Chapter Summaries 44–51, No Summaries Written by Wallace 52 (Winter)
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Raiding the Garden and Rejecting the Family
Raiding the Garden and Rejecting the Family A Narratology of Scene in The Dream of the Red Chamber Zhonghong Chen Department of Culture Studies and Oriental Languages UNIVERSITETET I OSLO Autumn 2014 II Raiding the Garden and Rejecting the Family: A Narratology of Scene in the Dream of Red Chamber A Master Thesis III © Zhonghong Chen 2014 Raiding the Garden and Rejecting the Family: A Narratology of Scene in the Dream of Red Chamber Zhonghong Chen http://www.duo.uio.no/ Printed by Reprosentralen, Universitetet i Oslo IV Summary By conducting a close reading and a structural analysis, this thesis explores a narratology of “scene” in the novel Dream of the Red Chamber(Honglou meng《红楼梦》). The terminology of “scene” in the Western literary criticism usually refers to “a structual unit in drama” and “a mode of presentation in narrative”. Some literature criticists also claim that “scene” refers to “a structural unit in narrative”, though without further explanation. One of the main contributions of this theis is to define the term of “scene”, apply it stringently to the novel, Honglou meng, and thus make a narratology of “scene” in this novel. This thesis finds that “scene” as a structural unit in drama is characterized by a unity of continuity of characters, time, space and actions that are unified based on the same topic. “Topic” plays a decisive role in distinguishing “scenes”. On the basis of the definition of the term of “scene”, this theis also reveals how “scenes” transfer from each other by analyzing “scene transitions”. This thesis also finds that the characteristic of the narration in Honglou meng is “character-centered” ranther than “plot-centered”, by conducting research on the relationship between “scene”, “chapter” and “chapter title”. -
Dreams of Timeless Beauties: a Deconstruction of the Twelve Beauties of Jinling in Dream of the Red Chamber and an Analysis of Their Image in Modern Adaptations
Dreams of Timeless Beauties: A Deconstruction of the Twelve Beauties of Jinling in Dream of the Red Chamber and an Analysis of Their Image in Modern Adaptations Xiaolu (Sasha) Han Submitted in Partial Fulfillment of the Prerequisite for Honors in East Asian Studies April 2014 ©2014 Xiaolu (Sasha) Han Acknowledgements First of all, I thank Professor Ellen Widmer not only for her guidance and encouragement throughout this thesis process, but also for her support throughout my time here at Wellesley. Without her endless patience this study would have not been possible and I am forever grateful to be one of her advisees. I would also like to thank the Wellesley College East Asian Studies Department for giving me the opportunity to take on such a project and for challenging me to expand my horizons each and every day Sincerest thanks to my sisters away from home, Amy, Irene, Cristina, and Beatriz, for the many late night snacks, funny notes, and general reassurance during hard times. I would also like to thank Joe for never losing faith in my abilities and helping me stay motivated. Finally, many thanks to my family and friends back home. Your continued support through all of my endeavors and your ability to endure the seemingly endless thesis rambles has been invaluable to this experience. Table of Contents INTRODUCTION ....................................................................................... 3 CHAPTER 1: THE PAIRING OF WOOD AND GOLD Lin Daiyu ................................................................................................. -
DOCTOR of PHILOSOPHY Rewriting to Reproduce Beauty a Comparative Case Study of Hong Lou Meng Xu, Binglu
