Graham, Martha - Dance Company (2)” of the Betty Ford White House Papers, 1973-1977 at the Gerald R

Total Page:16

File Type:pdf, Size:1020Kb

Graham, Martha - Dance Company (2)” of the Betty Ford White House Papers, 1973-1977 at the Gerald R The original documents are located in Box 39, folder “Graham, Martha - Dance Company (2)” of the Betty Ford White House Papers, 1973-1977 at the Gerald R. Ford Presidential Library. Copyright Notice The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Betty Ford donated to the United States of America her copyrights in all of her unpublished writings in National Archives collections. Works prepared by U.S. Government employees as part of their official duties are in the public domain. The copyrights to materials written by other individuals or organizations are presumed to remain with them. If you think any of the information displayed in the PDF is subject to a valid copyright claim, please contact the Gerald R. Ford Presidential Library. nancy hanks B~rr, /=OrJ - ~ ~ ~ SClah /).p~1 ... +- ~# l,J.11 "-"' A?_,n~ " . r ,,.,._,-s.,J 'h _,;~l ~o - • I/ '•J. 'C ~ ,,,._J /~,'I~ """' AL pn>-J el~ "" o./C ·~ ~' ~~~~~~~~-. ~---......I Depttrt;tient of ..()tate ,,, __ .......... ... .................. UNCLASSIFIED 2?08 PAGE 01 SINGAP 03900 250904Z \7 ACTION CU111915 R '.50721c:lZ SEP 14 FM AHEMbASSy SINGAPORE I o -' ... ... ! '·· I ' , I• ~O SECSTATE WA3HOC 1276 .. ! TNFO USIA WASHDC r. AMFMBASSV AANGKOK AMCONSUL HONG KONG AMFMA AS~Y JAKARTA AH~MBA5SV KUAL~ LUMPUR AM~MBASSY MANILA I j AM~MBASSY RANGOON l AMFMBASSY SAIGON I AMFMBAS~Y TAIPEI I I lJNr.~~0 ) ' I! ... I F,O, 116!52i N/A . ,,. I - • TAOSt OtXC l ~URJECYI ~U/CPI MARTHA GR~HAH DANCE COMPANY I RE~& STATf 2084~7 f, SUMMA~YI 1HE SHORT TWO DAY SINGAPORE VXSlT OF THE ~ MARTHA GRAHAM DANCE COMPANY WAS AS SUCCESSFUL AS lT P0~5YOLY COULD HAVE BEEN~ THE WARM OFFICIAL RE~?OhSE riAS UNEXPECTED AND THE PAIO ATTENbANGE OF APPROXIMA TELY 2p700 FO~ THO PERFOHMANCES MAY HELL H A \1 E UE f.. ~l THE l. AR G EST i 0 D Al' c 1: GR M0 DL: R N 0 AN C~ • 'HF HlGhLY EFFECTIVE ~ORKSHOP WAS A DISPLAY OF THE \IE~l(:Rf\fJLE t1rSo G~AHA" AT HEH tlOST DYNAMIC MW, A~nNG HlTH THE A~BASSADQRIS POST PERFORkANC~ ... RECEPTYUN, ALLOWED FOR MEANINGFUL :ONTACT C~TWEEN YHi:' P[~RSONAHLt DANCERS ANU SINGAPOREAN C0l.LtAGUE5 ANn OEVOTtfS 0 PRESS RESPONSf MEAGER SQ FAR HUT MroE TO CUHEo HOST IMPORTANT EFFECT OF VISIT HAS v~l .IJABLE ASS!ST IN OIS?t:Ll.ING PREVAii.ING ATTITUOES "~ A~tnICAN CULTUH~ HAVING LITTLE HORTH, ___. ~.,. I , • I . ' .. ' I . UNCL.ASSlP'I EO ?~ .. _....,:.____. -lr'·.rt'lK. ......... ~ ..-· .. • ·-~ ... ,. ........ • . .. ...... ~ .. .-.--....,... 'UNCLASSIFIED . ~ ~. AUDI~NCE GENERALLYYOUNG AND ALMOST eNTl~ELV i . ~lHGAPOREANq V~RY Few WALl'\cl) OUT~ (BY COrlT.R,<'\S r, AUOIENC~ fOA COMP~NVIS 1955 VlSITo WHEN GRAHAM HER5ELP WAS OANCINGp WAS MUCH SMA~LER ANO ~XPATHIATE, T~O~THIROS OP WHOM HA~KEO OUT DU~lNG ... ' I FIRST tNTERVALQ) FIRST NIGHT AUDIENCE ao~EWHAT I• ~OHBF.R SUT SECOND NIGHT R~SPONSE IM~Re.ss~:o COMP~NV AS 1.H!lNG UMIJSUAL.LV WARM FOR ASIA ANO ORr:w Ytle.b..;lliii-ED""---- - - ·-· --~8.frJlQ.NO C~l<TAIN CAL.L 9 ~~--~--·· - :a.ur•-- ~~ RESPONSE FROM OFFIC!AL SINGAPORE UNUS~LLY WARMv ACCf)iHHl~G TO CUSYOM, NA r IfJN AL n1EAi1<E Tf\UST ~CnwSPOHSOR) INVITED ALL TOP GOS OFFICXAL3, CABINET, JUnlCIARV# ETC,, ANO RECEIVED OVER 200 ACCEPTANCES, .. 