House-Of-Medici-Background-Guide

Total Page:16

File Type:pdf, Size:1020Kb

House-Of-Medici-Background-Guide The House of Medici Committee Background Guide General Crisis Committee Empire Model United Nations Conference VII New York University - November 20 2 Table of Contents Welcome Letter 1 Map 2 History 3 Renaissance Era 3 The Road to Exile 5 Politics 8 Foreign Affairs: France & The Holy League 9 Military 11 Economics 13 Hello Delegates! Welcome to the greatest committee of EMPIREMUNC 2021, the Medici crisis committee! Your Chair, Ricardo DeLeon, and Crisis Director, Vedant Misra, are elated to have you on board. Over the next few days, you will be diving into the rich world of Renaissance-era Florence, we hope you enjoy the crisis simulation we’ve spent so long crafting for you. Your Chair is Ricardo DeLeon, a freshman at NYU studying Global Liberal Studies and Spanish with a minor in Business Studies. This will be his very first year running this committee as Chair, but, rest assured, he has had plenty of rich experiences as a MUN delegate and committee director for multiple MUN conferences, this conference will be the best one yet for him. Besides MUN, Ricardo enjoys reading books centered around politics and philosophy, jogs for fun near NYC’s piers on the westside of Manhattan, and loves conversing with his friends and teachers about current world affairs. Your Crisis Director for this conference is Vedant Misra, a junior at the Stern School of Business studying Finance & Management with a minor in Mathematics. He’s a part time student this semester studying remotely from Boston. In his free time, Vedant spends much of his time listening to hip hop music, playing video games like Pokemon, and watching critically acclaimed films. This will be his sixth year participating in Model UN and third year organizing a crisis committee, and hopes to make this as enriching an experience as possible for all of you. Whether this is your first conference ever as a novice delegate or a fourth year delegate ready to pull another ‘you have infringed my national sovereignty’ card, be prepared to have a great time. By no means will this conference be a walk in the park; on the contrary, this committee session will hone your schools as a delegate by testing your knowledge on the notorious Medici family—as well as your character. As the conference approaches, remember that these unfortunate conditions will not serve as an impediment to your conference experience, you will still have the same intellectually stimulating discussions and resolution making. EmpireMUNC’s staff spent long hours with infinite dedication to make sure your experience this year is as fluid as last year’s. Nevertheless, please feel free to contact Ricardo or Vedant should you have any questions or concerns about this conference or committee. Warm Regards, Ricardo DeLeon ([email protected]) Vedant Misra ([email protected]) Chair, Medici Crisis Committee CD, Medici Crisis Committee EmpireMUNC VII EmpireMUNC VII 1 1 1 Image retrieved from https://commons.wikimedia.org/wiki/File:Map_of_Italy_(1494)-en.svg 2 History Fifteenth-century Italy was unlike any other place in Europe. It was divided into independent city-states, each with a different form of government. Florence, where the Italian Renaissance began, was an independent republic. The Medici family emigrated to Florence around the 12th century, and arose from humble origins to become one of the most important houses in Florence. The Renaissance Era The Medici family was notoriously known in Florence for its huge role in developing Florence’s arts and culture during the Renaissance Era. The Medici family line begins with Giovanni di Bicci de' Medici, a future banker with humble beginnings. By no means was Giovanni born into wealth; he had to work hard to get the family to where it was before he passed away. The Italian banker Vieri di Cambio de' Medici2 taught Giovanni everything he knew, and after Vieri retired in 1392, Giovanni founded the Medici Bank in 1397 where he began taking on clients. By 1408, there were four other Medici banks established all over eastern Europe: Florence, Venice, Rome, Naples, and Gaeta. Not only did Giovanni have a stake in the realm of banking, but he also had planted a foothold in Italy’s politics by serving as Prior for the Florence government and performing duties as Gonfaloniere of Justice. By the time Giovanni died in 1429, the Medici Bank earned a grand fortune of 180,000 gold florins for the family, which is approximately USD $25M in today’s currency. As a result of manipulation and 2 Tessa Cole. "Giovanni di Bicci de' Medici: The Man Who Began the Italian Renaissance." The Medici Dynasty Show, 20 Nov. 2016, http://medicidynasty.com/giovanni-di-bicci-de-medici-the-man-who-began-the-italian-renaissance/. Accessed 10 Oct. 2020. 