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In Ancient Egypt
THE ROLE OF THE CHANTRESS ($MW IN ANCIENT EGYPT SUZANNE LYNN ONSTINE A thesis submined in confonnity with the requirements for the degm of Ph.D. Graduate Department of Near and Middle Eastern Civiliations University of Toronto %) Copyright by Suzanne Lynn Onstine (200 1) . ~bsPdhorbasgmadr~ exclusive liceacc aiiowhg the ' Nationai hiof hada to reproduce, loan, distnia sdl copies of this thesis in miaof#m, pspa or elccmnic f-. L'atm criucrve la propri&C du droit d'autear qui protcge cette thtse. Ni la thèse Y des extraits substrrntiets deceMne&iveatetreimprimCs ouraitnmcrtrepoduitssanssoai aut&ntiom The Role of the Chmaes (fm~in Ancient Emt A doctorai dissertacion by Suzanne Lynn On*, submitted to the Department of Near and Middle Eastern Civilizations, University of Toronto, 200 1. The specitic nanire of the tiUe Wytor "cimûes", which occurrPd fcom the Middle Kingdom onwatd is imsiigated thrwgh the use of a dalabase cataloging 861 woinen whheld the title. Sorting the &ta based on a variety of delails has yielded pattern regatding their cbnological and demographical distribution. The changes in rhe social status and numbers of wbmen wbo bore the Weindicale that the Egyptians perceivecl the role and ams of the titk âiffefcntiy thugh tirne. Infomiation an the tities of ihe chantressw' family memkrs bas ailowed the author to make iderences cawming llse social status of the mmen who heu the title "chanms". MiMid Kingdom tifle-holders wverc of modest backgrounds and were quite rare. Eighteenth DMasty women were of the highest ranking families. The number of wamen who held the titk was also comparatively smaii, Nimeenth Dynasty women came [rom more modesi backgrounds and were more nwnennis. -
Some Thoughts on Religious Change at Deir El-Medina
SOME THOUGHTS ON RELIGIOUS CHANGE AT DEIR EL-MEDINA Cathleen Keller University of California, Berkeley It gives me very great pleasure to contribute ticular, have met with some success: Baraize’s to a volume in honor of Richard Fazzini, a excavations in the Ptolemaic temple area;5 the fellow Egyptomania enthusiast and aficionado of clearance of the “oratorio” sacred to Ptah and ancient Thebes. I feel reasonably certain that Meretseger;6 Davies’ investigation of the “high the characters mentioned in this paper, though place,” situated above the path between Deir el- residents of the Western Side, were as familiar as Medina and the Valley of the Kings,7 and the he with the Temple of Mut at Karnak. Italian, German and French excavations of the The title of Keith Hopkins’s recent work on village itself, have yielded up some in situ ma- the religions of the Hellenistic Mediterranean, A terial.8 In addition to general surveys of reli- World Full of Gods,1 aptly describes the religious life gious cult and practice at Deir el-Medina,9 reli- of the workmen of Deir el-Medina as well. From gious studies of the Deir el-Medina “pantheon” the inception of the study of this organization, have frequently focused on individual deities, no- the votive monuments of the sdm.w-#sˇ m s.t-M3#.t tably the deified Amenhotep I10 and Ahmose- ¯ have attracted the attention of scholars.2 The Nefertari11 and Meretseger.12 Others, however, re- sheer quantity of the monuments, as well as the main understudied, including Hathor, the dedica- variety of the deities depicted3 (a list that includes tee of Deir el-Medina’s major sanctuary, and her divinities of both indigenous and foreign origin), interaction with her local sister-divinities, such as has led to their being used to illustrate general Meretseger and Henutimentet. -
Who Was Who at Amarna
