DOCSLIB.ORG

Oodman, Miller Cling to Leads! Arnet Band Poll to Pick All-Stars in 608 S Dearborn Chicago, Illinois

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Oodman, Miller Cling to Leads! Arnet Band Poll to Pick All-Stars in 608 S Dearborn Chicago, Illinois oodman, Miller Cling to Leads! arnet Band Poll to Pick All-Stars in 608 S Dearborn Chicago, Illinois Entered in teeond elate matter October 6,1939, at the poet office at Chicago Illinois. under the Aet of March 3, 1379. Copyright 1941, hakeup Due By Down Beat Publishing Co., Inc. Final Stretck Chicago—Benny Goodman New York—“Charlie Barnet is and Glenn Miller held on to teaking up his band.” VOL. 8. NO. 21 CHICAGO, DECEMBER 15, 1941 15 CENTS their lead positions in the “Most of Barnet’s men are on favorite »wing hand and sweet itice. Charlie may retire.” band divisions as Down Beat'» ■Barnet is adding a big string tion to his band.” Krupa Fined Big Blues Confab at Cafe Society 1941 poll of America*«« musi­ Those are a few of the specula* cians entered the final stretch ons being heard in New' York here. The contest ends on usic circles aa the year nears un Aftei Fight Dec. 17 and the final results n) The big tenor-sax playing will announced sder, plagued by troubles ever Over Eldridge Beat's Jan. 1 issue. 1 Down Beat that he would not York, Pa. — Gene Krupa However, Tommy Dorsey ak up his band and start out suddenly -purled ahead of h a small 8-piect jazz combo, used his fists two weeks ago declared he would add strings to subdue the operator of a Duke Ellington and Count January and attempt “some- restaurant here who refused Basie to grab second place in ng considerably different.” to allow Roy Eldridge admit­ the swing band section indi­ Weintraub Remain* cating a possible upset when the tance. Gene and his band final votes are counted. But even the boys in Charlie's were playing a one-nighter at Other upsets are also forecast as jehestru scoffed at some of Bar­ the Valencia Ballroom. the votes continue to flock in. Glenn lt’s statements to the press. Sev­ Eldridge famous colored trum­ Miller is crowding Clyde McCoy rai said they were dissatisfied peter who has been Krupa’s most for second place in the corn bard id would leave Barnet “very heavily featured .Rideman since he division, a phenomenon already on." At least five of Charlie's joined Gene last .-pring at Hotel baffling Down Beat’s judges as well ien put in their notice during Pennsylvania in New York, took as many of the readers. Guy Lom­ jeir Apollo Theater stint Charlie no part in the affair. bardo however holds a substantial Feintraub,. Barnet’s lawyer-man- lead f«r first place as King of was even ‘fired’ Made Unfair Remark* Corn. o weeks ago but the report was It was reported that the res­ error. Weintraub remains with taurant man made “unfair” and isrlie and acts as spokesman for ungentlemanly remark* regarding Back to the sweet band division. I leader, denying all reports of Eldridge, and then asked that Roy New York—It was Woody Herman “Blue* Night" ut Cafe Society Miller is closely folloved by Tom­ e break-up. Weintraub added leave the place. Krupa took offense. Downtown when Harold Stein «napped this pic, «howing «ome of the my Dorsey, Duke Ellington, nnd st the band was booked for a Words tumbled forth. Finally, nation’s “blue*- greats’* together. From left to right are Woody Her­ Jimmy Dorsey in that order. crative series of Christmas sea­ Krupa and the restaurant man man, leader of the "Band That Plays the Blue»;'* W. C. Handy, the Great interest also is being fo­ n parties. “mixed” with fists flying. Police Father of the Blues; Connie Berry, hot boogie woogie and blue« cused on the balloting for the “All­ Outside musician.-, agree that re­ were called, Krupa was arrested, pianist currently featured at Barney Josephson’- establishment, und American” band members. Only adies« of present rumors Barnet taken to jail and fined $10. Then Joi Sullivan, blues ivory-tower from 'way back. Herman, Miss Berry, (Modulate to Page 17) ¡11 have a great band in the fu­ he was released. and Sullivan are busily watching Handy write the first notes of his rr as he has had in the past, It marked the first time that the new number. Cafe Society Swing. e’s too great a musician to be color line had been drawn on Roy opped by this, they say. since he joined Krupa’s crew-. Oran (Lips) Page, colored trum­ Crowned for Bash ! peter with Artie Shaw, has yet to run into trouble and Benny Good­ Union Exec Nailed man, during all the time he cm o * ployed race musicians, never had c. a anng on real trouble. Musicians in the •fl > Krupa band applauded their boss •fl 2 On Sex Charges for his action, although