Colonization: a Global History
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“Dangerous Vagabonds”: Resistance to Slave
“DANGEROUS VAGABONDS”: RESISTANCE TO SLAVE EMANCIPATION AND THE COLONY OF SENEGAL by Robin Aspasia Hardy A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in History MONTANA STATE UNIVERSITY Bozeman, Montana April 2016 ©COPYRIGHT by Robin Aspasia Hardy 2016 All Rights Reserved ii DEDICATION PAGE For my dear parents. iii TABLE OF CONTENTS 1. INTRODUCTION .................................................................................................... 1 Historiography and Methodology .............................................................................. 4 Sources ..................................................................................................................... 18 Chapter Overview .................................................................................................... 20 2. SENEGAL ON THE FRINGE OF EMPIRE.......................................................... 23 Senegal, Early French Presence, and Slavery ......................................................... 24 The Role of Slavery in the French Conquest of Senegal’s Interior ......................... 39 Conclusion ............................................................................................................... 51 3. RACE, RESISTANCE, AND PUISSANCE ........................................................... 54 Sex, Trade and Race in Senegal ............................................................................... 55 Slave Emancipation and the Perpetuation of a Mixed-Race -
Addendum: University of Nottingham Letters : Copy of Father Grant’S Letter to A
Nottingham Letters Addendum: University of 170 Figure 1: Copy of Father Grant’s letter to A. M. —1st September 1751. The recipient of the letter is here identified as ‘A: M: —’. Source: Reproduced with the kind permission of the Department of Manuscripts and Special Collections, University of Nottinghan. 171 Figure 2: The recipient of this letter is here identified as ‘Alexander Mc Donell of Glengarry Esqr.’. Source: Reproduced with the kind permission of the Department of Manuscripts and Special Collections, University of Nottinghan. 172 Figure 3: ‘Key to Scotch Names etc.’ (NeC ¼ Newcastle of Clumber Mss.). Source: Reproduced with the kind permission of the Department of Manuscripts and Special Collections, University of Nottinghan. 173 Figure 4: In position 91 are the initials ‘A: M: —,’ which, according to the information in NeC 2,089, corresponds to the name ‘Alexander Mc Donell of Glengarry Esqr.’, are on the same line as the cant name ‘Pickle’. Source: Reproduced with the kind permission of the Department of Manuscripts and Special Collections, University of Nottinghan. Notes 1 The Historians and the Last Phase of Jacobitism: From Culloden to Quiberon Bay, 1746–1759 1. Theodor Fontane, Jenseit des Tweed (Frankfurt am Main, [1860] 1989), 283. ‘The defeat of Culloden was followed by no other risings.’ 2. Sir Geoffrey Elton, The Practice of History (London, [1967] 1987), 20. 3. Any subtle level of differentiation in the conclusions reached by participants of the debate must necessarily fall prey to the approximate nature of this classifica- tion. Daniel Szechi, The Jacobites. Britain and Europe, 1688–1788 (Manchester, 1994), 1–6. -
0 0 0 0 Acasa Program Final For
PROGRAM ABSTRACTS FOR THE 15TH TRIENNIAL SYMPOSIUM ON AFRICAN ART Africa and Its Diasporas in the Market Place: Cultural Resources and the Global Economy The core theme of the 2011 ACASA symposium, proposed by Pamela Allara, examines the current status of Africa’s cultural resources and the influence—for good or ill—of market forces both inside and outside the continent. As nation states decline in influence and power, and corporations, private patrons and foundations increasingly determine the kinds of cultural production that will be supported, how is African art being reinterpreted and by whom? Are artists and scholars able to successfully articulate their own intellectual and cultural values