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Alex Proyas

  • Marble Hornets, the Slender Man, and The

    Marble Hornets, the Slender Man, and The

  • Dvd Page 42

    Dvd Page 42

  • IAN SEABROOK Underwater Director of Photography

    IAN SEABROOK Underwater Director of Photography

  • Clio 2019 Was Funded in Part by the College of Arts & Letters’ Student- Faculty Collaboration Grant

    Clio 2019 Was Funded in Part by the College of Arts & Letters’ Student- Faculty Collaboration Grant

  • The City in Crisis Urban Nightmares in U.S

    The City in Crisis Urban Nightmares in U.S

  • Smart Cinema As Trans-Generic Mode: a Study of Industrial Transgression and Assimilation 1990-2005

    Smart Cinema As Trans-Generic Mode: a Study of Industrial Transgression and Assimilation 1990-2005

  • Postclassical Hollywood/Postmodern Subjectivity Representation In

    Postclassical Hollywood/Postmodern Subjectivity Representation In

  • SCIENCE FICTION CINEMA Spring 2016

    SCIENCE FICTION CINEMA Spring 2016

  • Girl's Own Story Music Credits

    Girl's Own Story Music Credits

  • 1 Modular Narratives in Contemporary Cinema

    1 Modular Narratives in Contemporary Cinema

  • IAN SEABROOK Underwater Director of Photography

    IAN SEABROOK Underwater Director of Photography

  • The Hollywood Cinema Industry's Coming of Digital Age: The

    The Hollywood Cinema Industry's Coming of Digital Age: The

  • Martin Pashley

    Martin Pashley

  • From Puppet to Cyborg: Posthuman and Postmodern Retellings of the Pinocchio Myth

    From Puppet to Cyborg: Posthuman and Postmodern Retellings of the Pinocchio Myth

  • Encapsulated Noir: Hybrid Genres and Social Mobility in Alex Proyas' Dark City Steffen Hantke, Sogang University, Rep

    Encapsulated Noir: Hybrid Genres and Social Mobility in Alex Proyas' Dark City Steffen Hantke, Sogang University, Rep

  • Narrative and Mediatized Memory in Eternal Sunshine of the Spotless Mind Carolyn Jess-Cooke, University of Sunderland, UK

    Narrative and Mediatized Memory in Eternal Sunshine of the Spotless Mind Carolyn Jess-Cooke, University of Sunderland, UK

  • 0708 Dvd&Vhs

    0708 Dvd&Vhs

  • The Critical-Industrial Practices of Contemporary Horror Cinema

    The Critical-Industrial Practices of Contemporary Horror Cinema

Top View
  • 28 Days Later
  • Warner Bros. De Lane Lea Peter Doyle
  • Top 100 Complete Lijst.Xlsx
  • Sydney Secures Production of Gods of Egypt
  • The Company You Keep
  • The Father Production Notes 30 October 2020 *Amended*
  • Cinematic Visions of Los Angeles: Representations of Identity and Mobility in the Cinematic City Fox, Kenneth James
  • Cinematic Visions of Los Angeles: Representations of Identity and Mobility in the Cinematic City
  • Corin Hardy Biography
  • 1 CHAPTER I INTRODUCTION A. Background of the Study Knowing
  • A History of the Zombie Film [To the Mid 1990S] by Robert Hood
  • Hollywood's End of Days: Visions of Biblical Apocalypse And
  • The Cinematic Wink: Representations of Winking in Screen Media
  • Artificial Identity: Representations of Robots and Cyborgs in Contemporary Anglo-American Science Fiction Films
  • Dark City Tail Credits
  • Electric-Sheep-Abstracts-1
  • Feature Films 2009 I'm Not Your Friend
  • Audiovisual Representations of Artificial Intelligence in Dystopian Tech Societies: Scaremongering Or Reality? the Cases of Black Mirror (Charlie


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