3 patronage, the Medici family would conquer the rest of Italy in the social, political, and economic spheres. In 1429, Giovanni de' Medici died, and management of the bank passed into the hands of his eldest son, Cosimo. Cosimo increased his father’s trading and banking business and became one of the wealthiest men of his time. In 1433, the dominant Albizzi family ostracized Cosimo within elite circles due to his perceived support of the lower-class citizens of Florence. In 1434, he was repatriated from exile and became the de facto ruler of Florence until his death. During this time, wealthy Florentines flaunted their money and power by becoming patrons, or supporters, of artists and intellectuals. Cosimo became the greatest private patron of his time; only he fully appreciated the propaganda value of architecture and sculpture. In fact, he was known to have commissioned various paintings during the Renaissance to showcase arts and cultures in antiquity. From Brunelleschi, Donatello to Fra Angelico, many famous paintings and artists widely known today were produced at this time3. Lorenzo de' Medici, known as "Lorenzo the Magnificent," who ruled Florence during 1469–1492, was as able an administrator as his grandfather Cosimo. Lorenzo married into an important and well-established noble family, the Orsini’s, which gave the wealth and political clout of the Medici the support of aristocratic blood. His success as a diplomat and politician enabled Lorenzo to gain influence with the papacy, which had relied on the Medici Bank for many years. Lorenzo was more capable of leading and ruling a city, but he neglected the family banking business, which led to its ultimate ruin. To ensure the continuance of his family's success, Lorenzo planned his children's future careers for them. He placed his son Giovanni within the Vatican, where, at the ripe age of 13, he was made a cardinal. 3 N.a. "Art and Patronage | Western Civilization." Courses.lumenlearning.com, https://courses.lumenlearning.com/suny-hccc- worldhistory/chapter/art-and-patronage/. Accessed 10 Oct. 2020. 4 Despite Lorenzo’s political success and popularity among the Florentines, he made a significant error in diplomacy in the 1470s when he attempted to prevent the Pope at the time, Pope Sixtus IV from establishing power in a region called Romagna. This led to the Medici Bank’s loss of the account of the church and the formation of a conspiracy between members of the pope’s family and the Florentine Pazzi family to overthrow Medici rule. In April 1478, the Pazzi assassinated Lorenzo’s brother Giuliano but failed to kill Lorenzo, and the insurgents, denied support by the citizens, were captured and executed. This resulted in the Pazzi family’s expatriation from Florence. In the aftermath of the conspiracy, Pope Sixtus IV interdicted Florence from engaging in mass and communion and encouraged King Ferdinand to wage a two year long war against Florence. In this case, Bologna and Milan, two of Florence’s traditional allies, failed to come to Florence’s rescue. Therefore, Lorenzo paid King Ferdinand a conciliatory visit in Naples in hopes of lessening the tension caused by the Medici’s. He was arrested and spent a few months in prison, but due to his self-righteousness and relentless perseverance, Lorenzo was able to convince Ferdinand to pardon Florence, despite the pope’s wishes of maintaining war between Florence and the Papacy.4 The Road to Exile Upon the death of Lorenzo, his elder son Piero II (also known as Piero the unfortunate) came to power in 1492. Piero was not talented in the political sense, and he owes the name “the Unfortunate” mainly to his own errors of judgment. During his time in power, Ferdinand the prince of Naples was standing up to the invading French power in Italy. Piero decided to support the prince of Naples, thus abandoning the old alliance with France. Soon the French advanced 4 N.a. "HISTORY OF THE MEDICI." Historyworld Encyclopedia, http://www.historyworld.net/wrldhis/PlainTextHistories.asp?historyid=aa24#719. Accessed 10 Oct. 2020. 5 under Charles VIII, crossing the Alps in 1494. Under the pressure of the French invasion Piero sued for peace with Charles. The disastrous peace agreement he struck with Charles, which was viewed unfavorably by the Signoria, aroused a wave of indignation in Florence. A revolt broke out and the Medici palace was ransacked by mobs; the Medici Bank went bankrupt. Piero was forced to flee the city while the populace sacked the Medici Palace.5 In 1494, the republic of Florence was guided by Girolamo Savonarola and his right hand man, Nicolo Machiavelli. Since his years as a student, Savonarola has always been aware of the alarming corruption of church leaders in Italy where papal authority was diminishing. His role as a Dominican friar led him to create the San Giorgio revelations, which entails the seven reasons for judgement on the church, Europe, and Florence.