both Roy lises After and Gene said they were “sorry as Angeles—Following a trial that lasted almost three weeks, Harold hell” the occasion arose where William Roberts, the former U.S.C. bund leader who had recently been force was necessary to maintain public relation** chief of the musicians' Local No. 47, right. dieted here on both count* of the moral-« charge*, brought against him Ten Years lu*t Augu*t. Roberts was arrested after aL ; ---------------------------------------------------------------- Planning Flicker lewd act was perpetrated on a New Y’ork—After 10 years of 9-year old girl a Pasadena Charlie Christian efusing to record his hand, Fred playground. Witnesses got the li­ Will Recover Faring capitulated last week and cense number of the car in which by BOB SMITH igned a contract to make records the suspect escaped, and declared New York—Charlie Christian is »r Decca Most of the Waring it was Roberts' car. recovering from tuberculosis. The Minneapolis —- With due sur­ atput will be issued in album slender, bespectacled guitarist for­ prise, Tommy Sheridan eyes the inn with his famous glee club Alvo Accused of Rape merly with Benny Goodman, but diploma nnd degree of "Doctor eavily featured, as well as the Later, Roberts was accused by out uf the band most of this year of Boogie Woogie,” just pre­ rganization’s battery of vocal a 15-year old girl as the assailant because of illness, is making “rapid sented him by Audrey Hines, star Hoists. who had raped her over a year progress" according to physicians vocalist at Sleiser’s Club 21 here. Waring last recorded for Victor. ago. at the Staten Island City Hospital The presentation was made just It had always been the leader’s Roberts' attorney, Willard Bur- where he is confined. after boogie woogie man Sher­ ehef that the making of phono gess, asked for a trial on For the first time last week, it idan had proved his metal in an latter* was detrimental to not numerous technical and statutory was reported, analysis showed early morning bash at this Cafe nly his band, but to all perform­ grounds. Sentencing post negative. That indicate: that the Society of the middle west. Pay­ « artists. Early in the 1930’s, poned pending hearing on the re­ critical stage of Charlie’s illness off is that Sheridan in his more quest for a new trial. Under Cali- is passed. Rest will cure him, doc­ lucid moments is the pianist iationa! Association of Perform­ ornia law the sentence might go tors said, although it may take with Lawrence Welk’s «ugar- ig Artists, an organization which as high as life imprisonment. many months. styled ork! intended that an artist should Meantime, Roberto' attorney al­ mJ the vested righto in record- so made a request that his client t and should be able to exercise be examined by medical authori­ sir use. He argued that a leader, Hollywood — Here are Duke ties to determine if he might be «ing discs, simply “competed Ellington, left, und Oraon committed to an institution for •tn himself.” Welle*, right, in informal con­ (Modulate to Page 3') T.B. Kills Dick Wilson, The increased ference discussing the proposed •rivate homes, coin oper- jazz picture which Welle* will produce shortly. In center ia the Andy Kirk’s Tenor Sax Ace wio . stations throughout North former Bronze Buckaroo, Herb Andrews Sisters ■»erica, and the inability of art- Jeffrie*, Duke’* singer. New York—Death came to Richard (Dick) Wilson, hand­ ■ to control their use finally Plans cull for Ellington to com­ On the Cover pose the score for the film. some tenor saxophonist with Andy Kirk’s band, in Harlem “ng with Decca came unex- Dave Stuart of Hollywood is a That’s Lou Levy, head man of Hospital here Nov. 24 just two weeks after another noted *dly in the trade. Waring and Leedn Music company, poking in technical director. the Sanla Claus suit with the An­ tenor man, Chu Berry, met death in an Ohio motor accident. •Rgrcgation were the last Wilson had been ill a year, but< Id-outs” from wax. drew« Siatere on the cover. The girls are now making $5,00(1 n did not leave Kirk’s band until Calvary Cemetery in Queens, L. I. Clini Brewer week in theaters, the highest October of 1941. On Oct. 18 he Dick was unmarried and had no sum ever paid a singing act. Top entered the hospital in a dangerous living relatives. ozola Joining Pleads Guilty money, the Boswell» got years eonditi >n, suffering from tubercu­ Born Nov. 11, 1911, in Mount losis. Until about two weeks ago hggsy’s Ork ? New York—Clinton P. Brewer, “go wan $3,800 a week. They Vernon, Ill., Wilson got his profes­ arranger und cvmnoHi, pleaded ju»t completed three week* at he appeared to be improving, ac­ sional start with Gene Coy’s ork.
