Japanese Brand Fisherman's Sandals

Total Page:16

File Type:pdf, Size:1020Kb

Japanese Brand Fisherman's Sandals Japanese Brand Fisherman’s Sandals “GYOSAN” Vectop Co., Ltd. Sanmaicho 89-2, Kanagawa-ku, Yokohama City, Kanagawa 221-0862, JAPAN Made in Japan TEL: +81-45-624-9772 E-mail: [email protected] http://www.vectop.jp What is “ GYOSAN ” ?? 1. Fisherman’s stylish sandals in Japan. 2. Popular among Japanese youth & Celebrities. 3. Durable, Anti-slip, Comfortable. 4. Great variety of colors, Extensive selection. Gyosan are stylish thong sandals “MADE IN JAPAN”. Gyosan have been very popular among Japanese youth since the year 2000. Originally, Gyosan were local sandals worn in Ogasawara islands because their durability and anti-slip effect were loved by local fishermen. Around 2000, Gyosan gained popularity in mainland Japan developing the variety of colors and styles. Gyosan won the favor of Scuba Divers, Surfers, Fishermen, and Hula-dancers. Some celebrities introduced Gyosan as their fashionable footwear, and their reputation spread nationwide. Mark of Quality Engraved brand mark of “PEARL” guarantees the quality SECRETS of “GyoSan” of “MADE IN JAPAN”. PEARL is the only authentic manufacturer of GYOSAN. Single-piece Structure Gyosan is made of single-piece. There is NO joint between sole and thong. The durability is second to none. That’s why so many professionals love Gyosan. Anti-slip cutting The secret of Gyosan’s Anti-slip effect lies in its cutting. The technical cutting* grip the slippery ground. You will not slip anymore on wet floor, deck board and rocky shore. *There are two types of cutting depending on the styles. Material Synthetic Resin Basic DATA Origin MADE IN JAPAN Weight About 460g / pair Men’s : 25~28.0cm (US 7~10) Size Lady’s : 22~25.5cm (US 4.5~8) Gyosan has huge variety of colors and styles. There are 4 styles, 11colors, 3sizes. (plus, Variety of “GYOSAN ” 2types of strap for Men’s.) For the detail, refer to the “GYOSAN Catalog”. 4 Styles (Sample : Pink) & Normal Clear Metallic Neon 11 Colors Color\Style Normal Clear Metallic Neon Red ○ ― ○ ― Pink ○ ○ ○ ○ Green ○ ○ ○ ○ Purple ○ ○ ○ ― Yellow ○ ○ ― ○ Triple Single Orange ○ ― ― ○ (Men’s Normal ONLY) Sky Blue ○ ○ ○ ― SIZE Navy Blue ○ ○ ― ― Lady’s M 22.0~23.0cm Black ○ ○ ― ― Lady’s L 23.0~24.0cm White ○ ― ― ― Lady’s LL 24.0~25.5cm Silver ― ― ○ ― Men’s L 25.0~26.0cm Popular styles are Clear and Metallic. Men’s LL 26.0~27.0cm Popular colors are Pink and Black. (in Japan) Men’s 3L 27.0~28.0cm GYOSAN got a ride ※You MUST NOT distribute these images. on the Big Wave of “ARASHI ”. In 2009, Satoshi Ohno, the leader of the most popular Japanese idol group “ARASHI”, introduced GYOSAN in the famous TV show. That became the breakthrough for GYOSAN. ARASHI is especially popular in Asia, like Hong Kong, Taiwan, Korea, Indonesia, and Thai. Mr. Ohno is well known as a fishing lover. He became fond of GYOSAN personally, and introduced GYOSAN in a famous TV show to the viewers not only as the fisherman’s sandal, but as the stylish Satoshi Ohno casual footwear.