DOCSLIB.ORG

Penggemar Arashi Sebagai Pop Kosmopolitan

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Penggemar Arashi Sebagai Pop Kosmopolitan ADLN-PERPUSTAKAAN UNIVERSITAS AIRLANGGA DAFTAR PUSTAKA Buku: Hills, Matt. 2002. Fan Cultures. New York: Routledge Jenkins, H. 2006. Pop Cosmopolitanism: Mapping Cultural Flows in an Age of Media Convergence. In Fans, Bloggers, and Gamers: Exploring Participatory Culture. New York, NY: New York University Press. Kelly, William W. 2004. Fanning The Flames: Fans and Contemporary Culture. New York: State University of New York Lewis, Lisa A. 1992. The Adoring Audience: fanculture and popular media. New York: Routledge, Chapman and Hall Inc. Moleong, Lexy J. (2007) Metodologi Penelitan Kualitatif. Bandung: PT Remaja Rosdakarya Ofset. Nagaike, Kazumi. 2012. Johnny‟s Idols as Icons: Female Desires to Fantasize and Consume Male Idol Images. In Patrick Galbraith (Ed.), Idols and Celebrities in Japanese Media Culture. New York: Palgrave Macmillan. Ruslan, Rosady. 2008. Metodologi Penelitian Public Relations dan Komunikasi. Jakarta: PT. Raja Grafindo Persada Stevens, C. S. 2004. Buying Intimacy: Proximity and Exchange at a Japanese Rock Concert. In William W. Kelly (Ed.), Fanning the Flames: Fans and Consumer Culture in Contemporary Japan. New York: State University of New York Press. Stevens, C. S. (2008). Japanese Popular Music: Culture, Authenticity, and Power. London: Routledge Sugiyono. 2010. Metode Penelitian Kuantitatif Kualitatif dan R & D. Bandung : Alfabeta Yano, C. R. 2004. Letters From The Heart: Negotiating Fan-Star Relationship in Japanese Popular Music. In William W. Kelly (Ed.), Fanning the Flames: Fans and Consumer Culture in Contemporary Japan. New York: State University of New York Press 87 SKRIPSI PENGGEMAR ARASHI SEBAGAI POP KOSMOPOLITAN.... RATU ADDINA YU'MINA ADLN-PERPUSTAKAAN UNIVERSITAS AIRLANGGA Penelitian: 龐 惠潔 (2011) ：「ファンコミュニティにおけるヒエラルキーの考察―台湾のジャ ニーズファンを例に―」 東京 東京大学 Anuar, R., Redzuan R. 2015. The Relationship Between K-Pop Idols and Their Fans. Seoul: Ewha Women University Aoyagi, Hiroshi. 2009. Prospects on The Impact of Cool Japan in South East Asia. Singapore: Institute of East Asian Studies Chiu, Christine. 2005. SMAP: A case-study of J-pop. Hong Kong: University of Hong Kong Christy, Putri Lidya. 2011. Manifestasi Nilai Estetika Kawaii Dalam Dunia Hiburan Jepang. Jakarta: Universitas Indonesia. Kharisma, Deslyana Esa. 2014. Konsumerisme Di Kalangan Penggemar Grup Idola KAT-TUN Di Indonesia. Yogyakarta: Universitas Gadjah Mada. Hannerz, Ulf. 1990. Cosmopolitans and Locals in World Culture. Theory, Culture & Society, TCS Centre: Nottingham Trent University. CA: Sage Publications. Hendrikasari, Syefitri. 2013. Wujud Apresiasi Remaja di Jakarta terhadap Sister Group AKB48 di Indonesia: Studi Kasus Idol Grup JKT48. Yogyakarta: Universitas Gadjah Mada Marlovina. 2012. Pengaruh Presenter Acara “Arashi Ni Shiyagare” Pada Media Sosial Livejournal Terhadap Perubahan Perilaku Anggota Komunitas I No Arashi Di Jakarta. Jakarta: Universitas Bina Nusantara. Pradhan, Jinni. 2010. IT‟S MY PASSION, THAT‟S MY MISSION TO DECIDE, I‟M GOING WORLDWIDE: THE COSMOPOLITANISM OF GLOBAL FANS OF JAPANESE POPULAR CULTURE. Massachusets: Department of Communication, University of Massachusets. Puspitasari, Hermawan. 2013. Gaya Hidup Penggemar K-Pop (Budaya Korea) Dalam Mengekspresikan Kehidupannya: Studi Kasus K-Pop Lovers Di Surakarta. Surakarta: Universitas Negeri Surakarta. 88 SKRIPSI PENGGEMAR ARASHI SEBAGAI POP KOSMOPOLITAN.... RATU ADDINA YU'MINA ADLN-PERPUSTAKAAN UNIVERSITAS AIRLANGGA Simangunsong, Natasia. 2011. Fenomena Hallyu Dalam Pembentukan Identitas Diri: Studi Kasus pada Triple S Medan Sebagai Komunitas Penggemar Boyband Korea SS501. Medan: Universitas Sumatera Utara. Website: 「嵐」×観光庁 ＜「観光立国ナビゲーター」として「嵐」を起用！ Japan Tourism Agency, Ministry of Land, Infrastructure, Transport and Tourism. http://www.mlit.go.jp/kankocho/en/index.html diakses tanggal 20 Oktober 2014. Berger, John. Review: Arashi Blast at Ko Olina. Honolulupulse. 2014. http://www.honolulupulse.com/2014/09/review-arashi-blast-2014/ diakses tanggal 20 Oktober 2014 Jetro. 2005. “Cool” Japan's Economy Warms Up. Japan: Economic Research Department Japan External Trade Organization (JETRO) https://www.jetro.go.jp/en/reports/market/pdf/2005_27_r.pdf diakses 8 November 2014 Kumayama, Akihisa (1991) Japanese-American Cross Cultural Bussiness Negotiation. American Graduate School of International Management, University of Rhode Island. Online. http://www.uri.edu/iaics/content/1991v1n1/04%20Akihisa%20Kumayama.pd f diakses 5 Januari 2015 Longsfield, Kim (2004). In-depth Interviews. Online. http://www.aidsmark.org/ipc_en/pdf/manual/14_Research-Toolkit-Ch6-In- Depth-Interviews.pdf diakses 3 Juni 2013 Sanyal, Satrajit (2009) Bussiness Study in Japan: A Study in Perspectives. Social Science Research Network. Online http://papers.ssrn.com/sol3/papers.cfm?abstract_id=1331799 diakses 5 Januari 2015 Swider, Matt. “The Pokemon Series Pokedex”. Maret 2007. Gamingtarget. http://www.gamingtarget.com/article.php?artid=6531 diakses 2 Januari 2013 Music Station. TV Asahi http://www.tv-asahi.co.jp/music/ diakses 29 Desember 2014 「C no Arashi」Nihon TV http://www.ntv.co.jp/arashi/c/ diakses 29 Desember 2014 89 SKRIPSI PENGGEMAR ARASHI SEBAGAI POP KOSMOPOLITAN.... RATU ADDINA YU'MINA ADLN-PERPUSTAKAAN UNIVERSITAS AIRLANGGA 「嵐の宿題くん」Nihon TV http://www.ntv.co.jp/arashi/ diakses 29 Desember 2014 「ひみつの嵐ちゃん」TBS http://www.tbs.co.jp/arashi-chan/ diakses 29 Desember 2014 「嵐にしやがれ｣ Nihon TV http://www.ntv.co.jp/arashinishiyagare/ diakses 29 Desember 2014 90 SKRIPSI PENGGEMAR ARASHI SEBAGAI POP KOSMOPOLITAN.... RATU ADDINA YU'MINA.
Load more

Recommended publications
  • Date April 26, 2013 Case Number 2009 (Wa) 26989 Court Tokyo
    Date April 26, 2013 Court Tokyo District Court, Case number 2009 (Wa) 26989 47th Civil Division – A case in which the court found that the defendant's use of the photos of the plaintiffs, who are members of idol groups, in books without their authorization, infringed what is generally known as the publicity rights of the plaintiffs and is illegal under the tort law. In conclusion, the court upheld the plaintiffs' claims for an injunction against the publishing and sale of these books, and for the disposal of said books, and also partially upheld their claims for damages. In this case, the plaintiffs, who are members of idol groups, alleged that the defendant published and sold books while using the plaintiffs' photos in these books without their authorization, and thereby infringed their rights to exclusively use the customer appeal of their portraits, etc., as well as what is generally known as portrait rights. Accordingly, the plaintiffs sought an injunction against the publishing and sale of these books, demanded the disposal of said books, and claimed damages. In accordance with the gist of the judgment of the First Petty Bench of the Supreme Court of February 2, 2012, Minshu Vol. 66, No. 2, at 89, the court referred to a person's right to exclusively use the customer appeal of his/her own portrait, etc. as a publicity right and stated that this right is one of the rights derived from a right of personality. The court then held that "the unauthorized use of portraits, etc. of a person is considered to be infringement of the person's publicity right and is found to be illegal under the tort law if the sole purpose of the use is to take advantage of the customer appeal of the portraits, etc.
