Martin Pashley
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Greeks and the City 29Th Lonsdale St Greek Festival
MEDIA RELEASE GREEKS AND THE CITY 29TH LONSDALE ST GREEK FESTIVAL 25 FEBRUARY 2016 – Dreaming of a Greek getaway? No need to get on a plane, just come on down to the 29th Lonsdale St Greek Festival this weekend, when the heart of Melbourne is set to beat to a Greek rhythm for two days as the sights, sounds and smells will make you feel like you are holidaying in the Mediterranean. Revered singer and performer Alkinoos Ioannidis (from Cyprus) headlines the Festival this year, taking to the Delphi Bank stage on Saturday 27 February. WATCH + LISTEN The 29th Lonsdale St Greek Festival will have three stages this year where people can enjoy the sounds of local bands including PolyXeni, Galata Express and Gyftos Lite; take a Tsifteteli Pump class, learn at the Procal Greek Kitchen, cheer on the Zorba 'til You Drop participants and dance through the many regions of Greece. The Qatar Airways Stage will see new talent emerge during our newly established Magic Mic singing competition plus a host of local dancing groups reflecting the many regions of Greece, an outside broadcast from SBS Radio and DJs from Rythmos radio. Much loved My Kitchen Rules Greek twins Helena and Vikki Moursellas will be hosting the Procal Greek Kitchen across the weekend. The sisters who are now based in Sydney have been working hard since their time on the television cooking show in 2014, releasing their first cook book Taking You Home and opening their own Greek and modern Australian restaurant at Sydney’s Civic Hotel, Twofold, last year. -
Marble Hornets, the Slender Man, and The
DIGITAL FOLKLORE: MARBLE HORNETS, THE SLENDER MAN, AND THE EMERGENCE OF FOLK HORROR IN ONLINE COMMUNITIES by Dana Keller B.A., The University of British Columbia, 2005 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE AND POSTDOCTORAL STUDIES (Film Studies) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) December 2013 © Dana Keller, 2013 Abstract In June 2009 a group of forum-goers on the popular culture website, Something Awful, created a monster called the Slender Man. Inhumanly tall, pale, black-clad, and with the power to control minds, the Slender Man references many classic, canonical horror monsters while simultaneously expressing an acute anxiety about the contemporary digital context that birthed him. This anxiety is apparent in the collective legends that have risen around the Slender Man since 2009, but it figures particularly strongly in the Web series Marble Hornets (Troy Wagner and Joseph DeLage June 2009 - ). This thesis examines Marble Hornets as an example of an emerging trend in digital, online cinema that it defines as “folk horror”: a subgenre of horror that is produced by online communities of everyday people— or folk—as opposed to professional crews working within the film industry. Works of folk horror address the questions and anxieties of our current, digital age by reflecting the changing roles and behaviours of the everyday person, who is becoming increasingly involved with the products of popular culture. After providing a context for understanding folk horror, this thesis analyzes Marble Hornets through the lens of folkloric narrative structures such as legends and folktales, and vernacular modes of filmmaking such as cinéma direct and found footage horror. -
Oztam TOP 100 FTA SERIES 2017 (Metro Weeks 7-48 Excluding Easter, Consolidated)
OzTAM TOP 100 FTA SERIES 2017 (Metro weeks 7-48 excluding Easter, Consolidated) RANK PROGRAM NETWORK AUDIENCE RANK PROGRAM NETWORK AUDIENCE 1 Australian Ninja Warrior-Mon Nine 1,640,000 51 Sunday Night Seven 836,000 2 The Block-Sun Nine 1,474,000 52 Have You Been Paying Attention? Ten 831,000 3 The Good Doctor-Tue Seven 1,348,000 53 I’m A Celebrity…Get Me-Mon Ten 831,000 4 My Kitchen Rules-Mon Seven 1,315,000 54 800 Words Seven 827,000 5 The Block-Mon Nine 1,314,000 55 Doctor Doctor Nine 824,000 6 The Good Doctor-Thu Seven 1,296,000 56 Murder Uncovered Seven 819,000 7 My Kitchen Rules-Tue Seven 1,294,000 57 MasterChef Australia-Sun Ten 819,000 8 My Kitchen Rules-Wed Seven 1,290,000 58 Seven News-Sat Seven 815,000 9 The Block-Tue Nine 1,238,000 59 Bride & Prejudice-The Forbidden Wedding Seven 805,000 10 Married At First Sight-Sun Nine 1,230,000 60 The Coroner ABC 