Warner Bros. De Lane Lea Peter Doyle

Total Page:16

File Type:pdf, Size:1020Kb

Warner Bros. De Lane Lea Peter Doyle WARNER BROS. DE LANE LEA PETER DOYLE Film Date Title Director DOP Position 2019 Bush Guy Ritchie Alan Stewart Final DI, Rushes, Pipeline 2018 Fantastic Beasts; The Crimes of Grindelwald David Yates Philippe Rousselot, Afc, Asc Final DI, Rushes, Pipeline 2018 Aladdin Guy Ritchie Alan Stewart Rushes, Look Development 2018 The Ballad of Buster Scruggs Coen Brothers Bruno Delbonnel, Afc, Asc Final DI, Rushes, Pipeline 2018 Mary Poppins Returns Rob Marshal Dion Beebe Asc, Acs Look Development, UK Shoot 2017 Paddington 2 Paul King Erik Wilson Final DI, Pipeline 2017 Darkest Hour Joe Wright Bruno Delbonnel, Afc, Asc Final DI, Rushes, Pipeline 2016 The Snowman Tomas Alfredson Dion Beebe Asc, Acs Final DI, Rushes, Pipeline 2016 Fantastic Beasts and Where to Find Them David Yates Philippe Rousselot, Afc, Asc Final DI, Rushes, Pipeline 2016 Free State of Jones Garry Ross Benoit Delhomme, Afc Final DI 2016 The Legend of Tarzan David Yates Henry Braham, Bsc Final DI, Rushes, Pipeline 2016 Croutching Tiger Hidden Dragon 2 Woo-Ping Yuen Newton Thomas Sigel, Asc Final DI 2016 Miss Peregrine's Home for Peculiar Children Tim Burton Bruno Delbonnel, Afc, Asc Final DI, Rushes, Pipeline 2016 King Arthur: Legend of the Sword Guy Ritchie John Mathieson, Bsc Final DI, Rushes, Pipeline 2016 BFG Steven Spielberg Janusz Kaminski Rushes Supervisor, UK Shoot 2015 Francofonia Aleksandr Sokurov Bruno Delbonnel, Afc, Asc Final DI, Pipeline 2015 Pan Joe Wright John Mathieson, Bsc & Seamus McGarvey, Asc, Bsc Final DI, Rushes, Pipeline 2015 Monkey Kingdom Mark Linfield Gavin Thurston Final DI 2015 Woman in Gold Simon Curtis Ross Emery, Acs Final DI, Rushes, Pipeline 2014 Enchanted Kingdom 3D Patrick Morris, Neil Nightingale Robin Cox Final DI 2014 The Water Diviner Russell Crowe Andrew Lesnie, Asc, Acs Final DI 2014 Paddington Paul King Erik Wilson Final DI 2014 Big Eyes Tim Burton Bruno Delbonnel, Afc, Asc Final DI, Rushes, Pipeline 2014 The Theory of Everything James Marsh Benoit Delhomme, Afc Final DI 2014 Edge of Tomorrow Doug Liman Dion Beebe Asc, Acs Final DI, Rushes, Pipeline 2013 Inside Llewyn Davis Coen Brothers Bruno Delbonnel, Afc, Asc Final DI, Rushes, Pipeline 2013 Fast & Furious 6 Justin Lin Stephen F Windon Rushes Supervisor, UK Shoot 2013 One Direction: This Is Us Morgon Spurlock Tom Krueger Final DI, Rushes, Pipeline 2012 The Hobbit: An Unexpected Journey Peter Jackson Andrew Lesnie, Asc, Acs Look Development 2012 Dark Shadows Tim Burton Bruno Delbonnel, Afc, Asc Final DI, Rushes, Pipeline 2011 Faust Aleksandr Sokurov Bruno Delbonnel, Afc, Asc Final DI, Pipeline 2011 Harry Potter and the Deathly Hallows Pt 2 David Yates Eduardo Serra, Afc, Asc Final DI, Rushes, Pipeline 2010 Harry Potter and the Deathly Hallows Pt 1 David Yates Eduardo Serra, Afc, Asc Final DI, Rushes, Pipeline 2009 Harry Potter and the Half Blood Prince David Yates Bruno Delbonnel, Afc, Asc Final DI, Rushes, Pipeline 2009 Everybody's Fine Kirk Jones Henry Braham, Bsc Final DI, Rushes, Pipeline 2007 The Golden Compass Chris Weitz Henry Braham, Bsc Final DI, Rushes, Pipeline 2007 Harry Potter and the Order of the Phoenix David Yates Slawomir Idziak, Asc, Psc Final DI, Rushes, Pipeline 2005 Harry Potter and the Goblet of Fire Mike Newell Roger Pratt, Bsc Final DI, Rushes, Pipeline 2005 King Kong Peter Jackson Andrew Lesnie, Asc, Acs Final DI 2005 Charlie and the Chocolate Factory Tim Burton Philippe Rousselot, Afc, Asc Final DI, Rushes, Pipeline 2004 Catwoman Pitof Thierry Arbogast, Afc Final DI 2004 Harry Potter and the Prisoner of Azkaban Alfonso Cuarón Michael Seresin, Bsc Final DI 2003 The