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Anatoly Solonitsyn
CELEBRATING FORTY YEARS of FILMS WORTH TALKING ABOUT 39 Years, 2 Months, and Counting…
DIRECTOR Larisa Shepitko WRITING Yuri Klepikov and Larisa Shepitko Wrote the Screenplay Adapted from a Novel by Vasiliy Bykov
Faith, Agency and Self-Pity in Andrei Tarkovsky's Stalker
Last Tango in Paris (1972) Dramas Bernardo Bertolucci
Número 180 (Noviembre, 2020)
Larissa Shepitko, VOSKHODZDENIE/THE ASCENT (1976, 109 Min)
Soviet Science Fiction Movies in the Mirror of Film Criticism and Viewers’ Opinions
SURVIVAL MOVIES. a THEOLOGICAL PERSPECTIVE – Phd THESIS –
Media Education. Медиаобразование. 2017. № 1
Movies, Only Orkers Crack Their Union Local’S Safe and Oct
The Metamorphosis of Memory and History in Tarkovsky's Mirror
What Is the Zone and Are We in It? Visions of the Anthropocene In
El Cine Y La Literatura Medieval
Icons, Landscape, and the Boundaries of Good and Evil Larisa Shepitko's
Filmele De Supraviețuire. O Perspectivă Teologică
Andrei Tarkovsky’S Final Soviet Feature Is a Metaphysical Journey Through an Enigmatic Postapocalyptic Landscape, and a Rarefied Cinematic Experience Like No Other
David Heslin's Film List
ANDREI RUBLEV Screening As Part of Sculpting Time: Andrei Tarkovsky Nationwide Touring Programme
Top View
Catalogue DVD
FRAHALDSSKÓLASÝNINGAR VORÖNN 2015 Í Boði Er
The Tension Between Created Time and Real Time in Andrei Tarkovsky’S Film Andrei Rubliov
Notes to the Introduction 1. Filmed Interview with Andrei Tarkovsky By
Жание / Дух Огня / Най Ангки / Spirit of Fire / 2005
A TRAIN STOPPED in MOSCOW John Birch
The Elephant Man (Lynch, 1980), Crash (Cronenberg, 1996)
Sound and Silence in the Films of Bergman And
165705030.Pdf
Reentry Shock: Historical Transition and Temporal Longing In
Deleuze and Tarkovsky: the Time-Image and Post-War Soviet Cinema History
Multimedia Library Feature Films: Russian, Ukrainian, Or Central Asian
The Tension Between Created Time and Real Time in Andrei Tarkovsky’S Film Andrei Rubliov