    [Show full text]
  • 18483 19 18486 Ai 2017 Ai 18319 Ai 2031 Aiko 18580 Alan 18485
    ALDEBARAN KARAOKE Catálogo de Músicas - Por ordem de INTÉRPRETE Código INTÉRPRETE MÚSICA 18483 19 ANO KAMI HIKOHKI KUMORIZORA WATTE 18424 ABE SHIZUE MIZU IRO NO TEGAMI 18486 AI BELIEVE 2017 AI STORY 18319 AI YOU ARE MY STAR 5103 AI JOHJI & SHIKI CHINAMI AKAI GLASS 5678 AIKAWA NANASE BYE BYE 5815 AIKAWA NANASE SWEET EMOTION 5645 AIKAWA NANASE YUME MIRU SHOJYOJYA IRARENAI 2031 AIKO KABUTO MUSHI 2015 AKIKAWA MASAFUMI SEN NO KAZE NI NATTE 2022 AKIMOTO JUNKO AI NO MAMA DE 2124 AKIMOTO JUNKO AME NO TABIBITO 2011 AKIMOTO JUNKO MADINSON GUN NO KOI 18233 AKIMOTO JUNKO TASOGARE LOVE AGAIN 18562 AKIOKA SHUJI AIBOH ZAKE 2296 AKIOKA SHUJI OTOKO NO TABIJI 18432 AKIOKA SHUJI SAKE BOJO 18580 ALAN KUON NO KAWA 18485 ALAN NAMONAKI KOI NO UTA 5117 ALICE FUYU NO INAZUMA 2266 ALICE IMA WA MOH DARE MO 18279 AMANE KAORU TAIYOH NO UTA 5658 AMI SUZUKI ALONE IN MY ROOM 2223 AMIN MATSU WA 5340 AMURO NAMIE CAN YOU CELEBRATE 5341 AMURO NAMIE CHASE THE CHANCE 18536 AMURO NAMIE FIGHT TOGETHER 5711 AMURO NAMIE I HAVE NEVER SEEN 5766 AMURO NAMIE NEVER END 5798 AMURO NAMIE SAY THE WORD 5294 AMURO NAMIE STOP THE MUSIC 5820 AMURO NAMIE THINK OF ME 5300 AMURO NAMIE TRY ME (WATASHI O SHINJITE) 5838 AMURO NAMIE WISHING ON THE SAME STAR 18425 AN CAFÉ NATSU KOI NATSU GAME 18574 ANGELA AKI HOME 18296 ANGELA AKI KAGAYAKU HITO 18211 ANGELA AKI KISS ME GOODBYE 18224 ANGELA AKI RAIN 18552 ANGELA AKI SAKURA IRO 2360 ANGELA AKI TEGAMI ~ HAIKEI JUHGO NO KIMI E 2040 ANGELA AKI THIS LOVE 18358 ANGELA AKI WE'RE ALL ALONE 2258 ANN LEWIS GOODBYE MY LOVE 5494 ANN LOUISE WOMAN 2379 ANRI OLIVIA
    [Show full text]
  • New Twist on Shibori
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Symposium Proceedings Textile Society of America 1994 New Twist on Shibori: How an Old Tradition Survives in the New World When Japanese Wooden Poles Are Replaced by American PVC Pipes Yoshiko Iwamoto Wada University of California, Berkeley, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/tsaconf Part of the Art and Materials Conservation Commons, Art Practice Commons, Fashion Design Commons, Fiber, Textile, and Weaving Arts Commons, Fine Arts Commons, and the Museum Studies Commons Wada, Yoshiko Iwamoto, "New Twist on Shibori: How an Old Tradition Survives in the New World When Japanese Wooden Poles Are Replaced by American PVC Pipes" (1994). Textile Society of America Symposium Proceedings. 1051. https://digitalcommons.unl.edu/tsaconf/1051 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Symposium Proceedings by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Wada, Yoshiko Iwamoto. “New Twist on Shibori: How an Old Tradition Survives in the New World When Japanese Wooden Poles Are Replaced by American PVC Pipes.” Contact, Crossover, Continuity: Proceedings of the Fourth Biennial Symposium of the Textile Society of America, September 22–24, 1994 (Los Angeles, CA: Textile Society of America, Inc., 1995). NEW TWIST ON SHIBORI: How AN OLD TRADITION SURVIVES IN THE NEW WORLD WHEN JAPANESE WOODEN POLES ARE REPLACED BY AMERICAN PVC PIPES YOSHIKO IWAMOTO WADA Center for Japanese Studies, 2223 Fulton St., University of California, Berkeley, CA 94 720 The subject of my talk is arashi shibori or pole wrap resist Although at times it is hard to recognize some arashi effects as such, technically arashi shibori is one of many forms of tie-dye.
