Top View
- Aeschylus' Reception of Homer Through the “Huphasma”
- Greek Civilization
- Hegel and the Concept of Religion in Greek Tragedy
- Overview of Greek Tragedy
- Truth, Falsehood, and Reciprocity in Pindar and Aeschylus
- 440. Aeschylus, Agamemnon; Demosthenes, De Corona; Aeschines, in Ctesiphontem; Selections from Lysias
- Devotionalism, Material Culture, and the Personal in Greek Religion
- AESCHYLUS: Select Bibliography
- Religion and Politics in Aeschylus' Eumenides and Sophocles' Oedipus Coloneus Andre Lardinois
- The University of Chicago Reading Demosthenes A
- Odysseus in Aeschylean Drama: Revisiting the Fragments
- Postmodern Performances of Ancient Greek Tragedy (Aeschylus' Oresteia
- The Greek Tragedians
- Tragedy and the Gods
- On Aeschylus
- Athena/Athens on Stage: Athena in the Tragedies of Aeschylus and Sophocles
- Religious Exploration in Greek Tragedy
- How to Divinize a Mortal and (Try) Not to Offend the Gods (Pseudo-Euripides, Rhesus 342–387)
- Hegel and the Concept of Religion in Greek Tragedy
- The Function of Mythology and Religion in Ancient Greek Society
- Sneed, Nikki. “Clytemnestra As Femme Fatale.”
- Spectacle and Parody in Euripides' Electra N
- Acilius Altar 59, 60, 63 See Altar Acrocorinth 39 Adrasteia 68
- Aeschylus in the Hellenistic Period
- The Talking Greeks: Speech, Animals, and the Other in Homer, Aeschylus, and Plato
- The Golden Age of Athens
- Envy and the Invisible Roar: Pindar, Pythian 11.30 Thomas K
- Certain Evidences of Classical Greek Influence on Shelley
- 11.5.20/12.5.20 History and Art - Design Like a Greek Project Aeschylus Has Been Asked by the Local Ecclesia to Design a New Temple for the Town of Delphi
- Plato's Dialogues. Part III: on Creative Reason
- Callimachus and Latin Poetry Clausen, Wendell Greek, Roman and Byzantine Studies; Fall 1964; 5, 3; Proquest Pg