DOCSLIB.ORG

Complete Catalogue of Music Published by H. Witmark & Sons

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

CATALOGUE. VOCAL. A As I Sat Upon My Dear Old Mother's Knee. Song and chorus. Words by M. ]. Cavanagh . .j. P. Skelly 4C America's the Baby. Patriotic. E. R~i1lsbergcn 40 Always DO Right and Fear None. :Motto. Harry Gates 40 Always Together. Descriptive. Words by Thos. Le11ack. TV. A. j1fack 40 At Half-past Eight. Serio comic. .. Jolm T. Kelly 40 Answer, The. Song and chorus. A. J. Gray 40 Adieu. Song.. Baroness Blanc 40 All Over. Comic. Words by \Villiam Jerome .. G. Le B,unll 40 All Through a Little Piece of Bacon. Comic. Words by F. V. St. Clair and T. Costello . .G. Le Bru1ln 40 "And Still I Love You. Ballad. Jos. Tabrar 50 As Long as the Sun will Shine. Song and chorus Whittey & Leonard 40 All for the Loved One's Sake. Ballad.. Felix McGlennon 40 After the Wedding. \Valtz descriptive song. Hattie Starr 40 Angel's Whispers. Comic ............ Harry Starr 40 Airy, Fairy Lillian. Neat song and chorus. Tony Raymond. Maurice Le'l'i 40 - Autocrat of Perfection. Swell song. .. .. Will H. B-ray 40 Abbe's Dream. Ballad ... Herb. Harndin ... Fred. Solomon 40 Afo' de Wah Begun. Negro .......... Fred. Wilson 4C At the Sound of the Sunset Gun. .. Ford and Bratton 50 All Bound 'Round with a Woolen String . Chas. Graham 50 Always Do as People Say You Should. From the' 'Fortune Teller" . Harry B. Sm-ith and Victor Herbert 50 Ah, Me! Song'and 'refrain" . • • •• • •• W-. T. Francis 50 MLILi S­ tW~1 A1­ And the Poor Little Maiden 'Nent Crying. Comic F1 ed. Solomon 40 Adieu, said Majorie. Comic. Dennis Mackin 40 All in a Life-Time. Two keys, sop. & alto. W. H. Ford-. N. D.Mann 40 Anything. Comic. Ed. Moss. F. Schmidt 40 All For Her. Ballad ....... F. A. Melville & H. Robson 40 Airy Fairy Little Girl that Loves Me. Dennis Mackin 40 Annie Kelly. Hattz'e Starr 40 All Coons Look Alike to Me. Ernest Hogan So All Right Thanks. Comic. 'l Harry Brett So Africa's 400. Superfine. Barney Fagan SO Always Keep Your Promise Lad. los. B. Maxwell SO All Over Town. Dillon Bros. 40 As They Did in the Days of Yore . .... House & Seevers 40 Another Little Coon in Town, Negro Melody ..... Joe Flynn 40 As I Have Chosen You. Ballad . " . Harry Corson Clarke 40 Angels am aflying. Coon Song . Dave Reed, Jr. 40 Ain't Yer Comin' Round to See me Any More. Darkey. Remington & Gillespie So And They All Joined In. Coon. Horwitz & Bowers SO As the Bark Floateth On. High class. , . J. L. Regn-ippe 50 Angelus, The. (With violin obligato). High class. Roma 50 At the Old Home To-Night. Sentimental. .. J. W Wheeler So As it Was of Old. High grade. Kennett & Udall 50 Along the Old Canal. (Story Ballad) . Ed. Corbett 50 B Bring Back My Fisher Boy. Song and Chorus . M. J. Cavanagh 40 Bid Me Return. \Valtz ballad. F. V. Reynolds. 40 Broken Playthings on the Floor. Song and Chorus. Words by M. J. Cavanagh. J. P. Skelly 40 Break Away, McCafferty! Comic .. M. F. Carey 40 Brown Kept One. Comic. ... Arthur West 40 Bunch of Shamrocks Ever Green. Patriotic. Morris Westoll. 