    [Show full text]
  • Negosiasi Maskulinitas Dalam Citra Idola Sakurai Sho
    6 Jurnal Seni Nasional CIKINI Volume 5 No. 2, Desember 2019-Mei 2020 “Doumo. Boku desu.”: Negosiasi Maskulinitas dalam Citra Idola Sakurai Sho Bawuk Respati, S.Sn., M.Si [email protected] Abstract Japanese male idols can be seen as a manifestation of the idea of​​masculinity that can be found in Japanese society. The image of an idol is complex, so the values ​​of masculinity that are manifested are complex. This is reflected in the image of Sakurai Sho, a member of the Arashi idol group, who not only appears in the context of himself as an idol, by holding concerts, but also works regularly as a newscaster in a television news program. By referring to the concept of hegemonic masculinity, which is manifested in the salaryman figure in Japan, as well as the concept of male idol gender performance which is considered as an alternative form of masculinity in Japan, it is found that in the construction of Sakurai Sho image, there is a negotiation process between values dominant masculinity with alternative masculinity values. The negotiations mainly arose in the intertextual relationship between a number of media texts that formed the overall image of Sakurai Sho. Negotiations in this intertextuality show that masculinity is not a permanent entity. Keywords: hegemonic masculinity, negotiation, image, intertextuality, Sakurai Sho Abstrak Idola laki-laki Jepang dapat dipandang sebagai sebuah bentuk manifestasi dari ide mengenai maskulinitas yang dapat ditemukan dalam masyarakat Jepang. Citra seorang idola adalah sesuatu yang kompleks, maka nilai-nilai maskulinitas yang dimanifestasikan pun kompleks. Hal ini tercermin dalam citra Sakurai Sho, anggota grup idola Arashi, yang tidak hanya tampil dalam konteks dirinya sebagai seorang idola, dengan menggelar konser, tetapi juga bekerja rutin sebagai seorang newscaster dalam sebuah acara berita televisi.
    [Show full text]
  • Alih Tutur Pada Variety Show 嵐にしやがれ (Arashi Ni Shiyagare) Episode Sixtones & Snow Man
    ALIH TUTUR PADA VARIETY SHOW 嵐にしやがれ (ARASHI NI SHIYAGARE) EPISODE SIXTONES & SNOW MAN SKRIPSI Diajukan sebagai salah satu syarat untuk memperoleh gelar sarjana sastra pada Departemen Sastra Jepang Fakultas Ilmu Budaya Universitas Hasanuddin Disusun Oleh: Nia Novia Nur Fajriyani B. M F91115009 DEPARTEMEN SASTRA JEPANG FAKULTAS ILMU BUDAYA UNIVERSITAS HASANUDDIN MAKASSAR 2020 HALAMAN JUDUL ALIH TUTUR PADA VARIETY SHOW 嵐にしやがれ (ARASHI NI SHIYAGARE) EPISODE SIXTONES & SNOW MAN SKRIPSI Diajukan sebagai salah satu syarat untuk memperoleh gelar sarjana sastra pada Departemen Sastra Jepang Fakultas Ilmu Budaya Universitas Hasanuddin Disusun Oleh: Nia Novia Nur Fajriyani B. M F91115009 DEPARTEMEN SASTRA JEPANG FAKULTAS ILMU BUDAYA UNIVERSITAS HASANUDDIN MAKASSAR 2020 i KATA PENGANTAR Bismillahirahmanirahim Puji syukur saya panjatkan kepada Tuhan Yang Maha Esa, karena atas berkat dan rahmat-Nya, saya dapat menyelesaikan skripsi ini. Penulisan skripsi ini diajukan untuk memenuhi salah satu syarat memperoleh gelar Sarjana pada Departemen Sastra Jepang Fakultas Ilmu Budaya Universitas Hasanuddin. Selesainya skripsi dengan judul “Alih Tutur pada Variety Show 嵐にしや がれ (Arashi ni Shiyagare) episode SixTONES & Snow Man” ini, tidak terlepas dari bantuan, bimbingan, serta dukungan dari berbagai pihak. Oleh karena itu, dalam kesempatan ini saya dengan senang hati menyampaikan terima kasih kepada semua pihak yang telah bersedia meluangkan waktu dan energinya dalam proses penyusunan skripsi ini, di antaranya: 1. Ayahanda dan Ibunda tercinta yang telah mengorbankan segalanya untuk saya, telah mengeluarkan keringat dan finansial untuk saya yang tiada henti mendoakan dan selalu mencintai Nia dalam kondisi apapun. 2. Ibu Kasmawati, S.S., M.Hum selaku pembimbing I dan Ibu Nursidah, S.Pd., M.Pd selaku pembimbing II. Terima kasih karena telah berbaik hati dan sabar membimbing Nia yang seringkali menghilang dan pasif dalam mendatangi sensei.
