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Chest voice
The Rise of the Tenor Voice in the Late Eighteenth Century: Mozart’S Opera and Concert Arias Joshua M
1 Making the Clarinet Sing
Voice Dysphoria and the Transgender and Genderqueer Singer
The Baritone Voice in the Seventeenth and Eighteenth Centuries: a Brief Examination of Its Development and Its Use in Handel’S Messiah
THE MESSA DI VOCE and ITS EFFECTIVENESS AS a TRAINING EXERCISE for the YOUNG SINGER D. M. A. DOCUMENT Presented in Partial Fulfi
Note by Martin Pearlman the Castrato Voice One of The
An Analysis and Discussion of Zwischenfach Voices by Jennifer
The Evolution of the Heldentenor
The Baritone to Tenor Transition
Registers—The Snake Pit of Voice Pedagogy PART 1: PROPRIOCEPTION, PERCEPTION, and LARYNGEAL MECHANISMS
The German School of Singing: a Compendium of German Treatises 1848-1965
The Castrato. the Englishcounter Tenor. and the Teachings Of
Updated-Yodel
Ornamentation in Mozart's Concert Arias for Aloysia Weber: the Traditions of Singing and Embellishment
Observations on the Technique of Italian Singing from the 16Th Century to the Present Day
Acoustic Measures of Falsetto Voice
Registration Strategies of Professional Operatic Mezzo-Sopranos D.M.A
How Vocal Classification Affects Young Singers
Top View
Voice Classification in Opera and the German Fach System
The Use of Chest Voice in African-American Religious Singing
Blending the Registers
Mozart's "Mezzos": a Comparative Study Between Castrato and Female Roles in Mozart's Operas
ROBYN CATHCART: M.A. CANDIDATE in MUSICOLOGY the UNIVERSITY of VICTORIA, VICTORIA BC -The Singing School of Manuel Garcia
Vocal Health and Repertoire for the Dramatic Mezzo-Soprano
The Fall of the Tenor with the Rise of the Larynx
Adolphe Nourrit, Gilbert-Louis Duprez, and Transformations of Tenor Technique in the Early Nineteenth Century: Historical and Physiological Considerations
Zwischenfach – a Distinct Voice Type: a Study of Fach Through Specific Roles in the Orksw of Richard Wagner and Richard Strauss
The Controversy Concerning the Timbre of the Countertenor
A Historical Approach to Training the Vocal Registers
A Study of Monteverdi's Three Genera from the Preface to Book Viii of Madrigals in Relation to Operatic Characters in Il
Naples and the Emergence of the Tenor As Hero in Italian Serious Opera
University of Oklahoma Graduate College The
Diva Performativity: Female Body and Voice Through
Bel Canto Technique
Vocal Registration: History, Analysis, and Modern Pedagogical Applications Patricia L
Head Voice to Young Men Prepared for Virginia Wesleyan College Dr