Recommended publications
  • Rest, Sweet Nymphs: Pastoral Origins of the English Madrigal Danielle Van Oort [email protected]
    Marshall University Marshall Digital Scholar Theses, Dissertations and Capstones 2016 Rest, Sweet Nymphs: Pastoral Origins of the English Madrigal Danielle Van Oort [email protected] Follow this and additional works at: http://mds.marshall.edu/etd Part of the European History Commons, History of Religion Commons, and the Music Commons Recommended Citation Van Oort, Danielle, "Rest, Sweet Nymphs: Pastoral Origins of the English Madrigal" (2016). Theses, Dissertations and Capstones. Paper 1016. This Thesis is brought to you for free and open access by Marshall Digital Scholar. It has been accepted for inclusion in Theses, Dissertations and Capstones by an authorized administrator of Marshall Digital Scholar. For more information, please contact [email protected], [email protected]. REST, SWEET NYMPHS: PASTORAL ORIGINS OF THE ENGLISH MADRIGAL A thesis submitted to the Graduate College of Marshall University In partial fulfillment of the requirements for the degree of Master of Arts in Music Music History and Literature by Danielle Van Oort Approved by Dr. Vicki Stroeher, Committee Chairperson Dr. Ann Bingham Dr. Terry Dean, Indiana State University Marshall University May 2016 APPROVAL OF THESIS We, the faculty supervising the work of Danielle Van Oort, affirm that the thesis, Rest Sweet Nymphs: Pastoral Origins of the English Madrigal, meets the high academic standards for original scholarship and creative work established by the School of Music and Theatre and the College of Arts and Media. This work also conforms to the editorial standards of our discipline and the Graduate College of Marshall University. With our signatures, we approve the manuscript for publication. ii ACKNOWLEDGEMENTS The author would like to express appreciation and gratitude to the faculty and staff of Marshall University’s School of Music and Theatre for their continued support.
    [Show full text]
  • Genealogical History of the Noble Families Fr Om Tuscany and Umbria Recounted by D
    A few days ago, our common friend and Guadagni historian Henri Guignard, from Boutheon, Lyon, France, has sent me by email an old book written in 1668, 202 years before Passerini’s book, on the history and genealogy of the noble families of Tuscany in 17th century Italian, with many pages on the history of the Guadagni. It is a fascinating document, starting to relate the family history before the year 1000, so more than a century before Passerini, and I will start translating it hereafter. GENEALOGICAL HISTORY OF THE NOBLE FAMILIES FR OM TUSCANY AND UMBRIA RECOUNTED BY D. Father EUGENIO GAMURRINI Monk from Cassino, Noble from Arezzo, Academic full of passion, Abbot, Counselor and Ordinary Alms Giver OF HIS VERY CHRISTIAN MAJESTY LOUIS XIV, KING OF FRANCE AND OF NAVARRE, Theologian and Friend of HIS VERY SEREINE HIGHNESS COSIMO III Prince of Tuscany dedicated to the SAME HIGHNESS, FIRST VOLUME IN FLORENCE, In Francesco Onofri’s Printing House. 1668. With license of the Superiors. Louis XIV, King of France, known as the Sun King, 1638-1715 Cosimo III, Granduke of Tuscany, 1642-1723 Cosimo III as a child (left) and as a young man (right) THE GUADAGNI FAMILY FROM FLORENCE The Guadagni Family is so ancient and has always been so powerful in wealth and men that some people believe that they could originate from the glorious family of the Counts Guidi, as the latter owned many properties in proximity of the large fiefs of the former; however, after having made all the possible researches, we were unable to prove this hypothesis; on the other hand, we can confortably prove that they originate from families now extinct; to illustrate this opinion we will now tell everything we found.