1.MH9EST fH.~POWJE OM RECORDQ CTHI S P'IGURE NOT RPT N0 ,. · I NC I.., I JOE 0 AS P A Y0 AU 0 I ENCE ) • AL. S0 S '.i GN 1 F ! CANT WAS . nRhHAM CALL ON MINISTER FOR CULTURE~ ALTHOUGH A I I.I~ ELl AS 1 5 a MI NUTE r. 0lJ1n E 3 Y C AL. L , C0 VER :l AT I 0 N fi E(!AME sud .i:; ,. Ar~ 7 l v e AN 0 ME t-,; T I NG L. '· s j t; n II 0 R 4 0 MI Nu TE s ' LUNGEST OF KIND IN MEMORV ·-- ----·-·-. ···------~G.AlN lTS 9 . ; . ... I __ l-- . - . - - I - HI~ OBVIOUS fi"A!jC!NATION OU[ HEn COMPE~LING PRESENCK AND DYNAMIC HIND~ · ~ 11 WORKSHu?, AN ELECTRIC PERFORMANCE BV GRAliAM HERESEL.F 1 WA~ 4 OAZZLING DISPLAY OF ENEHGY ANO INSIGHTS THAT HAn EVEN HER OWN OANCERS lMPRESSEOA P~ST P~EASEO CO~DUCT BESIO~S RQ WITH OF ENTIRE COMPANY. .... ' , ., .,._ ... r.RAH1\Mj EXECUTIVE DlRECTOP., DANCERS AND Cl;tl~~ STl\FP rtf..RPOt..~l Vt;;, AGREEABL.E AND VERY PEHSOtJA6L.I.:" ARE TlitV ,......... ~~L VALUAaLE ASSE7S IN REPHESENTATIONAL . S~TTINGS ANO • II • P ~ ~ ... .,. ...... ~l! t'HJ L 0 f) F. r, I v~ ~~ E vER v npp 0 RT u N I T y Mr x . wl i H '· 0 c Al.. e0IllHER?11 RT s Mm FAN s • 0 NL. y c 0 M!->LA INT RE c; l s TE f! ED WA~ YHAT SINGAPORE VISIT TOO SHORT TO A~~ow ~OMPANV RUJ:F IC 1 ~NT PERSQN~L. CUNT .lCT , - . ·' I • UNCL.ASSif lEO ·. 11 )S·1 G52 .... --....... _....... ---·- -· .............. ·-... - . ....... - ' Departnient of Stctte ., I UNC~ASSif IED PAr~E:J'13 _,. ~ lNGAP 0;~900 250904Z ,, t; , l 0 fll. Y fl lS: VH: ~J T0 0 Ai' f! 1 C0 NS E f( YA T I VI'! f. NGI. I S H • LANGUAGf STMNlTS T1MES DRAMA REVIEWEN WRO TE I •I T. N Ft' AWI' ; ~llJ 0 n~ MAR TH A GH ft. 11 Ml HAS R AI SE0 M0 D!; ~ N ... ~ ' ' ~~ . OANCE 1'0 TH~ MONUMENT 1\I.. HEIGHTS· OF 'iHE l)a tz ATEST won:'s !N i•1::-: Cl.A~:HC.\1.. ~JOHLD OF ARTS11 SHE rs. ..\ . ' ".. .. wl yH 0 u'f 0 i) uf3 r AN A~ T xs 'rt~ aF' vl sl 0 N , AN . l N N 0 vAT 0 ~ ! I ANn A GHEAT CHOREOGRAPHER, . .. ,, ' - ,, ... 1"g MtR L.f.GEr~o ARY MARTHA GFt AMHAM DANCE COMP ANV HAS ' GATH~RHU TOGETHER A BRILLIANT AND DYNAMIC GROUP nF OANCfRS. THEIR FINAL P~RFURHANC! AT THE ,. HATIONAL THEATRE MAOE ~ TREMENDOUS ANO UNfOHGETTABLE .. YHPACT ON ALL PRESENJ UNQUOTE, . •!' A 11 AF'TEP.NOClN tNGLISH L.MJGU/\Gr: · DAil.V NEW NATION to•• • 'I PL. ANN l N(;° I N AUG U::? A TE NE ~l r: 0 RM AT 0 CT CH.H~ I~ 0 N ~~ ~H TH FUI L P~GE SPR~AO ON MARTHA GRAHAM ~ND RADIO !-'!I NG APOH~ Of.: V.OT l NG F'lll.L HAL.F MOlJR PROGRAM ON SEPTEMRER 30 TO COMPANYtS SlNGAPORE V!SITw REVIEW . nP PERFORHANC~. WILL BE PART OF THAT PROGRAHe. ·. ... 0 9 . SINGAPORE 15 A COUNTRY WXTHOUT A OANCE TRADITION ANn WITH LITTLE SUBSTANTIVE CULTURAL OR p ~s vc H (}I. 0 i; I c: ~ L I 0 EN T I F I c AT I aN wI TH u II s ll p RE v A"'· I NG PE;; RC E PT l 0 NS MA V ST I LL : BE · 0 ES CR I 6 E0 AS AM 0 l V ,H, i; NT YHF. REAi. VAt.llE OF' iHE HMHHA GRAHAM VIfllT IS THAT ' ... YHROUG~ H!R OWN SHEER FORCE OF PERSONALITY ANU THE RR!