Reusable Hypertext Structures for Distance and JIT Learning
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The Origins of the Underline As Visual Representation of the Hyperlink on the Web: a Case Study in Skeuomorphism
The Origins of the Underline as Visual Representation of the Hyperlink on the Web: A Case Study in Skeuomorphism The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Romano, John J. 2016. The Origins of the Underline as Visual Representation of the Hyperlink on the Web: A Case Study in Skeuomorphism. Master's thesis, Harvard Extension School. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:33797379 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA The Origins of the Underline as Visual Representation of the Hyperlink on the Web: A Case Study in Skeuomorphism John J Romano A Thesis in the Field of Visual Arts for the Degree of Master of Liberal Arts in Extension Studies Harvard University November 2016 Abstract This thesis investigates the process by which the underline came to be used as the default signifier of hyperlinks on the World Wide Web. Created in 1990 by Tim Berners- Lee, the web quickly became the most used hypertext system in the world, and most browsers default to indicating hyperlinks with an underline. To answer the question of why the underline was chosen over competing demarcation techniques, the thesis applies the methods of history of technology and sociology of technology. Before the invention of the web, the underline–also known as the vinculum–was used in many contexts in writing systems; collecting entities together to form a whole and ascribing additional meaning to the content. -
Advene As a Tailorable Hypervideo Authoring Tool: a Case Study
Advene as a Tailorable Hypervideo Authoring Tool: a Case Study Olivier Aubert Yannick Prié Daniel Schmitt Université de Lyon, CNRS Université de Lyon, CNRS Université de Strasbourg, Université Lyon 1, LIRIS, Université Lyon 1, LIRIS, LISEC EA-2310, France UMR5205, France UMR5205, France [email protected] [email protected] [email protected] ABSTRACT Many video annotation tools are often strongly tied to a Audiovisual documents provide a great primary material specific application domain. This allows them to offer a cus- for analysis in multiple domains, such as sociology or in- tomized experience, with dedicated tools and interfaces, at teraction studies. Video annotation tools offer new ways of the expense of some difficulty to be used outside of intended analysing these documents, beyond the conventional tran- uses. For instance, a tool like ELAN [8] does not allow over- scription. However, these tools are often dedicated to spe- lapping annotations, which may make sense in the linguis- cific domains, putting constraints on the data model or in- tic context but may not be convenient for other practices. terfaces that may not be convenient for alternative uses. Moreover, most specialized tools being aimed at analysis, Moreover, most tools serve as exploratory and analysis in- they do not particularly insist on the final phase of the pro- struments only, not proposing export formats suitable for cess: publishing documents. Tools like Anvil [4] or Elan [8] publication. propose multiple predefined structured export formats but We describe in this paper a usage of the Advene software, do not allow users to define their own visualizations. -
Hypertext Semiotics in the Commercialized Internet
Hypertext Semiotics in the Commercialized Internet Moritz Neumüller Wien, Oktober 2001 DOKTORAT DER SOZIAL- UND WIRTSCHAFTSWISSENSCHAFTEN 1. Beurteiler: Univ. Prof. Dipl.-Ing. Dr. Wolfgang Panny, Institut für Informationsver- arbeitung und Informationswirtschaft der Wirtschaftsuniversität Wien, Abteilung für Angewandte Informatik. 2. Beurteiler: Univ. Prof. Dr. Herbert Hrachovec, Institut für Philosophie der Universität Wien. Betreuer: Gastprofessor Univ. Doz. Dipl.-Ing. Dr. Veith Risak Eingereicht am: Hypertext Semiotics in the Commercialized Internet Dissertation zur Erlangung des akademischen Grades eines Doktors der Sozial- und Wirtschaftswissenschaften an der Wirtschaftsuniversität Wien eingereicht bei 1. Beurteiler: Univ. Prof. Dr. Wolfgang Panny, Institut für Informationsverarbeitung und Informationswirtschaft der Wirtschaftsuniversität Wien, Abteilung für Angewandte Informatik 2. Beurteiler: Univ. Prof. Dr. Herbert Hrachovec, Institut für Philosophie der Universität Wien Betreuer: Gastprofessor Univ. Doz. Dipl.-Ing. Dr. Veith Risak Fachgebiet: Informationswirtschaft von MMag. Moritz Neumüller Wien, im Oktober 2001 Ich versichere: 1. daß ich die Dissertation selbständig verfaßt, andere als die angegebenen Quellen und Hilfsmittel nicht benutzt und mich auch sonst keiner unerlaubten Hilfe bedient habe. 2. daß ich diese Dissertation bisher weder im In- noch im Ausland (einer Beurteilerin / einem Beurteiler zur Begutachtung) in irgendeiner Form als Prüfungsarbeit vorgelegt habe. 3. daß dieses Exemplar mit der beurteilten Arbeit überein -