    [Show full text]
  • Online Library of Liberty: the Historical, Political, and Diplomatic Writings, Vol
    The Online Library of Liberty A Project Of Liberty Fund, Inc. Niccolo Machiavelli, The Historical, Political, and Diplomatic Writings, vol. 1 (Life of Machiavelli, History of Florence) [1532] The Online Library Of Liberty This E-Book (PDF format) is published by Liberty Fund, Inc., a private, non-profit, educational foundation established in 1960 to encourage study of the ideal of a society of free and responsible individuals. 2010 was the 50th anniversary year of the founding of Liberty Fund. It is part of the Online Library of Liberty web site http://oll.libertyfund.org, which was established in 2004 in order to further the educational goals of Liberty Fund, Inc. To find out more about the author or title, to use the site's powerful search engine, to see other titles in other formats (HTML, facsimile PDF), or to make use of the hundreds of essays, educational aids, and study guides, please visit the OLL web site. This title is also part of the Portable Library of Liberty DVD which contains over 1,000 books and quotes about liberty and power, and is available free of charge upon request. The cuneiform inscription that appears in the logo and serves as a design element in all Liberty Fund books and web sites is the earliest-known written appearance of the word “freedom” (amagi), or “liberty.” It is taken from a clay document written about 2300 B.C. in the Sumerian city-state of Lagash, in present day Iraq. To find out more about Liberty Fund, Inc., or the Online Library of Liberty Project, please contact the Director at [email protected].
    [Show full text]
  • Weird Tales, Vol. II Weird Tales, Vol. II., by E. T. A. Hoffmann the Project
    Weird Tales, Vol. II Weird Tales, Vol. II., by E. T. A. Hoffmann The Project Gutenberg EBook of Weird Tales, Vol. II., by E. T. A. Hoffmann This eBook is for the use of anyone anywhere at no cost and with almost no restricti ons whatsoever. You may copy it, give it away or re-use it under the terms of th e Project Gutenberg License included with this eBook or online at www.gutenberg. net Title: Weird Tales, Vol. II. Author: E. T. A. Hoffmann Translator: J. T. Bealby Release Date: February 28, 2010 [EBook #31439] Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK WEIRD TALES, VOL. II. *** Produced by Charles Bowen, from scans obtained from The Internet Archive. Transcriber's notes: 1. This book is derived from the Web Archive, http://www.a rchive.org/details/weirdtales05bealgoog. 2. The oe diphthong is represented by [oe]. 3. Footnote references to volume I of this work are incorporated in the note in order to provide easier reading. WEIRD TALES BY E. T. W. HOFFMANN A NEW TRANSLATION FROM THE GERMAN WITH A BIOGRAPHICAL MEMOIR By J. T. BEALBY, B.A. FORMERLY SCHOLAR OF CORPUS CHRISTI COLLEGE, CAMBRIDGE IN TWO VOLUMES VOL. II. NEW YORK CHARLES SCRIBNER'S SONS 1885 TROW'S PRINTING AND BOOKBINDING COMPANY, NEW YORK. CONTENTS OF VOLUME II. THE DOGE AND DOGESS, MASTER MARTIN THE COOPER, MADEMOISELLE DE SCUDÉRI, GAMBLER'S LUCK, MASTER JOHANNES WACHT, BIOGRAPHICAL NOTES, THE DOGE AND DOGESS[1] This was the title that distinguished in the art-catalogue of the works exhibit ed by the Berlin Academy of Arts in September, 1816, a picture which came from t he brush of the skilful clever Associate of the Academy, C.
    [Show full text]
  • Volterra Volterra, Known to the Ancient Etruscans As Velathri Or Vlathri and to the Romans As Volaterrae, Is a Town and a Comune in Tuscany
    Volterra Volterra, known to the ancient Etruscans as Velathri or Vlathri and to the Romans as Volaterrae, is a town and a comune in Tuscany. The town was a Bronze Age settlement of the Proto-Villanovan culture, and an important Etruscan centre, one of the "twelve cities" of the Etruscan League. The site is believed to have been continuously inhabited as a city since at least the end of the 8th century BC. It became a municipium allied to Rome at the end of the 3rd century BC. The city was a bishop's residence in the 5th century, and its episcopal power was affirmed during the 12th century. With the decline of the episcopate and the discovery of local alum deposits, Volterra became a place of interest for the Republic of Florence, whose forces conquered it. Florentine rule was not always popular, and opposition occasionally broke into rebellions which were quelled by Florence. When the Republic of Florence fell in 1530, Volterra came under the control of the Medici family and subsequently its history followed that of the Grand Duchy of Tuscany.4 The Roman Theatre The Main Sights 1. Roman Theatre of Volterra, 1st century BC, excavated in the 1950s; 2. Piazza dei Priori, the main square, a fine example of medieval Tuscan town squares; 3. Palazzo dei Priori, the town hall located on Piazza dei Priori, construction begun in 1208 and finished in 1257; 4. Pinacoteca e museo civico di Volterra (Art Gallery) in Palazzo Minucci-Solaini. Founded in 1905, the gallery consists mostly of works by Tuscan artists from the 14th to the 17th centuries.