~LIANCE OF HER COMPANY ONSTAGE, THERE WI~L BE ROME HEVIS!ON OF ATTITUDES HEME, PARTlCULAR~V IN Ml~ISTRY OF CULTURE, CRl":NK .... : ..... : ~ .. ~. .. .. ... ~ .. ......... .· .... ... ~ •, ~· · . • h U I ' .. ' ., UNC~ASSIFlED 1l '"~ J.lS•16:32 \ .. J"nnM -- • - .. • ~~------------ I Departr,2ent of Stat·e UNC~ASSIFlEO 516g PAnE ~1 SINGAP 0~g03 26~512Z i2 ACTION CU•05 020677 R Pb0845Z SEP 74 . FM AM~M~ASSY ~INGAPOR~ TO SECSTATE WASHDC 1277 TNFO USIA WASHDC AHFMBAS~V RANGKO~ •· AMr.ONSU~ HON~ KONG AMFMBASSV JAKARTA AMFM8ASSY RANGnON AMFMBASSV KUA~A LUMPUR AMFMBASSV SAIGON AMFM8ASSV MANILA r AMFMRASSV~~==~ lJNl':L.A Fun, 11ti521 N/A TAr.~r OC.XC ~URJECTI MARTHA GRAHAM DANCE COMPANY REF& SINGAPOR~ 3900 '' IN DELAYED REACTION, AFTERNOON ENGLISH LANGUAGE NEW NATION DEVOTED FU~L PAGE TO REVIEW OF GRAHAM VlRlT WITH TITLE, QUOTE THE FURY UF DANCE! THE nAv MARTHA GRAHAM SWEPT THE SINGAPORE STAGE, ttNnUOTE, '· IN PART NEW NATION SAID QUOTE 11aeLAST FRIDAY NIGHT ~~~~E~ COMPANY OF ~4 DANCERS GAVE ITS FIRST PERFORMANCE AT THE NATIONAL THEAT"E, MEMB~RS nF THE AUDIENCE EXCLAIMED& QUOTE IT WAS AN ~~FCTHirV4NG PRESENCEo~~BUT FULL 0, GRACE, ~HF WAS IN A RED GOWN ANO COULD BE CALLED REAUTlFUL, WE KNOW WE SAW A G~NlUS IN OUR ., . MinST, UNwUOT~ ••• '· ' ' •' , • .. ......' . '·· --··~----------~-----U-N~~-~~~-·-S_l_'_l_!_D________ __ ....,. ___ ._. ....... - ,..__._ .. ., •......,.7 •I .. Depa:rt1nent of State UNCL.ASSlFlEO PAr.E ~2 SINGAP 03903 260512Z ~. QUOTEuaaSINGAPORE'S DANCERS WERE NOT IMPERVIOUS TO HER INF~U~NCE. ON SATURDAY SHE HELD A CLO~EO WORKSHOP ~OR OUR BALLET T~ACH~RS WHO CAM ~ OUT n~ THE SESSION DAZED BV THE GENUIS OF THE WOMAN. UNQUOTf ••• A. •••QUOTE MISS GOH 500 KHIM ANO MR. CHEN HAl rHnw ENTHUSEDa QUOTE SHE REALLY DOMINATES THE ~CFNE AND FOR THOSE THREE HOU~S WE WERE TkANS• PO~TEO INTO A DREAM WORLD, ~E LEARNED A LOT hNn THOUGH NOT YOUNG, SHE IS YOUTH ITSEL.f e uNnuore:, r.HnNK .. ... .... ...... ; .. ... ' . ----~--- _......,_... -·------------- . ... Dehartnzent o+ State r.:~itu,~i ~r;uG· ri1\.n t'·~\ . r 'J ~n .':I . Ml,IJM,;t~. ' . I ~"t' ~I · • \ · ..iii · · · I~ •· I • . ' . "\. ' --------------------------------------------------------------__,.,.__.,.- - UNCL.ASSlFIED 07~7 PAn~ ~1 SANGKO 1~632 28~3~1Z ,. ei ACTION CU•Cl\5 ~NFO 0CT•~1 EA"07 IS0"~0 /013 W P R ~8~1247 S~P 74 FM AMEMtlASSY 8ANG~OK T~ ~ECSTATE WASHDC PRIO~ITV 7167 118TA r~ASHOC PHIORITY rNFO AM~M~ASSY RANGOON tiMFMAASSY ~AIGON 11Nr.L.AS~632 F.n, 116521 N/A TAnsi o~xc ~URJECTI ~U/CUPs MATHA GRAHAM ~TATE FOR CU/CP, USIA fOR IEA ~ASS HEDGES i, MARTHA r,RAHAM ANO COMPANY ARRIVED BANG~OK UN ~CHEOULE THU~SOAY SEPT~HBER 26p CALA RtCEPT!UN FOR MISS GRAH-H AND ENT!R~ ~OMPANY WA~ HUSTED dY AMBASSAOOH AT RESIDtNCE ThUHSUAY EVENlN~ FOR TwO HUNDRED GUESTSe ATTENDEE~ INCLLIDEU HI~H RTG OFFICIALS~ N~A MtM8F.RS, PERSONS OF ROYAL RANK ~EADIN~ ACADEMlCSi ~U~l~JtSS ~OMMLJNITY ANn PRESSQ MISS GRAHAM CHARMED GUESTS IN PRlVAT~ ~ITTINGS ANO A COMPANY OF THAI CLASSICAL OANCERS FRUM RTG rlNE ARTS DEPA~TMF.NT PERFORMED TWO NuMBERS 9 AMdASSADOR CONGR~TULATED PO~T FOR EXCELLENT ARRANGMENTS ANO WELL EXECUTED PRUGRAMQ .
Recommended publications
  • 17-PR-Taylor