(right) The feedback was immense. Even during the program was still on the air, the phone call for order kept on ringing. The color he wore was sold out in a minute. In the other show, Mr. Ohno introduced his original style to wear different colors on each foot.(left) Many fans of ARASHI rushed to get GYOSAN, and followed his style. The Big Wave of GYOSAN caused by Mr. Ohno overwhelmed over Japan. And the Big Wave is coming to Asia now!!! GYOSAN Catalog Normal (Men’s) Red Green Purple Yellow Orange Navy Blue Black White Vectop Co., Ltd. Strap SINGLE Sanmaicho 89-2, Kanagawa-ku, Men’s : L 25.0~26.0cm (US 7~8) Yokohama City, Kanagawa 221-0862, JAPAN Size Men’s : LL 26.0~27.0cm (US 8~9) TEL: +81-45-624-9772 E-mail: [email protected] Men’s : 3L 27.0~28.0cm (US 9~10) http://www.vectop.jp GYOSAN Catalog Normal (Lady’s) Pink Yellow Orange Sky Blue Black White Vectop Co., Ltd. Strap TRIPLE Sanmaicho 89-2, Kanagawa-ku, Lady’s : M 22.0~23.0cm (US 4.5~5.5) Yokohama City, Kanagawa 221-0862, JAPAN Size Lady’s : L 23.0~24.0cm (US 5.5~6.5) TEL: +81-45-624-9772 E-mail: [email protected] Lady’s : LL 24.0~25.5cm (US 6.5~8) http://www.vectop.jp GYOSAN Catalog Clear (Men’s & Lady’s) Pink Green Purple Yellow Sky Blue Navy Blue Black Strap TRIPLE Men’s : L 25.0~26.0cm (US 7~8) Men’s : LL 26.0~27.0cm (US 8~9) Vectop Co., Ltd. Men’s : 3L 27.0~28.0cm (US 9~10) Sanmaicho 89-2, Kanagawa-ku, Size Lady’s : M 22.0~23.0cm (US 4.5~5.5) Yokohama City, Kanagawa 221-0862, JAPAN Lady’s : L 23.0~24.0cm (US 5.5~6.5) TEL: +81-45-624-9772 E-mail: [email protected] Lady’s : LL 24.0~25.5cm (US 6.5~8) http://www.vectop.jp GYOSAN Catalog Metallic (Men’s & Lady’s) Red Pink Green Purple Sky Blue Silver Strap TRIPLE Men’s : L 25.0~26.0cm (US 7~8) Men’s : LL 26.0~27.0cm (US 8~9) Vectop Co., Ltd. Men’s : 3L 27.0~28.0cm (US 9~10) Sanmaicho 89-2, Kanagawa-ku, Size Lady’s : M 22.0~23.0cm (US 4.5~5.5) Yokohama City, Kanagawa 221-0862, JAPAN Lady’s : L 23.0~24.0cm (US 5.5~6.5) TEL: +81-45-624-9772 E-mail: [email protected] Lady’s : LL 24.0~25.5cm (US 6.5~8) http://www.vectop.jp GYOSAN Catalog Neon (Men’s & Lady’s) Pink Green Yellow Orange Strap TRIPLE Men’s : L 25.0~26.0cm (US 7~8) Men’s : LL 26.0~27.0cm (US 8~9) Vectop Co., Ltd. Men’s : 3L 27.0~28.0cm (US 9~10) Sanmaicho 89-2, Kanagawa-ku, Size Lady’s : M 22.0~23.0cm (US 4.5~5.5) Yokohama City, Kanagawa 221-0862, JAPAN Lady’s : L 23.0~24.0cm (US 5.5~6.5) TEL: +81-45-624-9772 E-mail: [email protected] Lady’s : LL 24.0~25.5cm (US 6.5~8) http://www.vectop.jp .