Lord of the Rings: The Return of the King Peter Jackson Andrew Lesnie, Asc, Acs Final DI, Pipeline 2002 The Lord of the Rings: The Two Towers Peter Jackson Andrew Lesnie, Asc, Acs Final DI, Pipeline 2001 The Lord of the Rings: The Fellowship of the Ring Peter Jackson Andrew Lesnie, Asc, Acs Final DI, Pipeline 1999 Two Hands Gregor Jordan Malcolm McCulloch Creative Director, VFX & Title design 1999 The Matrix Andy & Lana Wachowski Bill Pope, Asc Executive Producer; Dfilm VFX 1998 Dark City Alex Proyas Dariusz Wolski, Asc Creative Director, VFX & Title design 1997 Oscar & Lucinda Gillian Armstrong Geoffrey Simpson Creative Director, VFX 1996 Eraser Chuck Russel Adam Greenberg, Asc Senior VFX compositor 1995 Brother of Sleep Joseph Vilsmaier Joseph Vilsmaier, Bvk Creative Director, VFX Music Videos Date Title Director DOP Position 1993 INXS The Gift Richard Lowenstien Senior VFX compositor / On Line Editor 1990 INXS Suicide Blonde Richard Lowenstien Senior VFX compositor / On Line Editor 1990 Midnight Oil The Forgotten Years Claudia Castle Senior VFX compositor / On Line Editor 1990 Midnight Oil Blue Sky Mine Claudia Castle Senior VFX compositor / On Line Editor 1988 INXS I Need you Tonight Richard Lowenstien Senior VFX compositor / On Line Editor 1987 Kylie Minogue I should be so Lucky Chris Langman Senior VFX compositor / On Line Editor 1987 Kylie Minogue Locomotion Chris Langman Senior VFX compositor / On Line Editor 1987 INXS Mediata Richard Lowenstien Senior VFX compositor / On Line Editor 1987 Midnight Oil Beds are Burning Andrew De Groot Senior VFX compositor / On Line Editor 1987 Crowded House World Where you Live Ray Argall Senior VFX compositor / On Line Editor 1986 Midnight Oil The Dead Heart Lucinda Clutterbuck Senior VFX compositor / On Line Editor 1986 INXS Listen Like Thieves Richard Lowenstien Senior VFX compositor / On Line Editor.
Recommended publications
  • Into the Mainstream Guide to the Moving Image Recordings from the Production of Into the Mainstream by Ned Lander, 1988
    Descriptive Level Finding aid LANDER_N001 Collection title Into the Mainstream Guide to the moving image recordings from the production of Into the Mainstream by Ned Lander, 1988 Prepared 2015 by LW and IE, from audition sheets by JW Last updated November 19, 2015 ACCESS Availability of copies Digital viewing copies are available. Further information is available on the 'Ordering Collection Items' web page. Alternatively, contact the Access Unit by email to arrange an appointment to view the recordings or to order copies. Restrictions on viewing The collection is open for viewing on the AIATSIS premises. AIATSIS holds viewing copies and production materials. Contact AFI Distribution for copies and usage. Contact Ned Lander and Yothu Yindi for usage of production materials. Ned Lander has donated production materials from this film to AIATSIS as a Cultural Gift under the Taxation Incentives for the Arts Scheme. Restrictions on use The collection may only be copied or published with permission from AIATSIS. SCOPE AND CONTENT NOTE Date: 1988 Extent: 102 videocassettes (Betacam SP) (approximately 35 hrs.) : sd., col. (Moving Image 10 U-Matic tapes (Kodak EB950) (approximately 10 hrs.) : sd, col. components) 6 Betamax tapes (approximately 6 hrs.) : sd, col. 9 VHS tapes (approximately 9 hrs.) : sd, col. Production history Made as a one hour television documentary, 'Into the Mainstream' follows the Aboriginal band Yothu Yindi on its journey across America in 1988 with rock groups Midnight Oil and Graffiti Man (featuring John Trudell). Yothu Yindi is famed for drawing on the song-cycles of its Arnhem Land roots to create a mix of traditional Aboriginal music and rock and roll.