    ! FOR IMMEDIATE RELEASE October 6, 2017 Media Contact: NextMove Dance Anne-Marie Mulgrew, Director of EducaAon & Special Projects 215-636-9000 ext. 110, [email protected] Editors: Images are available upon request. Paul Taylor Dance Company performs three of Mr. Taylor’s Master Works November 2-5 (Philadelphia, PA) The legendary Paul Taylor Dance Company brings a rare program featuring three of Taylor’s classic works for NextMove Dance’s 2017-2018 Season with five performances November 2-5, at the Prince Theater, 1412 Chestnut Street, Philadelphia, PA. The program includes Arden Court (1981), Company B (1991) and Esplanade (1975) Performances take place Thursday, November 2 at 7:30pm; Friday, November 3 at 8:00pm; Saturday, November 4 at 2:00pm and 8:00 pm; and Sunday November 5 at 3pm. Tickets are $20-$62 and can be purchased in person at the Prince Theater Box Office, by phone 215-422-4580 or online h`p://princetheater.org/next-move. Opening the program is the romanAc and uplibing Arden Court for nine dancers set to music by 18th century Baroque English composer William Boyce. This 23-minute work showcases the virtuosity of the six male dancers in effortless yet weighted jumps and changes in speed and dynamic level. Interspersing the ensemble secAons are tender yet whimsical duets. Bare- torso male dancers are in Aghts with colored spots and women are in matching chiffon dresses designed by Gene Moore. Clive Barnes of the New York Post noted “One of the few great art works created in [the 20th] century… exploring a new movement field of love and relaAonship.
    [Show full text]
  • Informance 2008
    INFORMANCE - MARCH 26, 2008 How can we know the dancer from the dance?” – Martha Graham, Murray Louis, and Bill T. Jones I begin this Informance talk by thanking Linda Roberts and Lori Katterhenry. In early November (the 9th, to be exact), Lori asked me if -- in view of my “obvious enthusiasm and expertise” -- I would be interested in writing study guides for the three guest artist works of the 2007-08 MSU Dance Program: Steps in the Street, by Martha Graham; Four Brubeck Pieces, by Murray Louis; and D-Man in the Waters by Bill T. Jones. “We have never done this before,” Lori said, “and I know it is quite common in theater.” …“Great idea,” Linda Roberts declared the next day, “This information would be very useful for the Informance. I know the students are interested in discussing the movement philosophies and stylistic differences of the three choreographers, and the challenges these elements present in performing and bringing to life the reconstructed dances we are rehearsing.” A few days thereafter, Lori , Linda and I were brainstorming in Lori’s spacious executive office suite and I cautioned them that I was not a dance critic by training; I am an historian and biographer. They were well aware, and that was precisely the reason they asked me to become involved. They were looking for insights about the “historical” side to each work, the social and cultural circumstances that engendered them, the aesthetic contexts against which they were created. I then said that I was not sure I would end up doing actual “study guides,” per se.