in this climate? Is there anything we can do to address the situation? WEDNESDAY, MARCH 23, 2O11, MUSEUM PROGRAM All Museum Program panels are in the Lenart Auditorium, Fowler Museum at UCLA Welcoming Remarks (8:30). Jean Borgatti, Steven Nelson, and Marla C. Berns PANEL I (8:45–10:45) Contemporary Art Sans Frontières. Chairs: Barbara Thompson, Stanford University, and Gemma Rodrigues, Fowler Museum at UCLA Contemporary African art is a phenomenon that transcends and complicates traditional curatorial categories and disciplinary boundaries. These overlaps have at times excluded contemporary African art from exhibitions and collections and, at other times, transformed its research and display into a contested terrain. At a moment when many museums with so‐called ethnographic collections are expanding their chronological reach by teasing out connections between traditional and contemporary artistic production, many museums of Euro‐American contemporary art are extending their geographic reach by globalizing their curatorial vision. -
UC Irvine Electronic Theses and Dissertations
UC Irvine UC Irvine Electronic Theses and Dissertations Title Making Popular and Solidarity Economies in Dollarized Ecuador: Money, Law, and the Social After Neoliberalism Permalink https://escholarship.org/uc/item/3xx5n43g Author Nelms, Taylor Campbell Nahikian Publication Date 2015 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA, IRVINE Making Popular and Solidarity Economies in Dollarized Ecuador: Money, Law, and the Social After Neoliberalism DISSERTATION submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in Anthropology by Taylor Campbell Nahikian Nelms Dissertation Committee: Professor Bill Maurer, Chair Associate Professor Julia Elyachar Professor George Marcus 2015 Portion of Chapter 1 © 2015 John Wiley & Sons, Inc. All other materials © 2015 Taylor Campbell Nahikian Nelms TABLE OF CONTENTS Page LIST OF FIGURES iii ACKNOWLEDGEMENTS iv CURRICULUM VITAE vii ABSTRACT OF THE DISSERTATION xi INTRODUCTION 1 CHAPTER 1: “The Problem of Delimitation”: Expertise, Bureaucracy, and the Popular 51 and Solidarity Economy in Theory and Practice CHAPTER 2: Saving Sucres: Money and Memory in Post-Neoliberal Ecuador 91 CHAPTER 3: Dollarization, Denomination, and Difference 139 INTERLUDE: On Trust 176 CHAPTER 4: Trust in the Social 180 CHAPTER 5: Law, Labor, and Exhaustion 216 CHAPTER 6: Negotiable Instruments and the Aesthetics of Debt 256 CHAPTER 7: Interest and Infrastructure 300 WORKS CITED 354 ii LIST OF FIGURES Page Figure 1 Field Sites and Methods 49 Figure 2 Breakdown of Interviewees 50 Figure 3 State Institutions of the Popular and Solidarity Economy in Ecuador 90 Figure 4 A Brief Summary of Four Cajas (and an Association), as of January 2012 215 Figure 5 An Emic Taxonomy of Debt Relations (Bárbara’s Portfolio) 299 iii ACKNOWLEDGEMENTS Every anthropologist seems to have a story like this one. -
Self-Organised Networks in the First Global Age
Kyoto Sangyo University 133 Self-organised Networks in the First Global Age: The Jesuits in Japan Amélia POLÓNIA 最初の黄金時代の自己組織的なネットワーク ―日本におけるイエズス会― アメリア・ポローニア Abstract The paper intends to explore the strength of individual and group agency in the scope of Portuguese overseas expan- sion at a global level. It further seeks to emphasise the mechanisms of cooperation, both between European agents and between those and local agents and authorities, sometimes led even against the interests of the Portuguese crown. Finally it argues that the success of these contacts depended more often than not on an active process of ac- culturation and miscegenation, rather than on imposition mechanisms, traditionally regarded as the lever of colonial and empire building processes. To discuss the evidence underlying these assumptions, it focus on the Portuguese case, fi rst at a general level, then from a micro-approach centred on the Jesuit enactments in Japan and their interaction with trade networks in the Pacifi c Ocean. Key words: Self-organisation, informal networks, Portuguese expansion, Jesuits, trade networks, cross-cultural networks, Japan 