1 Who was Who at Amarna Akhenaten’s predecessors Amenhotep III: Akhenaten’s father, who ruled for nearly 40 years during the peak of Egypt’s New Kingdom empire. One of ancient Egypt’s most prolific builders, he is also known for his interest in the solar cult and promotion of divine kingship. He was buried in WV22 at Thebes, his mummy later cached with other royal mummies in the Tomb of Amenhotep II (KV 35) in the Valley of the Kings. Tiye: Amenhotep III’s chief wife and the mother of Akhenaten. Her parents Yuya and Tjuyu were from the region of modern Akhmim in Egypt’s south. She may have lived out her later years at Akhetaten and died in the 14th year of Akhenaten’s reign. Funerary equipment found in the Amarna Royal Tomb suggests she was originally buried there, although her mummy was later moved to Luxor and is perhaps to be identified as the ‘elder lady’ from the KV35 cache. Akhenaten and his family Akhenaten: Son and successor of Amenhotep III, known for his belief in a single solar god, the Aten. He spent most of his reign at Akhetaten (modern Amarna), the sacred city he created for the Aten. Akhenaten died of causes now unknown in the 17th year of his reign and was buried in the Amarna Royal Tomb. His body was probably relocated to Thebes and may be the enigmatic mummy recovered in the early 20th century in tomb KV55 in the Valley of the Kings. Nefertiti: Akhenaten’s principal queen. Little is known of her background, although she may also have come from Akhmim. -
Beloved of Amun-Ra, Lord of the Thrones of Two-Lands Who Dwells in Pure-Mountain [I.E., Gebel Barkal]
1 2 “What is important for a given people is not the fact of being able to claim for itself a more or less grandiose historic past, but rather only of being inhabited by this feeling of continuity of historic consciousness.” - Professor Cheikh Anta DIOP Civilisation ou barbarie, pg. 273 3 4 BELOVED OF AMUN-RA A colossal head of Ramesses II (r. 1279-1213 BCE) is shifted by native workers in the Ramesseum THE LOST ORIGINS OF THE ANCIENT NAMES OF THE KINGS OF RWANDA STEWART ADDINGTON SAINT-DAVID © 2019 S. A. Saint-David All rights reserved. 5 A stele of King Harsiotef of Meroë (r. 404-369 BCE),a Kushite devotee of the cult of Amun-Ra, who took on a full set of titles based on those of the Egyptian pharaohs Thirty-fifth regnal year, second month of Winter, 13th day, under the majesty of “Mighty-bull, Who-appears-in-Napata,” “Who-seeks-the-counsel-of-the-gods,” “Subduer, 'Given'-all-the-desert-lands,” “Beloved-son-of-Amun,” Son-of-Ra, Lord of Two-Lands [Egypt], Lord of Appearances, Lord of Performing Rituals, son of Ra of his body, whom he loves, “Horus-son-of-his-father” [i.e., Harsiotef], may he live forever, Beloved of Amun-Ra, lord of the Thrones of Two-Lands Who dwells in Pure-Mountain [i.e., Gebel Barkal]. We [the gods] have given him all life, stability, and dominion, and all health, and all happiness, like Ra, forever. Behold! Amun of Napata, my good father, gave me the land of Nubia from the moment I desired the crown, and his eye looked favorably on me. -
Illuminating the Path of Darkness
ILLUMINATING THE PATH OF DARKNESS: Social and sacred power of artificial light in Pharaonic Period Egypt This thesis is submitted for the degree of Doctor of Philosophy Meghan E. Strong Girton College University of Cambridge January 2018 Illuminating the path of darkness: social and sacred power of artificial light in Pharaonic Period Egypt Meghan E. Strong ABSTRACT Light is seldom addressed in archaeological research, despite the fact that, at least in ancient Egypt, it would have impacted upon all aspects of life. When discussing light in Egyptology, the vast majority of scholarly attention is placed on the sun, the primary source of illumination. In comparison, artificial light receives very little attention, primarily due to a lack of archaeological evidence for lighting equipment prior to the 7th century BC. However, 19th and 20th century lychnological studies have exaggerated this point by placing an overwhelming emphasis on decorated lamps from the Greco-Roman Period. In an attempt to move beyond these antiquarian roots, recent scholarship has turned towards examining the role that light, both natural and artificial, played in aspects of ancient societies’ architecture, ideology and religion. The extensive body of archaeological, textual and iconographic evidence that remains from ancient Egypt is well suited to this type of study and forms three core data sets in this thesis. Combining a materials- based examination of artificial light with a contextualized, theoretical analysis contributes to a richer understanding of ancient Egyptian culture from the 3rd to 1st millennium BC. The first three chapters of this study establish a typology of known artificial lighting equipment, as well as a lexicon of lighting terminology. -