Ted Nelson History of Computing
History of Computing Douglas R. Dechow Daniele C. Struppa Editors Intertwingled The Work and Influence of Ted Nelson History of Computing Founding Editor Martin Campbell-Kelly, University of Warwick, Coventry, UK Series Editor Gerard Alberts, University of Amsterdam, Amsterdam, The Netherlands Advisory Board Jack Copeland, University of Canterbury, Christchurch, New Zealand Ulf Hashagen, Deutsches Museum, Munich, Germany John V. Tucker, Swansea University, Swansea, UK Jeffrey R. Yost, University of Minnesota, Minneapolis, USA The History of Computing series publishes high-quality books which address the history of computing, with an emphasis on the ‘externalist’ view of this history, more accessible to a wider audience. The series examines content and history from four main quadrants: the history of relevant technologies, the history of the core science, the history of relevant business and economic developments, and the history of computing as it pertains to social history and societal developments. Titles can span a variety of product types, including but not exclusively, themed volumes, biographies, ‘profi le’ books (with brief biographies of a number of key people), expansions of workshop proceedings, general readers, scholarly expositions, titles used as ancillary textbooks, revivals and new editions of previous worthy titles. These books will appeal, varyingly, to academics and students in computer science, history, mathematics, business and technology studies. Some titles will also directly appeal to professionals and practitioners -
Curtains Up! Lights, Camera, Action! Documenting the Creation Of
Curtains Up! Lights, Camera, Action! Documenting the Creation of Theater and Opera Productions with Linked Data and Web Technologies Thomas Steiner, Rémi Ronfard, Pierre-Antoine Champin, Benoît Encelle, Yannick Prié To cite this version: Thomas Steiner, Rémi Ronfard, Pierre-Antoine Champin, Benoît Encelle, Yannick Prié. Curtains Up! Lights, Camera, Action! Documenting the Creation of Theater and Opera Productions with Linked Data and Web Technologies. International Conference on Web Engineering ICWE 2015, International Society for the Web Engineering, Jun 2015, Amsterdam, Netherlands. pp.10. hal-01159826 HAL Id: hal-01159826 https://hal.inria.fr/hal-01159826 Submitted on 22 Dec 2015 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Curtains Up! Lights, Camera, Action! Documenting the Creation of Theater and Opera Productions with Linked Data and Web Technologies Thomas Steiner1?, R´emiRonfard2 Pierre-Antoine Champin1, Beno^ıtEncelle1, and Yannick Pri´e3 1CNRS, Universit´ede Lyon, LIRIS { UMR5205, Universit´eLyon 1, France ftsteiner, [email protected], [email protected] 2 Inria Grenoble Rh^one-Alpes / LJK Laboratoire J. Kuntzmann - IMAGINE, France [email protected] 3CNRS, Universit´ede Nantes, LINA { UMR 6241, France [email protected] Abstract. -
Topic Name: Www
SOS POLITICAL SCIENCE AND PUBLIC ADMINISTRATION MBA FA 401 SUBJECT NAME: COMPUTER APPLICATIONS IN FINANCIAL ADMINISTRATION UNIT-V TOPIC NAME: WWW The World Wide Web (WWW), commonly known as the Web, is an information system where documents and other web resources are identified by Uniform Resource Locators (URLs, such as https://www.example.com/), which may be interlinked by hypertext, and are accessible over the Internet. The resources of the WWW are transferred via the Hypertext Transfer Protocol (HTTP) and may be accessed by users by a software application called a web browser and are published by a software application called a web server. English scientist Tim Berners-Lee invented the World Wide Web in 1989. He wrote the first web browser in 1990 while employed at CERN near Geneva, Switzerland. The browser was released outside CERN in 1991, first to other research institutions starting in January 1991 and then to the general public in August 1991. The World Wide Web has been central to the development of the Information Age and is the primary tool billions of people use to interact on the Internet. Web resources may be any type of downloaded media, but web pages are hypertext media that have been formatted in Hypertext Markup Language (HTML). Such formatting allows for embedded hyperlinks that contain URLs and permit users to navigate to other web resources. In addition to text, web pages may contain references to images, video, audio, and software components which are displayed in the user's web browser as coherent pages of multimedia content. Multiple web resources with a common theme, a common domain name, or both, make up a website. -