    [Show full text]
  • La Construcción Histórica En La Cinematografía Norteamericana
    Tesis doctoral Luis Laborda Oribes La construcción histórica en la cinematografía norteamericana Dirigida por Dr. Javier Antón Pelayo Facultad de Filosofía y Letras Departamento de Historia Moderna Universidad Autónoma de Barcelona 2007 La historia en la cinematografía norteamericana Luis Laborda Oribes Agradecimientos Transcurridos ya casi seis años desde que inicié esta aventura de conocimiento que ha supuesto el programa de doctorado en Humanidades, debo agradecer a todos aquellos que, en tan tortuoso y apasionante camino, me han acompañado con la mirada serena y una palabra de ánimo siempre que la situación la requiriera. En el ámbito estrictamente universitario, di mis primeros pasos hacia el trabajo de investigación que hoy les presento en la Universidad Pompeu Fabra, donde cursé, entre las calles Balmes y Ramon Trias Fargas, la licenciatura en Humanidades. El hado o mi más discreta voluntad quisieron que iniciara los cursos de doctorado en la Universidad Autónoma de Barcelona, donde hoy concluyo felizmente un camino repleto de encuentros. Entre la gente que he encontrado están aquellos que apenas cruzaron un amable saludo conmigo y aquellos otros que hicieron un alto en su camino y conversaron, apaciblemente, con el modesto autor de estas líneas. A todos ellos les agradezco cuanto me ofrecieron y confío en haber podido ofrecerles yo, a mi vez, algo más que hueros e intrascendentes vocablos o, como escribiera el gran bardo inglés, palabras, palabras, palabras,... Entre aquellos que me ayudaron a hacer camino se encuentra en lugar destacado el profesor Javier Antón Pelayo que siempre me atendió y escuchó serenamente mis propuestas, por muy extrañas que resultaran.
    [Show full text]
  • 72Nd CANNES FILM FESTIVAL « Pierre Angénieux Excellens In
    Press Release – April 2019 72nd CANNES FILM FESTIVAL (May 14-25, 2019) « Pierre Angénieux ExcelLens in Cinematography » Tribute to Bruno Delbonnel (A.F.C. and A.S.C.) Friday, May 24, 2019 – 8pm Buñuel Theater, Palais des Festivals Since 2013, as an official partner of the Cannes Film Festival, Angénieux has been paying a tribute to a prominent director of photography during the « Pierre Angénieux ExcelLens in Cinematography » ceremony. This event turns the spotlight on worldwide masters of light, directors of photography, without whom cinema would not exist. After Philippe Rousselot (AFC*, ASC*) in 2013, Vilmos Zsigmond (HSC*, ASC) in 2014, Roger A. Deakins (BSC*, ASC) in 2015, Peter Suschitzky (ASC) in 2016, Christopher Doyle (HKSC*) in 2017 and Edward Lachman (ASC), it is Bruno Delbonnel’s turn to be honored in 2019, at the 72nd Cannes Film Festival, during an exceptional eveninG opened by Thierry Frémaux, presented by French journalist Pierre Zéni and in presence of some of his closest collaborators. Bruno Delbonnel is a world-renowned French director of photography. Born in Nancy in 1957, Bruno Delbonnel first studied philosophy, then graduated from ESEC in the camera and light section, before filming his first and only film at the age of 20 : a short film, Rare Realities. On this film, Jean-Pierre Jeunet was his assistant and Henri Alekan, his DOP… AlonGside the master of black and white photoGraphy, he discovered his passion for liGht was stronGer than directing. He then beGan workinG as a camera assistant during fifteen years for commercials and some feature films, then as a DOP.