800,000 11 My Kitchen Rules-Sun Seven 1,221,000 61 I’m A Celebrity…Get Me-Tue Ten 796,000 12 Little Big Shots Seven 1,201,000 62 A Current Affair Nine 796,000 13 Married At First Sight-Mon Nine 1,200,000 63 I’m A Celebrity…Get Me-Sun Ten 793,000 14 The Block-Wed Nine 1,181,000 64 The Bachelor Australia-Wed Ten 790,000 15 Married At First Sight-Tue Nine 1,170,000 65 Broadchurch ABC 781,000 16 The Voice-Tue Nine 1,145,000 66 The Big Bang Theory-Tue Nine 781,000 17 House Rules-Sun Seven 1,115,000 67 The Wall Seven 773,000 18 The Voice-Mon Nine 1,108,000 68 Wanted Seven 772,000 19 Seven News-Sun Seven 1,100,000 69 Father Brown ABC 771,000 20 Nine News Sunday Nine 1,088,000 70 Nine -
Nowra CBD Revitalisation Strategy Committee 28 July 2016 - Item 1 Attachment “A”
Nowra CBD Revitalisation Strategy Committee 28 July 2016 - Item 1 Attachment “A” Extract, Illawarra-Shoalhaven Regional Plan ACTION 1.3.1 Renew and revitalise Nowra Centre by coordinating State agency input into precinct planning and reviewing capacity for expanded health-related uses Nowra Centre is the business, retail and services hub of the Shoalhaven. It has retail and commercial offerings, civic and government services catering for the local community, and tourism functions. The Nowra Centre supports 9,200 jobs, concentrated in health care (2,600 jobs), retail (1,650) and public administration (1,100). Major employers include Shoalhaven City Council and the Shoalhaven District Memorial Hospital. Planning for the growth of the health care sector in Nowra will help to diversify and strengthen the Centre. Shoalhaven City Council is already working to renew and revitalise the Centre to encourage new business opportunities through the: • CBD Urban Design Masterplan; • Nowra CBD height and floor space ratio planning controls; and • Nowra CBD Revitalisation Strategy. The priorities are to increase public transport use, better integrate walkways and cycleways, improve pedestrian connections across the highway, and better integrate recreational uses around the Shoalhaven River and the commercial activity in the Centre. As Nowra Centre grows it will be important to coordinate local and State infrastructure. The NSW Government will: • coordinate State agency input into precinct planning activities; and • identify Shoalhaven District Memorial Hospital’s capacity for growth, and consider opportunities to accommodate future expansion. Nowra CBD Revitalisation Strategy Committee 28 July 2016 - Item 1 Attachment “B” Nowra CBD Revitalisation National Stronger Regions, Round 3, Grant Application - Overview The project will address a number of social issues and support economic opportunities through a program of infrastructure and assets renewal to improve the amenity, function and long term future of the Nowra CBD. -
Major Breakthrough for Seven with US Commission for My Kitchen Rules
Major breakthrough for Seven with US commission for My Kitchen Rules FOX Broadcasting Company signs Seven to create My Kitchen Rules for the United States television market The Seven Network – Australia’s most-watched broadcast television platform and a key business of Seven West Media, one of Australia’s leading integrated media and content creation companies - today announced its next move in its long-term strategy in the development and creation of market-leading content in international markets. Building on the increasing international recognition of Seven’s created and produced My Kitchen Rules, the company today confirmed that FOX Broadcasting Company (FOX), one of the “big four” television networks in the United States has signed Seven to create and produce My Kitchen Rules for the United States. The programme – a celebrity version of the successful format - has commenced filming. Today’s signing with FOX for the United States builds on Seven’s agreement to create and produce My Kitchen Rules for Channel 4 in the United Kingdom and joins New Zealand, Serbia, Russia, Denmark, Belgium, Canada, Norway, Germany and Lithuania with “local” versions of the Seven format. In addition, the Australian version of My Kitchen Rules is seen in more than 160 territories around the world. Commenting, the Chief Executive Officer and Managing Director of Seven West Media, Tim Worner, said: “We are very excited to be working with FOX on this one. My Kitchen Rules is truly a labour of love for all of us at Seven. It has played and continues to play such an important role across all parts of our business. -
