Chest voice
Top View
- Voice Classification in Opera and the German Fach System
- The Use of Chest Voice in African-American Religious Singing
- Blending the Registers
- Mozart's "Mezzos": a Comparative Study Between Castrato and Female Roles in Mozart's Operas
- ROBYN CATHCART: M.A. CANDIDATE in MUSICOLOGY the UNIVERSITY of VICTORIA, VICTORIA BC -The Singing School of Manuel Garcia
- Vocal Health and Repertoire for the Dramatic Mezzo-Soprano
- The Fall of the Tenor with the Rise of the Larynx
- Adolphe Nourrit, Gilbert-Louis Duprez, and Transformations of Tenor Technique in the Early Nineteenth Century: Historical and Physiological Considerations
- Zwischenfach – a Distinct Voice Type: a Study of Fach Through Specific Roles in the Orksw of Richard Wagner and Richard Strauss
- The Controversy Concerning the Timbre of the Countertenor
- A Historical Approach to Training the Vocal Registers
- A Study of Monteverdi's Three Genera from the Preface to Book Viii of Madrigals in Relation to Operatic Characters in Il
- Naples and the Emergence of the Tenor As Hero in Italian Serious Opera
- University of Oklahoma Graduate College The
- Diva Performativity: Female Body and Voice Through
- Bel Canto Technique
- Vocal Registration: History, Analysis, and Modern Pedagogical Applications Patricia L
- Head Voice to Young Men Prepared for Virginia Wesleyan College Dr