40 Breathe Those Tender Words Again. Ballad . Isidor Witmark 40 Between Love and Duty. Descriptive ....... Leo Dryden 40 Baby's Laughing in Her Sleep. Song and quart. chorus. Gus. L. Davis 40 Baby's Underneath the Snow. Song and chorus . Gus. L. Davis 40 Brother Bill and Me. Comic. Rowe & Keller 40 Bewitching Little Molly. Serio comic. Barney Fagan 40 Baby's Letter. Song and Chorus. Words by Walter Fletcher O. Heinzman 40 Blow, Blow, Gently Blow. Nautical ...... C. Von Wegetn 40 Bells of Fate. Descriptive. Walter H. Ford. .;:. W. Bratton 40 Big Dick from Boston. (Shootin' craps song). Mathews and Bulger 40 Burn the Old Love Letters. Ballad. Chas. Graham 40 Before We Were Engaged. Desc. waltz song. Harry C. Clyde. F. Schmidt 40 Boo, Boo, Boo. Baby song. H. C. Kerr 40 Back Among the Old Folks Once Again. Popular song and chorus. Dave Reed. J. W. Wheeler 40 Be My Little Pal. English coster style . .. Aif. Hampton 40 But There Are Others. Comic. Waltet P. Keen 40 Bring de Answer Back to Me. Coon. Dillon Bros. 40 Broken Heart, A. Ballad .......... George Propheter 40 Blushing Rose, A. Poem by Heine. F Gagel 40 Bowery Girls, The ... Belle Stewart. .. .. Wm. Jerome 40 Broken Vow, The. John T. Schiller 40 Brick Went Up, 'fhe. Comic. Arthur Selby 40 Beggar's Keepsake, The . Herb Harndin. Fred. Solomon 50 Because he had no other place to go and lay his Head. ·Coon song. TVood and Shepherd 40 Be Good, be Good, my Father said. Irish advice. F. J. Bryant 40 Belle of Poverty Flats. Waltz song. A rnold and Fitzgibbons 40 Blow Almost Killed Father .. James l!fcAvoy and Is£dor lVitmark 40 Bridget the Spaniard. Irish. Fredenck Gilbert 50 Beautiful Stella. High class ballad . Theo. Westman 40 Bright Side of Life. Ballad. Gussie L. Davis 40 Boys, She's a Dream ...... Harry Dillon and Maurzce Levi 40 Baby Girl . Walter Keen 40 Baby is Going to Sleep. Patton and Waters 50 ~lue and Gray are One To-day. Patriotic. Rosenbecker and Rourke 40 Because of Two Tender Blue Eyes. (loco). Hattie Starr 50 Between the Acts. .. Fred. Boscowitz and Henry Robson 40 By a Brook Sat a Lady. Waltz song. Dave Reed, Jr. 50 By-bye, Belinda. Coon song. H. Y. Leavitt 50 Baby on the Train . ... Chas. Pratt 40 Black Annie. Negro shout . Hillman and Perrin 50 Baby on the Wall. .. Dennis Mackin 40 Belles of the Beach. From Bo-Peep.. Geo. Bowles and Fred. Eustis 50 Bird Catcher, The. .. Albert Chevalier 50 Be as You Used to Be. Ballad ...... L. M. French 40 Baby's Dream. Lullaby. ... Harry B. Ha1ris 40 Black K. P's. Coon........... Hillman and Porin 50 Born Ba Shay. Coon ............. Max Hoffman 50 Beatrice. Abeles and Bendix 50 Because. High class ballad. Horwitz and Bowers 50 Babe! It's All Over Now. Sidney Perrin 50 Belle of Gay New York. Coon waltz song .... Cobb & Rano 50 c Couldn't Take a Joke. Comic Irish. Chas. H. Johnson 40 Come and Meet Us Dar. End song ........ Fred. SPerry 40 Come Have Another With Me. Swell. Words by Lou. F. Shaw. Thos. Hindley 40 Close Those Sleepy Eyes. Lullaby ..... Geo. M. Propheter 40 Come Love Again to Me. Waltz song. .... O. R. Blum 60 Carrie and Joe. Story song. : . ., .. E. A. Phelps 40 Climbin' to de Sky. Negro shout. .. Dave Reed, Jr. 40 Castles in the Air. Song with waltz refrain. Arthur West 40 California thou Fairest. J. P. Withers 40 Casey, oh Casey. Irish comic. Ed. J. Carr 40 Cheer up Patsy Flynn. Irish comic. .. 1lf. F. Carey 40 Charley's Aunt. Quaint ............. w. P. Keen 40 Can't-jer-coon-jine. Ethiopian eccentricity. Words by Ed. Marble . .1 A. Itzel, Jr. 40 Christofo Columbo. Comic ............ F.J. B1yant 40 Cobweb Waltz Song. Words by Byrne & Harrison. Wm. Furst 50 Coulrl the Walls only Tell. Descriptive. - . Chas. Graham 40 Chrystie Stre~t Brigad;, H;bra.ic C3.ke Wa.lk . H:rb:ri & G:drid 50 Cup of Tea, A. Serio comic .. Frank Dupree & Fred. Solomon 4~ Coon With Big White Spot. Comic. F. j. GU1ney 40 Coon With Big Top Knot. Comic. T. G. Powers. Theo. Metz 40 Court House in the Sky. Negro comic. Gus. L. Davis 40 Coster's Honeymoon . Albert Chevalier 50 Chasing the Bumblebee. Chas. Archer 40 Courting on a Wheel. Ed. Rogers 40 Clock Will Never Strike Again the Hours That Have Passed. john T. Kelly 50 Cross-roads of Life. Irving & Mann 40 Climb de Golden Fence. Hattie Stan & N. D. Mann 40 Cannibal King .......... Harriett & Harry Harndin 40 Chums of Old. ... Marguerite Anderson 40 Cod Fish Ball. Comic .............. Dillon Bros. 40 Come Back My Honey l'se Been Wmtin' . Statia & Newcomb 50 Chimes of Long Ago. Ballad. Wm. B. Crane &-> Jos. MOlningsla1 50 Companions for Life. Ballad... Felix McGlennon 40 Concert on Our Roof. Comic. Sallie A. Massie 50 Can't Bring Him Back. Coon song. King Kollins 50 Clap Your Hands till Papa Comes Home. W. T. Bryant 40 Come Back to Your Dad and Me. Thos. Nichols 40 Come Back to Your Old Love Again .... Geo. & HatHe Starr 50 Coon, You'se Like Pie Crust Your Easy Broke. Elmer Bowman &- Sidney Perrin 50 Cupid's a Tyrant. Baritone solo . .. HatHe Starr 50 Cinderella, the Girl of Girls. Ford & Bratton 50 Can I Forget? En~ore SOilg. • • john Fuchsius 40 Coon That Stole my Honey, The. W. H. Kerr 50 C~on'~ Best Friend is a Chicken. Funny.. .. Sidney Perrin I:;() Champagne Song. From the "Fortune Teller." Harry B. Smith and Victor Herbert 50 D Did He Get There? Comic .. " M .,J. Cavanagh 4"-" Pon't Neglect Your Mother. Song and quartette, ch. Morris Weston 40 Dontcherknow? Swell. Words by Harry Emmett. Isidor Witmark 40 Do You Catch On? Topical . Melville and Stetson 40 Dead On to Me. Character. Words by \Vm. Jerome. Isidor WitmaJk 40 Does She Ever Think of Me? Song- and chorus. Tizos. Morrissey 40 Don't Move 1'Iother's Picture. Song and chorus. Gus. L. Davis . 40 Don't Hide Your Sweet Face From 1\le. Ballad. Gus. L. Davis 40 Do the Old Folks NIiss 1\le? Song and chorus. Gus. L. Davis 40 Drooping Leaves. Waltz song . Gus. L. Davis 5-0 Drifting from ·Each Other. Ballad . Gus. L. Davis 40 Dunley's Benefit.
Recommended publications
  • Aretha Franklin's Gendered Re-Authoring of Otis Redding's