1. Theoretical Framework. New theories on empire building European historiography usually associates the analysis of globalisation in the Early Modern Period (1500–1800) with “empire building” processes, considering overseas expansionism led by the Portuguese, Spanish, Dutch, British and French as the main lever in the process, disregarding proposals that argue in favour of an increasing pre-globalisation dynamics in the Indian Ocean1), long before the arrival of Europeans. Furthermore, the study of the historical outcomes of early modern empires is usually focused on central power strategies and imperial rivalries, monopolies, warfare strategies and political disputes between colonisers. -
The Portuguese Art of War in Northern Morocco During the 15 Century
Athens Journal of History - Volume 3, Issue 4 – Pages 321-336 The Portuguese Art of War in Northern Morocco during the 15th Century By Vitor Luís Gaspar Rodrigues This paper not only reviews the motives underlying the Portuguese expansionist project in Morocco in the 15th century, but also the political, economic, and particularly the social reasons that were in the basis of the Portuguese art of war in Morocco in that period. During the Iberian Reconquest (Reconquista), warfare was usually practiced by means of cavalcades, raids (razias) and ambushes, alongside with some siege actions. We will try to demonstrate that the Portuguese were forced to adopt a model of restricted territorial occupation and repeat the same technics and tactics of combat in Morocco, chiefly based on guerrilla war (guerra guerreada), as well as on siege and privateering actions, either offshore or onshore, by means of amphibian landings (saltos). We will also approach some of the changes that occurred in the defence systems of the Portuguese strongholds in North Africa, particularly at the turn of the 15th to the 16th centuries, as a result of the need to respond to the new challenges by the Moroccan armies equipped with fire weaponry. Keywords: Guerrilla war; maritime war; Northern Morocco; strongholds; siege war; fire weaponry. Portuguese Expansion in Morocco in the 15th Century: Main Causes The expansion project to Morocco by the Christian kingdoms from Iberia goes back to late 13th century, as attested by the Treaty of Soria, of 1291, signed by the monarchs of Castile and Aragon, which defined the areas to be occupied in the future by both kingdoms in North Africa, leaving the territorial stripe in the west of Ceuta to Portugal. -
The Religious Lifeworlds of Canada's Goan and Anglo-Indian Communities
Brown Baby Jesus: The Religious Lifeworlds of Canada’s Goan and Anglo-Indian Communities Kathryn Carrière Thesis submitted to the Faculty of Graduate and Postdoctoral Studies In partial fulfillment of the requirements For the PhD degree in Religion and Classics Religion and Classics Faculty of Arts University of Ottawa © Kathryn Carrière, Ottawa, Canada, 2011 I dedicate this thesis to my husband Reg and our son Gabriel who, of all souls on this Earth, are most dear to me. And, thank you to my Mum and Dad, for teaching me that faith and love come first and foremost. Abstract Employing the concepts of lifeworld (Lebenswelt) and system as primarily discussed by Edmund Husserl and Jürgen Habermas, this dissertation argues that the lifeworlds of Anglo- Indian and Goan Catholics in the Greater Toronto Area have permitted members of these communities to relatively easily understand, interact with and manoeuvre through Canada’s democratic, individualistic and market-driven system. Suggesting that the Catholic faith serves as a multi-dimensional primary lens for Canadian Goan and Anglo-Indians, this sociological ethnography explores how religion has and continues affect their identity as diasporic post- colonial communities. Modifying key elements of traditional Indian culture to reflect their Catholic beliefs, these migrants consider their faith to be the very backdrop upon which their life experiences render meaningful. Through systematic qualitative case studies, I uncover how these individuals have successfully maintained a sense of security and ethnic pride amidst the myriad cultures and religions found in Canada’s multicultural society. Oscillating between the fuzzy boundaries of the Indian traditional and North American liberal worlds, Anglo-Indians and Goans attribute their achievements to their open-minded Westernized upbringing, their traditional Indian roots and their Catholic-centred principles effectively making them, in their opinions, admirable models of accommodation to Canada’s system. -