    [Show full text]
  • The “Pop Pacific” Japanese-American Sojourners and the Development of Japanese Popular Music
    The “Pop Pacific” Japanese-American Sojourners and the Development of Japanese Popular Music By Jayson Makoto Chun The year 2013 proved a record-setting year in Japanese popular music. The male idol group Arashi occupied the spot for the top-selling album for the fourth year in a row, matching the record set by female singer Utada Hikaru. Arashi, managed by Johnny & Associates, a talent management agency specializing in male idol groups, also occupied the top spot for artist total sales while seven of the top twenty-five singles (and twenty of the top fifty) that year also came from Johnny & Associates groups (Oricon 2013b).1 With Japan as the world’s second largest music market at US$3.01 billion in sales in 2013, trailing only the United States (RIAJ 2014), this talent management agency has been one of the most profitable in the world. Across several decades, Johnny Hiromu Kitagawa (born 1931), the brains behind this agency, produced more than 232 chart-topping singles from forty acts and 8,419 concerts (between 2010 and 2012), the most by any individual in history, according to Guinness World Records, which presented two awards to Kitagawa in 2010 (Schwartz 2013), and a third award for the most number-one acts (thirty-five) produced by an individual (Guinness World Record News 2012). Beginning with the debut album of his first group, Johnnys in 1964, Kitagawa has presided over a hit-making factory. One should also look at R&B (Rhythm and Blues) singer Utada Hikaru (born 1983), whose record of four number one albums of the year Arashi matched.
    [Show full text]
  • Johnny's” Entertainers Omnipresent on Japanese TV: Postwar Media and the Postwar Family
    CULTURE The “Johnny's” Entertainers Omnipresent on Japanese TV: Postwar Media and the Postwar Family Shuto Yoshiki, Associate Professor, Nippon Sports and Science University Introduction What do Japanese people think of when they hear the name Johnnies? Perhaps pop groups such as SMAP or Arashi that belong to the Johnny & Associates talent agency? Or perhaps the title of specific TV programs or movies? If they are not that interested, perhaps they will be reminded of the words “beautiful young boys” or “scandal”? On the other hand, if they are well-informed about the topic perhaps jargon terms such as “oriki ,” “doutan ,” or “shinmechu ” are second nature? In this way the word “Johnnies” (the casual name given to groups managed by Johnny & Associates) is likely to evoke all sorts of images. But one thing is sure: almost no Japanese person would reply that they hadn’t heard the name. If a person lives within Japanese society and they watch television even just a little, whether they like it or not they will come across Johnnies. The performing artists managed by Johnny & Associates appear on television almost every hour of the viewing day, and they feature in all kinds of TV programs: music, drama, entertainment, news, live sports, education, and cooking. In Japanese society Johnnies are consumed as a matter of course and without need for explanation. They make up part of the background of everyday life. The Johnnies were created in April 1962. That year, a group called “Johnnys” was put together composed of Aoi Teruhiko, Nakatani Ryo, Iino Osami, and Maie Hiromi.