    [Show full text]
  • Qurrat Ann Kadwani: Still Calling Her Q!
    1 More Next Blog» Create Blog Sign In InfiniteBody art and creative consciousness by Eva Yaa Asantewaa Tuesday, May 6, 2014 Your Host Qurrat Ann Kadwani: Still calling her Q! Eva Yaa Asantewaa Follow View my complete profile My Pages Home About Eva Yaa Asantewaa Getting to know Eva (interview) Qurrat Ann Kadwani Eva's Tarot site (photo Bolti Studios) Interview on Tarot Talk Contact Eva Name Email * Message * Send Contribute to InfiniteBody Subscribe to IB's feed Click to subscribe to InfiniteBody RSS Get InfiniteBody by Email Talented and personable Qurrat Ann Kadwani (whose solo show, They Call Me Q!, I wrote about Email address... Submit here) is back and, I hope, every bit as "wicked smart and genuinely funny" as I observed back in September. Now she's bringing the show to the Off Broadway St. Luke's Theatre , May 19-June 4, Mondays at 7pm and Wednesdays at 8pm. THEY CALL ME Q is the story of an Indian girl growing up in the Boogie Down Bronx who gracefully seeks balance between the cultural pressures brought forth by her traditional InfiniteBody Archive parents and wanting acceptance into her new culture. Along the journey, Qurrat Ann Kadwani transforms into 13 characters that have shaped her life including her parents, ► 2015 (222) Caucasian teachers, Puerto Rican classmates, and African-American friends. Laden with ▼ 2014 (648) heart and abundant humor, THEY CALL ME Q speaks to the universal search for identity ► December (55) experienced by immigrants of all nationalities. ► November (55) Program, schedule and ticket information ► October (56) ► September (42) St.
    [Show full text]
  • CCN-BALLET DE LORRAINE Thu, Feb 16, 7:30 Pm Carlson Family Stage
    2016 // 17 SEASON Northrop and Walker Art Center Present CCN-BALLET DE LORRAINE Thu, Feb 16, 7:30 pm Carlson Family Stage Devoted Fabrications Sounddance Dear Friends of Northrop, Northrop at the University of Minnesota and Walker Art Center Present Tonight, we collaborate with Walker Art Center as part of their major survey: Merce Cunningham: Common Time, offering two of Cunningham’s groundbreaking choreographic works. The program begins with Devoted, a commissioned work by the trend setting choreographic duo Cecilia Bengolea and François Chaignaud. Infused with current dance hall and pop culture, CCN-BALLET DE these French choreographers are clearly influenced by modern and even post-modern American dance history—history that was forever changed by Cunningham's impact. LORRAINE Fabrications, the second work on our program, actually had its world premiere right here at Northrop in 1987, with Cunningham dancing, as he did in every performance by his company until he was 70. When he died a few months after his 90th birthday, he Choreographer and General Director had won every choreographic award and accolade imaginable, PETTER JACOBSSON Christine Tschida. Photo by Tim Rummelhoff. and left a legacy of nearly 200 works. It’s interesting to think about the audience who sat here at Northrop 30 years ago, and their world. Choreographer and Coordinator of Research Ronald Reagan was in his second term in the White House and had just struggled through a government THOMAS CALEY shutdown. News of the Iran-Contra Scandal had recently broken. Mad Cow Disease was discovered in the U.K., and the Minnesota Twins would go on to win their first World Series later that year.
    [Show full text]
  • Karaoke Book
    10 YEARS 3 DOORS DOWN 3OH!3 Beautiful Be Like That Follow Me Down (Duet w. Neon Hitch) Wasteland Behind Those Eyes My First Kiss (Solo w. Ke$ha) 10,000 MANIACS Better Life StarStrukk (Solo & Duet w. Katy Perry) Because The Night Citizen Soldier 3RD STRIKE Candy Everybody Wants Dangerous Game No Light These Are Days Duck & Run Redemption Trouble Me Every Time You Go 3RD TYME OUT 100 PROOF AGED IN SOUL Going Down In Flames Raining In LA Somebody's Been Sleeping Here By Me 3T 10CC Here Without You Anything Donna It's Not My Time Tease Me Dreadlock Holiday Kryptonite Why (w. Michael Jackson) I'm Mandy Fly Me Landing In London (w. Bob Seger) 4 NON BLONDES I'm Not In Love Let Me Be Myself What's Up Rubber Bullets Let Me Go What's Up (Acoustative) Things We Do For Love Life Of My Own 4 PM Wall Street Shuffle Live For Today Sukiyaki 110 DEGREES IN THE SHADE Loser 4 RUNNER Is It Really Me Road I'm On Cain's Blood 112 Smack Ripples Come See Me So I Need You That Was Him Cupid Ticket To Heaven 42ND STREET Dance With Me Train 42nd Street 4HIM It's Over Now When I'm Gone Basics Of Life Only You (w. Puff Daddy, Ma$e, Notorious When You're Young B.I.G.) 3 OF HEARTS For Future Generations Peaches & Cream Arizona Rain Measure Of A Man U Already Know Love Is Enough Sacred Hideaway 12 GAUGE 30 SECONDS TO MARS Where There Is Faith Dunkie Butt Closer To The Edge Who You Are 12 STONES Kill 5 SECONDS OF SUMMER Crash Rescue Me Amnesia Far Away 311 Don't Stop Way I Feel All Mixed Up Easier 1910 FRUITGUM CO.