    [Show full text]
  • The Ithacan, 1990-10-04
    Ithaca College Digital Commons @ IC The thI acan, 1990-91 The thI acan: 1990/91 to 1999/2000 10-4-1990 The thI acan, 1990-10-04 Ithaca College Follow this and additional works at: http://digitalcommons.ithaca.edu/ithacan_1990-91 Recommended Citation Ithaca College, "The thI acan, 1990-10-04" (1990). The Ithacan, 1990-91. 6. http://digitalcommons.ithaca.edu/ithacan_1990-91/6 This Newspaper is brought to you for free and open access by the The thI acan: 1990/91 to 1999/2000 at Digital Commons @ IC. It has been accepted for inclusion in The thI acan, 1990-91 by an authorized administrator of Digital Commons @ IC. • ~ I :ii Ithaca. wetlands' construction Fairyland shattered by adminis­ Midnight Oil gives held Up tration indecisiveness anticlimactic performance .•• page 6 ... page 7 ... page 9 ,, ... ,,1,'-•y•'• ,,1. :CJ<,·')• ..... The ITHACAN The Newspaper For The Ithaca College Community Vol. 58, No. 6 October 4, 1990 24 pages Free Arrests. conti:n-ue despite warning lcm." 'crackdown' on parties on South neighborhoods. 75 student arrests over--past three weeks Dave Maley, Manager of Public Hill. McEwen said that he needs at "I expect students to think of this By Joe Porletto Holt, head of the IC office of cam­ Information for IC, said that when least one additional officer, but there area as their home," McEwen said. The weekend of Sept. 28 resulted pus"' safety, addressed the party students are off-campus they must isn't room in the city budget for it McEwen said that studcn ts wouldn't in 26 arrests of college students on proolem.
    [Show full text]
  • Marble Hornets, the Slender Man, and The
    DIGITAL FOLKLORE: MARBLE HORNETS, THE SLENDER MAN, AND THE EMERGENCE OF FOLK HORROR IN ONLINE COMMUNITIES by Dana Keller B.A., The University of British Columbia, 2005 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE AND POSTDOCTORAL STUDIES (Film Studies) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) December 2013 © Dana Keller, 2013 Abstract In June 2009 a group of forum-goers on the popular culture website, Something Awful, created a monster called the Slender Man. Inhumanly tall, pale, black-clad, and with the power to control minds, the Slender Man references many classic, canonical horror monsters while simultaneously expressing an acute anxiety about the contemporary digital context that birthed him. This anxiety is apparent in the collective legends that have risen around the Slender Man since 2009, but it figures particularly strongly in the Web series Marble Hornets (Troy Wagner and Joseph DeLage June 2009 - ). This thesis examines Marble Hornets as an example of an emerging trend in digital, online cinema that it defines as “folk horror”: a subgenre of horror that is produced by online communities of everyday people— or folk—as opposed to professional crews working within the film industry. Works of folk horror address the questions and anxieties of our current, digital age by reflecting the changing roles and behaviours of the everyday person, who is becoming increasingly involved with the products of popular culture. After providing a context for understanding folk horror, this thesis analyzes Marble Hornets through the lens of folkloric narrative structures such as legends and folktales, and vernacular modes of filmmaking such as cinéma direct and found footage horror.
    [Show full text]
  • Feature Films
    NOMINATIONS AND AWARDS IN OTHER CATEGORIES FOR FOREIGN LANGUAGE (NON-ENGLISH) FEATURE FILMS [Updated thru 88th Awards (2/16)] [* indicates win] [FLF = Foreign Language Film category] NOTE: This document compiles statistics for foreign language (non-English) feature films (including documentaries) with nominations and awards in categories other than Foreign Language Film. A film's eligibility for and/or nomination in the Foreign Language Film category is not required for inclusion here. Award Category Noms Awards Actor – Leading Role ......................... 9 ........................... 1 Actress – Leading Role .................... 17 ........................... 2 Actress – Supporting Role .................. 1 ........................... 0 Animated Feature Film ....................... 8 ........................... 0 Art Direction .................................... 19 ........................... 3 Cinematography ............................... 19 ........................... 4 Costume Design ............................... 28 ........................... 6 Directing ........................................... 28 ........................... 0 Documentary (Feature) ..................... 30 ........................... 2 Film Editing ........................................ 7 ........................... 1 Makeup ............................................... 9 ........................... 3 Music – Scoring ............................... 16 ........................... 4 Music – Song ...................................... 6 ..........................
