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- Digital Sampling, Copyright Assertion and Creative Reuse
- What Follows Are Excerpts (Including One Full Chapter
- A TYPOLOGY of SAMPLING in HIP-HOP Amanda Sewell Submitted to the Faculty of the University Graduate School in Partial Fulfillmen
- Race, Gender and Censorship in Digital Remix Culture A
- 99 Problems but a Riff Ain't One: How Sampling Helps Copyright Promote
- The Sixth Circuit Unjustifiably Weakens the Protection for Musical Composition Copyrights in Bridgeport Music V
- How Copyright Affected the Musical Style and Critical Reception of Sample-Based Hip-Hop
- De Minimis, Fair Use, Blockchain, and an Approach to an Affordable Music Sampling System for Independent Artists
- From J.C. Bach to Hip Hop: Musical Borrowing, Copyright and Cultural Context Olufunmilayo B
- 82841 Songs, 378.7 Days, 3,270.34 GB
- New Orleans, Louisiana
- XPP-PDF Support Utility
- Blurred Lines in the Standards for Analysis of Substantial Similarity in Copyright Infringement for Musical Works Nicholas Booth
- From Mozart to Hip-Hop: the Impact of Bridgeport V
- The De Minimis Doctrine in the Context of Sampling Copyright-Protected Sound Recordings in New Music
- A Proposal for Compulsory Licensing for Transformative, Sampling-Based Music
- Bridgeport Music, Inc. V. Dimension Films: How the Sixth Circuit Missed a Beat on Digital Music Sampling