Keshet Confirms Commission of My Kitchen Rules Israel
KESHET CONFIRMS COMMISSION OF MY KITCHEN RULES ISRAEL 11 September 2017 -- Seven Studios – the rapidly expanding international production and distribution company and a key part of Seven West Media, one of Australia’s leading integrated media and content creation companies - today announced its next move in its long-term strategy in the development and creation of market-leading content in international markets. Building on the increasing international recognition of Seven’s created and produced My Kitchen Rules, the company today confirmed that My Kitchen Rules has been commissioned in Israel. My Kitchen Rules will be produced by July August Productions for Keshet. Now in production on Season 9 and scheduled to broadcast on Seven in 2018, My Kitchen Rules has also been produced locally in Canada, Lithuania, Serbia, UK, New Zealand, USA, Belgium, Denmark, Norway, and most recently in South Africa. Distributed by Endemol Shine, My Kitchen Rules Australia has been sold across more than 160 countries worldwide. Developed and produced by Seven Studios for the Seven Network in Australia, My Kitchen Rules has dominated the television landscape in Australia. This year’s My Kitchen Rules Winner Announcement delivered a combined audience of 2.30 million, dominating all audiences with a 45% share in total viewers, a 53% share in 16-39s, a 48% share in 18-49s and a 47% share in 25-54s. In Australia, My Kitchen Rules dominates across all platforms across 2017 – with an average television audience of 1.88 million, and in addition, 7.2 million streams on Seven’s PLUS7 digital platform, 10.1 million page views on the My Kitchen Rules Yahoo7 site, 703,266 page likes on Facebook, 97,700 followers on Instagram and 44,900 followers on Twitter. -
2015 SWM Annual Report
ABN 91 053 480 845 Delivering the future of content. Anywhere. Any screen. Anytime. Annual Report 2015 Seven West Media cares about the environment. By printing 2000 copies of this Annual Report on ecoStar Silk and ecoStar Offset the environmental impact was reduced by*: 1,185kg 171kg 1,707km of landfill of CO2 and travel in the average greenhouse gases European car 26,982 2,486kWh 1,926kg litres of water of energy of wood Source: European BREF data (virgin fibre paper). Carbon footprint data evaluated by Labelia Conseil in accordance with the Bilan Carbone® methodology. Results are obtained according to technical information and are subject to modification. *compared to a non-recycled paper. Delivering the future of content. Anywhere. Any screen. Anytime. Annual Report 2015 Contents What We Do 4 The Future of Us 44 Our Brands 6 Board of Directors 46 Our Strategy 8 Corporate Governance Statement 49 Our Strategic Framework 10 Directors’ Report 60 Letter from the Chairman 12 Remuneration Report 64 Letter from the Managing Director & CEO 14 Auditor’s Independence Declaration 83 Performance Dashboard 16 Financial Statements 84 Performance of the Business 18 Directors’ Declaration 134 Group Performance 20 Independent Auditor’s Report 135 Television 26 Company Information 137 Newspapers 32 Investor Information 138 Magazines 36 Shareholder Information 139 Other Business and New Ventures 40 Risk, Environment and Social Responsibility 42 2 Seven West Media Annual Report 2015 ABN 91 053 480 845 Contents The right people creating great content across television, digital, mobile and newspaper and magazine publishing. Delivering the future of content 3 What We Do We are achieving growth in the delivery of our content across our portfolio of integrated media platforms. -
IAN SEABROOK Underwater Director of Photography
