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Bernardino Luini
Destructive Pigment Characterization
Wliery Lt News Release Fourth Street at Constitution Avenue Nw Washington Dc 20565 • 737-4215/842-6353
The Pear-Shaped Salvator Mundi Things Have Gone Very Badly Pear-Shaped for the Louvre Abu Dhabi Salvator Mundi
Leonardo Da Vinci’ of Milan
BERNARDINO LUINI Catalogo Generale Delle Opere
Dis004
Scuola Circle 芬奇与他的艺术群体
A Study of the Soul in Recent Poetics
Salvator Mundi
COLLEZIONE DI EMOZIONI Pareti Dai Colori Avvolgenti E Luci Che Esaltano Le Opere
An Analysis of the Attribution of the Louvre Abu Dhabi Salvator
Salvator Mundi Salvator Mundi Book Review 9 1 2 3 4 5 6 7 8
Salvator Mundi: Why Bernardino Luini Should Be Back in the Frame the Art Newspaper Invites Matthew Landrus to Expand on His Theo
Art Forgeries
The Rush to Crystallize: Salvator Mundi, Leonardo Da Vinci and the Art Market Sharon Hecker One of the Best Pieces of Advice
Leonardo Da Vinci Society Newsletter, Emeritus Professor Francis Ames-Lewis, 52, Prebend Gardens, London W6 0XU; Tel
THE PIPER ACNE, ECZEMA, Is to Bring in a Painting, Etc., Correspondent
Thanks to the Agreement with the Primoli Foundation the Naked Gioconda, Oil on Canvas After Leonardo's Cardboard, Was Lent to T
Top View
Bernardino Licinio: Portraiture, Kinship and Community in Renaissance Venice
Leonardo Da Vinci Society Newsletter
Deep Inside the Color How Optical Microscopy Contributes to the Elemental Characterization of a Painting
Andrea Solario
THE ART NEWSPAPER, No
BERNARDINO LUINI Maria Teresa Binaghi Olivari This New
Leonardo Had Help: Oxford Art Historian Asserts New Attribution for 'Salvator Mundi'
Leonardo's Salvator Mundi: Art Or Business?
BERNARDINO LUINI (LUINI 1480/1485-1532 LUGANO) the Nativity, with the Journey to Egypt Beyond Tempera and Oil on Panel 46Æ X 35¡ In
Ber No Luini
Italian Masters Lent by the Royal Italian Government, January to March, 1940
THE SALA DELLE ASSE in the SFORZA CASTLE in MILAN By
Italian Masters in German Galleries. a Critical Essay on the Italian Pictures
Proves D'accés a La Universitat. Enunciat. Anglès
Representations of Salome and the Story of Beheading of John the Baptist in Visual Art
Bernardino Licinio: Portraiture, Kinship and Community in Renaissance Venice
Scuola Circle 芬奇与他的艺术群体
Uncomfortable Involvement of the Beholder Leonardo Da Vinci’S Angel of the Annunciation
FOPPA, ZENALE and LUINI Lombard Painters Before and After Leonardo 20 June – 17 August 2012
Art of the Misbegotten: Physicality and the Divine in Renaissance Images
In Painting and Sculpture Edited by G. C. Williamson
Salvator Mundi