    [Show full text]
  • For Immediate Release Contact: Elizabeth Cooke Communications Manager [email protected] (212) 691-6500 X210
    For Immediate Release Contact: Elizabeth Cooke Communications Manager [email protected] (212) 691-6500 x210 NEW YORK LIVE ARTS presents Fresh Tracks Dec 13 – 15 at 7:30pm New York, NY, November 15, 2012 – New York Live Arts will present Fresh Tracks, the latest installment of the Fresh Tracks Performance & Residency Program, Dec 13 – 15 at 7:30pm. The 2012-13 Fresh Tracks Artists include Ephrat “Bounce” Asherie, Franklin Diaz, Megan Kendizor, Molly Poerstel-Taylor, Michal Samama and Parul Shah. Created in 1965 by Dance Theater Workshop and now continued as a signature program of New York Live Arts, the Fresh Tracks Performance and Residency Program selects six early career artists annually to receive comprehensive performance and residency support. The program begins with a showcase performance in New York Live Arts’ Bessie Schönberg Theater. Following the performance, each artist receives a 50-hour creative residency in the New York Live Arts studios for research and development of new work. Additionally, artists receive introductory level professional development workshops in marketing, fundraising and career development. Under the guidance of Artistic Advisor Levi Gonzalez, Fresh Tracks artists participate in dialogue sessions facilitating open discussion about their creative process, as well as one-on-one consultations. Performances will take place at New York Live Arts’ Bessie Schönberg Theater. Come Early Conversations and Stay Late Discussions will also be featured with two shows (see complete schedule below). Tickets are $20 and $15. Tickets may be purchased online at tickets.newyorklivearts.org, by phone at 212-924-0077 and in person at the box office. Box office hours are Monday to Friday from 1 to 9pm, and Saturday and Sunday from 12 to 8pm.
    [Show full text]
  • ANALYSIS the Official UK Singles & Albums Charts Are Compiled by the Official Charts Company, Based on a Sample of More Than 15,000 Physical and Digital Outlets
    ANALYSIS The Official UK Singles & Albums Charts are compiled by the Official Charts Company, based on a sample of more than 15,000 physical and digital outlets. They count actual sales and audio streams from last Friday to Thursday, based on sales of downloads, CDs, vinyl and other physical formats and audio streams weighted using SEA2 methodology. Highway to hell: Lewis Capaldi returns to top spot with debut album Q BY ALAN JONES ethroned by Bruce Springsteen last week, and trailing Will Young for much of the latest frame, Lewis DCapaldi edged past the latter to return to No.1. The Scot’s debut, Divinely Uninspired To A Hellish Extent, bounces 3-1 to secure its fifth week at the summit, although its sales are off 21.00% week-on-week to 19,003 (including 11,085 from sales-equivalent streams) its lowest haul yet. Denied his fifth No.1 album at the death, Will Young’s seventh studio set, Lexicon, opens at No.2 on sales of 16,706 copies. He thus remains tied with Cheryl (two solo, two with Girls Aloud), One Direction and Olly Murs as the reality TV graduates with most No.1 albums. Lexicon is No.1 on both physical sales (11,752) and paid-for downloads (4,274), being No.1 let down only by streaming. Recording Young’s lowest first week sale for a studio album yet, it is the successor to 85% Proof, which previously held that record with 21,320, but which Lewis Capaldi - Divinely Uninspired To A Hellish Extent (Virgin EMI) nevertheless opened at No.1 in 2015, and has sold 96,356 copies.