Recommended publications
  • Penggemar Arashi Sebagai Pop Kosmopolitan
    ADLN-PERPUSTAKAAN UNIVERSITAS AIRLANGGA DAFTAR PUSTAKA Buku: Hills, Matt. 2002. Fan Cultures. New York: Routledge Jenkins, H. 2006. Pop Cosmopolitanism: Mapping Cultural Flows in an Age of Media Convergence. In Fans, Bloggers, and Gamers: Exploring Participatory Culture. New York, NY: New York University Press. Kelly, William W. 2004. Fanning The Flames: Fans and Contemporary Culture. New York: State University of New York Lewis, Lisa A. 1992. The Adoring Audience: fanculture and popular media. New York: Routledge, Chapman and Hall Inc. Moleong, Lexy J. (2007) Metodologi Penelitan Kualitatif. Bandung: PT Remaja Rosdakarya Ofset. Nagaike, Kazumi. 2012. Johnny‟s Idols as Icons: Female Desires to Fantasize and Consume Male Idol Images. In Patrick Galbraith (Ed.), Idols and Celebrities in Japanese Media Culture. New York: Palgrave Macmillan. Ruslan, Rosady. 2008. Metodologi Penelitian Public Relations dan Komunikasi. Jakarta: PT. Raja Grafindo Persada Stevens, C. S. 2004. Buying Intimacy: Proximity and Exchange at a Japanese Rock Concert. In William W. Kelly (Ed.), Fanning the Flames: Fans and Consumer Culture in Contemporary Japan. New York: State University of New York Press. Stevens, C. S. (2008). Japanese Popular Music: Culture, Authenticity, and Power. London: Routledge Sugiyono. 2010. Metode Penelitian Kuantitatif Kualitatif dan R & D. Bandung : Alfabeta Yano, C. R. 2004. Letters From The Heart: Negotiating Fan-Star Relationship in Japanese Popular Music. In William W. Kelly (Ed.), Fanning the Flames: Fans and Consumer Culture in Contemporary Japan. New York: State University of New York Press 87 SKRIPSI PENGGEMAR ARASHI SEBAGAI POP KOSMOPOLITAN.... RATU ADDINA YU'MINA ADLN-PERPUSTAKAAN UNIVERSITAS AIRLANGGA Penelitian: 龐 惠潔 (2011) :「ファンコミュニティにおけるヒエラルキーの考察―台湾のジャ ニーズファンを例に―」 東京 東京大学 Anuar, R., Redzuan R.
    [Show full text]
  • Date April 26, 2013 Case Number 2009 (Wa) 26989 Court Tokyo
    Date April 26, 2013 Court Tokyo District Court, Case number 2009 (Wa) 26989 47th Civil Division – A case in which the court found that the defendant's use of the photos of the plaintiffs, who are members of idol groups, in books without their authorization, infringed what is generally known as the publicity rights of the plaintiffs and is illegal under the tort law. In conclusion, the court upheld the plaintiffs' claims for an injunction against the publishing and sale of these books, and for the disposal of said books, and also partially upheld their claims for damages. In this case, the plaintiffs, who are members of idol groups, alleged that the defendant published and sold books while using the plaintiffs' photos in these books without their authorization, and thereby infringed their rights to exclusively use the customer appeal of their portraits, etc., as well as what is generally known as portrait rights. Accordingly, the plaintiffs sought an injunction against the publishing and sale of these books, demanded the disposal of said books, and claimed damages. In accordance with the gist of the judgment of the First Petty Bench of the Supreme Court of February 2, 2012, Minshu Vol. 66, No. 2, at 89, the court referred to a person's right to exclusively use the customer appeal of his/her own portrait, etc. as a publicity right and stated that this right is one of the rights derived from a right of personality. The court then held that "the unauthorized use of portraits, etc. of a person is considered to be infringement of the person's publicity right and is found to be illegal under the tort law if the sole purpose of the use is to take advantage of the customer appeal of the portraits, etc.
