIDEO FILMS Grace Kumwenda a Research Report Submitted to T
- T H I R D C I N E M A
- Literatur Zur Geschichte Des Afrikanischen Kinos
- Rethinking Third Cinema
- Cinema in India
- Copyrighted Material
- Dalit Cinema
- Contemporary World Cinema Brian Owens, Artistic Director – Nashville Film Festival OLLI Winter 2015 Term Tuesday, February 2