DOCTOR OF PHILOSOPHY Rewriting to reproduce beauty A comparative case study of Hong Lou Meng Xu, Binglu Award date: 2020 Awarding institution: Queen's University Belfast Link to publication Terms of use All those accessing thesis content in Queen’s University Belfast Research Portal are subject to the following terms and conditions of use • Copyright is subject to the Copyright, Designs and Patent Act 1988, or as modified by any successor legislation • Copyright and moral rights for thesis content are retained by the author and/or other copyright owners • A copy of a thesis may be downloaded for personal non-commercial research/study without the need for permission or charge • Distribution or reproduction of thesis content in any format is not permitted without the permission of the copyright holder • When citing this work, full bibliographic details should be supplied, including the author, title, awarding institution and date of thesis Take down policy A thesis can be removed from the Research Portal if there has been a breach of copyright, or a similarly robust reason. If you believe this document breaches copyright, or there is sufficient cause to take down, please contact us, citing details. Email: [email protected] Supplementary materials Where possible, we endeavour to provide supplementary materials to theses. This may include video, audio and other types of files. We endeavour to capture all content and upload as part of the Pure record for each thesis. Note, it may not be possible in all instances to convert analogue formats to usable digital formats for some supplementary materials. We exercise best efforts on our behalf and, in such instances, encourage the individual to consult the physical thesis for further information. -
Private Life and Social Commentary in the Honglou Meng
University of Pennsylvania ScholarlyCommons Honors Program in History (Senior Honors Theses) Department of History March 2007 Authorial Disputes: Private Life and Social Commentary in the Honglou meng Carina Wells [email protected] Follow this and additional works at: https://repository.upenn.edu/hist_honors Wells, Carina, "Authorial Disputes: Private Life and Social Commentary in the Honglou meng" (2007). Honors Program in History (Senior Honors Theses). 6. https://repository.upenn.edu/hist_honors/6 A Senior Thesis Submitted in Partial Fulfillment of the Requirements for Honors in History. Faculty Advisor: Siyen Fei This paper is posted at ScholarlyCommons. https://repository.upenn.edu/hist_honors/6 For more information, please contact [email protected]. Authorial Disputes: Private Life and Social Commentary in the Honglou meng Comments A Senior Thesis Submitted in Partial Fulfillment of the Requirements for Honors in History. Faculty Advisor: Siyen Fei This thesis or dissertation is available at ScholarlyCommons: https://repository.upenn.edu/hist_honors/6 University of Pennsylvania Authorial Disputes: Private Life and Social Commentary in the Honglou meng A senior thesis submitted in partial fulfillment of the requirements for Honors in History by Carina L. Wells Philadelphia, PA March 23, 2003 Faculty Advisor: Siyen Fei Honors Director: Julia Rudolph Contents Acknowledgements………………………………………………………………………...i Explanatory Note…………………………………………………………………………iv Dynasties and Periods……………………………………………………………………..v Selected Reign -
China's Last Great Classical Novel at the Crossroads Of
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Klaipeda University Open Journal Systems 176 RES HUMANITARIAE XIV ISSN 1822-7708 August Sladek – Flensburgo universiteto germanistikos prof. dr. pensininkas. Moksliniai interesai: matematinė lingvistika, lyginamoji filologija, filosofija, ontologija. Adresas: Landwehr 27, D-22087 Hamburgas, Vokietija. El. p.: [email protected]. August Sladek – retired professor of Germanistik, Univer- sity of Flensburg. Research interests: mathematical linguistics, comparative philology, philosophy, ontology. Address: Landwehr 27, D-22087 Hamburgas, Vokietija. El. p.: [email protected]. August Sladek University of Flensburg CHINA’S LAST GREAT CLASSICAL NOVEL AT THE CROSSROADS OF TRADITION AND MODERNIZATION1 Anotacija XVII a. viduryje parašytas „Raudonojo kambario sapnas“ yra naujausias iš Kinijos ketu- rių didžiųjų klasikos romanų. Tradicinių nusidavimų romanų kontekste jis apima daugybę pasakojimo būdų – realistinį, psichologinį, simbolinį, fantastinį. Parašytas kasdiene kalba (Pekino dialektu), jis tapo svarbus moderniosios, standartinės kinų kalbos (putong hua) formavimo šaltiniu naujojo kultūros judėjimo procese nuo praeito amžiaus 3-iojo dešim- tmečio. Mao Zeddongo labai vertinamam romanui komunistai bandė uždėti „progresyvų“ antspaudą. Romano paslėpta religinė (budizmo) intencija liko nepastebėta nei skaitytojų, nei religijotyrininkų. PAGRINDINIAI ŽODŽIAI: kinų literatūra, klasikinis romanas, tradicija ir modernumas. Abstract “The Red Chamber’s Dream” from the middle of 18th century is the youngest of Chi- nas “Four Great Classical Novels”. In the cloak of traditional story-telling it deploys a 1 Quotations from the novel as well as translations of names and terms are taken from Hawkes & Minford (1973–1986). References to their translation are given by the number of volume (Roman numerals) and of pages (Arabic numerals). -