    [Show full text]
  • El Colegio De México EL MERCADO DE IDOL VARONES EN JAPÓN
    El Colegio de México EL MERCADO DE IDOL VARONES EN JAPÓN (1999 – 2008): CARACTERIZACIÓN DE LA OFERTA A TRAVÉS DEL ESTUDIO DE UN CASO REPRESENTATIVO Tesis presentada por YUNUEN YSELA MANDUJANO SALAZAR en conformidad con los requisitos establecidos para recibir el grado de MAESTRÍA EN ESTUDIOS DE ASIA Y ÁFRICA ESPECIALIDAD JAPÓN Centro de Estudios de Asia y África 2009 ÍNDICE INTRODUCCIÓN……………………………………………………………………. 3 I. FENÓMENO IDOL EN JAPÓN Y OBJETO DE ESTUDIO………………... 14 1. Desarrollo general de la industria idol……………………………………. 14 2. Definición de idol………………………………………………………… 18 3. La compañía Johnny’s Jimusho………………………………………….. 22 4. Arashi…………………………………………………………………….. 31 II. ESTRATEGIAS DE DESARROLLO DEL MERCADO IDOL…………….. 36 1. Primera etapa: Base junior, reclutamiento y formación…………………. 37 2. Segunda etapa: Lanzamiento y consolidación de mercado………………. 46 3. Tercera etapa: Diversificación y expansión de mercado…………………. 58 III. SITUACIÓN ACTUAL DEL MERCADO DE IDOL VARONES………….. 68 1. El dominio idol dentro de la industria musical en Japón…………………. 69 2. Fin del monopolio y cambio de estrategias en el mercado de idol varones en Japón……………………………………………………………………… 75 CONCLUSIONES……………………………………………………………………. 84 REFERENCIAS………………………………………………………………………. 88 ANEXOS……………………………………………………………………………… 98 1 NOTA SOBRE EL SISTEMA DE ROMANIZACIÓN UTILIZADO En el presente estudio se utilizará, para los términos generales y los nombres de ciudades, el sistema de romanización usado en el Kenkyusha’s New Japanese – English Dictionary (3ra y ediciones posteriores). En el caso de nombres propios de origen japonés, se presentará primero el nombre y luego el apellido y se utilizará la romanización utilizada en las fuentes originales. Asimismo, es común que los autores no utilicen el macron (¯ ) cuando existe una vocal larga en este tipo de denominaciones.
    [Show full text]
  • Biden's Foreign Agenda
    Asia’s struggle to vaccinate millions Xi’s priorities Muhyiddin’s gamble MCI(P) 053/04/2020 February 2021 BIDEN’S FOREIGN AGENDA A BIG SHIFT? WE BRING YOU SINGAPORE AND THE WORLD UP TO DATE IN THE KNOW News | Live blog | Mobile pushes Web specials | Newsletters | Microsites WhatsApp | SMS Special Features IN THE LOOP ON THE WATCH Facebook | Twitter | Instagram Videos | FB live | Live streams To subscribe to the free newsletters, go to str.sg/newsletters All newsletters connect you to stories on our straitstimes.com website. Data Digest Covid-19 vaccines: Types, routes & effectiveness WITH OVER 102 MILLION INFECTIONS Different routes to a Covid-19 vaccine and more than two million deaths How the leading contenders in the race to establish effective inoculation against the globally, much attention is now focused Sars-CoV-2 virus have approached the task on the vaccines in the works. Of the 237 vaccines in development, 64 are How vaccines work in various phases of clinical testing. 22 • Vaccines are all designed • There are four main • All methods rely • APC identifies • Immune cells will are currently in phase 3 of clinical trials, to safely trigger the body’s approaches towards on APC to initiate peptides, then be enabled to natural immune response developing a vaccine the immune snippets of recognise and with 18 still in phase 1, which include to Sars-CoV-2 against the virus response virus protein neutralise the virus testing the vaccine in a small number of healthy people. 1 Virus • Beijing Institute/Sinopharm* There are four main types of Covid-19 vaccines • Wuhan Institute/Sinopharm • Bharat Biotech/ ICMR vaccines in the works.