The Symbolism and Function of the Window of Appearance in the Amarna Period*1
FOLIA PRAEHISTORICA POSNANIENSIA T. XXIV – 2019 WYDZIAŁ ARCHEOLOGII, UAM POZNAŃ – ISSN 0239-8524 http://dx.doi.org/10.14746/fpp.2019.24.05 THE SYMBOLISM AND FUNCTION OF THE WINDOW OF APPEARANCE IN THE AMARNA PERIOD*1 SYMBOLIZM I FUNKCJA OKNA POJAWIEŃ W OKRESIE AMARNEŃSKIM Maria M. Kloska orcid.org/0000-0003-4822-8891 Wydział Historii, Uniwersytet im. A. Mickiewicza ul. Uniwersytetu Poznańskiego 7, 61-614 Poznań [email protected] ABSTRACT: During the reign of the Amarna spouses, giving gold necklaces to royal officials took place (almost always) from the so-called Window of Appearance. From them, Akhenaten and Nefertiti, often with princesses, honoured deserved and devoted dignitaries. The popularity of the Window of Appearance closely relates to the introduction of a new religious system introduced by Akhenaten and Nefertiti. Ac- cording to the new religion, Akhenaten and Nefertiti were a pair of divine twins like Shu and Tefnut, who in the Heliopolitan theology, were the children of the god Atum – replaced by Aten in Amarna. The royal couple prayed to the main solar god, while their subjects prayed to the king and queen. Since Akhenaten per- formed the role of a priest through whom ordinary people could pray to the god, it was necessary to create a construction that would allow the king to meet with his subjects publicly. The Window of Appearance was such architectural innovation. It was crucial because the king was an intermediator between the peo- ple and the only right sun god, Aten. The Windows of Appearance were probably located in various places in Akhetaten, including the Great Palace, the King’s House, the North Palace, the Small Aten Temple and in the temples of the Sunshades of Re in the Kom el-Nana and Maru-Aten. -
In the Tomb of Nefertari: Conservation of the Wall Paintings
IN THE TOMB OF NEFERTAR1 IN THE TOMB OF NEFERTARI OF CONSERVATION THE WALL PAINTINGS THE J.PAUL GETTY MUSEUM AND THE GETTY CONSERVATION INSTITUTTE 1992 © 1992 The j. Paul Getty Trust Photo Credits: Guillermo Aldana, figs. I, 2, 4, 8-17, 30, 34-36, 38, cover, 401 Wilshire Boulevard, Suite 900 endsheets, title page, copyright page, table of contents; Archives of Late Egyp Santa Monica, California 90401 -1455 tian Art, Robert S. Bianchi, New York, figs. 18, 20, 22-27, 31-33,37; Cleveland Museum of Art, fig. 29; Image processing by Earthsat, fig. 7; Metropolitan Kurt Hauser, Designer Museum of Art, New York, figs. 6, 19, 28; Museo Egizio, Turin, figs. 5, 21 (Lovera Elizabeth Burke Kahn, Production Coordinator Giacomo, photographer), half-title page. Eileen Delson, Production Artist Beverly Lazor-Bahr, Illustrator Cover: Queen Nefertari. Chamber C, south wall (detail), before treatment was completed. Endsheets: Ceiling pattern, yellow five-pointed stars on dark blue Typography by Wilsted & Taylor, Oakland, California ground. Half-title page: Stereo view of tomb entrance taken by Don Michele Printing by Westland Graphics, Burbank, California Piccio/Francesco Ballerini, circa 1904. Title page: View of Chamber K, looking Library of Congress Catalogmg-in-Publication Data north. Copyright page: Chamber C, south wall, after final treatment-Table of In the tomb of Nefertari : conservation of the wall paintings, Contents page: Chamber C, south wall (detail), after final treatment. Tomb of p. cm. Nefertari, Western Thebes, Egypt. "Published on the occasion of an exhibition at the J. Paul Getty Published on the occasion of an exhibition atthej. -
Ceremonial Execution and Public Rewards: Some Historical Scenes on New Kingdom Private Stelae