Hypervideo and Annotations on the Web
Hypervideo and Annotations on the Web Madjid Sadallah Olivier Aubert Yannick Prie´ DTISI - CERIST LIRIS - Universite´ Lyon 1 LIRIS - Universite´ Lyon 1 Alger, Algerie´ UMR 5205 CNRS UMR 5205 CNRS Email: [email protected] Email: [email protected] Email: [email protected] Abstract—Effective video-based Web information system de- the hypermedia system. Hypervideo addresses this issue by ployment is still challenging, while the recent widespread of a specialization of hypermedia centered on interactive video. multimedia further raises the demand for new online audiovisual We define hypervideo as being an interactive video-centric document edition and presentation alternatives. Hypervideo, a specialization of hypermedia focusing on video, can be used on the hypermedia document built upon an audiovisual content - a set Web to provide a basis for video-centric documents and to allow of video objects -. Several kinds of related data are presented more elaborated practices of online video. In this paper, we pro- within the document in a time synchronized way to augment pose an annotation-driven model to conceptualize hypervideos, the audiovisual part around which the presentation is organized promoting a clear separation between video content/metadata in space and time. and their various potential presentations. Using the proposed model, features of hypervideo are grafted to wider video- The articulation of video content with navigation facilities based Web documents in a Web standards-compliant manner. introduces new ways for developing interfaces, rendering the The annotation-driven hypervideo model and its implementation content and interacting with the document. By supplying offer a general framework to experiment with new interaction spatio-temporal behaviors to links, hypervideos allow address- modalities for video-based knowledge communication on the Web. -
Knowledge Sharing System
Knowledge Sharing System 武田英明 Hideaki Takeda [email protected] National Institute of Informatics Hideaki Takeda / National Institute of Informatics Outline of the lecture l Scope: To learn information and knowledge sharing techniques, such as Knowledge Representation, Semantic Web and Social Network Science l Category: Artificial Intelligence, Web Informatics l Learning goal: n Conceptual understanding of recent development of the knowledge sharing technologies n Theoretical understanding of basic knowledge representation technologies n Improvement of modeling and programing skills to use the knowledge representation and sharing technologies l Prerequisite: n Some experience of programming (python, ruby, perl, etc) Hideaki Takeda / National Institute of Informatics Outline of this course l Topics: 1. Introduction 2. Information Integration 3. Semantic Web: Introduction 4. Knowledge Representation in AI: Ontology 5. Knowledge Representation in AI: Description Logics and OWL 6. Semantic Web Languages: RDF, RDFS, SPARQL 7. Semantic Web Languages: RDF, RDFS, SPARQL (cont.) 8. Semantic Web Languages: RDF, RDFS, SPARQL (cont.) 9. Linked Open Data 10. Linked Open Data (cont.) 11. Knowledge Graph 12. Knowledge Graph (cont.) 13. Practice l Style of the lecture n 2-3 talks then some small Assignments (exercise and/or presentation) n Final report Hideaki Takeda / National Institute of Informatics Outline of this course l Information sharing n What is the nature of information sharing. We can learn it from the history of Information in our society. We realize that Information sharing is inevitable. n What is the enabling technology for Information Sharing. Information Sharing consists of three layers; the information layer, the semantics layer and the social network layer. -
(12) United States Patent (10) Patent No.: US 8,527,640 B2 Reisman (45) Date of Patent: Sep
USOO8527640B2 (12) United States Patent (10) Patent No.: US 8,527,640 B2 Reisman (45) Date of Patent: Sep. 3, 2013 (54) METHOD AND APPARATUS FOR BROWSING 5,396,546 A 3, 1995 Remillard USING MULTIPLE COORONATED DEVICE 5,404,393 A 4/1995 Remillard SETS 5,410,326 A 4/1995 Goldstein 5,440,624 A * 8/1995 Schoof, II ................ 379,202.01 5,479.268 A 12/1995 Young et al. (75) Inventor: Richard Reisman, New York, NY (US) 5,648,824 A 7/1997 Dunn et al. 5,689,353 A 11/1997 Darbee et al. (73) Assignee: Teleshuttle Tech2, LLC, New York, NY 5,699,526 A 12/1997 Siefert (US) 5,721,906 A 2, 1998 Siefert 5,761,606 A 6, 1998 Wolzein (*) Notice: Subject to any disclaimer, the term of this 32:3: A g E. al patent is extended or adjusted under 35 5,778.256 A 7, 1998 Darbee U.S.C. 154(b) by 183 days. (Continued) (21) Appl. No.: 12/552,992 FOREIGN PATENT DOCUMENTS EP 106.1490 A2 12/2000 (22) Filed: Sep. 2, 2009 GB 234.8587. A 10, 2000 (65) Prior Publication Data (Continued) US 2009/0319672 A1 Dec. 24, 2009 OTHER PUBLICATIONS Prototypes, field tryouts proceed for enhancedTV. By Steve Behrens, Related U.S. Application Data http://www.current.org/dtv/dtv013e.html, printed Jun. 30, 2004 (63) Continuation of application No. 10/434,042, filed on (document states Jul. 17, 2000). May 8, 2003, now Pat. No. 7,899,915. (Continued) (51) Int. Cl. -