    [Show full text]
  • DVD Und Blu-Ray
    kultur- und medienzentrum altes rathaus lü bbecke Neuerwerbungen DVD und Blu-ray Mediothek Lübbecke Juli 2016 – Dezember 2016 Mediothek Lübbecke, Am Markt 3, 32312 Lübbecke, Tel.: (05741) 276-401 Diese Liste ist als pdf-Datei unter: www.luebbecke.de/mediothek hinterlegt . 1 Mediothek Lübbecke Am Markt 3, 32312 Lübbecke Telefon: (0 57 41) 276-401 [email protected] Öffnungszeiten Montag: geschlossen Dienstag: 11:00 18:30 Uhr Mittwoch: 13:00 – 18:30 Uhr Donnerstag: 13:00 – 18:30 Uhr Freitag: 11:00 – 18:30 Uhr Samstag: 10:00 – 13:00 Uhr 2 DVD + Blu-ray A Royal Night Out - 2 Prinzessinnen. 1 Nacht. / Regie: Julian Jarrold. Drehb.: Trevor De Silva ... Kamera: Christophe Beaucarne. Musik: Paul Englishby. Darst.: Sarah Gadon ; Bel Powley ; Jack Reynor ... - Grünwald : Concorde Home Entertainment , 2016. - 1 DVD (ca. 94 Min.)FSK: ab 6. - Orig.: Großbritannien, 2015. - Sprache: Deutsch, Englisch Nach der bedingungslosen Kapitulation der deutschen Wehrmacht am 8. Mai 1945 wollen die beiden Töchter des britischen Königs an den Siegesfeiern teilnehmen. Als die Prinzessinnen Elizabeth und Margaret ihren Aufpassern entwischen und getrennt werden, beginnt eine Odyssee durch die Londoner Nacht, bei der Elizabeth zarte Bande mit einem jungen Soldaten knüpft. Furiose, einfallsreiche Screwball-Komödie, die auf höchst amüsante Weise ein „Was wäre wenn“-Szenario mit der britischen Königsfamilie entfaltet. Vor allem dank der fulminanten Hauptdarstellerin verbinden sich mit bemerkenswerter Leichtigkeit märchenhafte und realistische Elemente. - Ab 14. (Filmdienst) Blu-ray A war / Filmregisseur: Tobias Lindholm ; Drehbuchautor: Tobias Lindholm ; Bildregisseur: Magnus Nordenhof Jønck ; Musikalischer Leiter: Sune Rose Wagner ; Schauspieler: Pilou Asbæk, Tuva Novotny, Dar Salim [und andere] . - Berlin : Studiocanal GmbH, 2016.
    [Show full text]
  • ASC 100Th Reel 30-Second
    E.T.: The Extra- John Seale, ASC, ACS Terrestrial (1982) Allen Daviau, ASC Enter the Dragon (1973) The Gold Rush (1925) Gil Hubbs, ASC Roland Totheroh, ASC The Godfather (1972) Citizen Kane (1941) Gordon Willis, ASC Gregg Toland, ASC ASC 100th Reel 30-Second The Tree of Life (2011) Apocalypse Now (1979) Clip Playlist Emmanuel Lubezki, ASC, Vittorio Storaro, ASC, AIC AMC The Dark Knight (2008) Link to Video here. Taxi Driver (1976) Wally Pfister, ASC Michael Chapman, ASC Close Encounters of the Kill Bill Vol. 1 (2003) Third Kind (1977) The Matrix (1999) Robert Richardson, ASC Vilmos Zsigmond, ASC, Bill Pope, ASC HSC King Kong (1933) Jurassic Park (1993) Edward Linden; J.O. Blade Runner 2049 Dead Cundey, ASC Taylor, ASC; Vernon L. (2017) Walker, ASC Roger Deakins, ASC, BSC Braveheart (1995) John Toll, ASC Star Trek (1966) Gone With the Wind "Where No Man Has (1939) The French Connection Gone Before" Ernest Haller, ASC (1971) Ernest Haller, ASC Owen Roizman, ASC Sunrise (1927) Footloose (2011) Charles Rosher, ASC Game of Thrones (2017) Amy Vincent, ASC Karl Struss, ASC “Dragonstone” Gregory Middleton, ASC Sunset Boulevard (1950) Titanic (1998) John F. Seitz, ASC Russell Carpenter, ASC The Sound of Music (1965) Psycho (1960) The Graduate (1967) Ted D. McCord, ASC John L. Russell, ASC Robert Surtees, ASC The Wizard of Oz (1939) For more background Singin’ in the Rain (1952) Harold Rosson, ASC on the American Harold Rosson, ASC Society of Rocky (1976) Cinematographers, The Color Purple (1985) James Crabe, ASC go to theasc.com. Allen Daviau, ASC Frankenstein (1931) Empire of the Sun (1987) Arthur Edeson, ASC Allen Daviau, ASC Platoon (1986) Black Panther (2018) Robert Richardson, ASC Rachel Morrison, ASC Mad Max: Fury Road (2015) .