    [Show full text]
  • 18483 19 18486 Ai 2017 Ai 18319 Ai 2031 Aiko 18580 Alan 18485
    ALDEBARAN KARAOKE Catálogo de Músicas - Por ordem de INTÉRPRETE Código INTÉRPRETE MÚSICA 18483 19 ANO KAMI HIKOHKI KUMORIZORA WATTE 18424 ABE SHIZUE MIZU IRO NO TEGAMI 18486 AI BELIEVE 2017 AI STORY 18319 AI YOU ARE MY STAR 5103 AI JOHJI & SHIKI CHINAMI AKAI GLASS 5678 AIKAWA NANASE BYE BYE 5815 AIKAWA NANASE SWEET EMOTION 5645 AIKAWA NANASE YUME MIRU SHOJYOJYA IRARENAI 2031 AIKO KABUTO MUSHI 2015 AKIKAWA MASAFUMI SEN NO KAZE NI NATTE 2022 AKIMOTO JUNKO AI NO MAMA DE 2124 AKIMOTO JUNKO AME NO TABIBITO 2011 AKIMOTO JUNKO MADINSON GUN NO KOI 18233 AKIMOTO JUNKO TASOGARE LOVE AGAIN 18562 AKIOKA SHUJI AIBOH ZAKE 2296 AKIOKA SHUJI OTOKO NO TABIJI 18432 AKIOKA SHUJI SAKE BOJO 18580 ALAN KUON NO KAWA 18485 ALAN NAMONAKI KOI NO UTA 5117 ALICE FUYU NO INAZUMA 2266 ALICE IMA WA MOH DARE MO 18279 AMANE KAORU TAIYOH NO UTA 5658 AMI SUZUKI ALONE IN MY ROOM 2223 AMIN MATSU WA 5340 AMURO NAMIE CAN YOU CELEBRATE 5341 AMURO NAMIE CHASE THE CHANCE 18536 AMURO NAMIE FIGHT TOGETHER 5711 AMURO NAMIE I HAVE NEVER SEEN 5766 AMURO NAMIE NEVER END 5798 AMURO NAMIE SAY THE WORD 5294 AMURO NAMIE STOP THE MUSIC 5820 AMURO NAMIE THINK OF ME 5300 AMURO NAMIE TRY ME (WATASHI O SHINJITE) 5838 AMURO NAMIE WISHING ON THE SAME STAR 18425 AN CAFÉ NATSU KOI NATSU GAME 18574 ANGELA AKI HOME 18296 ANGELA AKI KAGAYAKU HITO 18211 ANGELA AKI KISS ME GOODBYE 18224 ANGELA AKI RAIN 18552 ANGELA AKI SAKURA IRO 2360 ANGELA AKI TEGAMI ~ HAIKEI JUHGO NO KIMI E 2040 ANGELA AKI THIS LOVE 18358 ANGELA AKI WE'RE ALL ALONE 2258 ANN LEWIS GOODBYE MY LOVE 5494 ANN LOUISE WOMAN 2379 ANRI OLIVIA
    [Show full text]
  • New Twist on Shibori
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Symposium Proceedings Textile Society of America 1994 New Twist on Shibori: How an Old Tradition Survives in the New World When Japanese Wooden Poles Are Replaced by American PVC Pipes Yoshiko Iwamoto Wada University of California, Berkeley, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/tsaconf Part of the Art and Materials Conservation Commons, Art Practice Commons, Fashion Design Commons, Fiber, Textile, and Weaving Arts Commons, Fine Arts Commons, and the Museum Studies Commons Wada, Yoshiko Iwamoto, "New Twist on Shibori: How an Old Tradition Survives in the New World When Japanese Wooden Poles Are Replaced by American PVC Pipes" (1994). Textile Society of America Symposium Proceedings. 1051. https://digitalcommons.unl.edu/tsaconf/1051 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Symposium Proceedings by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Wada, Yoshiko Iwamoto. “New Twist on Shibori: How an Old Tradition Survives in the New World When Japanese Wooden Poles Are Replaced by American PVC Pipes.” Contact, Crossover, Continuity: Proceedings of the Fourth Biennial Symposium of the Textile Society of America, September 22–24, 1994 (Los Angeles, CA: Textile Society of America, Inc., 1995). NEW TWIST ON SHIBORI: How AN OLD TRADITION SURVIVES IN THE NEW WORLD WHEN JAPANESE WOODEN POLES ARE REPLACED BY AMERICAN PVC PIPES YOSHIKO IWAMOTO WADA Center for Japanese Studies, 2223 Fulton St., University of California, Berkeley, CA 94 720 The subject of my talk is arashi shibori or pole wrap resist Although at times it is hard to recognize some arashi effects as such, technically arashi shibori is one of many forms of tie-dye.