    Aretha Franklin's Gendered Re-Authoring of Otis Redding's

    Popular Music (2014) Volume 33/2. © Cambridge University Press 2014, pp. 185–207 doi:10.1017/S0261143014000270 ‘Find out what it means to me’: Aretha Franklin’s gendered re-authoring of Otis Redding’s ‘Respect’ VICTORIA MALAWEY Music Department, Macalester College, 1600 Grand Avenue, Saint Paul, MN 55105, USA E-mail: [email protected] Abstract In her re-authoring of Otis Redding’s ‘Respect’, Aretha Franklin’s seminal 1967 recording features striking changes to melodic content, vocal delivery, lyrics and form. Musical analysis and transcription reveal Franklin’s re-authoring techniques, which relate to rhetorical strategies of motivated rewriting, talking texts and call-and-response introduced by Henry Louis Gates, Jr. The extent of her re-authoring grants her status as owner of the song and results in a new sonic experience that can be clearly related to the cultural work the song has performed over the past 45 years. Multiple social movements claimed Franklin’s ‘Respect’ as their anthem, and her version more generally functioned as a song of empower- ment for those who have been marginalised, resulting in the song’s complex relationship with feminism. Franklin’s ‘Respect’ speaks dialogically with Redding’s version as an answer song that gives agency to a female perspective speaking within the language of soul music, which appealed to many audiences. Introduction Although Otis Redding wrote and recorded ‘Respect’ in 1965, Aretha Franklin stakes a claim of ownership by re-authoring the song in her famous 1967 recording. Her version features striking changes to the melodic content, vocal delivery, lyrics and form.

  • OABC RADIO NETWORKS Please Audition Each Disc Immediately

    Please audition each disc immediately. If you have any questions, please contact us at WITH 101 KINGSLEY (213) 882-8330. ABC-WATERMARK 357:, CAHUENGA BL VD W. #555 LOS ANGELES, CA 90068 213.882.8330 or FAX 213.850.1050 TOPICAL PROMOS TOPICAL PROMOS FOR SHOW #50 ARE LOCATED ON DISC 4, TRACKS 6, 7 & 8 DO NOT USE AFTER SHOW 50. 1. BROOKS HOLDS COURT AT fl :23 Hi, I'm Bob Kingsley and last week Garth Brooks was holding court as president of "THE AMERICAN HONKY-TONK BAR ASSOCIATION," and he brought the gavel down on his 13th #1 country hit. Will he sentence himself to spend another week at the top spot, or will some other hot hit parole him from the pinnacle of popularity? Join me this weekend for the verdict on American Country Countdown! (LOCAL TAG) 2. MARTINA JUST ONE AWAY FROM A PAY IN THE #1 SUN :19 I'm Bob Kingsley and currently Martina McBride, is enjoying her greatest chart triumph yet with "MY BABY LOVES ME," which moved up to #2 last week. Greater glory is just one notch away at #1. So find out what happens to Martina and all your other favorites this weekend on American Country Countdown! (LOCAL TAG) 3. LITTLE TEXAS BIG JUMPIN' IN TOP TEN :17 Hi, I'm Bob Kingsley and last week Little Texaa took a Texas size jump from #1 Oto #5 in the nation. A jump just like that could make "GOD BLESSED TEXAS" their first #1 hit', check it out this weekend on American Country Countdown! (LOCAL TAG) .....
  • Taking Intellectual Property Into Their Own Hands