    [Show full text]
  • Filmy Z Napisami Dla Osób Niesłyszących I Niedosłyszących Zestawienie Bibliograficne Ce Cbiorrw Edagogiicnej Biblioteki Wojewrdckiej W Bielsku-Białej
    Filmy z napisami dla osób niesłyszących i niedosłyszących Zestawienie bibliograficne ce cbiorrw edagogiicnej Biblioteki Wojewrdckiej w Bielsku-Białej Napisy w języku polskim: Filmy fabularne: 1. 1920 Bitwa warscawska [Film DVD] / reż. Jercy Hofman ; sien. Jarosław Sokrł, Jercy Hofman ; muc. Krcesimir Dębski ; cdj. Sławomir Idciak ; obsada: Daniel Olbryihski, Natasca Urbańska, Borys Scyi [et al.]. - Warscawa : Edipresse olska, 2012. DVD 4105 2. Barany [Film DVD] : islandcka opowieść / sien. i reż. Grímur Hákonarson ; cdj. Sturla Brandth Grøvlen ; muc. Atli Örvarsson ; obsada: Sigurður Sigurjrnsson, Therdrr Júliusson, Charlote Bøving [et al.]. - Warscawa : Gutek Film, [2016]. DVD 6131 3. Belfer [Film DVD] / reż. Łukasc alkowski ; sien. Jakub Żulicyk, Monika owalisc ; cdj. Marian rokop ; muc. Atanas Valkov ; obsada: Maiiej Stuhr, Magdalena Cieleika, Grcegorc Damięiki [et al.]. - [Warscawa] : ITI Neovision S.A., iop. 2017. DVD 6486 4. Belfer. Secon 2 [Film DVD] / reż. Krcysctof Łukascewiic, Maiiej Boihniak ; sien. Jakub Żulicyk [et al.] ; cdj. Miihał Soboiiński ; muc. Atanas Valkov ; obsada: Maiiej Stuhr, Miihalina Łabaic, Elica Ryiembel [et al.]. - Warscawa : ITI Neovision S.A., iop. 2017. DVD 6584 5. Bogowie [Film DVD] / reż. Łukasc alkowski ; sien. Krcysctof Rak ; cdj. iotr Soboiiński jr ; muc. Bartosc Chajdeiki ; obsada: Tomasc Kot, iotr Głowaiki, Scymon iotr Warscawski [et al.]. - Warscawa : Agora, [2015]. DVD 5189 6. Carte Blanihe [Film DVD] / sien. i reż. Jaiek Lusiński ; cdj. Witold łriiennik ; muc. aweł Luiewiic ; obsada: Andrcej Chyra, Urscula Grabowska, Arkadiusc Jakubik [et al.]. - Warscawa : Kino Świat, [2015]. DVD 5383 7. Chiihot losu [Film DVD] / reż. Maiiej Dejicer ; sien. Hanka Lemańska, Wojiieih Tomicyk ; cdj. Jarosław Żamojda ; muc. Bartosc Chajdeiki ; obsada: Marta Żmuda-Trcebiatowska, Mateusc Damięiki, Natalia Kleber [et al.].