Load more

Recommended publications
  • Jazz and the Cultural Transformation of America in the 1920S
    Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2003 Jazz and the cultural transformation of America in the 1920s Courtney Patterson Carney Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the History Commons Recommended Citation Carney, Courtney Patterson, "Jazz and the cultural transformation of America in the 1920s" (2003). LSU Doctoral Dissertations. 176. https://digitalcommons.lsu.edu/gradschool_dissertations/176 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. JAZZ AND THE CULTURAL TRANSFORMATION OF AMERICA IN THE 1920S A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of History by Courtney Patterson Carney B.A., Baylor University, 1996 M.A., Louisiana State University, 1998 December 2003 For Big ii ACKNOWLEDGEMENTS The real truth about it is no one gets it right The real truth about it is we’re all supposed to try1 Over the course of the last few years I have been in contact with a long list of people, many of whom have had some impact on this dissertation. At the University of Chicago, Deborah Gillaspie and Ray Gadke helped immensely by guiding me through the Chicago Jazz Archive.
    [Show full text]
  • Hermann NAEHRING: Wlodzimierz NAHORNY: NAIMA: Mari
    This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ Hermann NAEHRING: "Großstadtkinder" Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; Stefan Dohanetz -d; Henry Osterloh -tymp; recorded 1985 in Berlin 24817 SCHLAGZEILEN 6.37 Amiga 856138 Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; Stefan Dohanetz -d; recorded 1985 in Berlin 24818 SOUJA 7.02 --- Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; Volker Schlott -fl; recorded 1985 in Berlin A) Orangenflip B) Pink-Punk Frosch ist krank C) Crash 24819 GROSSSTADTKINDER ((Orangenflip / Pink-Punk, Frosch ist krank / Crash)) 11.34 --- Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; recorded 1985 in Berlin 24820 PHRYGIA 7.35 --- 24821 RIMBANA 4.05 --- 24822 CLIFFORD 2.53 --- ------------------------------------------ Wlodzimierz NAHORNY: "Heart" Wlodzimierz Nahorny -as,p; Jacek Ostaszewski -b; Sergiusz Perkowski -d; recorded November 1967 in Warsaw 34847 BALLAD OF TWO HEARTS 2.45 Muza XL-0452 34848 A MONTH OF GOODWILL 7.03 --- 34849 MUNIAK'S HEART 5.48 --- 34850 LEAKS 4.30 --- 34851 AT THE CASHIER 4.55 --- 34852 IT DEPENDS FOR WHOM 4.57 --- 34853 A PEDANT'S LETTER 5.00 --- 34854 ON A HIGH PEAK
    [Show full text]
  • The Journal of the Duke Ellington Society Uk Volume 23 Number 3 Autumn 2016