John Zijiang Ding
MYSTICAL SYMBOLISM AND DIALETHEIST COGNITIVISM: THE TRANSFORMATION OF TRUTH- FALSEHOOD (ZHEN-JIA) John Zijiang Ding Abstract: One of the central philosophical issues is the problem of Truth-Falsehood (Zhen-Jia) in A Dream of Red Mansions. We may find three positions in this book: The first is “Truth” (Zhen) which also means “Being,” “Reality,” “Existence,” “Physical and Materialistic Substance,” and “Actual Social affairs”; the second is “Falsehood” (Jia) which means “Non-Being,” “Emptiness,” “Nothingness,” “Nihility,” “Illusory Fiction,” and “Spiritual and Mental Activities;” and the third is “Truth-Falsehood” (Zhen-Jia). The third can be considered “Transformation of Truth and Falsehood,” which has the following four attributes in this book: 1) Unification of truth and falsehood; 2) Interrelation of truth and falsehood; 3) Interaction of truth and falsehood; 4) Inter-substitution of truth and falsehood. The transformation of Truth-Falsehood (Zhen-Jia) in this book can be considered a sort of spiritual transformation which is recognized within the context of an individual self-consciousness, or an individual's meaning system, especially in relation to the concepts of the sacred or ultimate concern. In this article, the author will discuss this theme by explaining and examining the relationship and transformation of “Truth” and “falsehood” through the following three perspectives: traditional Chinese glyphomancy, dialetheism and fatalism. A Dream of Red Mansions――HONG LOU MENG 紅樓夢 is one of the four greatest Chinese classic novels. 1 It may be proper to justify that to understand China, one must read this great work because of its tremendous influence on Chinese literary history. Importantly, the study of this novel has become as popular and prolific as the works of Shakespeare or Goethe. -
Appropriating the West in Late Qing and Early Republican China / Theodore Huters
Tseng 2005.1.17 07:55 7215 Huters / BRINGING THE WORLD HOME / sheet 1 of 384 Bringing the World Home Tseng 2005.1.17 07:55 7215 Huters / BRINGING THE WORLD HOME / sheet 2 of 384 3 of 384 BringingÕ the World HomeÕ Appropriating the West in Late Qing 7215 Huters / BRINGING THE WORLD HOME / sheet and Early Republican China Theodore Huters University of Hawai‘i Press Honolulu Tseng 2005.1.17 07:55 © 2005 University of Hawai‘i Press All rights reserved Printed in the United States of Amer i ca Library of Congress Cataloging- in- Publication Data Huters, Theodore. Bringing the world home : appropriating the West in late Qing and early Republican China / Theodore Huters. p. cm. Includes bibliographical references and index. ISBN 0-8248-2838-0 (hardcover : alk. paper) 1. Chinese literature—20th century—History and criticism. 2. Chinese literature—20th century—Western influences. I. Title. PL2302.H88 2005 895.1’09005—dc22 2004023334 University of Hawai‘i Press books are printed on acid- free paper and meet the guidelines for permanence and durability of the Council on Library Resources. An electronic version of this book is freely available, thanks to the support of libraries working with Knowledge Unlatched. KU is a collaborative initiative designed to make high-quality books open access for the public good. The open-access ISBN for this book is 978-0-8248-7401-8. More information about the initiative and links to the open-access version can be found at www.knowledgeunlatched.org. The open-access version of this book is licensed under Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY- NC-ND 4.0), which means that the work may be freely downloaded and shared for non-commercial purposes, provided credit is given to the author. -
5P.Qian,Part 1,Spirit and Self