    [Show full text]
  • Medici, Borgia, Hapsburg, and Plantagenet
    ChurchChurch HistoryHistory ChurchChurch HistoryHistory IntroductionIntroduction toto ChurchChurch HistoryHistory st rd TheThe AncientAncient ChurchChurch AD 11st-3-3rd centuriescenturies th th TheThe RiseRise ofof ChristendomChristendom AD 44th-5-5th centuriescenturies th th TheThe EarlyEarly MiddleMiddle AgesAges AD 66th-10-10th centuriescenturies th th TheThe AgeAge ofof CrusadesCrusades AD 1111th-13-13th centuriescenturies th th TheThe RenaissanceRenaissance AD 1414th-15-15th centuriescenturies th ConquestConquest andand ReformationReformation AD 1616th centurycentury th th TheThe AgeAge ofof EnlightenmentEnlightenment AD 1717th-18-18th centuriescenturies th TheThe AgeAge ofof RevolutionRevolution AD 1919th centurycentury th TheThe ModernModern AgeAge AD 2020th centurycentury st TheThe PostmodernPostmodern AgeAge AD 2121st centurycentury ChurchChurch HistoryHistory IntroductionIntroduction toto ChurchChurch HistoryHistory st rd TheThe AncientAncient ChurchChurch AD 11st-3-3rd centuriescenturies th th TheThe RiseRise ofof ChristendomChristendom AD 44th-5-5th centuriescenturies th th TheThe EarlyEarly MiddleMiddle AgesAges AD 66th-10-10th centuriescenturies th th TheThe AgeAge ofof CrusadesCrusades AD 1111th-13-13th centuriescenturies th th TheThe RenaissanceRenaissance AD 1414th-15-15th centuriescenturies Welcome to the Renaissance Turnovers... The Black Death and a Century of War Wobbling Out of Control (part 3) TheThe RenaissanceRenaissance ImportantImportant familiesfamilies changedchanged everythingeverything 14151415 HenryHenry
    [Show full text]
  • Elenco Dei Soggetti Richiedenti Che Operano Con Il Fondo, Con Specifica
    Elenco dei soggetti richiedenti che operano con il Fondo – account abilitati all’utilizzo della procedura telematica - Ottobre 2020 (informativa ai sensi del Piano della Trasparenza - parte X delle Disposizioni operative) DENOMINAZIONE SOGGETTO RICHIEDENTE COGNOME NOME E-MAIL TELEFONO AAREAL BANK MAZZA ANTONIO [email protected] 0683004228 AAREAL BANK CIPOLLONE LORELLA [email protected] 0683004305 AGFA FINANCE ITALY SPA CRIPPA ANTONELLA [email protected] 023074648 AGFA FINANCE ITALY SPA BUSTI FILIPPO [email protected] AGRIFIDI ZAPPA GIUSEPPE [email protected] 3371066673 AGRIFIDI EMILIA ROMAGNA TEDESCHI CARLO ALBERTO [email protected] 05211756120 AGRIFIDI MODENA REGGIO FERRARA TINCANI ENNIO EMANUELE [email protected] 059208524 AGRIFIDI UNO EMILIA ROMAGNA EVANGELISTI CARLOTTA [email protected] 0544271787 AGRIFIDI UNO EMILIA ROMAGNA MONTI LUCA [email protected] 0544271787 A-LEASING SPA LOMBARDO CLAUDIO [email protected] 0422409820 ALLIANZ BANK FINANCIAL ADVISORS PISTARINO FRANCA [email protected] 0131035420 ALLIANZ BANK FINANCIAL ADVISORS CORIGLIANO FABIO [email protected] 0272168085 ALLIANZ BANK FINANCIAL ADVISORS CHIARI STEFANO [email protected] 0272168518 ALLIANZ BANK FINANCIAL ADVISORS CANNIZZARO FEDERICO [email protected] 3421650350 ALLIANZ BANK FINANCIAL ADVISORS KOFLER SAMUEL [email protected] 3466001059 ALLIANZ BANK FINANCIAL ADVISORS FERRARI PIERO [email protected] 3477704188 ALLIANZ
    [Show full text]
  • The Chronicle of Dino Compagni / Translated by Else C. M. Benecke
