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Aretha Franklin's Gendered Re-Authoring of Otis Redding's
Taking Intellectual Property Into Their Own Hands
Mcgill B Questions By: Annabel Levine, Zach Margolis, Rachael Hardies, Mark Stern
University Microfilms International 300 North Zeeb Road Ann Arbor, Michigan 48106 USA St
“Bo Diddley” and “I'm a Man” (1955)
Rap in the Context of African-American Cultural Memory Levern G
WDAM Radio Presents the Rest of the Story
Rap Vocality and the Construction of Identity
And a Letter to My Customers ===
Collaboration and Innovation in Country Music: Analyzing Lyrics A.P
WDAM Radio's History of Jan & Dean
Order Realm Sub-Realm Question Answer Song Artist Time
HERE`S a LITTLE STORY THAT MUST BE TOLD Microphone Grandmistresses, Lady Def Jams, Battle Queens, Mixmistresses, Fly Emcees, Spinderellas from the Late 70S to 1990
WDAM Radio's History of the Animals
VCU Open 2013 Round #6
Aural Collage, Parody and Fair Use Alan Korn
The Life and Legacy of Rapper- Activist ECD (1960-2018)
Trouble Songs
Top View
The Crack in the Consensus
Alice Randall and the Integration of Country Music Barbara Ching Iowa State University,
[email protected]
Heidemann Dissertation
Maxine Powell
Mark's Music Notes
SXSW Music 2014: 20 Acts To
SEPTEMBER 24, 1983. HERE IT IS . .. This
WDAM Radio's History of Chuck Berry
The World of Country Music
Women's Communication in Country Music
Copyright by Kevin John Bozelka 2008
Hati Yang Luka
Aaba, Refrain, Chorus, Bridge, Prechorus — 1 Song Forms and Their Historical Development
Smokey Robinson | Primary Wave Music
Complete Catalogue of Music Published by H. Witmark & Sons