    THE JOURNAL OF THE DUKE ELLINGTON SOCIETY UK VOLUME 23 NUMBER 3 AUTUMN 2016 nil significat nisi pulsatur DUKE ELLINGTON SOCIETY UK http://dukeellington.org.uk DESUK COMMITTEE HONORARY MEMBERS OF DESUK Art Baron CHAIRMAN: Geoff Smith John Lamb Vincent Prudente VICE CHAIRMAN: Mike Coates Monsignor John Sanders SECRETARY: Quentin Bryar Tel: 0208 998 2761 Email: [email protected] HONORARY MEMBERS SADLY NO LONGER WITH US TREASURER: Grant Elliot Tel: 01284 753825 Bill Berry (13 October 2002) Email: [email protected] Harold Ashby (13 June 2003) Jimmy Woode (23 April 2005) MEMBERSHIP SECRETARY: Mike Coates Tel: 0114 234 8927 Humphrey Lyttelton (25 April 2008) Email: [email protected] Louie Bellson (14 February 2009) Joya Sherrill (28 June 2010) PUBLICITY: Chris Addison Tel:01642-274740 Alice Babs (11 February, 2014) Email: [email protected] Herb Jeffries (25 May 2014) MEETINGS: Antony Pepper Tel: 01342-314053 Derek Else (16 July 2014) Email: [email protected] Clark Terry (21 February 2015) Joe Temperley (11 May, 2016) COMMITTEE MEMBERS: Roger Boyes, Ian Buster Cooper (13 May 2016) Bradley, George Duncan, Frank Griffith, Frank Harvey Membership of Duke Ellington Society UK costs £25 SOCIETY NOTICES per year. Members receive quarterly a copy of the Society’s journal Blue Light. DESUK London Social Meetings: Civil Service Club, 13-15 Great Scotland Yard, London nd Payment may be made by: SW1A 2HJ; off Whitehall, Trafalgar Square end. 2 Saturday of the month, 2pm. Cheque, payable to DESUK drawn on a Sterling bank Antony Pepper, contact details as above. account and sent to The Treasurer, 55 Home Farm Lane, Bury St.
    [Show full text]
  • The Singles Chart
    ALPHABETICAL LISTING 1 201 SINGLES CHART THE SINGLES CHART PRODUCER, PUBLISHER, LICENSEE AT SEVENTEEN Brooks Arthur (Mine/ MIDNIGHT BLUE Vini Poncia April, ASCAP) 77 (New York Times/Roumanian ATTITUDE DANCING Richard Perry Pickleworks, BMA) 14 15 (C'est/Maya, ASCAP) 47 MISTY Ray Stevens (Vernon, ASCAP) 23 BABY THAT'S BACKATCHA Smokey MORNIN' BEAUTIFUL Hank Medress & Dave Robinson (Bertram, ASCAP) 42 Appell (Apple Cider/Music of the Times, ASCAP; Little Max/New York JULY 5, 1975 BAD LUCK Gamble-Huff (Mighty Three, Times, BMI) 37 BMI) 39 JULY JUNE OLD DAYS James William Guercio BAD TIME Jimmy lenner (Cram Renraff, 5 28 (Make Me Smile/Big Elk, ASCAP) 52 BMI) 31 ONE OF THESE NIGHTS Bill Szymczyk 101 101 FUNNY HOW LOVE CAN BE FIRST CLASS-UK 5N 59033 (London) BALLROOM BLITZ Phil Wainman (Benchmark/Kicking Bear, ASCAP) 12 (Southern, ASCAP) (Chinnichap/RAK, BMI) 93 ONLY WOMEN Bob Ezrin BEFORE THE NEXT TEARDROP FALLS 102 110 DREAM MERCHANT NEW BIRTH-Buddah 470 (Saturday, BMI) (Ezra/Early Frost, BMI) 16 Huey Meaux (Shelby Singleton, BMI) 28 103 107 HONEY TRIPPIN' MYSTIC MOODS-Soundbird 5002 (Sutton Miller) ONLY YESTERDAY Richard Carpenter BLACK FRIDAY Gary Katz (American (Ginseng/Medallion Avenue, ASCAP) (Almo/Sweet Harmony/Hammer & Broadcasting, ASCAP) 43 Nails, ASCAP) 48 104 103 AIN'T NO USE COOK E. JARR & HIS KRUMS-Roulette 20426 BLACK SUPERMAN-MUHAMMAD ALI PHILADELPHIA FREEDOM Gus Dudgeon Robin Blanchflower Boy, BMI) 95 (Adam R. Levy & Father/Missile, BMI) (Drummer (Big Pig/Leeds, ASCAP) 54 105 104 IT'S ALL UP TO YOU JIM CAPALDI-Island D25 (Ackee, ASCAP) BURNIN' THING Gary Klein PLEASE MR.
