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Burial (musician)

  • Rhythm, Dance, and Resistance in the New Orleans Second Line

    Rhythm, Dance, and Resistance in the New Orleans Second Line

  • Hyperdub's Kode9 & the Spaceape Have Left Tired

    Hyperdub's Kode9 & the Spaceape Have Left Tired

  • Decoding Dubstep: a Rhetorical Investigation of Dubstep╎s Development from the Late 1990S to the Early 2010S

    Decoding Dubstep: a Rhetorical Investigation of Dubstep╎s Development from the Late 1990S to the Early 2010S

  • “Knowing Is Seeing”: the Digital Audio Workstation and the Visualization of Sound

    “Knowing Is Seeing”: the Digital Audio Workstation and the Visualization of Sound

  • Mark Fisher Goldsmiths, University of London / University of East London (UK)

    Mark Fisher Goldsmiths, University of London / University of East London (UK)

  • Mad Dogs and Englishness Popular Music and English Identities

    Mad Dogs and Englishness Popular Music and English Identities

  • BURIAL: I Was Brought up on Old Jungle Tunes and Garage Tunes Had

    BURIAL: I Was Brought up on Old Jungle Tunes and Garage Tunes Had

  • Action Figure the UK HAS Long Been at the Forefront Of

    Action Figure the UK HAS Long Been at the Forefront Of

  • May 2021 New Releases

    May 2021 New Releases

  • Type Artist Album Barcode Price 32.95 21.95 20.95 26.95 26.95

    Type Artist Album Barcode Price 32.95 21.95 20.95 26.95 26.95

  • Dubstep - Wikipedia, the Free Encyclopedia Dubstep from Wikipedia, the Free Encyclopedia

    Dubstep - Wikipedia, the Free Encyclopedia Dubstep from Wikipedia, the Free Encyclopedia

  • FABRICLIVE 100 Kode9 Burial PR

    FABRICLIVE 100 Kode9 Burial PR

  • Virtual Interview with Virtual Riot

    Virtual Interview with Virtual Riot

  • Pre-Pedidos: 03 - Julio - 2019

    Pre-Pedidos: 03 - Julio - 2019

  • After the Burial the Fractal Effect

    After the Burial the Fractal Effect

  • Dancing to Repetitive Beats Hillegonda C. Rietveld

    Dancing to Repetitive Beats Hillegonda C. Rietveld

  • Applying Sound Art Research in Modern Electronic Music Production Glitch, Loop, Plunderphonics and Sound Collage As Tools of Production

    Applying Sound Art Research in Modern Electronic Music Production Glitch, Loop, Plunderphonics and Sound Collage As Tools of Production

  • Library of Congress Genre/Form Terms for Library and Archival

    Library of Congress Genre/Form Terms for Library and Archival

Top View
  • Jungle / Drum&Bass Music
  • KYAK MUSIC Research and Development CONTENTS PAGE
  • Assessment of the Hartsville, Sc African American Cemetery
  • Haunted by the Glitch Technological Malfunction - Critiquing the Media of Innovation
  • Dub Techno's Hauntological Politics of Acoustic Ecology
  • Rhythmic Connectivity
  • Recorder.Hu PÉTERF TTILA PÁCSER a Facebook.Com/Recorder.Hu C
  • SPECTRES of the NEW REALM Project Documentation Joseph Gilling
  • All Important Information, Text, Photos, Illustrations Need to Be Inside This Black Area
  • Victims Themselves of a Close Encounter: on the Sensory Language and Bass Fiction of Space Ape (In Memoriam)
  • Dance Music Culture
  • Rave Culture and Religion, Edited by Graham St. John.Pdf
  • Basslines: Poltergeists


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