    Taking Intellectual Property Into Their Own Hands

    Taking Intellectual Property into Their Own Hands Amy Adler* & Jeanne C. Fromer** When we think about people seeking relief for infringement of their intellectual property rights under copyright and trademark laws, we typically assume they will operate within an overtly legal scheme. By contrast, creators of works that lie outside the subject matter, or at least outside the heartland, of intellectual property law often remedy copying of their works by asserting extralegal norms within their own tight-knit communities. In recent years, however, there has been a growing third category of relief-seekers: those taking intellectual property into their own hands, seeking relief outside the legal system for copying of works that fall well within the heartland of copyright or trademark laws, such as visual art, music, and fashion. They exercise intellectual property self-help in a constellation of ways. Most frequently, they use shaming, principally through social media or a similar platform, to call out perceived misappropriations. Other times, they reappropriate perceived misappropriations, therein generating new creative works. This Article identifies, illustrates, and analyzes this phenomenon using a diverse array of recent examples. Aggrieved creators can use self-help of the sorts we describe to accomplish much of what they hope to derive from successful infringement litigation: collect monetary damages, stop the appropriation, insist on attribution of their work, and correct potential misattributions of a misappropriation. We evaluate the benefits and demerits of intellectual property self-help as compared with more traditional intellectual property enforcement. DOI: https://doi.org/10.15779/Z38KP7TR8W Copyright © 2019 California Law Review, Inc. California Law Review, Inc.
  • WORDS—A Collection of Poems and Song Lyrics by Paul F

    WORDS—A Collection of Poems and Song Lyrics by Paul F

    WORDS— A Collection of Poems and Song Lyrics By P.F Uhlir Preface This volume contains the poems and songs I have written over the past four decades. There is a critical mass at his point, so I am self-publishing it online for others to see. It is still a work in progress and I will be adding to them as time goes on. The collections of both the poems and songs were written in different places with divergent topics and genres. It has been a sporadic effort, sometimes going for a decade without an inspiration and then several works in a matter of months. Although I have presented each collection chronologically, the pieces also could be arranged by themes. They are about love and sex, religion, drinking, and social topics—you know, the stuff to stay away from at the holiday table. In addition, although the songs only have lyrics, they can be grouped into genres such as blues, ballads, and songs that would be appropriate in musicals. Some of the songs defy categorization. I have titled the collection “Words”, after my favorite poem, which is somewhere in the middle. Most of them tell a story about a particular person, or event, or place that is meaningful to me. It is of personal significance and perhaps not interesting or understandable to the reader. To that extent, it can be described as a self-indulgence or an introspection; but most of them are likely to have a broader meaning that can be readily discerned. I’m sure I will add to them as time goes on, but I felt it was time to put them out.
  • Songs by Artist

    Songs by Artist

    Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S.
  • The Light Princess

    The Light Princess

    TheThe LightLight PrincessPrincess by George MacDonald 1864 awkward. For the princess was the king’s own sister; and Chapter 1: he ought not to have forgotten her. But she had made herself so disagreeable to the old king, their father, that What! No Children? he had forgotten her in making his will; and so it was no wonder that her brother forgot her in writing his Once upon a time, so long ago that I have quite invitations. But poor relations don’t do anything to keep forgotten the date, there lived a king and queen who had you in mind of them. Why don’t they? The king could no children. not see in to the garret she lived in, could he? And the king said to himself, “All the queens of my She was a sour, spiteful creature. The wrinkles of acquaintance have children, some three, some seven, and contempt crossed the wrinkles of peevishness, and made some as many as twelve; and my queen has not one. I feel her face as full of wrinkles as a pat of butter. If ever a ill-used.” So he made up his mind to be cross with his king could be justified in forgetting anybody, this king wife about it. But she bore it all like a good patient was justified in forgetting his sister, even at a christening. queen as she was. Then the king grew very cross indeed. She looked very odd, too. Her forehead was as large as all But the queen pretended to take it all as a joke, and a the rest of her face, and projected over it like a precipice.
  • Edited by A. J. SEYMOUR. TWO SHILLINGS