    [Show full text]
  • ¶7櫥«Q }欻' / * #376;扎 #732;†
    120825bk Teagarden2 REV 29/3/06 8:46 PM Page 8 Track 14: John Fallstitch, Pokey Carriere, Sid Jack Lantz, trombones; Merton Smith, Vic Rosi, Feller, trumpets; Jack Teagarden, Jose Bob Derry, Bert Noah, Dave Jolley, saxes; Guttierez, Seymour Goldfinger, Joe Ferrall, Norma Teagarden, piano; Charles Gilruth, trombones; Danny Polo, clarinet, alto sax; Tony guitar; Lloyd Springer, bass; Frank Horrington, Antonelli, Joe Ferdinando, alto sax; Art Moore, drums Art Beck, tenor sax; Ernie Hughes, piano; Track 19: Charlie Teagarden, trumpet; Jack Arnold Fishkin, bass; Paul Collins, drums Teagarden, Moe Schneider, trombones; Matty Track 15: John Fallstitch, Pokey Carriere, Matlock, clarinet, tenor sax; Ray Sherman, Truman Quigley, trumpets; Jack Teagarden, piano; Bill Newman, guitar, banjo; Morty Corb, Jose Guttierez, Seymour Goldfinger, Joe Ferrall, bass; Ben Pollack, drums trombones; Danny Polo, clarinet, alto sax; Tony Track 20: Charlie Teagarden, trumpet; Jack Antonelli, Joe Ferdinando, alto sax; Art Moore, Teagarden, trombone; Jay St. John, clarinet; Art Beck, tenor sax; Ernie Hughes, piano; Norma Teagarden, piano; Kass Malone, bass; Arnold Fishkin, bass; Paul Collins, drums Ray Bauduc, drums Track 16: John Fallstitch, Pokey Carriere, Truman Quigley, trumpets; Jack Teagarden, Also available ... Jose Guttierez, Seymour Goldfinger, Joe Ferrall, trombones; Danny Polo, clarinet, alto sax; Tony Antonelli, Joe Ferdinando, alto sax; Art Moore, Art Beck, tenor sax; Ernie Hughes, piano; Perry Botkin, guitar; Arnold Fishkin, bass; Paul Collins, drums Track
    [Show full text]
  • CLASSIC JAZZ This Page Intentionally Left Blank CLASSIC JAZZ
    CLASSIC JAZZ This page intentionally left blank CLASSIC JAZZ A Personal View of the Music and the Musicians FLOYD LEVIN Foreword by BENNY CARTER UNIVERSITY OF CALIFORNIA PRESS Berkeley Los Angeles London Title page illustration: The author and his wife, Lucille—Emperor and Empress of the 1985 Jazz Jubilee, Sacramento, California. Unless otherwise credited, all illustrations are by the author or are from his collection. University of California Press Berkeley and Los Angeles, California University of California Press, Ltd. London, England © 2000 by the Regents of the University of California Library of Congress Cataloging-in-Publication Data Levin, Floyd. Classic jazz : a personal view of the music and the musicians / Floyd Levin. p. cm. Includes index. isbn 0-520-21360-2 (cloth : alk. paper) 1. Jazz—History and criticism. 2. Jazz musi- cians—United States. I. Title. ml3508.l48 2000 781.65—dc21 00-022554 Manufactured in the United States of America 08 07 06 05 04 03 02 01 00 10987654321 The paper used in this publication meets the mini- mum requirements of ansi/niso z39.48-1992 (r 1997) (Permanence of Paper). To Lucille, my loving wife and perceptive editor, who shared these wonderful experiences with me. Her sincere praises buoyed my efforts, and her unerring criticisms deftly improved my narration. This page intentionally left blank CONTENTS FOREWORD BY BENNY CARTER xv PREFACE xvii ACKNOWLEDGMENTS xxiii INTRODUCTION 1 1 KID ORY AND THE REVIVAL ERA 9 Kid Ory / 11 Kid Ory’s Legendary 1921 Nordskog/Sunshine Recordings / 14 Papa Mutt Carey
    [Show full text]
  • Mi M®, 7273 the FUNCTION of ORAL TRADITION in MARY LOU's MASS by MARY LOU WILLIAMS THESIS Presented to the Graduate Counci