    [Show full text]
  • Song Catalogue February 2020 Artist Title 2 States Mast Magan 2 States Locha E Ulfat 2 Unlimited No Limit 2Pac Dear Mama 2Pac Changes 2Pac & Notorious B.I.G
    Song Catalogue February 2020 Artist Title 2 States Mast Magan 2 States Locha_E_Ulfat 2 Unlimited No Limit 2Pac Dear Mama 2Pac Changes 2Pac & Notorious B.I.G. Runnin' (Trying To Live) 2Pac Feat. Dr. Dre California Love 3 Doors Down Kryptonite 3Oh!3 Feat. Katy Perry Starstrukk 3T Anything 4 Non Blondes What's Up 5 Seconds of Summer Youngblood 5 Seconds of Summer She's Kinda Hot 5 Seconds of Summer She Looks So Perfect 5 Seconds of Summer Hey Everybody 5 Seconds of Summer Good Girls 5 Seconds of Summer Girls Talk Boys 5 Seconds of Summer Don't Stop 5 Seconds of Summer Amnesia 5 Seconds of Summer (Feat. Julia Michaels) Lie to Me 5ive When The Lights Go Out 5ive We Will Rock You 5ive Let's Dance 5ive Keep On Movin' 5ive If Ya Getting Down 5ive Got The Feelin' 5ive Everybody Get Up 6LACK Feat. J Cole Pretty Little Fears 7Б Молодые ветра 10cc The Things We Do For Love 10cc Rubber Bullets 10cc I'm Not In Love 10cc I'm Mandy Fly Me 10cc Dreadlock Holiday 10cc Donna 30 Seconds To Mars The Kill 30 Seconds To Mars Rescue Me 30 Seconds To Mars Kings And Queens 30 Seconds To Mars From Yesterday 50 Cent Just A Lil Bit 50 Cent In Da Club 50 Cent Candy Shop 50 Cent Feat. Eminem & Adam Levine My Life 50 Cent Feat. Snoop Dogg and Young Jeezy Major Distribution 101 Dalmatians (Disney) Cruella De Vil 883 Nord Sud Ovest Est 911 A Little Bit More 1910 Fruitgum Company Simon Says 1927 If I Could "Weird Al" Yankovic Men In Brown "Weird Al" Yankovic Ebay "Weird Al" Yankovic Canadian Idiot A Bugs Life The Time Of Your Life A Chorus Line (Musical) What I Did For Love A Chorus Line (Musical) One A Chorus Line (Musical) Nothing A Goofy Movie After Today A Great Big World Feat.
    [Show full text]
  • Mark Ronson “Don't Leave Me Lonely” Featuring Yebba Out
    MARK RONSON “DON’T LEAVE ME LONELY” FEATURING YEBBA OUT NOW LISTEN HERE NEW ALBUM LATE NIGHT FEELINGS OUT JUNE 21ST [New York, NY – May 17, 2019] Today Academy, Grammy and Golden Globe-winning artist and producer, Mark Ronson, releases the third track “Don’t Leave Me Lonely” featuring Grammy-award winning artist, YEBBA, off his highly-anticipated fifth studio album, Late Night Feelings, out on June 21st via RCA Records. Listen here “Don’t Leave Me Lonely” showcases YEBBA’s powerhouse voice and is one of three songs in a suite where YEBBA is featured on Late Night Feelings. Pre-Order Late Night Feelings here. “Don’t Leave Me Lonely,” plus the previously released songs “Nothing Breaks Like A Heart” featuring Miley Cyrus and “Late Night Feelings” featuring Lykke Li will be available for instant download with any album pre-order. Late Night Feelings features collaborations with a diverse range of artists including Camila Cabello, Alicia Keys, Miley Cyrus, YEBBA, Lykke Li, Angel Olson, King Princess, The Last Artful, Dodgr, Diana Gordon, and Ilsey. Find complete album track listing below. Mark has described this album as a collection of “sad bangers,” and the new track, like much of the album, is emotionally complex and personal. “Don’t Leave Me Lonely” comes on the heels of the title track, “Late Night Feelings” which has over 12 million streams and debuted to rave reviews, with Consequence of Sound calling it a “scorching contender for this year’s “Song of the Summer” and The Fader adding that “The song grabs ahold of the duo's primal moonlit urges and spins 'em into disco oblivion.” The premiere single from the album was 2018’s global smash “Nothing Breaks Like A Heart” feat.