Proquest Dissertations
Andean caravans: An ethnoarchaeology Item Type text; Dissertation-Reproduction (electronic) Authors Nielsen, Axel Emil Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 05/10/2021 13:00:56 Link to Item http://hdl.handle.net/10150/289098 INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis arxl dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, cotored or poor quality illustrations and photographs, print Ueedthrough. sut)standard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauttwrized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, t>eginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Photographs included in the original manuscript have t)een reproduced xerographically in this copy. Higher quality 6' x 9" black and white photographic prints are availat>le fbr any photographs or illustrations appearing in this copy for an additional charge. -
Farkındalık Ekonomisi- Ekonomik Farkındalık, Bireyselleşmiş Ekonomi * M
Türk Dünyası Uygulama ve Araştırma Merkezi Yenidoğan Dergisi No. 2018/2 Yorum M. A. Akşit Koleksiyonundan 6 Farkındalık Ekonomisi- Ekonomik Farkındalık, Bireyselleşmiş Ekonomi * M. Arif Akşit**, Eda Sayar ***, Mustafa Uçkaç**** *Eskişehir Acıbadem Hastanesinde Ekonomi Üzerine bir söyleşiden alınmıştır. **Prof. Dr. Pediatri, Neonatoloji ve Ped. Genetik Uzmanı, Acıbadem Hast., Eskişehir ***Uluslararası Hasta Hizmetleri, İngilizce İktisat Uzmanı, Acıbadem Hastanesi., Eskişehir ****Serbest Muhasebeci, Mali Müşavir, Mali Müşavir, İşletme Bilim Uzmanı, Eskişehir Yaşamak için yemek ile yemek için yaşamak ikilem olmamalı, ekonomi boyutunda irdelenmelidir, iki farklı boyut, birey temelinde, onun arzu ve isteğinin ötesinde, sağlığı boyutunda, bütünleştirilmeli ve anlamlandırılmalıdır. Yiyeceğin, yeterli ve etkin olması onun beğeni boyutunu kaldırmaz, onu diyet/ilaç boyutuna aldırmamalı, bireye özgün bir yapılanma yapılmalıdır. Ekonominin 3 temel “E” ilkesi; Effectiveness: etkinlik, Efficiency: verimlilik ve Eligibility: olabilirlik/bulunabilirlik olarak ele alındığında, sizin sahip olduğunuz varlık değil, sizin değer yarattığınız öne çıkmaktadır. Bir kişiye verdiğiniz gül sizin için gereksiz ve anlamsız bir harcama olabilir ama eğer karşısında olumlu etki yaratıyorsa, mutluluk oluşturuyorsa, para ile elde edilemeyen bir değer, ekonomik boyutu da olmaktadır. Sorunlu, kusurlu ve engelli olan bireylere harcama yapmaktansa sağlıklı olan kişilere yapılacak harcama daha ekonomik anlamda görülebilir, gelişmeye ancak sağlıklı olanların katkıda bulunabileceği -
Country Coding Units
INSTITUTE Country Coding Units v11.1 - March 2021 Copyright © University of Gothenburg, V-Dem Institute All rights reserved Suggested citation: Coppedge, Michael, John Gerring, Carl Henrik Knutsen, Staffan I. Lindberg, Jan Teorell, and Lisa Gastaldi. 2021. ”V-Dem Country Coding Units v11.1” Varieties of Democracy (V-Dem) Project. Funders: We are very grateful for our funders’ support over the years, which has made this ven- ture possible. To learn more about our funders, please visit: https://www.v-dem.net/en/about/ funders/ For questions: [email protected] 1 Contents Suggested citation: . .1 1 Notes 7 1.1 ”Country” . .7 2 Africa 9 2.1 Central Africa . .9 2.1.1 Cameroon (108) . .9 2.1.2 Central African Republic (71) . .9 2.1.3 Chad (109) . .9 2.1.4 Democratic Republic of the Congo (111) . .9 2.1.5 Equatorial Guinea (160) . .9 2.1.6 Gabon (116) . .9 2.1.7 Republic of the Congo (112) . 10 2.1.8 Sao Tome and Principe (196) . 10 2.2 East/Horn of Africa . 10 2.2.1 Burundi (69) . 10 2.2.2 Comoros (153) . 10 2.2.3 Djibouti (113) . 10 2.2.4 Eritrea (115) . 10 2.2.5 Ethiopia (38) . 10 2.2.6 Kenya (40) . 11 2.2.7 Malawi (87) . 11 2.2.8 Mauritius (180) . 11 2.2.9 Rwanda (129) . 11 2.2.10 Seychelles (199) . 11 2.2.11 Somalia (130) . 11 2.2.12 Somaliland (139) . 11 2.2.13 South Sudan (32) . 11 2.2.14 Sudan (33) . -