    37? mi M®, 7273 THE FUNCTION OF ORAL TRADITION IN MARY LOU'S MASS BY MARY LOU WILLIAMS THESIS Presented to the Graduate Council of the University of North Texas in Partial Fulfillment of the Requirements For the Degree of MASTER OF MUSIC By France Fledderus, B.C.S. Denton, Texas August, 1996 37? mi M®, 7273 THE FUNCTION OF ORAL TRADITION IN MARY LOU'S MASS BY MARY LOU WILLIAMS THESIS Presented to the Graduate Council of the University of North Texas in Partial Fulfillment of the Requirements For the Degree of MASTER OF MUSIC By France Fledderus, B.C.S. Denton, Texas August, 1996 Fledderus, France. The Function of Oral Tradition in Mary Lou's Mass by Mary Lou Williams. Master of Music (Musicology), August, 1996,141 pp., 44 titles. The musical and spiritual life of Mary Lou Williams (1910 - 1981) came together in her later years in the writing of Mary Lou's Mass. Being both Roman Catholic and a jazz pianist and composer, it was inevitable that Williams would be the first jazz composer to write a setting of the mass. The degree of success resulting from the combination of jazz and the traditional forms of Western art music has always been controversial. Because of Williams's personal faith and aesthetics of music, however, she had little choice but to attempt the union of jazz and liturgical worship. After a biography of Williams, discussed in the context of her musical aesthetics, this thesis investigates the elements of conventional mass settings and oral tradition found in Mary Lou's Mass.
    [Show full text]
  • Soundies Research
    Soundies Disc 1 Golden Oldies Opening & © notice Listed in the order they appear on the disc: Del Casino Surrender 1946 Three Suns with Artie Dunn Beyond the Blue Horizon 1944 Emil Coleman with June Barton Gotta Be This or That 1945 Six Hits and a Miss Sweet Sue, Just You 1941 Harry Cool Stardust 1945 Yvonne De Carlo with Spike Jones band Lamp of Memory 1942 Ray Bloch with Carolyn Marsh I Can’t Give You Anything But Love Baby 1941 Seven Sarongs Heaven Help a Sailor 1941 Zarek and Zarina Male Order 1941 3 Car Hops At Your Service 1941 Juvenile Jubilee with Merle Pitt I Don’t Want to Walk W/out You 1942 Thelma White Hollywood Boogie 1946 Andy Iona Orchestra Tropical Swingaroo 1941 Johnny Long and Orchestra Maria Elena 1943 Varios and Vida (dancers) Begin the Beguine 1943 Larry Clinton Semper Fidelis 1943 Johnny Long In a Shanty In Old Shanty Town 1943 Billy MacDonald & His Highlanders Playmates 1944 Jimmy Dorsey Bar Babble 1943 Jimmy Dorsey with Helen O’Connell Man That’s Groovy 1943 Jimmy Dorsey La Rosita 1943 Gene Krupa with Anita O’Day Let Me Off Uptown 1942 Gene Krupa with Anita O’Day Thanks for the Boogie Ride 1942 Al Donahue with Ellen Connor Java Jive 1943 Al Donahue with Phil Brito Lonesome Road 1943 Victor Young Hold That Tiger 1940 Al Donahue Anvil Chorus 1943 Al Donahue with Ellen Connor Jumpin’ at the Juke Box 1943 Will Bradley Boardwalk Boogie 1941 Will Bradley Barnyard Bounce 1941 Johnny Long Boogie Man 1943 Charlie Spivak Hop, Skip and Jump 1942 Johnny Long It Must Be Jelly 1946 Nat King Cole Frim Fram Sauce 1945 Nat King Cole Calypso Girl (?) Mills Brothers Cielito Lindo 1944 Cab Calloway Minnie the Moocher 1942 Soundies Disc 2 All of these are Soundies except the Artie Shaw number from Second Chorus.
