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» Anna Kisselgoff
Anna Kisselgoff
17-PR-Taylor
Informance 2008
Qurrat Ann Kadwani: Still Calling Her Q!
CCN-BALLET DE LORRAINE Thu, Feb 16, 7:30 Pm Carlson Family Stage
For Immediate Release Contact: Elizabeth Cooke Communications Manager
[email protected]
(212) 691-6500 X210
Talking Black Dance: Inside Out
In a Sculpture Garden, Beauty As Strangeness
Dance and Politics: Moving Beyond Boundaries
Photo B Y Cheryl Mann
Erick Hawkins' Collaborations in the Choreographing of Plains Daybreak
Alvin Ailey's Embodiment of African American Culture
Paul Taylor American Modern Dance
International Theatreinstitute
The Nutcracker and the Mouse King” in the United States
Désir Madame Butterfly
Graham, Martha - Dance Company (2)” of the Betty Ford White House Papers, 1973-1977 at the Gerald R
The Strange Commodity of Cultural Exchange: Martha Graham and the State Department on Tour, 1955-1987
Lewitzky Dance Company Records 0203
Top View
Published in Current Biography Magazine New York Times
Pilobolus: an Analysis of a Current Dance Company
2. Butoh Og Moderne Dans
Black Star, Other Fetishized: Carlos Acosta, Balletâ•Žs New
Pressemappe Impulstanz2019.Pdf
Choreographic Strategies to Achieve Visual Communication Within an Original Film Narrative Through Academic Ballet Choreography
PRESS CONTACT National Press
In the 1960S “Modern Dance Was Being Reinvented
Composite Bodies of Dance: the Repertory of the Alvin Ailey American Dance Theater
Trisha Brown Biography the Most Acclaimed Choreographer of The
ABSTRACT Name: Debra J. Nelson Department: Counseling, Adult And
The Music Center's Study Guide to the Performing Arts
ASPEN SANTA FE BALLET Described As
The Movement of Shen Wei
Fifty Contemporary Choreographers
Series Seven Five a Magazine Press Pdf
Janet Collins, 86; Ballerina Was First Black Artist at Met Opera
Exhausting Dance
BALLET 2000 Compañía Nacional De Danza, Madrid B.P
UNIVERSITY of CALIFORNIA Los Angeles
Cold War Cultural Exchange and the Moiseyev Dance Company: American Perception of Soviet Peoples
Dance As a Project of the Early Modern Avant-Garde Elizabeth M
THE SCOPE and LIMITS of CONTEMPORARY MODERN DANCE CRITICISM T"