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Audio mixing
Learning to Build Natural Audio Production Interfaces
DMA Recording Project Guidelines (Fall 2011) Page 1 of 2
“Knowing Is Seeing”: the Digital Audio Workstation and the Visualization of Sound
Thesis Table of Contents
Understanding Audio Production Practices of People with Vision Impairments
Recording: Processing Audio and the Modern Recording Studio
Approaches in Intelligent Music Production
Digital Transmit Audio Processing with Presonus Studio One Artist
Advanced Automatic Mixing Tools for Music Perez Gonzalez, Enrique
Dynamic Range Compression and the Semantic Descriptor Aggressive
Touchmix Application Guide for Musicians and Bands
Auto-Adaptive Resonance Equalization Using Dilated Residual Networks
An Autonomous Method for Multi-Track Dynamic Range Compression Templates for Dafx-08, Finland, France
A Perfect Mix of Form and Function
The Principles of Audio Design
Post-Production
Understanding Audio Production Practices of People with Vision Impairments
Application for Mixing Music
Top View
Towards a Better Understanding of Mix Engineering
An Analysis of Audio Mixing Console Designs, Recording Software, and a Look at Future Interfaces Using Intuitive Input Technologies Benjamin Guerrero
Approaching Static Binaural Mixing with AMBEO Orbit
Audio Mixer Buying Guide
Intelligent Tools for Multitrack Frequency and Dynamics Processing
Computational Modeling and Analysis of Multi-Timbral Musical Instrument Mixtures
Dolby Surround Mixing Manual
Property of Tenstrings Music Institute Nigeria –
Nrg Recording Studios “The World’S Greatest for Rock ‘N’ Roll”
Towards a Better Understanding of Mix Engineering
Master Thesis Real-Time Multi-Track Mixing for Live Performance
Information on Demand in the Recording Studio: Building the Case for Teaching Music Technology with an Interactive Agenda
Listener Preferences for Alternative Dynamic- Range-Compressed Audio Configurations