    [Show full text]
  • Westminsterresearch the Artist Biopic
    WestminsterResearch http://www.westminster.ac.uk/westminsterresearch The artist biopic: a historical analysis of narrative cinema, 1934- 2010 Bovey, D. This is an electronic version of a PhD thesis awarded by the University of Westminster. © Mr David Bovey, 2015. The WestminsterResearch online digital archive at the University of Westminster aims to make the research output of the University available to a wider audience. Copyright and Moral Rights remain with the authors and/or copyright owners. Whilst further distribution of specific materials from within this archive is forbidden, you may freely distribute the URL of WestminsterResearch: ((http://westminsterresearch.wmin.ac.uk/). In case of abuse or copyright appearing without permission e-mail [email protected] 1 THE ARTIST BIOPIC: A HISTORICAL ANALYSIS OF NARRATIVE CINEMA, 1934-2010 DAVID ALLAN BOVEY A thesis submitted in partial fulfilment of the requirements of the University of Westminster for the degree of Master of Philosophy December 2015 2 ABSTRACT The thesis provides an historical overview of the artist biopic that has emerged as a distinct sub-genre of the biopic as a whole, totalling some ninety films from Europe and America alone since the first talking artist biopic in 1934. Their making usually reflects a determination on the part of the director or star to see the artist as an alter-ego. Many of them were adaptations of successful literary works, which tempted financial backers by having a ready-made audience based on a pre-established reputation. The sub-genre’s development is explored via the grouping of films with associated themes and the use of case studies.
    [Show full text]
  • Introduction
    CINEMATOGRAPHY Mailing List the first 5 years Introduction This book consists of edited conversations between DP’s, Gaffer’s, their crew and equipment suppliers. As such it doesn’t have the same structure as a “normal” film reference book. Our aim is to promote the free exchange of ideas among fellow professionals, the cinematographer, their camera crew, manufacturer's, rental houses and related businesses. Kodak, Arri, Aaton, Panavision, Otto Nemenz, Clairmont, Optex, VFG, Schneider, Tiffen, Fuji, Panasonic, Thomson, K5600, BandPro, Lighttools, Cooke, Plus8, SLF, Atlab and Fujinon are among the companies represented. As we have grown, we have added lists for HD, AC's, Lighting, Post etc. expanding on the original professional cinematography list started in 1996. We started with one list and 70 members in 1996, we now have, In addition to the original list aimed soley at professional cameramen, lists for assistant cameramen, docco’s, indies, video and basic cinematography. These have memberships varying from around 1,200 to over 2,500 each. These pages cover the period November 1996 to November 2001. Join us and help expand the shared knowledge:- www.cinematography.net CML – The first 5 Years…………………………. Page 1 CINEMATOGRAPHY Mailing List the first 5 years Page 2 CINEMATOGRAPHY Mailing List the first 5 years Introduction................................................................ 1 Shooting at 25FPS in a 60Hz Environment.............. 7 Shooting at 30 FPS................................................... 17 3D Moving Stills......................................................
    [Show full text]
  • Cinematographer As Storyteller How Cinematography Conveys the Narration and the Field of Narrativity Into a Film by Employing the Cinematographic Techniques
    Cinematographer as Storyteller How cinematography conveys the narration and the field of narrativity into a film by employing the cinematographic techniques. Author: Babak Jani. BA Master of Philosophy (Mphil): Art and Design University of Wales Trinity Saint David. Swansea October 2015 Revised January 2017 Director of Studies: Dr. Paul Jeff Supervisor: Dr. Robert Shail This research was undertaken under the auspices of the University of Wales Trinity Saint David and was submitted in partial fulfilment for the award of a MPhil in the Faculty of Art and Design to the University of Wales Trinity Saint David. Cinematographer as Storyteller How cinematography conveys the narration and the field of narrativity into a film by employing the cinematographic techniques. Author: Babak Jani. BA Master of Philosophy (Mphil): Art and Design University of Wales Trinity Saint David. Swansea October 2015 Revised January 2017 Director of Studies: Dr. Paul Jeff Supervisor: Dr. Robert Shail This research was undertaken under the auspices of the University of Wales Trinity Saint David and was submitted in partial fulfilment for the award of a MPhil in the Faculty of Art and Design to the University of Wales Trinity Saint David. This page intentionally left blank. 4 The alteration Note: The alteration of my MPhil thesis has been done as was asked for during the viva for “Cinematographer as Storyteller: How cinematography conveys narration and a field of narrativity into a film by employing cinematographic techniques.” The revised thesis contains the following. 1- The thesis structure had been altered to conform more to an academic structure as has been asked for by the examiners.
    [Show full text]