    [Show full text]
  • Negosiasi Maskulinitas Dalam Citra Idola Sakurai Sho
    6 Jurnal Seni Nasional CIKINI Volume 5 No. 2, Desember 2019-Mei 2020 “Doumo. Boku desu.”: Negosiasi Maskulinitas dalam Citra Idola Sakurai Sho Bawuk Respati, S.Sn., M.Si [email protected] Abstract Japanese male idols can be seen as a manifestation of the idea of​​masculinity that can be found in Japanese society. The image of an idol is complex, so the values ​​of masculinity that are manifested are complex. This is reflected in the image of Sakurai Sho, a member of the Arashi idol group, who not only appears in the context of himself as an idol, by holding concerts, but also works regularly as a newscaster in a television news program. By referring to the concept of hegemonic masculinity, which is manifested in the salaryman figure in Japan, as well as the concept of male idol gender performance which is considered as an alternative form of masculinity in Japan, it is found that in the construction of Sakurai Sho image, there is a negotiation process between values dominant masculinity with alternative masculinity values. The negotiations mainly arose in the intertextual relationship between a number of media texts that formed the overall image of Sakurai Sho. Negotiations in this intertextuality show that masculinity is not a permanent entity. Keywords: hegemonic masculinity, negotiation, image, intertextuality, Sakurai Sho Abstrak Idola laki-laki Jepang dapat dipandang sebagai sebuah bentuk manifestasi dari ide mengenai maskulinitas yang dapat ditemukan dalam masyarakat Jepang. Citra seorang idola adalah sesuatu yang kompleks, maka nilai-nilai maskulinitas yang dimanifestasikan pun kompleks. Hal ini tercermin dalam citra Sakurai Sho, anggota grup idola Arashi, yang tidak hanya tampil dalam konteks dirinya sebagai seorang idola, dengan menggelar konser, tetapi juga bekerja rutin sebagai seorang newscaster dalam sebuah acara berita televisi.
    [Show full text]
  • Alih Tutur Pada Variety Show 嵐にしやがれ (Arashi Ni Shiyagare) Episode Sixtones & Snow Man
    ALIH TUTUR PADA VARIETY SHOW 嵐にしやがれ (ARASHI NI SHIYAGARE) EPISODE SIXTONES & SNOW MAN SKRIPSI Diajukan sebagai salah satu syarat untuk memperoleh gelar sarjana sastra pada Departemen Sastra Jepang Fakultas Ilmu Budaya Universitas Hasanuddin Disusun Oleh: Nia Novia Nur Fajriyani B. M F91115009 DEPARTEMEN SASTRA JEPANG FAKULTAS ILMU BUDAYA UNIVERSITAS HASANUDDIN MAKASSAR 2020 HALAMAN JUDUL ALIH TUTUR PADA VARIETY SHOW 嵐にしやがれ (ARASHI NI SHIYAGARE) EPISODE SIXTONES & SNOW MAN SKRIPSI Diajukan sebagai salah satu syarat untuk memperoleh gelar sarjana sastra pada Departemen Sastra Jepang Fakultas Ilmu Budaya Universitas Hasanuddin Disusun Oleh: Nia Novia Nur Fajriyani B. M F91115009 DEPARTEMEN SASTRA JEPANG FAKULTAS ILMU BUDAYA UNIVERSITAS HASANUDDIN MAKASSAR 2020 i KATA PENGANTAR Bismillahirahmanirahim Puji syukur saya panjatkan kepada Tuhan Yang Maha Esa, karena atas berkat dan rahmat-Nya, saya dapat menyelesaikan skripsi ini. Penulisan skripsi ini diajukan untuk memenuhi salah satu syarat memperoleh gelar Sarjana pada Departemen Sastra Jepang Fakultas Ilmu Budaya Universitas Hasanuddin. Selesainya skripsi dengan judul “Alih Tutur pada Variety Show 嵐にしや がれ (Arashi ni Shiyagare) episode SixTONES & Snow Man” ini, tidak terlepas dari bantuan, bimbingan, serta dukungan dari berbagai pihak. Oleh karena itu, dalam kesempatan ini saya dengan senang hati menyampaikan terima kasih kepada semua pihak yang telah bersedia meluangkan waktu dan energinya dalam proses penyusunan skripsi ini, di antaranya: 1. Ayahanda dan Ibunda tercinta yang telah mengorbankan segalanya untuk saya, telah mengeluarkan keringat dan finansial untuk saya yang tiada henti mendoakan dan selalu mencintai Nia dalam kondisi apapun. 2. Ibu Kasmawati, S.S., M.Hum selaku pembimbing I dan Ibu Nursidah, S.Pd., M.Pd selaku pembimbing II. Terima kasih karena telah berbaik hati dan sabar membimbing Nia yang seringkali menghilang dan pasif dalam mendatangi sensei.