    #m hbl.stx DG 737.2.C613 le i?mnP/!f? of Dino Compagni / 3 1153 0DSMS117 t, % n WRITTEN •T$' FIRST PRINTED • IN • 1726- PLEASE NOTE It has been necessary to replace some of the original pages in this book with photocopy reproductions because of damage or mistreatment by a previous user. Replacement of damaged materials is both expensive and time-consuming. Please handle this volume with care so that information will not be lost to future readers. Thank you for helping to preserve the University's research collections. THE TEMPLE CLASSICS THE CHRONICLE OF DINO COMPAGNI Digitized'by the Internet Archive in 2010 with funding from Boston Library Consortium Member Libraries http://www.archive.org/details/chronicleofdinocOOcomp mmyi CHRPNICE 92DINO COMPAGNI TRANSITED ^ELSE CM. BENECKE S§ FERRERS HOWELL MDCCCCVI PUBL15H6D- BY-^M D6NT- •AMP-CO : ALDlNe-HOUSe-LOMDON-W-O PRELIMINARY NOTE vii PRELIMINARY NOTE Though Dino Compagni calls his work a Chronicle, it is not (like Giovanni Villani's, for example) a Chronicle in the sense in which the term is now used to express a particular kind of narration dis- " tinguished from a history ; the terms " chronicle and "history" being in Dino's time interchange- able. Dino's book is in form the history of a particular fact, namely, the division of the Guelf party in Florence into the White and the Black Guelfs, with its attendant circumstances, its causes, and its results : but under this form is unfolded at the same time the history of the steps by which the wealthy traders of Florence (jfropolani, popolani grassi, and collectively popolo grasso) organised in the greater guilds (see Appendix II.) acquired and retained the control of the machinery of govern- ment in the city and its outlying territory (contado), excluding (practically) from all participation therein on the one hand the Magnates (i.e.
    [Show full text]
  • Borso D'este, Venice, and Pope Paul II
    I quaderni del m.æ.s. – XVIII / 2020 «Bon fiol di questo stado» Borso d’Este, Venice, and pope Paul II: explaining success in Renaissance Italian politics Richard M. Tristano Abstract: Despite Giuseppe Pardi’s judgment that Borso d’Este lacked the ability to connect single parts of statecraft into a stable foundation, this study suggests that Borso conducted a coherent and successful foreign policy of peace, heightened prestige, and greater freedom to dispose. As a result, he was an active participant in the Quattrocento state system (Grande Politico Quadro) solidified by the Peace of Lodi (1454), and one of the most successful rulers of a smaller principality among stronger competitive states. He conducted his foreign policy based on four foundational principles. The first was stability. Borso anchored his statecraft by aligning Ferrara with Venice and the papacy. The second was display or the politics of splendor. The third was development of stored knowledge, based on the reputation and antiquity of Estense rule, both worldly and religious. The fourth was the politics of personality, based on Borso’s affability, popularity, and other virtues. The culmination of Borso’s successful statecraft was his investiture as Duke of Ferrara by Pope Paul II. His success contrasted with the disaster of the War of Ferrara, when Ercole I abandoned Borso’s formula for rule. Ultimately, the memory of Borso’s successful reputation was preserved for more than a century. Borso d’Este; Ferrara; Foreign policy; Venice; Pope Paul II ISSN 2533-2325 doi: 10.6092/issn.2533-2325/11827 I quaderni del m.æ.s.
