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Bruce Metcalf
Lisa Gralnick
Exhibit Catalog (PDF)
Exuberance of Color V3.Indd
Acknowledgments from the Authors
ANNOUNCING Heatguns, to Makelightweight, and Strong, Colorful Material (Polyesther Fi Be Covered/Glued with High-Tech Modelairplane for Useinearrings, Orpendants
Donald Friedlich Curriculum Vitae
Bachelor of Science in Art History and Theory Thesis Ken Price & the Egg Series Phenomenal Transgressions in Post-War Cerami
Using Art: a Theory of Contemporary Ceramics
7 from Describing It As an Aesthetic Rejection of Modernism Or A
43RD Annual SNAG Conference
The Wood Turning Center Is a Non-Profit Arts Institution Dedicated
2015 Founders' Fundraiser
Furniture That Winks: Wit and Conversation In
Untitled Urn
Oral History Interview with Gary L. Noffke, 2010 December 4-5
George Nakashima Woodworker Complex NHL Nomination
Curator's Essay
An Artist's Resume
Top View
The Seattle Glass Experience
The Wharton Esherick Bibliography
17-0500-275Yearsofmetalsmithinga
Oral History Interview with Susan Cummins, 2009 October 22
National Endowment for the Arts Annual Report 1977
Revised Craft Report 2004.Indd
Oral History Interview with Mary Ann Scherr, 2001 April 6-7
Society of North American Goldsmiths Annual Report
Untitled" 1981 Bronze, Steel, Stone Fabricated 5"X2v4 "X 11/2"
75 at 75: Significant Artworks from RAM's Collection September 17
Craft Contemporary Exploring Xlrn Otmoaycraft Contemporary Exploring ,!7IB5F2-Efbahg!
Oral History Interview with Jose Chardiet, 2009 July 29
The Aesthetics of Digital Weaving: Tactile Sensibility in the Art of Lia Cook and Grethe Sørensen
Oral History Interview with Bruce Metcalf, 2009 June 10
91 We Can Assume, Good Art—Brings You in “Just Three Beats After the Teller Gives You the Punch Line.”288