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Antiphon Painter
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The Sandal As a Hitting Implement in Athenian Iconography ✉ Yael Young1,2
Ancient Mediterranean Gallery Labels
Fragments of a Cup by the Triptolemos Painter Knauer, Elfriede R Greek, Roman and Byzantine Studies; Fall 1976; 17, 3; Proquest Pg
The Iconography of the Athenian Hero in Late Archaic Greek Vase-Painting
Herakles and Theseus on a Red-Figured Louterion 337
7Jf4hereis a Small Red-Figuredstemless Cup in London(B.M
The Greek Youthening: Assessing the Iconographic Changes Within Courtship During the Late Archaic Period
Playing Or Not Playing the Auloi: How to Read the Images on Attic Vases by Alexandra Goulaki-Voutyra
Painters, Potters, and the Scale of the Attic Vase-Painting Industry,” by Philip Sapirstein (AJA 117 [2013] 493–510)
Two Attic Red-Figured Kraters in Samothrace
Images of Craft on Athenian Pottery: Context and Interpretation
Fragments by the Kleophrades Painter from the Athenian Agora Plate 9
Greek Vases in the J. Paul Getty Museum, Volume 1, OPA 1
New Wine in Ancient Wineskins the Evidence from Attic Vases
Greek Vases in the J. Paul Getty Museum, Volume 5, OPA 7
THE IMAGERY of the ATHENIAN SYMPOSIUM the Late Sixth And
Uva-DARE (Digital Academic Repository)
Top View
Greek Vases in the J. Paul Getty Museum, Volume 3, OPA 2
Catalogue of Athenian Vases Showing Symposia on the Ground
Etruscan Black-Figure in Context
Attic Red Vases