    [Show full text]
  • For Whatever Life Brings
    For whatever life brings Consolidated First Half Financial Report as at June 30, 2011 WorldReginfo - 48dfa3b1-c634-451e-a533-7d43b90a1708 WorldReginfo - 48dfa3b1-c634-451e-a533-7d43b90a1708 Everyone knows that life can be surprising. Many of these surprises are good things. Some are not so good. That is why people need their bank to be a reliable partner, helping them to deal with whatever life brings. Because this year’s report is inspired by real life, its graphics portray some of life’s more pleasant aspects, as well as a few of its less enjoyable features. Thus, the images present a range of contrasts, and our cover offers up a kaleidoscope of moments drawn from daily life. That is simply how life works. From the exciting to the ordinary, from the expected to the unanticipated, life is always changing and makes demands on all of us. And UniCredit is here to lend a hand. Our job is about more than offering products and managing transactions. It is about understanding the needs of our customers as individuals, families and enterprises. Our goal is to deliver solutions for the everyday issues that people face. This means providing them with concrete answers - day by day, customer by customer, need by need. Consolidated First Half Financial Report as at June 30, 2011 WorldReginfo - 48dfa3b1-c634-451e-a533-7d43b90a1708 For whatever life brings WorldReginfo - 48dfa3b1-c634-451e-a533-7d43b90a1708 Contents Introduction 5 Board of Directors, Board of Statutory Auditors and External Auditors 7 Prefatory Note to the Consolidated First Half Financial Report 8 Interim Report on Operations 11 Highlights 12 Condensed Accounts 14 Quarterly Figures 16 Comparison of Q2 2011 / Q2 2010 18 Segment Reporting (Summary) 19 How the UniCredit Group has grown 20 UniCredit Share 21 Group Results 22 Results by Business Segment 34 Other information 69 Subsequent Events and Outlook 76 Condensed Interim Consolidated Financial Statements 78 Consolidated Accounts 80 Explanatory Notes 91 Condensed Interim Consolidated Financial Statement Certification pursuant to Art.
    [Show full text]
  • (2019). Bank X, the New Banks
    BANK X The New New Banks Citi GPS: Global Perspectives & Solutions March 2019 Citi is one of the world’s largest financial institutions, operating in all major established and emerging markets. Across these world markets, our employees conduct an ongoing multi-disciplinary conversation – accessing information, analyzing data, developing insights, and formulating advice. As our premier thought leadership product, Citi GPS is designed to help our readers navigate the global economy’s most demanding challenges and to anticipate future themes and trends in a fast-changing and interconnected world. Citi GPS accesses the best elements of our global conversation and harvests the thought leadership of a wide range of senior professionals across our firm. This is not a research report and does not constitute advice on investments or a solicitations to buy or sell any financial instruments. For more information on Citi GPS, please visit our website at www.citi.com/citigps. Citi Authors Ronit Ghose, CFA Kaiwan Master Rahul Bajaj, CFA Global Head of Banks Global Banks Team GCC Banks Research Research +44-20-7986-4028 +44-20-7986-0241 +966-112246450 [email protected] [email protected] [email protected] Charles Russell Robert P Kong, CFA Yafei Tian, CFA South Africa Banks Asia Banks, Specialty Finance Hong Kong & Taiwan Banks Research & Insurance Research & Insurance Research +27-11-944-0814 +65-6657-1165 +852-2501-2743 [email protected] [email protected] [email protected] Judy Zhang China Banks & Brokers Research +852-2501-2798
    [Show full text]
  • The Renaissance Society of America Annual Meeting
    CHICAGO 30 March–1 April 2017 RSA 2017 Annual Meeting, Chicago, 30 March–1 April Photograph © 2017 The Art Institute of Chicago. Institute The Art © 2017 Photograph of Chicago. Institute The Art © 2017 Photograph The Renaissance Society of America Annual Meeting The Renaissance Society of America Annual Meeting Program Chicago 30 March–1 April 2017 Front and back covers: Jacob Halder and Workshop, English, Greenwich, active 1576–1608. Portions of a Field Armor, ca. 1590. Steel, etched and gilded, iron, brass, and leather. George F. Harding Collection, 1982.2241a-h. Art Institute of Chicago. Contents RSA Executive Board .......................................................................5 RSA Staff ........................................................................................6 RSA Donors in 2016 .......................................................................7 RSA Life Members ...........................................................................8 RSA Patron Members....................................................................... 9 Sponsors ........................................................................................ 10 Program Committee .......................................................................10 Discipline Representatives, 2015–17 ...............................................10 Participating Associate Organizations ............................................. 11 Registration and Book Exhibition ...................................................14 Policy on Recording and Live
    [Show full text]