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KYAK MUSIC Research and Development CONTENTS PAGE EXTERNAL PROJECT- KYAK MUSIC Research and Development CONTENTS PAGE LOGO DESIGN 4 - 15 WEBSITE 22 - 37 RESEARCH .................................................. 4 - 5 RESEARCH ................................................. 22 - 23 INITIAL SKETCHES & IDEAS .......................... 6 - 7 SITE MAP & PROCESS ................................. 24 - 25 EXTRA RESEARCH ........................................ 8 - 9 WIREFRAMES ............................................. 26 - 27 SKETCHES & IDEAS ..................................... 10 - 11 PHOTOGRAPHY .......................................... 28 - 29 EXPANDED & CHOSEN LOGO ........................ 12 - 15 DESKPTOP DESIGN ..................................... 30 - 31 DESKPTOP DESIGN ..................................... 32 - 33 MERCHANDISE 14 - 17 MOBILE DESIGN ........................................ 34 - 35 T SHIRT MOCKUP ......................................... 14 - 15 MOBILE DESIGN ........................................ 36 - 37 PRINTED PRODUCT ....................................... 16 - 17 ALBUM ARTWORK 38 - 39 MUSIC VIDEOS & VISUAL AID 18 - 21 EP ARTWORK PROCESS ................................38 - 39 RESEARCH .................................................. 18 - 19 PROCESS .................................................... 20 - 21 2 3 LOGO DESIGN Kyak is an experimental electronic music producer/DJ from Tredegar, South Wales. He creates a selection of music styles, most recently combining ambient, future, and bass genres. He started creating music in 2012, and has been practicing and refining his production skills since. He is currently attempting to further his brand’s online presence and expand the reach of his music, so that he can perform more shows and be viewed as a more professional and respectable brand/artist. At the moment he does not have a adequate logo or any legitimate original visual brand design. Here is a logo he created for himself to use in past projects. However, this is a jpeg file and was created on Photoshop, meaning it cannot be transferred onto anything. After speaking with the client about his brand, he showed me some other producers from Soundcloud that he believes he is similar to, and he also showed me some logos of which he liked the style, which will therefore acting as a guideline along with the original “logo”. The artists I have researched are all extremely modernised, their logos are slick, stylish and all suit the artists music genre. The client needs a logo that will suit his ambience, something which is effective and something that will convey his name. KYAK ORIGINAL “LOGO” 4 RESEARCH BURIAL VACANT DUBSTEP/AMBIENT AMBIENT/UK GARAGE Burial’s logo is extremely Vacant’s logo is really modern. The word Burial is simplistic, the word is combined with a simplistic simplified with a san-serif symbol to create the well font and minimal lines to known logo. It creates provide modernism in a a simple atmosphere, sense. The thin stroke also and adds to the artists adds to this, all of which is ‘underground’ theme. effective for ambience. PHISO PHELIAN DANCE/DUBSTEP DANCE/ELECTRONIC This logo is almost This logo is extremely futuristic/robitic. It works effective. There is nothing well with the dubstep here to suggest it music it supports, which belongs to the artist, yet uses synthesisers etc. The people still know what it logo is very energetic, represents. On a closer which is an effective look, this is hand drawn, match for dubstep. which enhances character. 5 LOGO DESIGN Originally, my ideas consisted of more edgy sketches. These are what came to mind- graffiti styled logos that would fit into an underground atmosphere. However, although these were still produced to a high standard, both me and the client agreed that these would not be suitable for Kyak’s brand, yet they could well be suitable for other areas of the clients brand- e.g merchandise, posters and possibly to overlay music videos. 6 INITIAL SKETCHES & IDEAS After the first group of sketches did not suit the clients brand, I decided to focus on the letter K, as this is the most important letter of his performance name Kyak. I decided to try a back to back K, due to the name both starting and ending with it. The sketches were not of a good standard, so I quickly created some digital versions to see how well they actually worked. As expected, these did not work well. Not only do they look unappealing and boring, Kim Kardashian uses this style of K for her company- two completely different people and two very different styles and professions. These were agreed by both me and the client that they are not effective, or even suitable. 