Zurich Open Repository and Archive University of Zurich Main Library Strickhofstrasse 39 CH-8057 Zurich www.zora.uzh.ch Year: 1988 Ceremonial Execution and Public Rewards: Some Historical Scenes on New Kingdom Private Stelae Schulman, Alan R. Abstract: The repertoire of scenes on Egyptian private stelae is relatively limited to scenes of the funerary banquet, of the deceased receiving offerings, or making them. About the reign of Thutmose IVinthe New Kingdom, and lasting through the end of Dynasty 20, scenes which seemingly have nothing to do with these motifs begin to occasionally appear in the stelae repertoire: the king smiting his enemies, receiving a weapon from a god, a god’s barque carried in procession, the deceased being rewarded with gold collars or riding in his chariot, and the like. The present work attempts to discern why such scenes appear on private stelae. After a careful examination of all of the known private monuments of this class which depict who specific motifs, a) the king smiting an enemy and b) the awarding of gold sbiw-collars to the stela’s dedicatee, a total of approximately 35 monuments, the conclusion was reached that such representations are not merely timeless stereotypes but actually represented specific events which took place at specific points in time. Thus the stelae function on two levels simultaneously, a concreteone commemorating the original event, and an abstract one in which the scene illustrated is repeated for eternity. Posted at the Zurich Open Repository and Archive, University of Zurich ZORA URL: https://doi.org/10.5167/uzh-149722 Monograph Published Version Originally published at: Schulman, Alan R. -
Meresankh Iii Nile
NILEMAGAZINE.CO.UK | #13 | APRIL–MAY 2018 £4.90 NILENILE~ DiscoverDiscover AncientAncient EgyptEgypt TodayToday NILE STYLE TOMBOS Living with the Enemy The Divine FALCON AHMOSE Father of a Dynasty HIEROGLYPHS Who translated them first? QUEEN FOR ETERNITY MERESANKH III NILE n 1931, German archaeologist Uvo Hölscher, digging for the University of Chicago’s Oriental Institute, was excavating the ruins of the funerary temple of King Ay, just north of Ramesses III’s Itemple at Medinet Habu. Foundation deposits at the site revealed that the temple was begun by Ay during his short reign following the early death of Tut- ankhamun. Above ground, however, the next in line, Horemheb, had done a thorough job of usurp- ing the temple and its fine statuary—rubbing out Ay’s cartouches and engraving his own. Discovered in the dusty rubble were two co- lossal, striding red quartzite statues, originally thought to have flanked a temple doorway. While they had sustained damage, the faces were, thankfully, largely intact. At the time, Uvo Hölscher made it fairly clear as to who he thought the two statues belonged: “Everywhere the names of Harmhab [Horemheb] appear over an erasure, where the name of Eye [Ay] had been carved originally and can be read with certainty in places. The face is, however, not that of Eye. Our statues were apparently made for Tutankhamon but completed, inscribed and set up under Eye and finally usurped by Harmhab.” The statue shown here went to the Egyp- tian Museum in Cairo (Inv. Cairo JE 59869), while its mate was gifted to the Oriental Institute in the division of finds (No. -
ABSTRACT Carl Nicholas Reeves STUDIES in the ARCHAEOLOGY
ABSTRACT Carl Nicholas Reeves STUDIES IN THE ARCHAEOLOGY OF THE VALLEY OF THE KINGS, with particular reference to tomb robbery and the caching of the royal mummies This study considers the physical evidence for tomb robbery on the Theban west bank, and its resultant effects, during the New Kingdom and Third Intermediate Period. Each tomb and deposit known from the Valley of the Kings is examined in detail, with the aims of establishing the archaeological context of each find and, wherever possible, isolating and comparing the evidence for post-interment activity. The archaeological and documentary evidence pertaining to the royal caches from Deir el-Bahri, the tomb of Amenophis II and elsewhere is drawn together, and from an analysis of this material it is possible to suggest the routes by which the mummies arrived at their final destinations. Large-scale tomb robbery is shown to have been a relatively uncommon phenomenon, confined to periods of political and economic instability. The caching of the royal mummies may be