    [Show full text]
  • Hows It Going Free
    FREE HOWS IT GOING PDF Carl Anderson,Lucy Calkins | 224 pages | 23 Feb 2000 | Heinemann USA | 9780325002248 | English | Portsmouth, United States How's It Going? - Login These sentences come from external sources and may not be accurate. Do you want to translate into other languages? Have a look at our Hungarian-English dictionary. More information. Context Hows it Going Context sentences for "how's it going" in Norwegian These sentences come from external sources and Hows it Going not be accurate. English Now, I know you're asking, " How are we going to solve real world problems in games? English Well now, how are we going to tell the good memes from the bad memes? English Let's start by asking: How are we going to feed ourselves? English Well, how are we going to think about this? English How are we going to feed nine billion people? English How are we going to solve climate change through negotiations, unless we are able to make civil society and people, not Hows it Going of the problem, but part of the solution? More by bab. English house house cat house music household Hows it Going name houseleek housing housing estate hovercraft how how's it going how's it going howdy however hub hue hug huge huh hula hoop hull Do you want to translate into other languages? Living abroad Tips and Hacks for Living Abroad Everything you need to know about life in a foreign country. Phrases Speak like a native Useful phrases translated from English into 28 languages. Hangman Hangman Fancy a game? Or learning new words is more your thing? Why not have a go at them together! Let's stay in touch.
    [Show full text]
  • Dopisy Z Iwo Jimy
    Dopisy z Iwo Jimy Před jedenašedesáti lety se na Iwo Jimě utkaly americká a japonská armáda. O několik desetiletí později bylo v lávové půdě ostrova objeveno několik stovek dopisů. Tyto dopisy pojednou dávají anonymním šikům bojujících vojáků tváře a hlasy, a rovněž jejich vynikajícímu veliteli, který je vedl. Japonští vojáci, kteří jsou odveleni na Iwo Jimu, si uvědomují, že pravděpodobnost návratu z bitevního pole je mizivá. Jedním z nich je i bývalý pekař Saigo (Kazunari Ninomiya), který žije jen proto, aby mohl spatřit svou nedávno narozenou dceru; dále olympionik a šampión Baron Nishi (Tsuyoshi Ihara), který je znám pro své skvělé nadání pro jezdectví a je držitelem nejedné ceny; mladý armádní policista Shimizu (Ryo Kase), jehož idealizmus dosud nebyl zakalen peklem války; a přísný poručík Ito (Shidou Nakamura), který by raději spáchal sebevraždu, než by se vzdal. Velitelem obrany je generál Tadamichi Kuribayashi (Ken Watanabe), jehož cesty po Americe mu ukázaly nemilosrdnou tvář války, ale vedly jej i k pochopení toho, jak Američanům v Tichomoří zabránit v další expanzi. Díky Kuribayashiho nevídané taktice se boje, které si Američané představovali jako rychlou a krvavou porážku, protáhly na čtyřicet dní hrdinné a vynalézavé obrany. Podařilo se to i kvůli tomu, že Kuribayashiho bojovníci dokonale zvládla orientaci v prostoru vulkanického ostrova. Na Iwo Jimě zahynulo přibližně 7 tisíc amerických vojáků, na japonské straně dosáhly ztráty více než 20 tisíc pěších. Iwo Jimské pláže plné černého písku jsou dodnes prosycené jejich krví. Jejich oběť, vnitřní boje, odvaha a soucit se obtiskly do dopisů, které posílali domů a o několik destiletí později vyšly v knižní podobě.
    [Show full text]
  • LIBBY's MOMENT Barn 14 Hip No
    Consigned by Hidden Brook, Agent II Hip No. Barn 639 LIBBY'S MOMENT 14 Bay Mare; foaled 2003 Mr. Prospector Afleet................................. Polite Lady Northern Afleet.................. Nureyev Nuryette ............................ Stellarette LIBBY'S MOMENT Jester Tri Jet................................ Haze Rising Moment ................. (1987) For The Moment Eileen's Moment............... Sailaway By NORTHERN AFLEET (1993). Black-type winner of $626,671, San Fer- nando Breeders' Cup S. [G2], etc. Sire of 8 crops of racing age, 576 foals, 432 starters, 23 black-type winners, 333 winners of 1104 races and earn- ing $26,784,929, 2 champions, including Afleet Alex (8 wins, $2,765,800, Belmont S. [G1] (BEL, $600,000), etc.), and of Big City Man ($1,521,505, Gulf News Dubai Golden Shaheen [G1], etc.), Negligee ($348,007, Dar- ley Alcibiades S. [G1] (KEE, $300,000), etc.). Sire of dams of winners. 1st dam Rising Moment, by Tri Jet. 5 wins, 2 to 4, $96,611, 3rd Boca Raton S. (CRC, $4,241). Dam of 12 other registered foals, 12 of racing age, including a 2-year-old of 2010, 8 to race, 7 winners, including-- Exiled Groom (c. by Runaway Groom). 6 wins, 2 to 5, $174,064, 2nd Comet S. (MED, $8,000), 3rd Cowdin S. [G2], Nashua S. [G3]. Debbiesprettyboy (g. by Runaway Groom). 7 wins, 3 to 5, 2009, $61,363. Thy Will Be Done (f. by Runaway Groom). Winner at 2 and 3, $50,609. 2nd dam EILEEN'S MOMENT, by For The Moment. Half-sister to THIRTY ZIP [L] (13 wins, $585,970), CUTTER SAM ($302,769). Dam of 9 winners, incl.-- LIL E.TEE (c.