Open Hypervideo As Archive Interface
! ! ! ! ! ! !"#$%&'"#()*+#,% ! -.%/(01*)#%2$3#(4-0#"#$%&'()*+!,%&+-+! % % % % % % % % % % % % % % % % % 5,.01-%567#(8%5-$9-('%:;<:% 2$3#(4-0#%=#.*7$% >9"#()*.,(.?%@(,4A%B-(*,%=,9C*.8%@(,4A%=(A%&#CD93%=(-EC#(% % B#(F%/G-+#D*#% H$*)#(.*3'%,4%/""C*#+%/(3.% &,01.019C#%4I(%J#.3-C39$78%K9$.3%9$+%B#+*#$8%>39337-(3% Contents 1. Introduction ......................................................................................................................... 1 1.1. Motivation ..................................................................................................................................1 1.2. Problem Statement and Research Questions .............................................................1 2. Related Work & Interdisciplinary Classification .................................................... 3 2.1. Archival Configurations .......................................................................................................3 2.1.1. On Documenting History ......................................................................................3 2.1.2. Document Access and Archive Interfaces .....................................................4 2.2. Hypermedia-Theory ..............................................................................................................5 2.2.1. Trail and Link Concepts ........................................................................................5 2.2.2. Hypertext as Interface for Narratives..............................................................7 2.2.3. Concepts of Authorship -
University of Southampton Research Repository Eprints Soton
University of Southampton Research Repository ePrints Soton Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", University of Southampton, name of the University School or Department, PhD Thesis, pagination http://eprints.soton.ac.uk Bibliography E. J. Aarseth. Cybertext: Perspectives on Ergodic Literature. Johns Hopkins University Press, Baltimore, 1997. Annette Adler, Anuj Gujar, Beverly L. Harrison, Kenton O’Hara, and Abigail Sellen. A diary study of work-related reading: Design implications for digital reading de- vices. In Proceedings of CHI ’98 Human Factors in Computing Systems, Los Angeles, California, USA, pages 241–248, 1998. M.J. Adler and C. van Doren. How to Read a Book. Simon and Schuster, New York, NY, 1972. Janet Adshead-Lansdale, editor. Dancing texts: intertextuality in interpretation. Dance Books, London, 1999. Maristella Agosti and James Allan. Methods and tools for the construction of hypertext. Information Processing and Management, 33(2):129–271, 1997. R. Akscyn, D. McCracken, and E. Yoder. KMS: A distributed hypermedia system for managing knowledge in organizations. -
Getting Back on the Trail, Combating Information Overload with Topic Maps Thesis for the Cand
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by NORA - Norwegian Open Research Archives UNIVERSITY OF OSLO Faculty of Humanities Department of Linguistics and Scandinavian Studies (Humanistic Informatics) Getting back on the trail, combating information overload with Topic Maps Thesis for the Cand. Philol. degree Rolf B. Guescini May 8, 2006 Contents 1 Historical overview and contributions 1 1.1 Vannevar Bush . 1 1.1.1 Memex . 2 1.1.2 Sequential vs. Associative . 2 1.1.3 From Memex to hypertext . 3 1.2 Theodore Nelson . 4 1.2.1 Literary Machines . 4 1.2.2 Project XANADU . 5 1.2.3 Embedded markup . 6 1.2.4 Other visions and projects on the way . 8 1.3 Douglas Engelbart . 12 1.4 Hypertext before the World Wide Web . 14 1.4.1 Modularity, juxtaposing, and editing . 14 1.4.2 Hierarchical structure vs. non-hierarchical link structures . 15 1.4.3 Filtering of information . 16 1.4.4 Extended link functionality . 16 1.4.5 Paths . 17 1.4.6 High level info to combat overload . 18 1.4.7 Tim Berners-Lee and the World Wide Web . 18 1.4.8 Development of the World Wide Web . 19 1.4.9 WWW becomes commercial . 20 1.4.10 The World Wide Web Consortium . 21 2 The World Wide Web and HTML: What is wrong with hypertext at this point? 23 2.1 The hyper in hypertext . 24 2.1.1 Associative links . 25 2.1.2 Link directionality . 26 2.1.3 Broken links .