Heroine: Female Agency in Joseph Ga㯠Ramaka's Karmen Geã¯
The "Monumental" Heroine: Female Agency in Joseph Gaï Ramaka's Karmen Geï Anjali Prabhu Cinema Journal, Volume 51, Number 4, Summer 2012, pp. 66-86 (Article) Published by University of Texas Press DOI: 10.1353/cj.2012.0088 For additional information about this article http://muse.jhu.edu/journals/cj/summary/v051/51.4.prabhu.html Access Provided by Wellesley College Library at 11/10/12 7:18PM GMT The “Monumental” Heroine: Female Agency in Joseph Gaï Ramaka’s Karmen Geï by ANJALI PRABHU Abstract: Karmen Geï presents itself as a feminist African fi lm with a scandalously revolu- tionary central character. These aspects of the fi lm are reconsidered by focusing attention on the totality of its form, and by studying the politics of monumentalizing the heroine. he Senegalese fi lmmaker Joseph Gaï Ramaka’s chosen mode for representing his heroine in the fi lm Karmen Geï (2001) is that of the “monumental.” This has several consequences for the heroine’s possibilities within the diegesis. For example, the entire mise-en-scène makes the monumental heroine imperme- able to interpretation and resistant to critical discourses. This invites further evalua- Ttion of the fi lm’s political meanings, which have been much touted by critics. Critics and the fi lmmaker himself tend to agree on the fi lm’s political valence, primarily because of its unconventional, revolutionary heroine, and particularly because the fi lm is identifi ed as specifi cally African. My argument is twofold. First, I argue that Karmen Geï proposes what I am calling a monumental (and therefore an impossible) version of female identity and therefore also eschews many moments of plausible feminine agency. -
Cine-Ethiopia: the History and Politics of Film in the Horn of Africa Published by Michigan University Press DOI: 10.14321/J.Ctv1fxmf1
This is the version of the chapter accepted for publication in Cine-Ethiopia: The History and Politics of Film in the Horn of Africa published by Michigan University Press DOI: 10.14321/j.ctv1fxmf1 Accepted version downloaded from SOAS Research Online: http://eprints.soas.ac.uk/32029 CINE-ETHIOPIA THE HISTORY AND POLITICS OF FILM IN THE HORN OF AFRICA Edited by Michael W. Thomas, Alessandro Jedlowski & Aboneh Ashagrie Table of contents INTRODUCTION Introducing the Context and Specificities of Film History in the Horn of Africa, Alessandro Jedlowski, Michael W. Thomas & Aboneh Ashagrie CHAPTER 1 From የሰይጣን ቤት (Yeseytan Bet – “Devil’s House”) to 7D: Mapping Cinema’s Multidimensional Manifestations in Ethiopia from its Inception to Contemporary Developments, Michael W. Thomas CHAPTER 2 Fascist Imperial Cinema: An Account of Imaginary Places, Giuseppe Fidotta CHAPTER 3 The Revolution has been Televised: Fact, Fiction and Spectacle in the 1970s and 80s, Kate Cowcher CHAPTER 4 “The dead speaking to the living”: Religio-cultural Symbolisms in the Amharic Films of Haile Gerima, Tekletsadik Belachew CHAPTER 5 Whether to Laugh or to Cry? Explorations of Genre in Amharic Fiction Feature Films, Michael W. Thomas 2 CHAPTER 6 Women’s Participation in Ethiopian Cinema, Eyerusalem Kassahun CHAPTER 7 The New Frontiers of Ethiopian Television Industry: TV Serials and Sitcoms, Bitania Taddesse CHAPTER 8 Migration in Ethiopian Films, at Home and Abroad, Alessandro Jedlowski CHAPTER 9 A Wide People with a Small Screen: Oromo Cinema at Home and in Diaspora, Teferi Nigussie Tafa and Steven W. Thomas CHAPTER 10 Eritrean Films between Forced Migration and Desire of Elsewhere, Osvaldo Costantini and Aurora Massa CHAPTER 11 Somali Cinema: A Brief History between Italian Colonization, Diaspora and the New Idea of Nation, Daniele Comberiati INTERVIEWS Debebe Eshetu (actor and director), interviewed by Aboneh Ashagrie Behailu Wassie (scriptwriter and director), interviewed by Michael W.