    Edited by A. J. SEYMOUR. TWO SHILLINGS

    Year-End, J954 Ie .. , . _, Dr TTi£ , , - , .' .. • I ", . • , . ' . .I . " '; \ v,./~ I .~ -.-- (/." <y-<> ' . '')7 '-:J _ . --r i'\ ,,,. ...0 d'J6 <n • • J I • / , , . • • , --.,.".---- Special Issue • OF • r Edited by A. J. SEYMOUR. Vol. 6 No 19. TWO SHILLINGS , l,;O,- , .')7S ~ S · I I I , \ Try this test and see! Watch each member of your family read the Guiana Graphic. , You may be surprised. For you'll find Junior scanning general news as well as comics, your wife reading sports as well as the women's page, and you may turn to the gossip column. Yes, there's lots of ,. cross over" reading in every I family, and this means planning and editing your Guiana Graphic to please everyone. Every story, on i Page I 2 as well as page one, must be easily I understood, accurate and interesting. The Guiana Graphic knows this. That's why it's the paper that is written to be under­ ake the stood by everybody. your daily tonic 65, Robb & King Streets $ 1.40 per ii\onth Georgetown 30c. per week ....... ~ L»­ ) • i'( • • SCOTCH WHISKY • AGENTS: • • • Letln l C ter, . , Water Street, Georgetown. '--- _._ - K - I You are Leaving Today 1 , For Tomorrow. Wish Yourself Well. I I I I Choose . I I I I I • • I I I ) • • The Quali ty Bevel'3.ge with t he Chocolate Fhtvour. The Malted Milk Supreme. I I \ --.~- Other Agencies Include: • \ GAYMER'S CVDER, I I MAZAWATTEE rrEA • McEwAN-YOUNGER'S MALTS, O ' KEEFE'S OLD VIENNA LAGER, \ IVHITE HORSE SCOTCH WHISKY, l . J OHNNY WALKER SCOTCH VVHISKY, VVINTERMANS J)UTCH CIGAHS.
  • Sunday Morning Grid 12/28/14 Latimes.Com/Tv Times

    Sunday Morning Grid 12/28/14 Latimes.Com/Tv Times

    SUNDAY MORNING GRID 12/28/14 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Sunday Face the Nation (N) The NFL Today (N) Å Football Chargers at Kansas City Chiefs. (N) Å 4 NBC News (N) Å Meet the Press (N) Å News 1st Look Paid Premier League Goal Zone (N) (TVG) World/Adventure Sports 5 CW News (N) Å In Touch Paid Program 7 ABC News (N) Å This Week News (N) News (N) Outback Explore St. Jude Hospital College 9 KCAL News (N) Joel Osteen Mike Webb Paid Woodlands Paid Program 11 FOX Paid Joel Osteen Fox News Sunday FOX NFL Sunday (N) Football Philadelphia Eagles at New York Giants. (N) Å 13 MyNet Paid Program Black Knight ›› (2001) 18 KSCI Paid Program Church Faith Paid Program 22 KWHY Como Local Jesucristo Local Local Gebel Local Local Local Local Transfor. Transfor. 24 KVCR Painting Dewberry Joy of Paint Wyland’s Paint This Painting Kitchen Mexico Cooking Chefs Life Simply Ming Ciao Italia 28 KCET Raggs Play. Space Travel-Kids Biz Kid$ News Asia Biz Ed Slott’s Retirement Rescue for 2014! (TVG) Å BrainChange-Perlmutter 30 ION Jeremiah Youssef In Touch Hour Of Power Paid Program 34 KMEX Paid Program Al Punto (N) República Deportiva (TVG) 40 KTBN Walk in the Win Walk Prince Redemption Liberate In Touch PowerPoint It Is Written B. Conley Super Christ Jesse 46 KFTR Tu Dia Tu Dia Happy Feet ››› (2006) Elijah Wood.
  • COPPÉLIA.Pdf