IAN SEABROOK Underwater Director of Photography www.dorsalfin.net FEATURES DIRECTORS PRODUCERS/STUDIOS JUNGLE CRUISE Jaume Collet-Serra John Davis, John Fox, Danny Garcia, Hiram Garcia Disney IN THE SHADOW OF THE MOON Jim Mickle Rian Cahill, Brian Kavanaugh-Jones Linda Morgan, Ben Pugh / Netflix IT: CHAPTER 2 Andy Muschietti Seth Grahame-Smith, David Katzenberg, Roy Lee Dan Lin, Barbara Muscietti / Warner Bros. FONZO Josh Trank Russell Ackerman, Lawrence Bender Aaron L. Gilbert, John Schoenfelder / Universal ELI Ciaran Foy Trevor Macy, John Zaozirny / Paramount GLASS M. Night Shyamalan Mark Bienstock, Jason Blum, Ashwin Rajan Universal DEADPOOL 2 David Leitch Simon Kinberg, Lauren Shuler Donner / Fox PIRATES OF THE CARIBBEAN: Joachim Rønning Jerry Bruckheimer / Disney DEAD MEN TELL NO TALES & Esper Sandberg MONSTER TRUCKS Chris Wedge Mary Parent, Denis Stewart / Paramount ALPHA Albert Hughes Andrew Rona / Sony BATMAN VS. SUPERMAN: Zack Snyder Charles Roven. Deborah Snyder / Warner Bros DAWN OF JUSTICE UNDER THE SILVER LAKE. David Robert Mitchell Chris Bender, Michael De Luca, Jake Weiner / A24 TULLY Jason Reitman Diablo Cody, A.J. Dix, Helen Estabrook Aaron L. Gilbert, Beth Kono, Mason Novick Paramount POWER RANGERS Dean Isrealite Marty Bowen, Wyck Godfrey/ Lionsgate THE EDGE OF SEVENTEEN Kelly Fremon Craig Julie Ansell, James L. Brooks, Richard Sakai / STX THE SHACK Stuart Hazeldine Brad Cummings, Gil Netter / Lionsgate THE 9TH LIFE OF LOUIS DRAX Alex Aja Tim Bricknell, Max Minghella Shawn Williamson Miramax AGE OF ADALINE Lee Toland Krieger Gary Lucchesi, Tom Rosenberg / Lionsgate GODZILLA Gareth Edwards Jon Jashni, Mary Parent / Legendary HECTOR & THE SEARCH FOR Peter Chelsom Christian Angermayer, Klaus Dohle, Trish Dolman HAPPINESS Phil Hunt, Judy Tossell / Screen Siren MAN OF STEEL Zack Snyder Charles Roven, Deborah Snyder, Emma Thomas Warner Bros. -
Personal INFORMATION
6 Ridge St, North Sydney, NSW 2060 p. +61 2 8458 1300 | e. [email protected] rmkcrew.com.au DAN PATMORE Personal INFORMATION FULL NAME Daniel Christopher Patmore LICENCE NSW Drivers Class C Gold #17085D NSW Motorcycle Riders Elevated Work Platform: SL #436279 AUSTRALIAN PRODUCTION DESIGNERS GUILD Member MEDIA ENTERTAINMENT AND ARTS ALLIANCE Member INSURANCE COVERAGE Public Liability $10M Personal Accident and Illness ABN 78585451646 1 WORK HISTORY Dec 2014-Mar 2015 Sep-Dec 2013 May-Nov 2010 Foxtel/Fourth Wall Southern Star Network Seven 2015 ASTRA Awards When Love Comes to Town My Kitchen Rules Series 2 Set Designer Art Director Production Designer Dec 2014-Jan 2015 Aug-Sep 2013 Jun 2010 WTFN Network Ten Network Seven The Living Room Series 4 Wake Up City Homicide Promo Production Designer Production Designer Art Director Oct 2014 - Apr 2015 Jun-Aug 2013 Jan-Mar 2010 ABC Shine Australia Cordell Jigsaw The Weekly with Charlie Pickering Embarrassing Bodies Down Under Sleek Geeks Series 2 Production Designer Production Designer Production Designer Oct 2014 - Mar May-Jul 2013 Sept-Dec 2009 2015 ABC Cordell Jigsaw Zapruder Network Seven Q&A Wanted My Kitchen Rules Production Designer Production Designer Production Designer Nov 2014 Apr 2013 Sept-Dec 2008 Fremantle Media Aust Charena Media Shadowfax Television Recipe to Riches Finale Website redesign Chandon Pictures Series 2 Art Director Graphic Designer Production Designer Oct-Nov 2014 Mar 2013 Jan 2008 NITV/SBS Seven Network Jigsaw Entertainment Express Yourself AFL Promo Out of the Question -
Clio 2019 Was Funded in Part by the College of Arts & Letters’ Student- Faculty Collaboration Grant
Clio California State University, Sacramento Student History Journal Clio | Vol. 29, 2019 Phi Alpha Theta California State University, Sacramento Clio Volume 29, Spring 2019 The Annual Publication of Phi Alpha Theta, Rho Xi Chapter Department of History, College of Arts & Letters California State University, Sacramento Clio Editor-in-Chief Janis Pope Editorial Staff Sarah Dutcher Taylor Adam Bardaro Laurie Frazier Timothy Anderson Samuel Bein Brett Coker Emma Sullivan Jacob Jennerjohn Mathew Jones Brittany Nath Joshua Lourence Billy Febuary Shea Cooley Cuauhtemoc Morales Clio 2019 was funded in part by the College of Arts & Letters’ Student- Faculty Collaboration Grant. It was also made possible through generous support from: California State University, Sacramento Peer & Academic Resource Center College of Arts & Letters President Robert Nelson History Department Faculty Dr. Aaron J. Cohen Dr. Nikolaos Lazaridis Dr. Brendan Lindsay Dr. Mona Siegel Dr. Sherry Fields Dr. Jim Rose Dr. Jeffrey Wilson Students, Alumni, Friends, and Family Adam Bardaro Brett Coker James Wheeler Gena Rhoades Jackie Pope R. Moses Perez Cover Photo: Courtesy of Janis Pope © Clio 2019 – All rights reserved. No part of this journal may be reproduced, stored in a retrieval system, or transmitted in any form, except for the inclusion of brief quotations in a review of study, without prior permission in writing from the publishers and the student author. Copyright reverts to each author upon further publication of his or her article. Department of History, Tahoe Hall 3080 California State University, Sacramento 6000 J Street Sacramento, CA 95819-6059 Letter from the Editor It is with great pleasure that I present the twenty-ninth volume of Clio, the award-winning, student-run history journal of California State University, Sacramento (CSUS). -