    [Show full text]
  • The “Pop Pacific” Japanese-American Sojourners and the Development of Japanese Popular Music
    The “Pop Pacific” Japanese-American Sojourners and the Development of Japanese Popular Music By Jayson Makoto Chun The year 2013 proved a record-setting year in Japanese popular music. The male idol group Arashi occupied the spot for the top-selling album for the fourth year in a row, matching the record set by female singer Utada Hikaru. Arashi, managed by Johnny & Associates, a talent management agency specializing in male idol groups, also occupied the top spot for artist total sales while seven of the top twenty-five singles (and twenty of the top fifty) that year also came from Johnny & Associates groups (Oricon 2013b).1 With Japan as the world’s second largest music market at US$3.01 billion in sales in 2013, trailing only the United States (RIAJ 2014), this talent management agency has been one of the most profitable in the world. Across several decades, Johnny Hiromu Kitagawa (born 1931), the brains behind this agency, produced more than 232 chart-topping singles from forty acts and 8,419 concerts (between 2010 and 2012), the most by any individual in history, according to Guinness World Records, which presented two awards to Kitagawa in 2010 (Schwartz 2013), and a third award for the most number-one acts (thirty-five) produced by an individual (Guinness World Record News 2012). Beginning with the debut album of his first group, Johnnys in 1964, Kitagawa has presided over a hit-making factory. One should also look at R&B (Rhythm and Blues) singer Utada Hikaru (born 1983), whose record of four number one albums of the year Arashi matched.
    [Show full text]
  • Weekly News Digest 産経オンライン英会話 ニュースディスカッション教材
    Weekly News Digest 産経オンライン英会話 ニュースディスカッション教材 ‘Let's End With A Smile’: J-Pop Idol Group Arashi Bows Out The male idol group perhaps most associated with Japan — Arashi — is to be no more. The five members of the popular boy band held a press conference on Sunday January 27, where 38-year-old leader Satoshi Ohno announced that the group is planning to suspend activities by the end of 2020. Ohno added that he is planning to take a break from the entertainment industry. Wearing colorful jackets, the five members of the group — half-laughing and half-crying — held an hour-long press conference, responding to questions from the press and discussing their reasons for taking this decision. “It’s not that I was tired of the group, but I thought it was time to get some distance, stop for a second, and reexamine myself,” explained Ohno. Showing how united the five members are, group member Sho Sakurai, 37, repeatedly stressed, “If it’s not all of us, it’s not Arashi.” Ohno explained how the decision was reached: “We exchanged thoughts and expressed what we felt about the situation. And when the other members told me, ‘Let’s end with a smile,’ that was really hard,” said the group leader, as he choked back tears. When asked whether the decision of the leader led to a fight among other members, the other four assertively denied the statement. The other members said, smiling: “But people wrote about it, didn’t they?” “We should have just lied about it.” “We really didn’t fight about it though.” The press conference, more than anything, seemed to reveal that these five men, who have spent the better part of their career of 20 years together, have a very strong bond.