∫ SPIRIT AND SELF IN MEDIEVAL CHINA Published with the support of the School of Hawaiian, Asian, and Pacific Studies, University of Hawai‘i ∫ SPIRIT AND SELF IN MEDIEVAL CHINA The Shih-shuo hsin-yü and Its Legacy Nanxiu Qian university of hawai‘i press honolulu © 2001 University of Hawai‘i Press All rights reserved Printed in the United States of America 060504030201 654321 Library of Congress Cataloging-in-Publication Data Qian, Nanxiu. Spirit and self in medieval China: the Shih-shuo hsin-yü and its legacy / Nanxiu Qian. p. cm. Includes bibliographical references and index. ISBN 0-8248-2309-5 (alk. paper)—ISBN 0-8248-2397-4 (pbk. : alk. paper) 1. Liu, I-ch’ing, 403-444. Shih shuo hsin yè. I. Title: Shih-shuo hsin-yü and its legacy. II. Title. DS736.L5363 Q25 2001 895.1'8240208—dc21 00-062949 Chapter 8 first appeared in Nan Nuu: Men, Women, and Gender in Early and Imperial China, Kononklijke Brill N.V., Leiden, The Netherlands (1999). Chapter 9 first appeared in Early Medieval China 4 (1998): 49–82. Both appear here in revised form with the permission of the publishers. University of Hawai‘i Press books are printed on acid-free paper and meet the guidelines for permanence and durability of the Council on Library Resources. Designed by Deborah Hodgdon Printed by The Maple-Vail Book Manufacturing Group To Richard B. Mather ∫ Contents List of Figures ix Acknowledgments xi Chinese Dynasties xiii Japanese Periods Involved in the Japanese Shih-shuo Imitations xv Introduction 1 Part 1 From Character Appraisal to Character Writing: The Formation of the Shih-shuo Genre Chapter 1. -
Translating Culture-Specific Elements in Names in Hong Lou Meng: a Comparison of the Story of the Stone and the Dream of Red Mansion
English Language and Literature Studies; Vol. 7, No. 1; 2017 ISSN 1925-4768 E-ISSN 1925-4776 Published by Canadian Center of Science and Education Translating Culture-specific Elements in Names in Hong Lou Meng: A Comparison of The Story of the Stone and The Dream of Red Mansion Ting Wang1 & Jiafeng Liu1 1 School of Foreign Languages, Southwest University for Nationalities, Chengdu, China Correspondence: Jiafeng Liu, School of Foreign Languages, Southwest University for Nationalities, Chengdu, China. E-mail: [email protected] Received: January 10, 2017 Accepted: February 3, 2017 Online Published: February 8, 2017 doi:10.5539/ells.v7n1p51 URL: http://dx.doi.org/10.5539/ells.v7n1p51 This paper is supported by the Fundamental Research Funds for the Central Universities, Southwest University for Nationalities (Grant No. CX2015SP153). Abstract The names of the characters in Hong Lou Meng, crafted to indicate both the development of the storyline and the characteristics of the characters, contain abundant culture-specific elements, which make them difficult to render into English. On the basis of a systematic study on the original work and its two unabridged translations of Hong Lou Meng, the culture-specific elements in the original names are categorized into the following three: Chinese naming, Chinese family hierarchy and Chinese Character. Three strategies on compensation for the lost culture-specific elements are found to be employed at different levels in the two translations, including on-line compensation, off-line compensation and zero compensation. The strategy of on-line compensation involves semantic translation plus transliteration and annotation in text. Off-line compensation includes note of Chinese spelling, annotation out of text, interpretation of characters’ names in introduction, note ofcharacters’ names in appendix, introduction of characters in appendix and dendrogram of genealogy; Zero compensation includes transliteration, omission, transfer, substitution and literal translation. -
The Fall of a Family: Tracing the Aristotelian Model of Catastrophe In