The City in Crisis Urban Nightmares in U.S
The City in Crisis Urban Nightmares in U.S. Literature and Culture Course instructor: PD Dr. Stefan Brandt Summer term 2010 Bibliography (selection) Albrecht, Donald. “New York, Old York: The Rise and Fall of a Celluloid City.” Film Architecture: From Metropolis to Blade Runner. Ed. Dietrich Neumann. Munich: Prestel, 1999. 39-43. Annesley, James. Blank Fictions: Consumerism, Culture and the Contemporary American Novel. London: Pluto Press, 1998. Auster, Paul. The Brooklyn Follies. New York: Henry Holt, 2006. ---. In the Country of Last Things. London: Viking, 1987. ---. The New York Trilogy: City of Glass. 1985. Ghosts. 1986. The Locked Room. 1986. London and Boston: Faber and Faber, 1990. ---. Oracle Night. New York: Henry Holt, 2003. ---. Travels in the Scriptorium. New York: Picador, 2006. Baer, Ulrich, ed. 110 Stories. New York Writes after September 11. New York: New York University Press, 2002. Baldwin, James. “Notes of a Native Son.” 1953. The Price of the Ticket. Collected Nonfiction, 1948-1985. New York: St. Martin’s/Marek, 1985. 127-145. Baudrillard, Jean. “Kool Killer, or, The Insurrection of Signs.” Symbolic Exchange and Death. Introd. by M. Gane, London: Sage, 1993. 76-86. Bauman, John F., Roger Biles, and Kristin M. Szylvia. The Ever-Changing American City, 1945 – Present. Lanham, Md.: Rowman & Littlefield Publishers, 2012. Baumann, Zygmunt. City of Fears, City of Hopes. London: Goldsmith College, University of London, 2003. Brandt, Stefan L. “The City as Liminal Space: Urban Visuality and Aesthetic Experience in Postmodern U.S. Literature and Cinema.” Amerikastudien – American Studies 54.4 (2010): 553-581. ---. “Open City, Closed Space: Metropolitan Aesthetics in American Literature from Brown to DeLillo.” Transcultural Spaces: Challenges of Urbanity, Ecology, and the Environment in the New Millennium. -
Smart Cinema As Trans-Generic Mode: a Study of Industrial Transgression and Assimilation 1990-2005
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by DCU Online Research Access Service Smart cinema as trans-generic mode: a study of industrial transgression and assimilation 1990-2005 Laura Canning B.A., M.A. (Hons) This thesis is submitted to Dublin City University for the award of Ph.D in the Faculty of Humanities and Social Sciences. November 2013 School of Communications Supervisor: Dr. Pat Brereton 1 I hereby certify that that this material, which I now submit for assessment on the programme of study leading to the award of Ph.D is entirely my own work, and that I have exercised reasonable care to ensure that the work is original, and does not to the best of my knowledge breach any law of copyright, and has not been taken from the work of others save and to the extent that such work has been cited and acknowledged within the text of my work. Signed:_________________________________ (Candidate) ID No.: 58118276 Date: ________________ 2 Table of Contents Chapter One: Introduction p.6 Chapter Two: Literature Review p.27 Chapter Three: The industrial history of Smart cinema p.53 Chapter Four: Smart cinema, the auteur as commodity, and cult film p.82 Chapter Five: The Smart film, prestige, and ‘indie’ culture p.105 Chapter Six: Smart cinema and industrial categorisations p.137 Chapter Seven: ‘Double Coding’ and the Smart canon p.159 Chapter Eight: Smart inside and outside the system – two case studies p.210 Chapter Nine: Conclusions p.236 References and Bibliography p.259 3 Abstract Following from Sconce’s “Irony, nihilism, and the new American ‘smart’ film”, describing an American school of filmmaking that “survives (and at times thrives) at the symbolic and material intersection of ‘Hollywood’, the ‘indie’ scene and the vestiges of what cinephiles used to call ‘art films’” (Sconce, 2002, 351), I seek to link industrial and textual studies in order to explore Smart cinema as a transgeneric mode.