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Andy Kirk (musician)
Mi M®, 7273 the FUNCTION of ORAL TRADITION in MARY LOU's MASS by MARY LOU WILLIAMS THESIS Presented to the Graduate Counci
Charlie Christian
Primary Sources: an Examination of Ira Gitler's
Guide to the Leonard Gaskin Papers
Count Basie and His Bands
Richard Wilson “Dick”
The Changing Face of Harlem – the Savoy Sessions Dan Morgenstern Grammy Award for Best Album Notes 1976
Kansas City: the Crossroads of Jazz
SONNY ROLLINS NEA Jazz Master (1983)
“Night Life”—Mary Lou Williams (1930) Added to the National Registry: 2008 Essay by Linda Dahl (Guess Essay)*
The Pride of New Orleans
Jazz Jazz Is a Uniquely American Music Genre That Began in New Orleans Around 1900, and Is Characterized by Improvisation, Stron
Eddie Durham: Forgotten Guitar Pioneer – the Brooklyn Rail We're Sorry, You've Encountered an Error
Instead Draws Upon a Much More Generic Sort of Free-Jazz Tenor
Music for the Connoisseur
Claude "Fiddler" Williams Audiovisual Collection Finding Aid (PDF)
Inside the Jazzomat
Kansas City Jazz: from Ragtime to Bebop—A History
Top View
'Baptist Beat' in Modern Jazz Modern in Beat' the 'Baptist Addis
Jammin' for the Jackpot: Big Bands and Territory Bands of The
Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260
[email protected]
AMRC Journal Pages
Inside the Jazzomat
An Examination of Mary Lou Williams' Creative Resilience Against Racism
Mary Lou Williams and the Sanctification of Jazz
Recommended Jazz Listening the Greatest Jazz Educators Are the Musicians Who Have Created and Extended the Art Form
JAZZ AMBASSADORS the Legacy of Mary Lou Williams
Eddie Lockjaw”
Appendix: Ben Webster's Musical Activities
Carlos Wesley Byas “Don” Part 1 (1938 – 1946)
Midwest Note-Book
Andy Kirk Bandleader 1898-1992
HOWARD Mcghee “MAGGIE”
Oodman, Miller Cling to Leads! Arnet Band Poll to Pick All-Stars in 608 S Dearborn Chicago, Illinois