7 LOGO DESIGN I decided that using a ‘normal’ K would be too easy and boring. This research consisted of creative ways to portray the letter, which would provide some more direction onto a finalised logo. 1. This selection of logos includes a variety of creative, colourful and imaginative K’s. The idea of overlapping colours is effective, however this would not suit my clients brand, especially to the strength of colours. The shape of these appealed to me the most. 2 & 3. Both of these follow a similar style to number 1. This geometric style could be incorporated into the clients logo. 4. This is a creative design but is still bland, using a continuous line allows you to follow the design. 1. 5. This example is quite bland. In comparison to the rest of logos on this page, it is lacking. However, the idea of using separate shapes to create the K could well be used and could even be expanded. 6. This one is very balanced and flows well. It’s something different to the geometric shapes I have found, and I believe this could work well with portraying the clients ambience. 7. This one also flows very well, however the colour choice would not work. This idea could be interpreted into the design with a different colour choice. 8. This one is clever- again, using shapes to suggest the letter K. Simple, effective and it works well. 9. Removing edges from the K also removes any strictness in the design, providing an almost calm atmosphere. 2. 3. 8 EXTRA RESEARCH 4. 5. 6. 7. 8. 9. 9 LOGO DESIGN After my research on creative styled K’s, I produced some thumbnail sketches providing me with some ideas for the clients logo. I tried to produce sketches that would incorporate some of the styles I discovered in my research, but I also wanted to produce a logo that included two K’s, one normal and one backwards, essentially back to back. This would represent both K’s in Kyak’s name. After sketching, I had realised that these would look best with filled with a flat colour- it’s modern, it suggests the clients name yet retains that simplistic shape the client wants. After sketches, I chose 9 of my favourite designs to proceed with to make digital versions. This made each design easier to observe, and made it easier to choose a favourite- both for me and the client. 10 SKETCHES & IDEAS 1. 2. 3. 4. 5. 6. 7. 8. 9. 11 LOGO DESIGN After creating the designs, I wanted to expand some of the existing logos. I used number 2’s shape and developed two additional logo’s, which will be included when I update the client on his branding development. 12 EXPANDED LOGOS & CLIENTS CHOSEN LOGO After meeting with the client, he revealed that he would like to take forward number 1 as the new logo for his music production. Despite this being my least favourite, the client informed me that he liked the simplicity, and that is what he is going for. He said many of the other logos were too “chunky”, and he liked how evenly spaced this one was. This logo was designed with alignment in mind- it was designed to please the eye, introduce simplicity back into his brand and to easily represent the K’s in Kyak, which has been successful. Even though this represents the K’s, it still has its own, symmetrical and unique shape, which will look effective on many things, especially merchandise. 13 MERCHANDISE Creating merchandise for the client was not as much of a task T-SHIRT IDEAS/SKETCHES as I had initially predicted. Whilst developing logos for the client, it occurred to me that many of these designs could be useful for further use, especially for merchandise. Starting off I drew out some initial sketches and ideas, which would help me create my t-shirt mock-ups in future. The ideas were very simple. Again, this is what the client wanted- simple, clean designs. The mock-ups created on page 15 are an effective way to emphasise the clients brand, and could easily be developed into our forms of apparel like jumpers, hoodies and hats. DESIGNS FOR T-SHIRTS 14 T-SHIRT MOCKUPS 1. 2. 3. 4/5. 15 MERCHANDISE Obtaining these products proved to be an easy job. Overall, the t-shirts cost £70 to get printed, getting both designs printed from different printers- the main ‘monster’ design had to be screen printed, whilst all other designs are vinyl. T-shirts had to be bought separate to the printing, so I found external manufacturers that sold plain t-shirts- both Primark and Fruit Of The Loom. The results of these designs placed on the t-shirts are pleasing, and the task of producing the merchandise was executed well, despite me being unable to get mock-up #4 made due to the colours of the design not working on black. I had a practice shot of the merchandise on a person, which lead me to believe that this could be taken further in the form of a photo-shoot to obtain high quality images for the merchandise section within the website. 16 PRINTED PRODUCT 17 MUSIC VIDEOS & VISUAL AID The client had asked me for some visual aid- something VACANT- ESCAPE / FEARLESS which can be displayed on Youtube to accompany his music, simultaneously complimenting it. Along with the clients brand identity, he asked for 3 videos for 3 of his songs that emphasise simplicity and the clients ambient style.
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