    COPPÉLIA.Pdf

    ALBO DEI FONDATORI CONSIGLIO DI AMMINISTRAZIONE Giorgio Orsoni presidente Stato Italiano Luigino Rossi vicepresidente Fabio Cerchiai SOCI SOSTENITORI Jas Gawronski Achille Rosario Grasso Luciano Pomoni Giampaolo Vianello Francesca Zaccariotto Gigliola Zecchi Balsamo consiglieri SOCI BENEMERITI sovrintendente Giampaolo Vianello direttore artistico Fortunato Ortombina COLLEGIO DEI REVISORI DEI CONTI Giancarlo Giordano, presidente Giampietro Brunello Adriano Olivetti Andreina Zelli, supplente SOCIETÀ DI REVISIONE PricewaterhouseCoopers S.p.A. ALBO DEI FONDATORI COPPÉLIA SOCI ORDINARI ballet pantomime in due atti soggetto di Charles Jude da Arthur Saint-Léon e Charles Nuitter coreografia di Charles Jude musica di Léo Delibes Teatro La Fenice mercoledì 21 luglio 2010 ore 19.00 turno A giovedì 22 luglio 2010 ore 19.00 turno E venerdì 23 luglio 2010 ore 19.00 turno D sabato 24 luglio 2010 ore 15.30 turno C domenica 25 luglio 2010 ore 15.30 turno B Stagione 2010 Lirica e Balletto Stagione 2010 Lirica e Balletto Sommario 4 La locandina 9 Un balletto boulevardier di Silvia Poletti 15 Coppélia in breve 17 Argomento - Argument - Synopsis - Handlung 23 Dall’archivio storico del Teatro La Fenice Le bambole meccaniche di E.T.A. Hoffmann al Teatro La Fenice 29 Biografie Léo Delibes, autore della musica di Coppélia, in un disegno (c. 1880) di Louise Abbéma (1853-1927). Clément Philibert Léo Delibes (1836-1891) studiò composizione al Conservatorio di Parigi con Adolphe Adam. Scrisse varie operette, i balletti La source, Coppélia e Sylvie e le opere Jean
  • THE MUSICAL FEATURES of 2015'S TOP-RANKED COUNTRY SONGS

    THE MUSICAL FEATURES of 2015'S TOP-RANKED COUNTRY SONGS

    THE MUSICAL FEATURES OF 2015’s TOP-RANKED COUNTRY SONGS By Mason Taylor Allen Senior Honors Thesis Department of Music University of North Carolina at Chapel Hill April 22, 2016 Approved: Dr. Jocelyn R. Neal, Thesis Advisor Dr. Allen Anderson, Reader Dr. Andrea Bohlman, Reader © 2016 Mason Taylor Allen ALL RIGHTS RESERVED ii ABSTRACT Mason Taylor Allen: The Musical Features of 2015’s Top-Ranked Country Songs Under the direction of Dr. Jocelyn R. Neal The 2015 top-ten country songs analyzed in this study are characterized by the various formats of their song form, harmonies, and lyrics. This thesis presents a comprehensive study of the structure and narratives in sixty-seven songs that summarizes the distinctive features within those domains of contemporary commercial country music. A detailed description of the norm along with identifiable trends emerges. The song form that features most prominently in this repertory includes a verse-chorus-bridge form with three iterations of the chorus, an intro and outro section, and instrumental sections immediately following each chorus. The top-ten country songs have varying degrees of departure from this typical model. Primary features of the harmonies of these top songs include the frequent use of a double-tonic complex, the absence of a 5-1 authentic cadence, the same chord progression throughout the verse, chorus, and bridge, and the use of only two chords throughout the song. Lyrical analyses show that 2015 songs are continuing the traditional themes about romantic attraction, love, heartache, good times and partying, home, family, nostalgia, religion, and inspiration, within the context of small-town country life that this genre has used for years.
  • M-Ad Shines in Toronto