    [Show full text]
  • The Recordings
    Appendix: The Recordings These are the URLs of the original locations where I found the recordings used in this book. Those without a URL came from a cassette tape, LP or CD in my personal collection, or from now-defunct YouTube or Grooveshark web pages. I had many of the other recordings in my collection already, but searched for online sources to allow the reader to hear what I heard when writing the book. Naturally, these posted “videos” will disappear over time, although most of them then re- appear six months or a year later with a new URL. If you can’t find an alternate location, send me an e-mail and let me know. In the meantime, I have provided low-level mp3 files of the tracks that are not available or that I have modified in pitch or speed in private listening vaults where they can be heard. This way, the entire book can be verified by listening to the same re- cordings and works that I heard. For locations of these private sound vaults, please e-mail me and I will send you the links. They are not to be shared or downloaded, and the selections therein are only identified by their numbers from the complete list given below. Chapter I: 0001. Maple Leaf Rag (Joplin)/Scott Joplin, piano roll (1916) listen at: http://www.youtube.com/watch?v=9E5iehuiYdQ 0002. Charleston Rag (a.k.a. Echoes of Africa)(Blake)/Eubie Blake, piano (1969) listen at: https://www.youtube.com/watch?v=R7oQfRGUOnU 0003. Stars and Stripes Forever (John Philip Sousa, arr.
    [Show full text]
  • Download Booklet
    120762bk DorseyBros 14/2/05 8:43 PM Page 8 The Naxos Historical labels aim to make available the greatest recordings of the history of recorded music, in the best and truest sound that contemporary technology can provide. To achieve this aim, Naxos has engaged a number of respected restorers who have the dedication, skill and experience to produce restorations that have set new standards in the field of historical recordings. Available in the Naxos Jazz Legends and Nostalgia series … 8.120625* 8.120628 8.120632* 8.120681* 8.120697* 8.120746* * Not available in the USA NAXOS RADIO Over 70 Channels of Classical Music • Jazz, Folk/World, Nostalgia www.naxosradio.com Accessible Anywhere, Anytime • Near-CD Quality 120762bk DorseyBros 14/2/05 8:43 PM Page 2 THE DORSEY BROTHERS Personnel Tracks 1, 3 & 4: Bunny Berigan, trumpet; Tracks 8-11: Manny Klein & unknown, trumpet; ‘Stop, Look and Listen’ Original 1932-1935 Recordings Tommy Dorsey, trombone; Jimmy Dorsey, Tommy Dorsey, Glenn Miller, trombones; clarinet, alto sax; Larry Binyon, tenor sax; Jimmy Dorsey, clarinet, alto sax; unknown, alto Whether you call them The Fabulous or The over to the newly formed American Decca label. Fulton McGrath, piano; Dick McDonough, sax; Larry Binyon (?), tenor sax; Fulton Battling Dorsey Brothers, Tommy (1905-1956) In the two knock-down drag-out years that guitar; Artie Bernstein, bass; Stan King, drums McGrath (?), piano; Dick McDonough, guitar; and Jimmy Dorsey (1904-1957) were major followed, the Dorseys produced some Track 2: Bunny Berigan, trumpet; Tommy Artie Bernstein (?), bass; Stan King or Ray influences on the development of jazz in the outstanding and exciting jazz, all the while Dorsey, trombone; Jimmy Dorsey, clarinet; McKinley, drums 1920s and ’30s.