    [Show full text]
  • Johnny's” Entertainers Omnipresent on Japanese TV: Postwar Media and the Postwar Family
    CULTURE The “Johnny's” Entertainers Omnipresent on Japanese TV: Postwar Media and the Postwar Family Shuto Yoshiki, Associate Professor, Nippon Sports and Science University Introduction What do Japanese people think of when they hear the name Johnnies? Perhaps pop groups such as SMAP or Arashi that belong to the Johnny & Associates talent agency? Or perhaps the title of specific TV programs or movies? If they are not that interested, perhaps they will be reminded of the words “beautiful young boys” or “scandal”? On the other hand, if they are well-informed about the topic perhaps jargon terms such as “oriki ,” “doutan ,” or “shinmechu ” are second nature? In this way the word “Johnnies” (the casual name given to groups managed by Johnny & Associates) is likely to evoke all sorts of images. But one thing is sure: almost no Japanese person would reply that they hadn’t heard the name. If a person lives within Japanese society and they watch television even just a little, whether they like it or not they will come across Johnnies. The performing artists managed by Johnny & Associates appear on television almost every hour of the viewing day, and they feature in all kinds of TV programs: music, drama, entertainment, news, live sports, education, and cooking. In Japanese society Johnnies are consumed as a matter of course and without need for explanation. They make up part of the background of everyday life. The Johnnies were created in April 1962. That year, a group called “Johnnys” was put together composed of Aoi Teruhiko, Nakatani Ryo, Iino Osami, and Maie Hiromi.
    [Show full text]
  • Arashi Digitalian Live Tour Download
    Arashi digitalian live tour download CLICK TO DOWNLOAD Arashi The Digitalian Live Tour - Disc 3; The Making [English subs] // announcement We can say this is pretty much my farewell gift and sign of apologies. Next week I will be going back to university for my degree in architecture. If I got to choose, between Arashi's concert DVDs and ayu's, judging from packaging point of view, of course I would leap for Arashi's immediately! Anyway, I forgot to mention Nino's solo. It was just perfection. Well, it was great because they had this tour near around Christmas and it was nice seeing Nino all renuzap.podarokideal.ru: Sakura Storm. Arashi - Dream-A-Live Album Download. Hello guys! I'm back sharing an old Song Album of Arashi. This one is one of my personal favorite. DREAM-A-LIVE ALBUM DISC 1 MB dl Aozora no Shita, Kimi no Tonari Performance in Music Station (HQ) Download from . 【周 邊】arashi live tour the digitalian グッズ詳細. Akhirnya, aku berkesempatan menonton konser Arashi Live Tour The Digitalian. Video konser ini sebenarnya sudah dirilis akhir Juli lalu, dan para fans udah pada ribut membicarakannya. Meski begitu, aku masih belum bisa nonton dengan alasan simple: link . Arashi Digitalian Tour Download Link!!! ARASHI HAYRANLARI BURAYA! Arashi Digitalian konserinin linkini buldum☆ Bu konser gerçekten harika! Konser arkasınını da göstermiş bunlaa. Arashi Live Tour "The Digitalian" Concert Report for Friday, Dec. 19th. It's the start of 5 days at Tokyo Dome! I'll be going to 3 of them. Since my previous reports already have the details on the set list and the stage set-up, I'll be skipping them and focusing on the fun things that have changed.
    [Show full text]