1 The Fall of a Family Tracing the Aristotelian Model of Catastrophe in Dream of the Red Chamber and Buddenbrooks Cecily Cai In the Poetics, Aristotle claims that tragedy is a mimesis of an elevated action that evokes pity and fear.1 The core of tragedy is the plot and, according to Aristotle, the best kind contains peripeteia or catastrophe that is the reversal of fortune from good to bad. Guided by this Aristotelian model, I attempt to read two great novels that epitomize the catastrophe within a family. Although originating from two different cultures and time periods, both Cao Xueqin’s Hong Lou Meng (Dream of the Red Chamber, hereafter HLM) and Thomas Mann’s Buddenbrooks stand out in their unified theme of Verfall (decline). Each novel bears its own traces of an Aristotelian tragedy and unfolds the catastrophe by way of elaborate foreshadowing implanted throughout the plot. Neither HLM nor Buddenbrooks strictly follows the structure of a tragedy in Aristotle’s time, yet both works are inspired by the spirit of tragedy in Aristotle’s Poetics and bear similar traces of the Aristotelian model in portraying the fall of a family. Following the framework illustrated by Aristotle,2 both HLM and Buddenbrooks are constructed upon a complex plot with a reversal in the course of the transformation that is the fall of the family. 1 “Tragedy, then, is a mimesis [mīmēsis] of an action [praxis] that is serious [spoudaiā], complete [teleiā], and having magnitude [megethos]; with language [logos] embellished individually in each of its forms [eidos plural] and in each of its parts [morion plural]. -
Toward a Maoist Dream of the Red Chamber: Or, How Baoyu and Daiyu Became Rebels Against Feudalism
Journal of chinese humanities 3 (���7) �77-�0� brill.com/joch Toward a Maoist Dream of the Red Chamber: Or, How Baoyu and Daiyu Became Rebels Against Feudalism Johannes Kaminski Postdoctoral Researcher, Academia Sinica, Taiwan [email protected] Abstract Mao Zedong’s views on literature were enigmatic: although he coerced writers into “learning the language of the masses,” he made no secret of his own enthusiasm for Dream of the Red Chamber, a novel written during the Qing dynasty. In 1954 this para- dox appeared to be resolved when Li Xifan and Lan Ling presented an interpretation that saw the tragic love story as a manifestation of class struggle. Ever since, the conception of Baoyu and Daiyu as class warriors has become a powerful and unques- tioned cliché of Chinese literary criticism. Endowing aristocratic protagonists with revolutionary grandeur, however, violates a basic principle of Marxist orthodoxy. This article examines the reasons behind this position: on the one hand, Mao’s support for Li and Lan’s approach acts as a reminder of his early journalistic agitation against arranged marriage and the social ills it engenders. On the other hand, it offers evidence of Mao’s increasingly ambiguous conception of class. Keywords class struggle – Dream of the Red Chamber – Hong Lou Meng – Mao Zedong – On Contradiction literature * I am grateful to the Academia Sinica in Taipei, in particular to the Department of Chinese Literature and Philosophy. Dr. Peng Hsiao-yen’s intellectual and moral support facilitated the research work that went -
A Tutorial on Libra: R Package for the Linearized Bregman Algorithm in High Dimensional Statistics
Chapter 1 A Tutorial on Libra: R package for the Linearized Bregman Algorithm in High Dimensional Statistics Jiechao Xiong, Feng Ruan, and Yuan Yao Abstract The R package, Libra, stands for the LInearized BRegman Algo- rithm in high dimensional statistics. The Linearized Bregman Algorithm is a simple iterative procedure to generate sparse regularization paths of model estimation, which are firstly discovered in applied mathematics for image restoration and particularly suitable for parallel implementation in large scale problems. The limit of such an algorithm is a sparsity-restricted gradient de- scent flow, called the Inverse Scale Space, evolving along a parsimonious path of sparse models from the null model to overfitting ones. In sparse linear regression, the dynamics with early stopping regularization can prov- ably meet the unbiased Oracle estimator under nearly the same condition as LASSO, while the latter is biased. Despite their successful applications, statistical consistency theory of such dynamical algorithms remains largely open except for some recent progress on linear regression. In this tutorial, algorithmic implementations in the package are discussed for several widely used sparse models in statistics, including linear regression, logistic regres- sion, and several graphical models (Gaussian, Ising, and Potts). Besides the simulation examples, various application cases are demonstrated, with real world datasets from diabetes, publications of COPSS award winners, as well as social networks of two Chinese classic novels,