    [Show full text]
  • "WAKU-WAKU SCHOOL of ARASHI 2011－2018" Project Summary
    "WAKU-WAKU SCHOOL OF ARASHI 2011－2018" Project Summary WAKU-WAKU SCHOOL OF ARASHI was launcheD after the Great East Japan Earthquake on March 11, 2011, to offer support for reconstruction anD recovery efforts. This year marKs the eighth year of the project. Soon after the Great East Japan Earthquake, electricity shortage became a big social issue. As an expression of support for the affecteD areas, WAKU-WAKU SCHOOL OF ARASHI events Do not use electricity. The school theme was chosen to Deliver a message in Keeping with the Arashi image, in hopes of bringing a smile to all those who came. The idea is the brainchilD of Mr. Kundo Koyama. The members of Arashi become teachers, each in charge of one of 5 classes. (Members who aren’t teaching participate in the classes as stuDents.) Content was createD arounD the concept of "awareness", highlighting the fact that small things that are often overlooKeD can actually be very important. The main theme of WAKU-WAKU SCOOL OF ARASHI is "Daily Awareness". Through WAKU-WAKU SCOOL OF ARASHI, the members themselves have DevelopeD a reneweD awareness of things arounD them, while also being able to show their continueD support over the past eight years. We woulD liKe to taKe this opportunity to once again thanK everyone for their support anD encouragement. We will continue our efforts to assist in restoration and recovery efforts in the affecteD areas to the best of our abilities. Details of our activities through WAKU-WAKU SCHOOL OF ARASHI events are available below. 【" WAKU-WAKU SCHOOL OF ARASHI " Event
    [Show full text]
  • Changing Images of Female Idols in Contemporary Japan
    ISSN: 1500-0713 ______________________________________________________________ Article Title: Erokakkoii: Changing Images of Female Idols in Contemporary Japan Author(s): Yuki Wantanabe Source: Japanese Studies Review, Vol. XV (2011), pp. 61 - 74 Stable URL: https://asian.fiu.edu/projects-and-grants/japan- studies-review/journal-archive/volume-xv-2011/watanabe- erokakkoii.pdf EROKAKKOII: CHANGING IMAGES OF FEMALE IDOLS IN COMTEMPORARY JAPAN Yuki Watanabe University of Texas at Dallas As television became the primary medium of mass communication in post-war Japan during the 1950s, singer-idols (aidoru) enjoyed increasingly mainstream popularity among Japanese pop music consumers largely because of increasing TV exposure. While there have been many successful male and female singing idols, not surprisingly, most fans of male aidoru have been females, as in the case of the vocal groups that belong to Johnny’s Jimusho (Johnny‟s Office).1 In contrast, fans of female idols consist of a more widely heterogeneous mix of both genders. Reflecting substantial postwar changes in the Japanese economy and in Japanese culture, including assumptions about gender and its various constructions in popular culture, this paper will explore the cultural significance of evolving images and receptions of Japan‟s increasingly popular female aidoru. In the process, the paper aims to document processes by which traditional gender roles are simultaneously reinforced and challenged. This paper looks at how the concept of erokakkoii (erotic and cool) came to be embodied by mainstream female singing idols, analyzing the social implications of the phenomenon in terms of increasingly ambiguous gender relationships in contemporary Japan. For example, Koda Kumi, one of today‟s most popular Japanese female idols, is praised for her singing and dancing as well as her (in)famous erotic moves in skimpy costumes.
    [Show full text]