    [Show full text]
  • XS Master by ARTIST
    XS Master by ARTIST Artist Song Title Artist Song Title Lonely Island, The feat I'm Different (explicit) Adam Levine & Kendrick 2 Chainz & Chris Brown Countdown Lam 2 Chainz & Kendrick Fuckin' Problems (hed) Planet Earth Bartender Lamar ? & The Mysterians 96 Tears 2 Chainz & Pharrell Feds Watching (explicit) 10 Years Beautiful 2 Chainz feat Drake No Lie (explicit) Wasteland 2 Chainz feat Kanye West Birthday Song (explicit) 10,000 Maniacs Candy Everybody Wants 2 Evisa Oh La La La More Than This 2 Live Crew Do Wah Diddy Diddy Trouble Me Me So Horny 100 Proof Aged In Soul Somebody's Been Sleeping We Want Some Pussy 10cc Donna 2 Pac California Love Dreadlock Holiday Changes I'm Mandy Fly Me Dear Mama I'm Not In Love I Get Around Rubber Bullets Thugz Mansion Things We Do For Love, Until The End Of Time The 2 Pistols & Ray J You Know Me Wall Street Shuffle 2 Pistols & T-Pain & Tay She Got It 112 Dance With Me Dizm It's Over Now 2 Unlimited No Limits Peaches & Cream 20 Fingers Short Dick Man U Already Know 21 Savage & Offset &Metro Ghostface Killers 112 feat Mase Puff Daddy Only You Boomin & Travis Scott & Notorious B.I.G. 21st Century Girls 21st Century Girls 12 Gauge Dunkie Butt 2am Club Too Fucked Up To Call 12 Stones We Are One 2AM Club Not Your Boyfriend 1910 Fruitgum Co. Simon Says 2Pac I Get Around 1975, The Chocolate 3 Colours Red Beautiful Day City, The 3 Doors Down Away From The Sun Love Me Be Like That Robbers Behind Those Eyes Sincerity Is Scary Citizen Soldier Somebody Else Duck & Run Sound, The Every Time You Go TOOTIMETOOTIMETOOTIM Here By Me E Here Without You UGH! It's Not My Time (I Won't 1999 Man United Squad Lift It High (All About Go) Belief) Kryptonite 2 Chainz Bigger Than You (feat.
    [Show full text]
  • Talking Black Dance: Inside Out
    CONVERSATIONS ACROSS THE FIELD OF DANCE STUDIES Talking Black Dance: Inside Out OutsideSociety of Dance InHistory Scholars 2016 | Volume XXXVI Table of Contents A Word from the Guest Editors ................................................4 The Mis-Education of the Global Hip-Hop Community: Reflections of Two Dance Teachers: Teaching and In Conversation with Duane Lee Holland | Learning Baakasimba Dance- In and Out of Africa | Tanya Calamoneri.............................................................................42 Jill Pribyl & Ibanda Grace Flavia.......................................................86 TALKING BLACK DANCE: INSIDE OUT .................6 Mackenson Israel Blanchard on Hip-Hop Dance Choreographing the Individual: Andréya Ouamba’s Talking Black Dance | in Haiti | Mario LaMothe ...............................................................46 Contemporary (African) Dance Approach | Thomas F. DeFrantz & Takiyah Nur Amin ...........................................8 “Recipe for Elevation” | Dionne C. Griffiths ..............................52 Amy Swanson...................................................................................93 Legacy, Evolution and Transcendence When Dance Voices Protest | Dancing Dakar, 2011-2013 | Keith Hennessy ..........................98 In “The Magic of Katherine Dunham” | Gregory King and Ellen Chenoweth .................................................53 Whiteness Revisited: Reflections of a White Mother | Joshua Legg & April Berry ................................................................12
    [Show full text]
  • Songs by Title
    16,341 (11-2020) (Title-Artist) Songs by Title 16,341 (11-2020) (Title-Artist) Title Artist Title Artist (I Wanna Be) Your Adams, Bryan (Medley) Little Ole Cuddy, Shawn Underwear Wine Drinker Me & (Medley) 70's Estefan, Gloria Welcome Home & 'Moment' (Part 3) Walk Right Back (Medley) Abba 2017 De Toppers, The (Medley) Maggie May Stewart, Rod (Medley) Are You Jackson, Alan & Hot Legs & Da Ya Washed In The Blood Think I'm Sexy & I'll Fly Away (Medley) Pure Love De Toppers, The (Medley) Beatles Darin, Bobby (Medley) Queen (Part De Toppers, The (Live Remix) 2) (Medley) Bohemian Queen (Medley) Rhythm Is Estefan, Gloria & Rhapsody & Killer Gonna Get You & 1- Miami Sound Queen & The March 2-3 Machine Of The Black Queen (Medley) Rick Astley De Toppers, The (Live) (Medley) Secrets Mud (Medley) Burning Survivor That You Keep & Cat Heart & Eye Of The Crept In & Tiger Feet Tiger (Down 3 (Medley) Stand By Wynette, Tammy Semitones) Your Man & D-I-V-O- (Medley) Charley English, Michael R-C-E Pride (Medley) Stars Stars On 45 (Medley) Elton John De Toppers, The Sisters (Andrews (Medley) Full Monty (Duets) Williams, Sisters) Robbie & Tom Jones (Medley) Tainted Pussycat Dolls (Medley) Generation Dalida Love + Where Did 78 (French) Our Love Go (Medley) George De Toppers, The (Medley) Teddy Bear Richard, Cliff Michael, Wham (Live) & Too Much (Medley) Give Me Benson, George (Medley) Trini Lopez De Toppers, The The Night & Never (Live) Give Up On A Good (Medley) We Love De Toppers, The Thing The 90 S (Medley) Gold & Only Spandau Ballet (Medley) Y.M.C.A.
    [Show full text]