    M-Ad Shines in Toronto

    Volume 44, Issue 3 SUMMER 2013 A BULLETIN FOR EVERY BARBERSHOPPER IN THE MID-ATLANTIC DISTRICT M-AD SHINES IN TORONTO ALEXANDRIA MEDALS! DA CAPO maKES THE TOP 10 GImmE FOUR & THE GOOD OLD DAYS EARN TOP 10 COLLEGIATE BROTHERS IN HARMONY, VOICES OF GOTHam amONG TOP 10 IN THE WORLD WESTCHESTER WOWS CROWD WITH MIC-TEST ROUTINE ‘ROUND MIDNIGHT, FRANK THE DOG HIT TOP 20 UP ALL NIGHT KEEPS CROWD IN STITCHES CHORUS OF THE CHESAPEAKE, BLACK TIE AFFAIR GIVE STRONG PERFORmaNCES INSIDE: 2-6 OUR INTERNATIONAL COMPETITORS 7 YOU BE THE JUDGE 8-9 HARMONY COLLEGE EAST 10 YOUTH CamP ROCKS! 11 MONEY MATTERS 12-15 LOOKING BACK 16-19 DIVISION NEWS 20 CONTEST & JUDGING YOUTH IN HARMONY 21 TRUE NORTH GUIDING PRINCIPLES 23 CHORUS DIRECTOR DEVELOPMENT 24-26 YOUTH IN HARMONY 27-29 AROUND THE DISTRICT . AND MUCH, MUCH MORE! PHOTO CREDIT: Lorin May ANYTHING GOES! 3RD PLACE BRONZE MEDALIST ALEXANDRIA HARMONIZERS PULL OUT ALL THE STOPS ON STAGE IN TORONTO. INTERNATIONAL CONVENTION 2013: QUARTET CONTEST ‘ROUND MIDNIGHT, T.J. Carollo, Jeff Glemboski, Larry Bomback and Wayne Grimmer placed 12th. All photos courtesy of Dan Wright. To view more photos, go to www. flickr.com/photosbydanwright UP ALL NIGHT, John Ward, Cecil Brown, Dan Rowland and Joe Hunter placed 28th. DA CAPO, Ryan Griffith, Anthony Colosimo, Wayne FRANK THE Adams and Joe DOG, Tim Sawyer placed Knapp, Steve 10th. Kirsch, Tom Halley and Ross Trube placed 20th. MID’L ANTICS SUMMER 2013 pa g e 2 INTERNATIONAL CONVENTION 2013: COLLEGIATE QUARTETS THE GOOD OLD DAYS, Fernando Collado, Doug Carnes, Anthony Arpino, Edd Duran placed 10th.
  • Review Downloaded from by University of California, Irvine User on 18 March 2021 Performance

    Review Downloaded from by University of California, Irvine User on 18 March 2021 Performance

    Review Downloaded from https://academic.oup.com/oq/article/34/4/355/5469296 by University of California, Irvine user on 18 March 2021 Performance Review Colloquy: The Exterminating Angel Met Live in HD, November 18, 2017 Music: Thomas Ade`s Libretto: Tom Cairns, in collaboration with the composer, based on the screenplay by Luis Bunuel~ and Luis Alcoriza Conductor: Thomas Ade`s Director: Tom Cairns Set and Costume Design: Hildegard Bechtler Lighting Design: Jon Clark Projection Design: Tal Yarden Choreography: Amir Hosseinpour Video Director: Gary Halvorson Edmundo de Nobile: Joseph Kaiser Lucıa de Nobile: Amanda Echalaz Leticia Maynar: Audrey Luna Leonora Palma: Alice Coote Silvia de Avila: Sally Matthews Francisco de Avila: Iestyn Davies Blanca Delgado: Christine Rice Alberto Roc: Rod Gilfry Beatriz: Sophie Bevan Eduardo: David Portillo Raul Yebenes: Frederic Antoun Colonel Alvaro Gomez: David Adam Moore Sen~or Russell: Kevin Burdette Dr. Carlos Conde: Sir John Tomlinson The Opera Quarterly Vol. 34, No. 4, pp. 355–372; doi: 10.1093/oq/kbz001 Advance Access publication April 16, 2019 # The Author(s) 2019. Published by Oxford University Press. All rights reserved. For permissions, please email: [email protected] 356 | morris et al Editorial Introduction The pages of The Opera Quarterly have featured individual and panel reviews of op- era in performance both in its traditional theatrical domain and on video, including Downloaded from https://academic.oup.com/oq/article/34/4/355/5469296 by University of California, Irvine user on 18 March 2021 reports from individual critics and from panels assembled to review a single produc- tion or series of productions on DVD.