    [Show full text]
  • 'Slow Drag' Pavageau
    NEWSLETTER OCT-2016 ologyology Alcide ‘Slow Drag’ Pavageau G.H.B. JAZZ FOUNDATION • JAZZOLOGY RECORDS GEORGE H. BUCK JAZZ FOUNDATION 1206 DECATUR STREET • NEW ORLEANS, LA 70116 Phone: +1 (504) 525-5000 Office Manager: Lars Edegran Fax: +1 (504) 525-1776 Assistant: Mike Robeson Email: [email protected] Office Hours: Mon-Fri 11am – 5pm Website: www.jazzology.com Entrance: 61 French Market Place Newsletter Editor: Paige VanVorst Contributors: Lars Edegran, Mike Layout & Design: David Stocker Robeson, David Stocker HOW TO ORDER COSTS – U.S. AND FOREIGN MEMBERSHIP If you wish to become a member of the Collector’s Record Club, please mail a check in the amount of $5.00 payable to the GHB Jazz Foundation. You will then receive your membership card by return mail or with your order. *Membership continues as long as you order at least one selection per year. You will also be able to buy our products at a special discounted price: CDs for $13.00 DVDs for $20.00 Books for $25.00 NON-MEMBERS For non-members our prices are: CDs for $15.98 DVDs for $25.00 Books for $30.00 DOMESTIC MAILING & POSTAGE CHARGES There is a flat rate of $3.00 regardless of the number of items ordered. OVERSEAS SHIPPING CHARGES 1 CD $13.00; 2-3 CDS $15.00; 4-6 CDS $20.00; 7-10 CDS $26.00 Canadian shipping charges are 50% of overseas charges ALL PAYMENTS FOR FOREIGN ORDERS MUST BE MADE WITH EITHER: • INTERNATIONAL MONEY ORDER • CHECK DRAWN IN U.S. DOLLARS FROM A U.S.
    [Show full text]
  • Big Bandy 4 – Glenn Miller Vs. Count Basie 1. I Got Rhythm (George Gershwin)
    MUNI 20130325 – big bandy 4 – Glenn Miller vs. Count Basie 1. I Got Rhythm (George Gershwin) 3:03 Glenn Miller and His Orchestra: Charlie Spivak, Manny Klein, Sterling Bose-tp; Glenn Miller-tb, arr; Jesse Ralph, Harry Rodgers-tb; Hal McIntyre-cl, as; George Siravo-as; Jerry Jerome, Carl Biesecker-ts; Howard Smith-p; Dick McDonough-g; Ted Kotsoftis-b; George Simon-dr. New York, June 9, 1937. Brunswick 7915/B 21234-3. [Columbia 471656] 2. Humoresque (Antonín Dvořák) 2:40 Pee Wee Erwin, Bob Price, Ardell Garrett-tp; Glenn Miller, Jesse Ralph, Bud Smith-tb; Hal McIntyre, Tony Viola-as; Irving Fazola-cl, as; Jerry Jerome, Carl Biesecker-ts; Chummy MacGregor-p; Carmen Mastren-g; Rowland Bundock-b; Doc Carney-dr; George Siravo-arr. New York, November 29, 1937. Brunswick 8062/B 22080-1. [Columbia 471656] 3. Moonlight Serenade (Glenn Miller) 3:25 Bob Price, Legh Knowles, Dale McMickle-tp; Glenn Miller-tb, arr, Al Mastren, Paul Tanner- tb; Hal McIntyre-as; Stanley Aronson-as, bs; Wilbur Schwartz-cl, as; Tex Beneke, Al Klink-ts; Chummy MacGregor-p; Allan Reuss-g; Rowland Bundock-b; Frank Carlson-dr. New York, April 4, 1939. Bluebird 10214-B/035701-1. [CD: RCA ND90600] 4. In the Mood (Joe Garland) 3:34 Clyde Hurley, Legh Knowles, Dale McMickle-tp; Glenn Miller, Al Mastren, Paul Tanner-tb; Hal McIntyre-as; Harold Tennyson-as, bs, cl; Wilbur Schwartz-cl, as; Tex Beneke, Al Klink-ts; Chummy MacGregor-p; Richard Fisher-g; Rowland Bundock-b; Maurice Purtill-dr; Joe Garland, Glenn Miller, Eddie Durham???/arr. New York, August 1, 1939.
    [Show full text]