seen as a direct consequence of the tomb robberies of the late New Kingdom and the subsequent abandonment of the necropolis by Ramesses XI. Associated with the evacuation of the Valley tombs may be discerned an official dismantling of the burials and a re-absorption into the economy of the precious commodities there interred. STUDIES IN THE ARCHAEOLOGY OF THE VALLEY OF THE KINGS, with particular reference to tomb robbery and the caching of the royal mummies (Volumes I—II) Volume I: Text by Carl Nicholas Reeves Thesis submitted for the degree of Doctor of Philosophy School of Oriental Studies University of Durham 1984 The copyright of this thesis rests with the author. -
La Vida De Las Mujeres Egipcias Durante La XVIII Dinastía
LA VIDA DE LAS MUJERES EGIPCIAS DURANTE LA DINASTÍA XVIII POR TERESA ARMIJO NAVARRO-REVERTER BIBLID: [0571-3692 (2002) 113-136] RESUMEN: La mujer egipcia durante la dinastía XVIII gozó de gran libertad jurídi- ca y administrativa, aunque en la práctica estaba siempre supeditada a un hombre (padre, marido, hijo) y su misión principal era concebir hijos. Las grandes damas ocupaban altos cargos clericales y acompañaban a sus maridos en ceremonias oficia- les; la mujer obrera contribuía con su trabajo a los ingresos familiares. Existía la esclavitud, la poligamia y el concubinato. Aunque en la actualidad estas situaciones nos parecen denigrantes, su persistencia durante miles de años, constata su adecua- ción en aquel momento histórico. PALABRAS CLAVE: Mujer egipcia. La Gran Familia. Linaje. La “Señora de la Casa”. Esposas secundarias y concubinas. ABSTRACT: The egyptian women during the eighteenth dyansty enjoy a great deal of juridical and administrative freedom, which was reduce in practice to the depen- dence of a man. Her main task was motherhood. The aristocrat ladies occupaid high clergy offices and participated in oficial ceremonies with their important husbands; the less fortunate ones contributed with their works to the family economy. It exist slavery, polygamy and concubinage. If now we believe that all these situations are degrading for women, its long persistence in the old world prove to be suitable for these historic period. KEY WORDS: Egyptian women. The great family. Lineage. “The lady of the house”. Secondary wifes and concubines. Durante la dinastía XVIII, Egipto se integró en la esfera internacional, como lo demuestran claramente las tablillas llamadas “Cartas de Amar- na”. -
The Horse in New Kingdom Egypt: Its Introduction, Nature, Role and Impact
THE HORSE IN NEW KINGDOM EGYPT: ITS INTRODUCTION, NATURE, ROLE AND IMPACT TEXT VOLUME Susan Turner Macquarie University Faculty of Arts Department of Ancient History 2015 For CAROLINE and DAVID and ARKI who taught me so much about horses. ABSTRACT THE HORSE IN NEW KINGDOM EGYPT: ITS INTRODUCTION, NATURE, ROLE AND IMPACT. A THESIS SUBMITTED TO THE FACULTY OF ARTS IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF ANCIENT HISTORY MACQUARIE UNIVERSITY SUSAN P. TURNER SYDNEY, AUSTRALIA DECEMBER 2015 This Thesis has not been submitted for a higher degree to any other university or institution. Susan P. Turner_____________________________________ 2 “his horses are like falcons when they sight small birds.. roaring like a lion, stirred up and raging” Edgerton.W.F. & Wilson. J (1936) Historical Records of Ramses III. The Texts in Medinet Habu. University of Chicago Press, Chicago, 24. 3 ABSTRACT ABSTRACT To date much scholarly attention has been paid to the development of the light spoke- wheeled chariot, its spread throughout the Near East, its design and uses. There has also been much concentration on the domestication of the horse and its proliferation through the ‘horse cultures” in those regions. Apart from the work of Rommelaere1 in the early 1990’s, interest in the Egyptian horse has been limited to short articles or sections of other works dealing mainly with chariots, where mention of the driving force behind the chariot – the horse has been brief. This work addresses this omission by reviewing the faunal, iconographic, textual and archaeological evidence for the horse in New Kingdom Egypt.